News & Views Friday, April 19, 2024

recommended by Jennifer F., Classical Vocal and Handbell Music Specialist

Crown Him with Many Crowns arr. Patricia Hurlbutt, 2-5 octaves, Level 2
This solid arrangement of the well-loved hymn opens with strong, full chords before a key change gives way to a more flowing feel. A brief prayerful interlude yields to a majestic final verse with peal-like accompaniments throughout. A great choice for throughout the church year.

All Glory, Laud, and Honor arr. Lloyd Larson, 3-5 octaves, Level 2
This Palm Sunday hymn setting begins with a toccata-like fanfare entrance before launching into an exciting, vibrant setting of “St. Theodulph.” The piece moves through an easy key change before its grand finale.

Good Christians All, Rejoice and Sing arr. Jason W. Krug, 3-6 octaves with optional trumpet, Level 3
Looking for a majestic new piece for Easter Sunday? Look no further than this setting of “Good Christians All, Rejoice and Sing.” In addition to the solid handbell arrangement, a soaring optional trumpet adds sparkling hints of “Christ the Lord is Risen Today” to complete the feeling of Easter joy.

Were You There arr. Sandra Eithun, 3-6 octaves with optional 3-6 octave chimes, Level 1+
Sure to create a wonderful, thought-provoking moment during Lent, this setting provides a reflective backdrop for contemplating Christ’s suffering and death on the cross. While rhythmically simple, the haunting text is fully expressed through dynamics, the inclusion of handchimes and incidental changes in tempo. Beginning and developing ensembles will have no trouble polishing this Level 1+ piece in limited rehearsal time.

What Wondrous Love Is This arr. Susan E. Geschke, 2-3 octaves, Level 1+
Published in two compatible editions, this tender setting of the beloved Appalachian folk song may be played by either handbells or handchimes. With minimal bell changes and easy techniques such as shake and echo, this piece provides an excellent opportunity for expressive, sensitive ringing. This arrangement is especially effective during Lent and Holy Week or any time of quiet meditation.

Good Christians All, Rejoice and Sing arr. Patricia Hurlbutt, 2-3 octaves, Level 2+
Arranger Patricia Hurlbutt effectively captures the dance-like quality of the 16th century tune, GELOBT SEI GOTT. In addition to expressing the triumph of Easter, encourage ringers to create a lightness and buoyancy by observing the strong downbeat and lighter upbeats of the triple meter. Marts are prominent in the middle section which leads to a key change and a grand final stanza.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 15 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church and sings in the First Church Choir at First Congregational Church in Columbus Ohio, and is also the founder, Artistic Director and bass bell ringer for Handbells Columbus.

recommended by Dan C. and Megan W., Orchestra Specialists

Danza de mi Corazon (Dance of My Heart) by Steven L. Rosenhaus, Grade 2.5
Composer Steven Rosenhaus always strives to have his music connect emotionally with players and audiences alike. This energetic work does that and makes you want to dance too! It’s truly a “dance of the heart.”
TEACH • D harmonic minor, 16th note pick-ups, interweaving
ORCHESTRATION • all parts active, some call and response
PERFORMANCE • will make your feet move and your heart sigh

Jai Hind arr. Deborah Baker Monday, Grade 2.5
“Jai Hind” is an Indian expression meaning “Hail India” or “Long Live India.” This arrangement features three different songs, including Jana, Gana, Mana, the National Anthem of India. Ms. Monday also includes an energetic Bollywood inspired section which is a nod to the popular Indian movie industry. The opening section features a beautiful violin solo.
TEACH • drones, gliding whole step “meends,” Bollywood rhythms
ORCHESTRATION • tabla/djembe & suspended cymbal add lots
PERFORMANCE • ear-opening with social studies cross curriculum

La Fiesta de Cuerdas arr. Bob Phillips & John Nieto, Grade 2.5
Two traditional mariachi tunes, “Alá en el Rancho Grande” and “La Adelita,” along with a new original, “Polka de San Antonio” by John Nieto, form a fabulous medley for any happy occasion—any fiesta. As the title (translated “The Festival of Strings”) indicates, make it a party! In 2/4 and first position with some chromatic alterations, this piece is accessible and fun to play. The rhythmic pulse continues throughout this exciting piece.
TEACH • Mariachi rhythms & colors, chromatics, key changes
ORCHESTRATION • bass anchors the 2-beat feel, all others “sing”
PERFORMANCE • very playable & very authentic sounding medley

Find more multicultural options for your orchestra on our website, or contact us for personalized recommendations. Shop Stanton’s for all your sheet music needs!

