News & Views Tuesday, April 23, 2024

Beyond the Screen: Film Works on Piano by Rachel Portman
With “Beyond the Screen,” Rachel Portman has curated some of her most cherished film music for solo piano. She refers to the piano as her best friend, adding “I spend all day with it, most days. I think probably I’m pianistic in my soul.” Hence, piano miniatures are a natural second life for her highly melodic scores. The album comprises various new solo piano arrangements by the composer based on her well-known soundtracks such as “Chocolat,” “The Cider House Rules,” or “The Duchess,” as well as a piano suite from her Oscar-winning original score “Emma.”

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recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Weather: Stand the Storm by Rollo Dilworth, SATB divisi, Speaker(s) and Wind Ensemble or piano
Historically, the arts have always fulfilled the dual roles of responding to change while at the same time creating change. “Weather” is a poem that gives voice to the voiceless, especially those who have been and continue to be marginalized because of difference. It responds to and reflects realities that are both culturally specific and humanly universal. Professor Claudia Rankine challenges all of us (no matter our background or lived experience) to know better, to do better, to take action, and to become agents of social justice and social change.

This work for choir, narrator, and piano with optional Wind Symphony or Chamber Ensemble, is to be a learning and growing experience for the singers, the audience, and the conductor/teacher in all ways emotional and intellectual . There is a companion resource for “Weather” intended for students, educators, conductors, and audiences to learn more about the social, political, and historical context of this work. This guide offers an opportunity for everyone to deeply engage with “Weather” and understand its critically important social and historical context. The guide, created by Dr. Colleen Sears, Professor of Music at The College of New Jersey, encourages us to honor the intent of Claudia Rankine’s poetry and Rollo Dilworth’s music; to become better citizens in our communities and to bridge divides through our shared humanity.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Christopher B., Organ Music Specialist

Oxford Book of Organ Music by Women Composers
“The Oxford Book of Organ Music by Women Composers” presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned pieces. The music is stylistically varied and encompasses both secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument.

Female Composers
A treasure house with organ pieces by female composers complete with composer bios. Contents: Elisabeth Stirling (1819-95), Movement • Elfrida Andrée (1841-1929), Andante and Larghetto • Cécile Chaminade (1857-1944), Marche funèbre • Ethel Smith (1858-1944), Prelude and Fugue on ‘O Traurigkeit, o Herzeleid’ • Nadia Boulanger (1887-1979), Prélude, Petit Canon and Improvisation • Elsa Barraine (1910-1999), Prélude et Fugue • Ruth Zechlin (geb. 1926), Laudate • Emma Lou Diener (geb. 1927), Fiesta • Sieglinde Ahrens (geb. 1936), Invocation • E. Stirling: Movement Ab-major • E. Andrée: Andante • Largo • C. Chaminade: Marche funèbre op. 171 • E. Smyth: Prelude and Fugue on “O Traurigkeit, o Herzeleid” • J. Senfter: Fantasie und Fuge G major “Wie schön leuchtet der Morgensterin” op. 30 • N. Boulanger: Prélude • Petit canon • Improvisation • E. Barraine: Prélude et Fugue • J. Demessieux: O filii (Variations) • E. Szöny: Dance tune • R. Zechlin: Laudate • E.L. Diemer: Fiesta • L. Robert-Diessel: Song-B. • Heller: Persian Song • Notte di Maggi/A night in May • S. Ahrens: Invocation • I. Loudová: Monument • V. Dinescu: Rows of Symbols • E.M. Houben: Chorale Prelude “Nun komm, der Heiden Heiland” • D. Koptein: Chorale Fantasia “Ach wie flüchtig, ach wie nichtig” op. 4.

