Baile de Fuego by Randol Alan Bass, Grade 4 A rhythmic and stirring addition to the band repertoire, “Baile de Fuego” demands excellence and attention from all players. Percussion adds much spice while utilizing a wide array of instruments.
Brown Bear by Kelly Bennette, Grade 3 The golden age of marches (early 20th century) gave us a wealth of wonderful literature. That tradition is still alive and well, as can be seen with this tuneful addition to the repertoire of Kelly Bennette. It doesn’t have to be old to be good!
The Defending Circle by Karl L. King/arr. Gene Milford, Grade 3 This work received its title “from some ritualistic work of a certain fraternity.” Composed in 1913, the march is dedicated to Clive Dayton of Brighton, Iowa, a trombonist and the assistant conductor of the Barnum & Bailey’s Band under Ned Brill.
The Governor’s Own by Alton Adams/arr. Loras Schissel, Grade 4 Alton Adams was the first black bandmaster in the United States Navy, and perhaps the most popular. His bands were celebrated across the United States during his service years. He eventually rose to political prominence in the U. S. Virgin Islands.
Sword of Saint Michael by Kelly Bennette, Grade 3 This piece has a delightful melody and the flavor of a transcription, but it is an action- packed original for concert band. It has a big, beautiful sound and parts to challenge every section.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
SACRED CHORAL READING SESSION Saturday August 10, 2024 9:00 a.m.-12:30 p.m. Church of the Messiah, 51 N. State Street, Westerville OH 43081 Presented by Lloyd Larson $25.00
Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.
Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.
Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.
SACRED PIANO READING SESSION Saturday August 10, 2024 2:00 p.m.-4:30 p.m. Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215 Presented by Lloyd Larson $5.00
Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.
Beyond the Screen: Film Works on Piano by Rachel Portman With “Beyond the Screen,” Rachel Portman has curated some of her most cherished film music for solo piano. She refers to the piano as her best friend, adding “I spend all day with it, most days. I think probably I’m pianistic in my soul.” Hence, piano miniatures are a natural second life for her highly melodic scores. The album comprises various new solo piano arrangements by the composer based on her well-known soundtracks such as “Chocolat,” “The Cider House Rules,” or “The Duchess,” as well as a piano suite from her Oscar-winning original score “Emma.”
recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists
Waltzing Matilda by John Feierabend/illustrated by Adriana Wimler “You’ll come a-waltzing” with this lively Australian folk song, part of a series of captivating picture books based on beloved songtales collected by John M. Feierabend. Chock-full of whimsical Australian vocabulary, “Waltzing Matilda” depicts the rugged adventures of a traveling worker (“swagman”) as he journeys across the Australian countryside, encountering both good fortune and trouble along the way. Adriana Wimler’s colorful illustrations capture the natural beauty of the Australian landscape and feature several indigenous Australian animals. See if you can spot them all!
Old Joe Clark by John Feierabend/illustrated by Garant Cosey Even the big bad fox can’t resist joining the fun in this topsy-turvy folk song, part of a series of captivating picture books based on beloved songtales from the great American folk music tradition. The song’s catchy Mixolydian melody and comical depiction of Old Joe Clark have made this song an American favorite since the early 1900s. Garant Cosey’s vibrant illustrations capture the imaginative spirit of the song, featuring characters who are singing, dancing, and playing the banjo (and spoons). More than 90 silly verses have been published for this song over the years. Add to the fun by creating your own!
The ABCs of Women in Music by Anneli Loepp Thiessen/illustrated by Haeon Grace Kang Meet Clara the composer, Ella the jazz singer, Selena the pop star, and Xian the conductor! Women in music are brilliant, creative, brave, and resilient. They are composers, conductors, singers, musicologists, electronic music producers, and so much more. In this vibrantly illustrated picture book, meet 26 remarkable women musicians who collectively span over 1,000 years of music history and represent a diversity of cultures, races, professions, and abilities. Their incredible stories and beautiful work are sure to inspire a new generation of musicians!