About the Authors:
Dan C. has worked at Stanton’s since 1979, primarily with orchestra music and print promotions. A “working” musician, he’s a classical cellist, a rock & jazz bassist and a folk & country guitarist/singer. His free time is spent with family or reading, gardening, cycling and working puzzles. His series of musical puzzles (RP3 Rebus Puzzle Picture People) can be found on the Stanton’s Facebook page each Sunday. He also has a reputation as a pretty good joke teller, and is recently retired – congrats, Dan!

Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.

George Gershwin’s iconic Rhapsody in Blue changed the landscape of American music at its 1924 premiere. Its irresistible fusion of classical and jazz has made it one of the most popular American concert works of all time.

Now available in a new edition for two pianos, four hands! For this new edition, all available sources at the Library of Congress were consulted, including full scores for piano and orchestra as well as two-piano reductions. This edition includes a second copy of the music, making it ideal for all concerto settings. Historical background and critical notes on the sources provide a fascinating window into Gershwin’s composition process.

See the video below for a great recording of the two piano version, and visit our previous post for information about a book to help you teach yourself to play blues and boogie style piano.

For more information about this new edition, call us at 1-800-42-MUSIC, email us at keyboard@stantons.com, or visit us online at stantons.com. Shop Stanton’s for all your sheet music needs!

recommended by Judy H. and Jennifer F., Sacred Choral Music Specialists

Recommended by our Sheet Music Specialists, these titles are selected especially for your youngest singers in worship:

Children of the Risen King by Becki Slagle Mayo & Lynn Shaw Bailey, Unison/2-part with piano and optional glockenspiel or metallophone
Celebrating the resurrection of Jesus, this joyous Easter anthem features optional parts for glockenspiel or metallophone that add a triumphant sparkle to the regal melody. Budding two part choirs will find the optional voice part a breeze to learn and fun to sing.

Hosanna! by Lynn Russell, Unison with piano and optional handbells
For something different, consider this lilting, gentle 6/8 song for Palm Sunday. The step-wise writing and fully supportive accompaniment make this piece easy to learn and a sure success. The optional 6-note handbells (included) add a special dimension to the performance.

In God’s Hands arr. Erik Whitehill, 2-part with piano
Children’s and youth choirs will have a ton of fun with Erik Whitehill’s reimagination of “He’s Got the Whole World in His Hands.” This two-part anthem features updated and inclusive language along with a funky, rhythmic accompaniment. Whitehill’s two-part writing is accessible and hits all the right marks!

Shine Like Jesus by Lynn Russell, Unison with piano
This bluesy anthem, with clever lyrics, light syncopation, and finger snaps, is sure to be a favorite! In story-like fashion, the text traces the life of the Apostle Paul – Saul the Pharisee becomes Paul the missionary. The melody’s upper notes are approached carefully for successful singing, and the dramatic ending adds sparkle!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Judy H. has been working in Stanton’s Choral Department since 1975. She holds a Bachelor’s degree in Music Education from Bowling Green State University, and a Master’s degree in Choral Conducting from The Ohio State University. A member of the Grove City Chamber Singers, Judy also enjoys reading and spending time with her four grandchildren.

Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 15 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church and sings in the First Church Choir at First Congregational Church in Columbus Ohio, and is also the founder, Artistic Director and bass bell ringer for Handbells Columbus.

recommended by Jen Sper and Lora Moore, School Choral and Classroom Music Specialists

Looking for ideas to help your students transition from the general music classroom to singing in a choral ensemble? These octavos feature interesting accompaniments with everything from hand drums, Orff instruments, woodwind accompaniments, and even street bucket drums! Here are our best recommendations for your beginning singers who are ready to sing choral music from unison into 2 independent parts!

Thunder Drums (Sounds of Nature) by Roger Emerson, 2-part with piano and bucket drums
Originating from the busking scene in cities across the nation in the 1980s, street “bucket” drumming has become inseparable from the modern-day music teacher catalog due to its reliance on found materials, overabundance of plastic and coolness factor. Paired here with choir, this arrangement seamlessly blends the two disciplines into a rock anthem with style!

Nanuma arr. Audrey Snyder, 3-part mixed with piano
Based on a folk song from Ghana, additional melodies and harmonies are added to make this a stylish, swing anthem. This is a happy song of welcome and will make a wonderful, upbeat opener to your concert.

Sunset (The River Sleeps Beneath the Sky) by Mary Donnelly & George L.O. Strid, 2-part with piano and optional flute, glockenspiel & bass metallophone
With parts for Orff instruments (glockenspiel and bass metallophone) and flute, here is a beautiful and thoughtful setting of the Paul Laurence Dunbar poem. Unison voices anchor the beginning of the song followed by two-part part writing that allows for vocal independence. This is a wonderful vehicle for your students to discover dynamic contrasts, beautiful word painting and a chance to discover one of America’s earliest and most important African-American poets.