Women Composers’ Album
A wonderful collection of largely unexplored yet charming works. Fifteen composers are represented, Clara Schumann and Fanny Mendelssohn Hensel among them. Titles include: “Rigaudon” and “Rondeau” by Elizabeth Jacquet de la Guerre; “March in D,” “Aria,” and “Gigue” by Elizabeth Turner; “Allegro in D” by Anna Bon; “Andante Espressivo” by Hélène Riese Liebmann; “Chorale, Op. 3, No.” and “Andante, Op. 3, No. 5” by Fanny Mendelssohn Hensel; “Prelude in g minor, Op. 16, No. 1” by Clara Schumann; “Duo” by Elizabeth von Herzogenberg; “Postlude in f minor” by Luise Adolpha Le Beau; “Postlude: Introduction and Fugue” by Adela Douglas-Pennant; “Andante espressivo (Sonatine)” by Hedwige Chrétien; “Even Song” and “Andante Grazioso (Introductory Voluntary)” by Kate Boundy; “Chorale” by Alice Sauvrezis; “Invention dans le style ancient” by Henriette Renié; “Adoration” by Florence B. Price; and “Berceuse” by Germaine Tailleferre.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

Peter Schickele (1935-2024) was an American composer, musical educator, and parodist, best known for comedy albums featuring his music, which he presented as being composed by the fictional P.D.Q Bach, the “youngest and the oddest of the twenty-odd children” of Johann Sebastian Bach.

Little Pickle Book (Pöckelbüchlein) (S. 6) by P.D.Q. Bach/tastefully edited by Peter Schickele, for Organ, at least
1. Toccata et Fuga Obnoxia
2. Chorale Prelude: Ave Maria et Agnus Dei
3. Fantasia sopra “Fraülein Maria Mack”
4. Lullaby and Good Night

Three Chorale-Based Piecelets (S. III) by P.D.Q. Bach/edited, in a highly organized fashion, by Peter Schickele, for Organ
I. Chorale: “Orally”
II. Chorale Prelude on an American Hymn for the Last Sunday Before the Fourth Day of the Seventh Month After New Year’s Eve
III. Chorale Variations on “In der’ Nacht so hell der Petrus ist mein Freund”

Sonata da Circo (Circus Sonata) (S. 3 Ring) by P.D.Q. Bach/whipped into shape by Peter Schickele, for Organ or Whatever
I. Spiel Vorspiel
II. Entrada Grande
III. Smokski, the Russian Bear
IV. Toccata Ecdysiastica

Toot Suite (S. 212) by P.D.Q. Bach/scholarly edited by Peter Schickele, for Calliope or Organ, 4-hands
I. Preloud
II. O.K. Chorale
III. Fuga Vulgaris

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

More Hymns, Pipes & Praise arr. Anna Laura Page
Contemporary worship songs have become integrated into traditional worship, and here’s a “second serving” of the skillful and tasteful blending of more popular worship songs with hymns for the organ. Titles include: “Awesome God (with All Glory, Laud, and Honor),” “Because He Lives (with Blessed Assurance),” “Before the Throne of God Above (with Great Is Thy Faithfulness),” “Blessed Be Your Name (with In Heavenly Love Abiding),” “El Shaddai (with What a Friend We Have in Jesus),” “How Deep the Father’s Love for Us (with And Can It Be),” “I Could Sing of Your Love Forever (with When In Our Music God Is Glorified),” “Open the Eyes of My Heart (with O Worship the King),” “10,000 Reasons (Bless the Lord) (with How Great Thou Art),” and “What a Beautiful Name (with Glorious Is Thy Name).”

Hymns, Pipes & Praise arr. Anna Laura Page
Ten medleys of hymns blended with praise songs very nicely arranged for organ. Titles include: “Amazing Grace (with Amazing Grace My Chains Are Gone),” “Holy Is the Lord (with Lord, I Lift Your Name on High),” “My Jesus, How I Love Thee (with I Love You, Lord),” “How Great Thou Art (with How Great Is Our God),” “Fairest Lord Jesus (with As the Deer),” “No, Not One! (with Shout to the Lord),” “When I Survey the Wondrous Cross (with There Is a Redeemer),” “O Worship the King (with Here I Am to Worship),” “Precious Lord, Take My Hand (with In Christ Alone),” and “Holy, Holy, Holy (with Holy Is the Lord).”