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Barbie Girl arr. Paul Murtha, Grade 2 Originally a hit for the pop group Aqua in 1997, this peppy and instantly recognized tune found its way into the hit movie “Barbie” as the background track for the song “Barbie World.” Here’s a fun version for younger bands.
Barbie’s World arr. Michael Brown, Grade 3 From the blockbuster movie “Barbie” comes the equally sensational soundtrack album featuring an all-star lineup of performers and songwriters. This upbeat and entertaining medley for band includes: “Barbie Dreams,” “Barbie Girl,” “What Was I Made For,” and “Dance the Night.”
What Was I Made For? arr. Michael Brown, Grade 2 From the blockbuster movie “Barbie,” this moving ballad by Billie Eilish features a tuneful melody and tender emotions. Here’s a beautifully scored setting for young bands.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Music, Lead the Way! by Laura Farnell, T(T)B with piano and optional tambourine Farnell draws her inspiration for this gospel-style composition from the work of the late Dr. Martin Luther King Jr. and others like him, who worked to break down the barriers of racial and social discrimination. A gripping Van Dyke text delivers the powerful message: when we choose love and sing together in community, surely “peace and love will conquer hate and strife.”
Dover Beach (Tales from the North) by Meredith Tompkins & Ashley Dame, TB with piano Originally conceived for unchanged tenor voices, this TB voicing of “Dover Beach” contains rolling and weaving melodies within the framework of an undulating piano accompaniment. Energetic and musically charged, the driving melodic passages will challenge performers to be their very best!
Put a Little Love in Your Heart (with Love Train) arr. Greg Gilpin, TTB with piano From the moment you hear the vocal and rhythmic opening, you know you have a winning arrangement from Greg Gilpin for your concert or show choir. Now available for SSA and TTB voices, the driving energy and pop sound create an easy to learn and performed arrangement for everyone. Add some choreography for a showstopping opening or closing number.
Home on the Range arr. Jerry Estes, T(T)B with piano (opt. a cappella) This endearing arrangement of a favorite American Cowboy song is a welcome addition to repertoire for tenor/bass choirs. With limited ranges, accessible choral writing, and the option to perform a cappella or accompanied, the flexibility of this selection makes it very easy to teach and very rewarding to perform.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Realizing Diversity: An Equity Framework for Music Education by Karen Howard Questions abound about diversity in music education. How can we engage with diverse populations, repertoire, and identities while upholding integrity and achieving equity? What are cultural appropriation, othering, tokenizing, and essentializing? How can we avoid bias in our teaching and repertoire selection? How do we create a more socially just music education?
These are critical questions with accessible answers. But if we are to become better music educators, we must reflect on these questions, our own identities, and our relationships with the music and people of the world.
“Realizing Diversity” by Karen Howard is a groundbreaking and practical resource for crafting diverse and anti-bias music education in classrooms, ensembles, and studios at all levels—from preschool to university and community settings.
At the book’s core is an Anti-Bias Framework intended to help music educators gain confidence and comfort in designing music curricula that are just, equitable, and make participants feel safe and welcome. Structured around the four social justice domains of identity, diversity, justice, and action, this framework explores topics of anti-racism, gender and sexual identity, power and privilege, disabilities, economic realities, empathy, and critical consciousness.
Dr. Howard also includes discussion of educational movements in United States history, the challenging “world music” label and related authenticity, the hyper-prevalence of Western Eurocentric music, inclusive repertoire selection, as well as appendices with critical practices for educators and a sample curriculum.
An indispensable book for pre-service, beginning, and veteran music teachers of toddlers through adults, “Realizing Diversity” considers the many separate but deeply interrelated questions related to creating a more socially just music education.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Weather: Stand the Storm by Rollo Dilworth, SATB divisi, Speaker(s) and Wind Ensemble or piano Historically, the arts have always fulfilled the dual roles of responding to change while at the same time creating change. “Weather” is a poem that gives voice to the voiceless, especially those who have been and continue to be marginalized because of difference. It responds to and reflects realities that are both culturally specific and humanly universal. Professor Claudia Rankine challenges all of us (no matter our background or lived experience) to know better, to do better, to take action, and to become agents of social justice and social change.