Contact us for suggestions to help transition your singers from classroom music to ensemble singing, and shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper has been with Stanton’s since 2006. A former middle school and high school choral director, she holds a Bachelor of Music Education degree from Baldwin Wallace College Conservatory of Music. An active choral singer and accompanist throughout the Central Ohio area, she also enjoys good food, running (to counteract the good food…) and the Muppets.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. Currently she is a church choir director, operates a private voice/piano studio and is active as a clinician and accompanist. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Caryn G. and Judy S., Sacred Piano Music Specialists

The Art of the Piano, Volume 4 by Mark Hayes, for Advanced Piano
Master arranger Mark Hayes returns to the golden era of contemporary Christian music with songs made famous by Amy Grant, Sandi Patty, Michael W. Smith, and other favorites. These challenging arrangements will appeal to pianists who enjoy making full use of the instrument. Songs include: “God and God Alone,” “We Are an Offering,” “Sing Your Praises to the Lord,” “We Shall Behold Him,” “Via Dolorosa,” “Friends,” “One Small Child,” “I Then Shall Live,” “We Are the Reason,” and “Mary, Did You Know?”

The Rock on Which We Stand for Intermediate Piano
Ten of today’s most powerful worship songs have been arranged as piano solos in this dynamic collection that can be used for blended or contemporary services. It includes special songs for Christmas and Easter, as well as many pieces suitable for use during the entire year. Songs include: “Call It Grace,” “Great I Am,” “O Come to the Altar,” “All the Poor and Powerless,” “Great Are You, Lord,” “Gracefully Broken,” “What a Beautiful Name,” “A King Like This,” “When I Think Upon Christmas,” and “Emmanuel with O Come, O Come, Emmanuel.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. has over 21 years of experience working at Stanton’s in both the Piano and Choral departments. During her career, she has been a church pianist/accompanist and a piano teacher. Her experience makes her a valuable connection for anybody who calls the piano department.

Judy S. has 30 years of private piano teaching experience and 40 years as a church pianist. Her experience makes her a valuable connection for anybody who calls the piano department.

recommended by Caryn G. and Judy S., Sacred Keyboard Music Specialists

A Book of Liturgical Postludes by Franklin D. Ashdown
Franklin Ashdown’s exciting collection contains a postlude for every season of the church year. The postludes for Advent through Easter are each based on a familiar hymn of the season, and the book concludes with two original works for Ascension Day and Pentecost. No matter the season, the works are all celebratory in character and are intended to send the congregation forth into the world with joy and a sense of affirmative purpose. Titles include: “Advent March on Wachet Auf,” “Recessional on Lift Up Your Heads,” “Recessional on Rejoice Rejoice Believers,” “Processional on Hark the Herald Angels Sing,” “Epiphany March on Salzburg,” “Lenten Recessional on Llangloffan,” “Trumpet Tune-Recessional on St. Theodulph,” “Fanfare-Recessionalon Llanfair,” “Sortie for Ascension Day,” and “Pentecost Recessional.”

Fanfares, Trumpet Tunes, and Toccatas by Craig A. Penfield
Fanfares, trumpet tunes, and toccatas have long been three of the church organist’s favorite musical forms! In this collection, Craig A. Penfield has provided three of each, including both hymn-based and original works. While postludes are likely to be the primary use for most of these pieces, some of the compositions are also suitable as preludes or offertories. Titles include: “Premiere Fanfare,” “Fanfare Fantasia on Duke Street,” “Fanfare Joyeux,” “Trumpet Tune on Royal Oak,” “Trumpet Tune in C Major,” “Trompette Melodious,” “Gigue Toccata,” “Toccata on St. Anne,” and “Toccata Francaise.”

Festive Hymn Tune Variations, Volume 2 arr. Jason D. Payne
This much-anticipated second volume of Payne’s “Festive Hymn Tune Harmonizations” includes a broad range of popular and well-loved hymn tunes. Introductions to several of these same hymns can be found in the composer’s “Dynamic Hymn Introductions,” Volume 1 and Volume 2. Each tune is presented first with the standard hymnal harmonization followed by a second ending with a modulation and free harmonization for the final verse. These exciting settings are sure to inspire your congregation’s singing. Hymn tunes include: AURELIA, BRADBURY, CRUSADER’S HYMN, DIADEM, FOUNDATION, HYFRYDOL, IRBY, ITALIAN HYMN, KINGSFOLD, LAUDA ANIMA, MY SAVIOR’S LOVE, OLD HUNDREDTH, SINE NOMINE, SOLID ROCK, ST. ANNE, ST. DENIO, ST. GEORGE’S WINDSOR, ST. THEODULP, TERRA BEATA, and VENI EMMANUEL.