Hymns, Pipes & Classics arr. Anna Laura Page
Ten medleys of hymns blended with classic works by Bach, Handel, Mendelssohn and Mozart. Titles include: “Ash Grove (with Handel’s Thanks Be to God),” “Hyfrydol (with He Shall Feed His Flock),” “Gentle Mary Laid Her Child (with Sheep May Safely Graze),” “Infant Holy (with Jesu Joy of Man’s Desiring),” “Fairest Lord Jesus (with Bach’s My Heart is Ever Faithful),” “Sweet Hour of Prayer (with Nocturne),” “My Faith Looks Up to Thee (with Ave Verum),” “St. Agnes (with Mendelssohn’s If With All Your Hearts from Elijah),” “Hanson Place (with Prelude in C Major by Bach),” and “Lancashire (with Allitsen’s The Lord Is My Light).”

The King of Heaven arr. Anna Laura Page
All five hymn tunes included in have one theme: Praise to God, the Father. These settings will offer great ideas to organists in planning service music, including preludes, postludes, and ideas for hymn introductions, alternate hymn harmonizations, and codas appropriate for congregational singing. Titles include: “I’ll Praise My Maker,” “Praise the Lord! Ye Heavens Adore Him,” “O for a Thousand Tongues to Sing,” “Praise the Lord Who Reigns Above,” and “Praise, My Soul, the King of Heaven.”

I Will Ever Sing to Thee arr. Anna Laura Page
Anna Laura Page has created eight accessible arrangements of familiar hymn tunes, each primarily associated with a text related to the theme of music itself or singing. These useful pieces make excellent voluntaries throughout the church year and will be especially welcome for festival services that involve a musical focus. Titles include: “Amazing Grace,” “When in Our Music God Is Glorified,” “Fill the Earth with Music,” “How Can I Keep from Singing?,” “I Will Sing of My Redeemer,” “Sing Praise to God Who Reigns Above,” “Oh, for a Thousand Tongues to Sing,” and “When the Morning Stars Together.”

And Through Eternity I’ll Sing On arr. Anna Laura Page
From the creative spirit of Anna Laura Page comes this volume of hymn tune settings that resonate with themes most deeply felt during the Lenten and Holy Week seasons: grief, suffering, repentance, prayer, and contrition. Each of these nine spirituals is a masterpiece in miniature, drawing us all closer to the cross of Christ at this most sacred time of year. Titles include: “There Is a Balm in Gilead,” “What Wondrous Love Is This,” “Were You There When They Crucified My Lord?,” “Sometimes I Feel Like a Motherless Child,” “My Lord, What a Morning,” “Surely He Died on Calvary,” “Jesus Walked This Lonesome Valley,” “He Never Said a Mumbalin’ Word,” and “I Am a Poor, Wayfaring Stranger.”

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

King of Kings: Organ Music of Black Composers, Past and Present compiled and edited by James Abbington
An important contribution to the repertoire for both the church organist and the recitalist! In this unique series you’ll find organ works by composers from the late 19th century to the present day.

King of Kings Volume 1
Titles include: “King of Kings” arr. Ralph Simpson; “A Little More Faith in Jesus” arr. John W. Work III, “Jesus, Keep Me Near the Cross” arr. D.L. White, “Lord, Build Me a Cabin in Glory Land,” “Were You There,” and “Triumphal March of Heritage” by Uzee Brown Jr.; “Retrospection” by Florence B. Price; “Offertory” by H. Leslie Adams; “Talk About a Child That Do Love Jesus” arr. Calvin Taylor; “Arietta,” “Melody,” and “Elegy” by Samuel Coleridge-Taylor; and “Go Down, Moses” arr. W.C. Handy/adapt. Walter C. Simon.

King of Kings Volume 2
Titles include: “Fanfare and Chorale” by Calvin Fuller; “Prayer: An Offertory” by George Walker; “Adoration,” “A Pleasant Thought,” and “In Quiet Mood” by Florence B. Price; “Bye and Bye” and “Wade in duh Waddah!” arr. William Farley Smith; “Impromptu” by Samuel Coleridge-Taylor; “Give Me Jesus” arr. Marques L.A. Garrett; “Go Down, Moses,” “Yoruba Lament,” and “Joshua Fit de Battle ob Jericho” arr. Fela Sowande.

King of Kings Volume 3
Titles include: “Toccata on Good News” by Carl MaultsBy; “Prelude on I Am Thine, O Lord” by Monte Thomas; “Jubilate” by Fela Sowande; “Variations on a Theme by Ellie” by Trevor Weston; “Churchyard Chatter” by Uzee Brown Jr.; “Bread of Heaven” by William B. Cooper; “Fantasy on Walk Together, Children” by André J. Thomas; “His Eye Is on the Sparrow” by Carl Haywood; and “Postlude on Go, Tell It on the Mountain” by Norah Duncan IV.