This work for choir, narrator, and piano with optional Wind Symphony or Chamber Ensemble, is to be a learning and growing experience for the singers, the audience, and the conductor/teacher in all ways emotional and intellectual . There is a companion resource for “Weather” intended for students, educators, conductors, and audiences to learn more about the social, political, and historical context of this work. This guide offers an opportunity for everyone to deeply engage with “Weather” and understand its critically important social and historical context. The guide, created by Dr. Colleen Sears, Professor of Music at The College of New Jersey, encourages us to honor the intent of Claudia Rankine’s poetry and Rollo Dilworth’s music; to become better citizens in our communities and to bridge divides through our shared humanity.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Any Way You Want It arr. Michael Story, Grade 1 Flex Beginning Band “Any Way You Want It,” the classic hit from the rock band Journey, has been scored by Michael Story to be played using any mix of wind or string instruments. This thoughtfully crafted FLEX arrangement is a perfect piece for your beginning band.
I Vow to Thee, My Country arr. Paul Murtha, Grade 2 Flex-Band Using the familiar chorale melody from Holst’s “Jupiter,” this stately hymn is particularly popular throughout the United Kingdom and a favorite of the British royal family. Here’s a setting for flexible instrumentation which also includes an optional part for unison voices.
Music from Avatar: The Way of Water arr. Johnnie Vinson, Grade 3 Flex-Band The blockbuster sequel to the movie “Avatar” brings us stunning visuals and an equally impressive soundtrack. The sweeping themes and dramatic pacing are carefully reflected in this arrangement for flexible instrumentation.
Paint It, Black arr. Johnnie Vinson, Grade 2 Flex-Band Taking inspiration from the cello version made popular in the television series “Wednesday,” here is a clever arrangement of the Rolling Stones hit scored for flexible instrumentation.
23 Skidoo! by Kenneth Whitcomb/arr. Andrew Glover, Grade 3.5 Build-a-Band Ken Whitcomb’s delightful “23 Skidoo!” has been a concert band favorite since its first publication decades ago, and this Build-A-Band edition makes it available to smaller ensembles with uneven instrumentation. A true audience-pleaser, performers will also enjoy the bright Vaudeville “show-biz” style of this happy selection. A great closer or encore selection, “23 Skidoo!” is musical enjoyment from top to bottom!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Almost Like Being in Love arr. Roger Emerson, 2-part with piano Filled with jazz stylings from swing to scat, this arrangement of “Almost Like Being in Love” is perfect for developing choirs. Choirs will love the bright, upbeat setting with its smooth conversational style and colorful piano accompaniment!
It’s Only a Paper Moon arr. Mac Huff, 3-part mixed with piano This jazz and pop standard is masterfully arranged with both unison and easy part-singing opportunities. The accessible voice parts make the piece an ideal choice for middle school choirs or any choir with developing singers.
If Ever I Would Leave You arr. Kirby Shaw, SATB a cappella The cherished love song from “Camelot” receives a classic choral treatment in this lush, a cappella setting. Equally suitable for large ensembles or small vocal jazz groups, Kirby Shaw’s impressive arrangement rises to meet Lerner and Loewe at their finest!
Fly Me to the Moon (In Other Words) arr. Roger Emerson, TB with piano “Fly Me to the Moon,” written in 1954, has become a part of the Great American Songbook. Not surprisingly, Buzz Aldrin played the song when he stepped onto the moon’s surface in 1969. Many singers have recorded the tune, but Frank Sinatra’s version has become the standard for this immortal song of love and admiration.
Higher Ground arr. Matt & Adam Podd, SSATBB with piano The Podd Brothers are accomplishing something unique: pop arrangements that completely capture the spirit and emotions of the original song, yet make rhythmic and harmonic choices that reach an entirely new echelon of musical idiosyncrasy! Have you heard Stevie Wonder’s “Higher Ground” with a gospel-style choral intro smoothly dissolving into a back-beat modern-groove choral exercise complete with 2nd and 9th harmonic intervals throughout? You have now!
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Let Justice Rise by Steve Parsons, Grade 3 This new reduced instrumentation fanfare is a perfect opener to your next concert. Copland-like rhythmic figures and the cinematic depth of modern film-scores make this one an instant concert hit.