King of Kings Volume 4
Titles include: “Fanfare and Fughetta for Organ” by Julius P. Williams; “Fanfare on DARWALL’S 148TH (Rejoice, the Lord Is King)” by Evelyn Simpson-Curenton; “Fantasia (The Resurrection)” by Eurydice V. Osterman; “Finale – Allegro (from Sonata No. 1 for Organ)” by Florence B. Price; “Fugue in F” by David Hurd; “Gospel Fancy (He Knows Just How Much We Can Bear)” by Phyllis Hall; “Kyrie” by Fela Sowande; “Listen to the Lambs” by Adolphus Hailstork; “Obangiji” by Fela Sowande; “Poor Wayfaring Stranger” by Eurydice V. Osterman; “Spirit Fantasy” by Carl Haywood; “There Is a Balm in Gilead” by Adolphus Hailstork; and “Ubi Caritas” by Norah Duncan IV.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

To God Be the Glory arr. Victor Labenske
Includes seven glorious arrangements of beloved hymns at the late intermediate level that can be prepared rather quickly for worship services. The lyrics of each verse are musically portrayed by this talented arranger. Useful and deeply meaningful choices as worship preludes, offertories, postludes, or for personal enjoyment and inspiration. Titles include: “Joyful, Joyful We Adore Thee,” “Be Thou My Vision,” “Immortal, Invisible, God Only Wise,” “Just As I Am,” “This Is My Father’s World,” “Doxology,” and “To God Be the Glory.”

Rejoice and Give Thanks arr. Victor Labenske
This talented composer/arranger largely uses the lyrics of each verse of these seven familiar hymns as the basis for these uniquely colorful, yet respectful arrangements. The results are deeply meaningful to both listener and performer. Excellent choices for preludes, offertories, or postludes. Titles include: “Alleluia! Sing to Jesus,” “For All the Saints,” “Great Is Thy Faithfulness,” “Jesus Is All the World to Me,” “Near to the Heart of God,” “Rejoice, the Lord Is King,” and “Ye Servants of God.”

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recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

Contemporary Worship Classics arr. Mark Hayes
Pianist/composer Mark Hayes puts his unique spin on ten contemporary classics for worship. These intermediate piano solos, infused with rich harmonic language and hints of jazz, will be welcome in both church and home.

Titles include: “Amazing Grace (My Chains Are Gone),” “Cornerstone,” “How Deep the Father’s Love for Us,” “In Christ Alone,” “Living Hope,” “Lord, I Need You,” “Open the Eyes of My Heart,” “10,000 Reasons (Bless the Lord),” “Yet Not I But Through Christ in Me,” and “Your Name.”

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About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

El Manto Dorado by Jorge Vargas, Grade 2
“El Manto Dorado (The Golden Cape)” is a Spanish march, or pasodoble by composer Jorge Vargas. This style of march, popular in Spain and Mexico and with mariachi groups, was commonly used in bullfights, and the most popular ones were named after famous bullfighters. Driving rhythms and memorable melodies abound in this dazzling new offering that will showcase the best in your developing musicians at your next festival or concert performance.

Operation: Super Sleuth by Christina Huss, Grade 2
Warning! This description will self-destruct in thirty seconds! The excitement of spy and detective movies is translated to young band by composer Christina Huss! Beginning with a brief slow section to set a film noir-esque mood, the work quickly moves into a faster mode in 3/4 time as the chase is on! Rhythmic and driving, this work will provide a great challenge for your developing musicians! …3…2…1…BOOM!

Mesa Dances by Gavin Lendt, Grade 3.5
The beautiful and majestic landscapes and people of the southwest serve as the inspiration for this energetic new work by Gavin Lendt. Motivic repetition, relentless percussion, and dramatic dynamic effects paint a picture of the desert mountains underneath a cerulean sky. Featuring Lendt’s keen sense of orchestration, this exciting new piece would work well as an opener, finale, or any moment of your next concert or festival performance.

Time Travelers First Mission by Randall Standridge, Grade 0.5-1
It’s TIME for adventure in this unique new suite of miniatures by Randall Standridge. Take your young performers on a musical adventure through the ages while also exploring different time signatures and styles. Using the range of the first 6 notes usually taught to beginning students, this delightful work is both highly educational and wildly entertaining. Optional narrator audio files add to the effect of this standout new piece for beginning or developing musicians.

Dark Beginnings by Randall Standridge, Grade 1
In “Dark Beginnings,” Randall Standridge takes many familiar beginning band tunes (Hot Cross Buns, Mary Had a Little Lamb, Twinkle Twinkle, Baa Baa Black Sheep) and mashes them together with a sinister twist! These songs are transformed into minor mode versions and set along with bombastic percussion, driving rhythms, and vocal effects for the winds. Optional easier snare drum and mallet parts will ensure this work is appropriate for first or second-year players. Use the downloadable melody sheet to assist in your musicians’ development. A perfect way to make some of the first tunes your students learned “cool” again.

Me (reAffirmation) by Randall Standridge, Grade 1.5
Another chapter in the “unBroken Project,” this stirring work by Randall Standridge confronts the emotional toll that bullying takes on individuals. Borrowing themes and melodies from his work “Affirmation,” Randall has created a lullaby that evokes comfort, peace, and healing. Musical, colorful, and very timely, this work will bring out the emotional side of your musicians while providing a useful tool for discussing the challenges that many of our young musicians face.

Afterburn: Relaunch by Randall Standridge, Grade 2
Take to the skies again in this “relaunch” of Randall Standridge’s work “Afterburn.” Rescored, revoiced, and with new harmonic and countermelodic gestures, this new edition maintains the energy and fun of the original while creating more engaging moments for ALL musicians. We hope you enjoy this reimagining of a well-loved piece for band!

Fanfare Americana by Randall Standridge, Grade 2
The sweeping landscapes and sounds of American classical music serve as the inspiration for this new fanfare from composer Randall Standridge. Paying homage to Aaron Copland, this work balances careful scoring with quartal harmony and motivic development to provide a musical experience that is simultaneously exciting and accessible. The composer paid special attention to range to make sure that your ensemble will sound its best at your next concert, festival, or patriotic performance!

Fracas by Randall Standridge, Grade 3.5
Fracas (noun): a noisy, disorderly disturbance or fight; riotous brawl; uproar. This perfectly describes this new work by composer Randall Standridge that serves as a spiritual follow-up to his piece “Ruckus.” Inspired by the horn bands and jazz musicians of the 60’s and 70’s, this work includes memorable horn riffs, challenging percussion, and unbridled rhythmic energy. Pops meets symphonic to great effect in this work that is sure to bring the house down at your next concert!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Donald Nally is the conductor of the Grammy winning choir The Crossing. He has commissioned over 120 works and is also the director of choral organizations at Northwestern University.

Donald’s new series “Contemporary Voices” features publications from a diverse group of composers that reflect contemporary societal themes and are also within the skill level of many choral organizations. Most of these publications have been recorded on releases from The Crossing choir and this series makes them available for the first time on a wider basis.

Exodus by Alex Berko, SATB a cappella
Inspired by the Exodus text, “Who is like you, O God?,” this challenging work is rewards the performers and listeners with an exploration into the possibilities and reflections of God. Commissioned by Donald Nally and The Crossing, it is included in a longer cycle entitled “Carols After the Plague.”

Jerusalem by Kile Smith, SATB divisi a cappella
This work comes from a larger work entitled “The Arc in the Sky.” The compositional style, while musically challenging, is very singable and balances consonance and dissonance.

Shining Still by Vanessa Lann, SATB a cappella
This challenging work, from the project “Carols After a Plague,” offers the performers and listeners an opportunity to reflect on the light left behind from those lost to COVID.

She Took His Hands by Nicholas Cline, SATB a cappella
This contemplative work effectively highlights activism for immigration. A challenging and rewarding work for advanced ensembles.

Colouring-In Book by Leila Adu-Gilmore, SATB a cappella
A work that explores vocal techniques and offers a significant challenge for singers. It is a whimsical text with depth of meaning that is rewarding to the performers and listeners.