Merry Wayfaring Stranger arr. Tyler Arcari, Grade 1.5 Tyler Arcari has a knack for smashing un-related tunes together, especially for Christmas! This clever new addition to Tyler’s chaotic caroling is no exception. Musicians will love the drama in this work, as they mix “Poor Wayfaring Stranger” with the likes of “God Rest Ye Merry Gentlemen” and “Patapan.” This will be the star of your next holiday program!
And There Were Angels… arr. Clifton Jones, Grade 3.5 “And There Were Angels…” is a joyous, colorful blend of three well-known Christmas carols. Familiar “angelic” melodies receive a new and unique treatment for your next holiday program.
Southern Winds Fanfare by John Dupuis, Grade 4.5 In the style of cinematic warhorses, the “Southern Winds Fanfare” is a fiery new opener for the concert band by newcomer to Wingert-Jones, composer John Dupuis. Angular melodic figures and embellishments in the woodwinds add to the excitement of this great new concert fanfare.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
ABBA Gold (Medley) arr. Jack Zaino, SATB with piano The legendary Swedish pop group created one of the best-selling albums of all time with “ABBA Gold.” Featuring three of its most memorable songs, this fast-paced mini-medley is a blast from the first iconic “Mamma Mia” hook to the final “Dancing Queen” flourish. A variety of voicings bring this fabulous feature to choirs of any age.
Woodchuck by Mark Burrows, 2-part (opt. 3-part) with piano Mark Burrows’ limitless wit strikes again in this humorous piece posing the age-old question, How much wood could a woodchuck chuck if a woodchuck could chuck wood? Beyond the comedic appeal, this chipper tune presents learning opportunities for clean diction and rhythmic challenges that provide the opportunity to practice counting rhythms and part independence.
The Noble Duke of York by Mark Burrows, T(T)B with piano Fun is the key to this arrangement which reimagines the whole scene of the Duke of York tediously marching his ten thousand men up and down the hill. What if those men had other plans? What if they had dreams of their own? What if they didn’t want to march up and down that hill anymore?! Find out the answers to these questions when you learn this great song, ideal for T(T)B ensembles both large and small.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
recommended by Jennifer F., Sacred Choral Music Specialist
It Is Well by Mary McDonald, SATB with piano Mary McDonald has penned a moving and beautiful new melody to the immortal “It Is Well with My Soul” text. The melody and harmonies flow effortlessly over the smooth accompaniment, creating an expressive and ultimately triumphant experience for singers and listeners alike. The final cadence rings with a bold, resolute “with my soul!”
Give Me Jesus arr. Trevor Manor, SATB with piano and optional congregation Beautiful vocal lines and satisfying accompaniment are the hallmarks of anthems in the Congregational Anthem Series. Combining the beauty of choral anthems with the importance of congregational singing, these works feature familiar hymns, accessible and well-crafted choral writing, and simple yet compelling accompaniments. They allow the entire congregation to join the choir without rehearsal. These works can function either as choral anthems or congregational hymns in a service order using the included congregational melody sheet.
Guide Me, O Thou Great Jehovah arr. Craig Courtney, SATB with piano New joy and life have been infused into the tune CWM RHONDA with a buoyant and syncopated piano accompaniment. The setting gradually gains intensity, culminating in a strong final chorus: “Songs of praises I will ever give to Thee.”
Hail, Holy Light arr. Howard Helvey, SATB with piano The ST CLEMENT tune, often associated with an evening hymn, is paired with a fresh morning hymn of praise: “Hail, holy light! The world rejoices as morning breaks and shadows fly.” The choral and piano writing shine exquisitely in this anthem.
O God Beyond All Praising arr. David Schwoebel, SATB with piano and optional organ This stirring anthem of praise uses scripture quotes from Romans 11 to provide framing for the venerable hymn text and Holst’s tune THAXTED from Jupiter. Congregational singing can be added on the hymn tune, and an optional organ part (available separately) can be used in addition to the piano.
Be Thou My Vision arr. Benjamin David Knoedler, SATB with piano The charmingly simple motif of the accompaniment unifies this compelling setting of the beloved Irish hymn. Elegant but not difficult, this satisfying anthem will find its way into your choral programming year after year.
Because He Lives arr. Lloyd Larson, SATB with piano “Because He Lives” has become a standard Easter hymn for congregations the world over. Lloyd Larson has done a masterful job of bringing this hymn into the choral anthem format. Not just for Easter, it is a song of victory and promise and praise.
Forever Leaning on the Arms of Jesus by Stan Pethel, SA(T)B with piano and optional rhythm Stan Pethel delivers this inspiring song of unwavering commitment and heartfelt praise. Written in a relaxed gospel style, this anthem is sure to uplift both your choir and congregation. The music is scored for either SAB or SATB, and optional rhythm section parts are also available.
The Longer I Serve Him arr. Jay Rouse, SATB with piano and optional string orchestra Jay Rouse has taken one of the Gaither’s most popular songs, and Jay Rouse has taken one of the Gaithers’ most popular songs and combined it with the classic hymn, “’Tis So Sweet to Trust in Jesus,” and the results are breathtaking. Opening with an optional solo, the vocal writing moves from unison to rich four-part writing. The piano writing is soulful, beautifully conceived, and a delight to play. In addition, an orchestration for optional string orchestra is also available. “Each day is like heaven, my heart overflows. The longer I serve Him, the sweeter He grows.”
Love Lifted Me by Sean Paul, SATB with piano A well-known hymn text speaks through a fresh musical treatment in this evocative choral offering. A murmuring piano motive in minor introduces a testimony to God’s saving love, while the main theme suggests the spirit of a folk song or rustic sea shanty. As the anthem develops, the piano accompaniment expands, adding a theatrical sweep to the concept.
The Shelter of Salvation by Brad Nix, SATB with piano This modern hymn, with words and music by Brad Nix, will soon become a favorite for your ensemble. Its thoughtfully crafted choral writing offers abundant opportunities for every section to embrace this simple yet profound melody. With each passing verse and chorus, the arrangement gracefully ascends to a rousing finish featuring a soaring countermelody and a rich piano accompaniment. Highly recommended!
Standing on the Promises arr. Larry Shackley, SATB with 4-hand piano Larry Shackley’s creativity shines brightly in this extraordinary arrangement! This classic hymn, set to a rollicking four-hand piano accompaniment, features fun and engaging vocal writing that will invigorate both vocalists and congregation. The third verse, thoughtfully set in a reflective manner, provides a perfect contrast to the anthem’s overall liveliness.
This Is My Song (A Song of Peace) arr. Lloyd Larson, SATB with piano and optional brass & percussion Lloyd Larson has taken these beautiful lyrics, set to FINLANDIA, and offers us this stirring new arrangement. Serving as both a prayer for world peace and an offering of thanksgiving for our own country, this anthem will find a place in many services. The noble character of the music is reinforced by the addition of optional brass and percussion.
Keep Your Children by Marianne Forman, SATB with piano and optional violin “God our Father, good and holy, keep your children safe from harm; send your guardian angels to them, shield them by your mighty arm.” This prayer for God’s protection can be sung by SATB choir with children’s choir or with adult solo. It is applicable both to children literally and to all of us as God’s children.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
You Hold the Key by Sherry Blevins, 3-part mixed with piano “You hold the key, the key to your dreams, and with faith, hope, and love, you can do anything!” Inspirational lyrics and a singable melody combine into this memorable original concert work that will be a great choice for graduation or general concert use.
Bring Your Dreams Along by Shayla Blake, 2-part with piano This inspiring new choral by Shayla Blake and Patricia Mock encourages young singers to follow their hearts, chase their dreams and embrace their future with open arms. With easily learned vocal parts, a supportive, yet artistic accompaniment, and an empowering text, this is an ideal choice for introducing developing choirs to singing with artistry and musicality.