What It Might Say by Ted Hearne, SATB a cappella
The haunting setting from the Donald Nally Contemporary Voices series challenges the singers. A great piece for a resonant performance space.

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recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Sicut Cervus by G.P. da Palestrina/ed. Thomas Dunn. SATB a cappella
A pristine example of Italian Renaissance sacred literature for mixed choir. The Latin text is based on Psalm 42.

Daniel, Daniel, Servant of the Lord arr. Undine S. Moore, SSAATTBB a cappella
One of the great a cappella spiritual arrangements of all time, “Daniel, Daniel, Servant of the Lord” is a very popular selection in a variety of situations, and deservedly so!

Shenandoah arr. James Erb, SSAATTBB a cappella
James Erb’s classic eight-part (SSAATTBB) arrangement of the American folk song “Shenandoah” has taken its rightful place in our contemporary choral literature. It’s a winner!

The May Night by Johannes Brahms/arr. Arthur Frackenpohl, SATB with piano
With short sections for men only and women only, this is a popular contest/festival selection.

Set Me as a Seal by René Clausen, SATB a cappella
Quiet and relatively short in duration, this a cappella work is pensive and wonderfully expressive. Often selected for performance in contests and festivals, it has earned its reputation as a 20th century choral classic.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Technic Classics: Piano Exercises Adapted and Composed by Lisa & Lori Bastien
These books are essential supplements to most standard piano methods. They are compilations of original, adapted, and composed technic exercises from the great European pedagogues of the 19th century as well as original works by Lisa Bastien. The series is designed to help students gain the ability to play the piano efficiently and comfortably while producing a beautiful sound. Close attention is give to the progression of concepts and includes the best exercises by Beyer, Czerny, Hanon, Schmitt, Gurlitt, Burgmüller, Türk, Wohlfahrt, and others. Useful Bastien teaching tips are also included.

Technic Classics Primer
Matches method series in which students learn notes from middle-C outward on the grand staff. Gives focus to lifting from the keys led by the wrists as well as shifting arm weight from one finger to the next. Playing melodic intervals and selected harmonic intervals (2nds, 3rds, 5ths) with the building blocks necessary for playing two- and three-note chords. Various note naming exercises are also included. Beautifully illustrated. A total of 26 exercises on 32 pages.

Technic Classics Level 1
This exercise book gives attention to many technic elements appropriate to early elementary piano students beginning with the down-up motion of the wrist in playing two-note slurs. Focus is also given to developing hands-together playing using mirror technics between the hands as well as parallel motion. It also includes preparation for playing 3-note chords including I and V7 chord (two-note) introduction. Up-touch staccato is introduced along with early experiences with playing staccato vs. legato between the hands. G and F positions are utilized. Agility exercises are notated in eighth notes and some early use of the damper pedal is explored. “Technic Challenges” ask students to transpose many of the exercises to other white keys. Has 52 exercises on 32 pages.

Technic Classics Level 2
Exercises by the master 19th century pedagogues appear more frequently throughout this book than the previous levels. Many exercises are included that build the skills needed for hands-together playing, agility development, finger crossing skills (needed to play fulloctave scales), melodic and harmonic 6ths, as well as I chords, inverted IV and V7 chords for cadences. Also included are hand-over-hand exercises and early experiences in voicing some notes louder than others within a series of eighth notes. Includes 58 exercises on 32 pages.

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recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

Shepherd Songs (12 Meditations on Psalm 23 for Solo Piano) by Joel Raney
The vast majority of sacred piano music is hymn settings, but pianists often need music that sets a certain tone without calling to mind familiar lyrics. Here are 12 original, reflective, piano compositions with optional parts for C instruments and cello. Some are somber and melancholy, ideal for communion and memorial services. Some are warm and hopeful, perfect for general worship and weddings. Most are simple in form and under three minutes with optional repeats. If you’re looking for something playable and pretty, this is the collection for you.

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About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

A Peaceful Noel (Reflective Carols for Piano) arr. Lloyd Larson
Masterfully crafted by the always creative and dependable Lloyd Larson, the arrangements in this collection are all peaceful in nature. They are intended to help create a spirit of calm and repose during a busy season, whether in corporate worship settings or in private times of devotion. But most importantly they remind us that the Prince of Peace, the One born of God, has come to dwell among us; to bring hope and tranquility into our world of chaos and turmoil.