Canon of Hope by Mark Burrows, 2-part with piano “Find hope, shine hope, sing hope.” This simple melody stacks beautifully into a 3-part canon by the end of the song, building the skills of developing part-singers. A quote from Emily Dickinson’s treasured poem, “Hope Is the Thing with Feathers,” provides contrast in the middle of this tender and tuneful song. An excellent choice for any time of year.
Come Sail Away by Mary Donnelly & George L.O. Strid, 3-part mixed with piano and optional flute 3-part voices will love singing this original tune that gives a nod to the great sea shanties we love to sing. The setting is full of gusto as we “Heave ho! Away!” So, whether you’re a wannabe sailor or just a lover of the sea, this is the perfect up-tempo choice for your general concert or themed event. Optional flute included for added sea-worthy flair.
Dawn by Jacob Narverud, 3-part mixed with piano In this addition to the BriLee catalog, Narverud shares his gift of melody in this heartfelt original setting appropriate for the burgeoning mixed ensemble of all sizes and abilities. Songs of love sing on!
I’m Still Standing arr. Roger Emerson, 3-part mixed with piano Elton John writes great songs, and this one is no exception. Featured in movies like “Top Gun” and “Sing,” this well known song is packed with energy and drive. A classic rock song from a classic performer!
Light of Grace by Andy Beck, SAB with piano Here’s a heartfelt adaptation of traditional Irish and English blessing texts. A gentle yet rhythmic piano figure supports graceful vocal lines and occasional harmonic crunches in this warm closer or send-off song by Andy Beck. Concludes with a musical quote from “Amazing Grace” to bring a final smile, chill, or tear. “May you always be the light of grace.”
Take Me Home, Country Roads arr. Roger Emerson, 2-part with piano John Denver’s enduring and classic ode to West Virginia has a new audience as the lead in to the video game Fallout 76. This signature song and official state anthem continues to be one of Denver’s best-selling recordings nearly 50 years on. Deftly set by Roger Emerson to develop and emphasize harmonization and melodic independence skills.
Dream Big arr. Tim Hayden, 2-part with piano and optional cello This inspirational song provides a powerful anchor for a concert or year-long theme. A light rhythmic groove and a contemporary tune support lyrics that encourage us to laugh often and look for the beauty in everyday life. Search YouTube for the father/daughter duet cover that inspired this heartwarming arrangement. Great for graduations or end-of-year occasions.
Let There Be Peace on Earth arr. Rollo Dilworth, 2-part with piano New to the Voices In Harmony / SEL series, this classic song of peace on earth will lead to spirited discussion by your young singers. Social-Emotional assets including videos from the arranger and lesson plans lifting up SEL themes are available on the Hal Leonard website.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Forward, March! by Paul Murtha, Grade 1.5 Easy Flex Band Paul has carefully adapted his popular march for young players into the 4-part easy flex format. Following a traditional march form, “Forward March!” features strong melodies, easy counterlines, a trio section, and strong finishing strain.
Black Jack March by Fred K. Huffer/arr. Andrew Glover, Grade 3 Build-a-Band One of the great American “old line” marches, “Black Jack” is a romping 6/8 military march that was dedicated to WWI hero Gen. John J. Pershing. Perfectly suited for the Build-A-Band series, “Black Jack” allows ensembles with lopsided or incomplete instrumentations the opportunity to sound full and balanced on a great march! Perfect for a concert opener or closer, and audiences love marches!
Fandango Festival by Victor López, Grade 1 Flex Ready to take your beginning ensemble to the next level of performance? With a Spanish flavor, “Fandango Festival” by Victor López is a classic march alternative cast in 3/4 and in a full FLEX orchestration. Start your next festival program with this programmatic, high-intensity opener that will attract the attention of the judges and audiences alike. A great addition to your concert repertoire.
March of the Shadows by Haley Woodrow, Grade 3 Flex Band Paying homage to the traditional march form, Haley Woodrow takes a step outside of the box in creating this delightfully dark and unique piece for young players. Scored for flexible instrumentation, “March of the Shadows” features clever effects and a minor mood, and is sure to become a favorite.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Hearts All Whole: Reflections on (Life and) Twelve Choral Gems by Robert Bode With his hallmark wit and humor, choral conductor and poet Robert Bode brings readers on a journey through twelve great choral works, offering anecdotes, valuable insights, and interpretive advice for each. Along the way, Bode chronicles his own learning journey and shares candidly about his mistakes, his triumphs, and his love for the repertoire that has played a significant role in his life and illustrious career. This wisdom-filled volume will forever change your understanding and interpretation of these twelve choral gems – a must-read for all choral conductors and musicians.
Titles include: “Ave Maria” by Josquin, “Ave Redemptoris Mater” by Palestrina, “O Mirtillo” by Monteverdi, “Ave verum corpus” by Mozart, “O schöne Nacht!” by Brahms, “Os Justi” by Bruckner, “Bogoroditse Devo” by Rachmaninoff, “My Spirit Sang All Day” by Finzi, “Hodie Christus natus est” by Poulenc, “At the Round Earth’s Imagin’d Corners” by Spencer, “Ubi Caritas” by Duruflé, and “Sure on This Shining Night” by Lauridsen.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Hope Arises by James Barnes, Grade 5 “Hope Arises” is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an “opener” for AFB’s tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano.
Fourth of July by Morton Gould/arr. R. Mark Rogers, Grade 4 A musical kaleidoscope of the real old-fashioned “Fourth of July.” One can almost visualize the fire-crackers, sky rockets and pin wheels filling the air with a pattern of noise and color. This, together with flags waving, stentorian speechifying and bands playing makes for our most exciting national holiday. This new edition by Mark Rogers is the first to include a full conductor’s score.
Sortofa March by Gary Garner, Grade 2 “Sortofa March” began as an exercise intended to acquaint woodwind players with essential alternate fingerings on their respective instruments, but it quickly and unexpectedly began to take on a march-like character. Not exactly a march, but “sort of a march.” Each of the woodwind parts has instructions for which alternate fingerings are to be used.
China Doll by Leroy Anderson/arr. R. Mark Rogers, Grade 3.5 The year 1951 was very productive for Leroy Anderson. For a recording project with Decca records in June of that year he composed a number of his most popular pieces, many of which were played for the first time in these sessions, including this delightful composition, “China Doll.” It’s a great choice for any time of year, but is also an ideal substitute to the perennial holiday favorite, “Sleigh Ride.” This publication is the first-ever to offer a full score, edited by Mark Rogers.
The Girl in Satin by Leroy Anderson/arr. R. Mark Rogers, Grade 3 This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts – as well as an alternate transposition in C to avoid some of the technical difficulties bands may encounter with the composer’s original key.
Horse and Buggy by Leroy Anderson/arr. R. Mark Rogers, Grade 4 Like Anderson’s signature piece “Sleigh Ride,” “Horse and Buggy” is another example of his extraordinary ability to sketch a nostalgic scene in sound on a small canvas without a wasted motion. Here, a different horse pulls a different vehicle through a vanished landscape of long ago. This exclusive Southern band edition by Mark Rogers reintroduces Anderson’s enchanting work to new generations of audiences.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Forty Days arr. Brad Nix Featuring ten arrangements centering on the season of Lent, these ten intermediate-level pieces are masterfully arranged by Brad Nix. His mastery of the piano as well as his deep faith are on display in the pieces, which will move your congregation to a deeper sense of worship and guide you as you prepare your heart for the death and resurrection of the Savior. Titles include: “What Wondrous Love Is This,” “Jesus Paid It All,” “Hiding In Thee,” “The Old Rugged Cross,” “O Sacred Head, Now Wounded,” “At the Cross,” “Take My Life, and Let It Be Consecrated,” “When I Survey the Wondrous Cross,” “Be Thou My Vision,” and “Beneath the Cross of Jesus.”
Up from the Grave He Arose arr. Marty Parks Marty Parks is a master of infusing familiar melodies with new life! He’s done that here with the vast repertoire of hymns focusing on Holy Week and Easter, providing a wonderful resource for intermediate pianists. You will revel in its stylistic variety and boundless creativity. Titles include: “Christ Arose,” “Jesus Paid It All,” “There Is a Fountain,” “At the Cross,” “Jesus Christ Is Risen Today with He Is Lord,” “Glory in the Cross (includes When I Survey the Wondrous Cross, In the Cross of Christ I Glory, and Near the Cross),” “Lonesome Valley,” “Lead Me to Calvary,” “Let Us Break Bread Together with Here, O My Lord, I See Thee,” and “All Glory, Laud and Honor.”