Titles include: “Come, Thou Long-Expected Jesus,” “Let All Mortal Flesh Keep Silence,” “How Far Is it to Bethlehem,” “O Little Town of Bethlehem,” “Angels We Have Heard on High,” “Gentle Mary Laid Her Child (with Infant Holy, Infant Lowly),” “Sing We Now of Christmas (with The First Noel),” “Away in a Manger,” “I Wonder as I Wander,” and “We Three Kings.”

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About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

Little Jazz Madrigals by Bob Chilcott, SATB with piano and optional bass & drum kit
This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The first, “Sing we and Chant it,” is a relaxed jazz waltz with a compelling melody, and singers will especially revel in the rich harmonies of the expressive “Weep, O mine eyes” setting that follows. “Learned Poets” has a bossa nova feel with a strong rhythmic groove and characterful syncopations, and the urgent rolling tempo of movement four captures the text’s calamity and titular call of “Fire, fire!,” also expressed by a walking bass line that continually drives towards the work’s emphatic conclusion. The stylistic piano part may be played as written or serve as a guide, and a bass and drum kit part is available separately for trio accompaniment.

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Continental Suite: 6 Original Piano Solos by Eugénie Rocherolle
Enjoy the wonders of Europe through these six original piano solos at the intermediate level. The CD features piano solo recordings by Eugénie Rocherolle. Titles include: “Belgian Lace,” “In Old Vienna,” “La Piazza,” “Les Avenues de Paris,” “Oktoberfest,” and “Rondo Capichio.”

Fantasia del Tango: 6 Original Piano Solos and 1 Duet by Eugénie Rocherolle
Features 6 original piano solos (and a bonus piano duet!) that were influenced by the famous Argentinian tango. The pieces are full of exotic flair, and the exciting rhythms will motivate and inspire! Includes online audio recordings by Ms. Rocherolle. Titles include: “Bailando Conmigo (Dancing with Me),” “Debajo las Estrellas (Under the Stars),” “Ojos de Coqueta (Teasing Eyes),” “Promesa de Amor (Promise of Love),” “Suenos de Ti (Dreams of You),” “Suspiros (Longings),” and “Tango Caprichoso (Tango Fancy).”

Recuerdos Hispanicos: Original Solos by Eugénie Rocherolle
This book in the Eugénie Rocherolle Series offers seven original solos at the mid- to late-intermediate level: “Brisas Isleñas (Island Breezes),” “Dia de Fiesta (Holiday),” “Un Amor Quebrado (A Lost Love),” “Resonancias de España (Echoes of Spain),” “Niña Bonita (Pretty Girl),” “Fantasia del Mambo (Mambo Fantasy),” and “Cuentos del Matador (Tales of the Matador).”

Romantic Stylings: 8 Original Piano Solos by Eugénie Rocherolle
Eight wistful, creative and playable originals in a romantic style for intermediate piano solo. Titles include: “Cafe de Paris,” “Celebracion,” “Last Dance,” “Longings,” “Memento,” “Rapsodie,” “Reflections,” and “Romance.”

Valses Sentimentales: 7 Original Solos by Eugénie Rocherolle
Seven original solos, including: Bal Masque (Masked Ball), Jardin de The (Tea Garden), Le Long du Boulevard (Along the Boulevard), Marche aux Fleurs (Flower Market), Nuit sans Etoiles (Night Without Stars), Palais Royale (Royal Palace), Promenade a Deux (Strolling Together).

Reflective Piano Solos: 11 Beautiful Moods and Styles by Eugénie Rocherolle
A combination of 11 original pieces plus familiar favorites by Rocherolle! Exploring modern works can be challenging; thus, this curated collection also includes familiar music that will bring hours of pleasure to both audience and performer. Pieces range in difficulty from intermediate to early advanced. Titles include: “Beautiful Dreamer,” “Water Is Wide,” “Big Tease,” “An Easy Swing,” “It Had to Be You,” “Long Ago,” “On Saying Goodbye,” “Reminiscence,” “Southwestern Skies,” “Shenandoah,” and “Prelude in Blue.”

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