About the Authors: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
Washington Women: A Choral Cycle by David Chase & Judith Clurman, SATB with piano and cello “Washington Women” is a collection of musical settings of speeches, opinions, and interviews of sixteen remarkable women from all across the political spectrum and throughout U.S. history, from Abigail Adams to Kamala Harris. The composers took their words and set them to music with the hopes that performers and their audiences will learn more about these women and discover why they spoke those words when they did.
Women featured include: Abigail Adams, Madeleine Albright, Barbara Bush, Laura Bush, Shirley Chisholm, Hillary Rodham Clinton, Betty Ford, Ruth Bader Ginsburg, Kamala Harris, Elena Kagan, Sandra Day O’Connor, Michelle Obama, Nancy Pelosi, Condoleeza Rice, Eleanor Roosevelt, and Margaret Chase Smith.
I’ll Stand by Raymond Wise, SATB divisi a cappella This original work, written in the lively style of a concert spiritual, offers a challenge and rich rewards for the advanced SATB divisi chorus. The fast-paced, rhythmic call and response energizes choirs and inspires audiences. Encouraging listeners to take a stand for what is right, this piece is ideal for church and for social justice and equality events.
Down in the River to Pray arr. Jace Wittig, SATB a cappella with body percussion The video of the Colorado All-State Treble Choir singing this piece from the balconies in a hotel lobby has gone viral for good reason! This a cappella arrangement of the folk hymn made popular in the movie “O Brother, Where Art Thou?” utilizes effective body percussion, compelling harmonies and an authentic vocal style to create an unforgettable choral piece.
Bring Me Little Water, Sylvie arr. Robert Jones, TTB a cappella with string bass This down-to-earth setting has already blanketed every other voicing – now comes the TTB version. Professor Sharon Gratto has built a career around providing historical context to multicultural and folk music. A simple three-part choir accompanied by a stand-up bass gives an authentic American homespun quality to the work. Truly fun to sing, this arrangement sounds just right – just the way this song should always be sung.
Shady Grove arr. Cristi Cary Miller, 3-part mixed with piano and optional fiddle Teaching opportunities abound in this irresistible setting of a traditional American folk tune. The modal melody is in pentatonic, easy ostinato-like countermelodies make the part-singing a snap, and there is even a fun body percussion section. Perform it with live fiddle or with the digital audio for a sensational concert showcase!
Shenandoah arr. Roger Emerson, SAB with piano Using rich, lush contemporary harmonies often found in pop and jazz settings and featuring voices that are often relegated to harmony this new setting of the familiar chanty is a joy to sing.
And We Shall Sail (with The Water Is Wide) arr. Glenda E. Franklin, 2-part with piano and optional flute An original melody paired with the Scottish folk song “The Water Is Wide” creates a gently flowing choral for 2-part voices with optional flute. The original words speak of sailing to places unknown, sails filled with a gentle breeze and a winding river filled with adventures yet unknown. A fresh take on a well-loved melody creating a beautiful ballad for young voices to learn and experience.
Freedom’s Plow arr. Joseph Joubert, SATB with piano Poet Langston Hughes writes “A long time ago, an enslaved people heading toward freedom made up a song: Keep Your Hand on the Plow! Hold On! The plow plowed a new furrow across the field of history. Into that furrow, the freedom seed was dropped. From that seed a tree grew, is growing, will ever grow. That tree is for you, and me and everybody.” This is for an advanced choir with an accomplished accompanist.
Hold On arr. Dan Davison, TB with piano and optional percussion With tremendous rhythmic variety, vitality, and even counterpoint, Davison creates a frenetic energy in this beloved spiritual that comes out of the slave culture of the American south. Ranges are perfect for emerging tenor-bass choirs in the middle and developing high school levels. Add the optional brake drum for greater effect.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.