The Oxford Book of Funeral and Memorial Music for Organ
“The Oxford Book of Funeral and Memorial Music for Organ” is a collection of practical repertoire for organists playing at funerals, memorial services, and services of thanksgiving. Covering a broad range of music for players of intermediate ability, it includes a mixture of established repertoire, attractive new arrangements of well-known works, and newly commissioned pieces. These 28 mostly reflective pieces, spanning the eighteenth century to the present day are appropriate voluntaries for the church organist, and suitable for many liturgical occasions throughout the year. Titles include compositions by Attwood, J.S. Bach, Brahms, Parry, Vierne, and Whitlock plus commissions from Robert Gower and Rebecca Groom te Velde, and arrangements of well-known works by J.S. Bach, Dvorak, Elgar, Faure, Ravel, Satie, Schubert, and Stolzel plus movements from Brahms’s “Ein deutsches Requiem,” Handel’s “Messiah,” and Mendelssohn’s “Elijah.”

Glory and Grandeur by Walker Baylor
Walker Baylor’s postludes are ideal conclusions to worship services. The eight works chosen for this volume are all majestic in character and make a grand impression within a short time. None is longer than three minutes, and all have been given a fresh touch for clarity and use on today’s organs. Titles include: “Festival Recessional,” “Hymn of Faith,” “Psalm VIII,” “Medieval Fanfare and Recessional,” “Processional,” “Recessional and Fanfare,” “Short Fantasy in G,” and “Short Fantasy in A minor.”

Journey to Wholeness by Angela Kraft Cross
This collection of organ works by Angela Kraft Cross provides excellent material for service or concert. Two trumpet tune-style pieces are joined by a lyric fantasy and a festive postlude. The volume’s title work is a stirring multi-movement piece inspired by Kraft Cross’s mentor from medical school and by the process of healing. As with Kraft Cross’s previous volume “Tree of Life,” this music makes a powerful impact in performance, enriching the experience of congregants or recital listeners. Titles include: “A Joyous Celebration,” “Fantasie on Arirang,” “Journey to Wholeness (To Make Man Whole),” “St. Bede’s Voluntary,” and “St. Joseph Voluntary.”

Our Hope for Years to Come
This useful anthology of hymn partitas and variations is the work of six composers: David Lasky, Douglas E. Wagner, David P. Dahl, Edward Landin, Robert F. Swift, and Andrew Senn. Each composer writes in a distinct style and has chosen a familiar hymn tune as the basis for their work. In their entirety, each partita is suitable for use in recital or as an extended service prelude. For shorter service voluntaries, individual variations may be excerpted or combined. Titles include: “Chorale and Variations on Christe Sanctorum,” “Four Variants on Rendez a Dieu,” “Partita on Christe Sanctorum,” “Partita on Deus Tuorum Militum,” “Variations on St. Anne,” and “Variations on a Genevan Psalm.”

Thou Art the Way by Grimoaldo Macchia
Grimoaldo Macchia is one of Europe’s most popular composers and arrangers of sacred organ music. In this volume, he applies his vibrant style to thirteen hymns that originate from the USA. Included are traditional folk hymns as well as later-composed tunes of American origin. Crafted with a fresh perspective on these hymns, Macchia’s brief pieces will make for delightful preludes, offertories, and postludes throughout the church year. Titles include: “Celebration March on To God Be the Glory,” “Finale Festoso on God of the Morning at Whose Voice,” “An Ascending Prayer on Amazing Grace,” “Festival Toccatina on Great God We Sing That Mighty Hand,” “Festive Postlude on Come Thou Fount of Every Blessing,” “Flourish on How Firm a Foundation,” “Fugato on In the Cross of Christ I Glory,” “Gospel Pastorale on Jerusalem My Happy Home,” “Meditation on Forgive Our Sins as We Forgive,” “Soliloquy on What Wondrous Love Is This,” “Triumphant Trumpets on Shall We Gather at the River,” “Tuba Tune on My Faith Looks Up to Thee,” and “Four Variations on Thou Art the Way to Thee Alone.”

Find more organ music on our website, and shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. has over 21 years of experience working at Stanton’s in both the Piano and Choral departments. During her career, she has been a church pianist/accompanist and a piano teacher. Her experience makes her a valuable connection for anybody who calls the piano department.

Judy S. has 30 years of private piano teaching experience and 40 years as a church pianist. Her experience makes her a valuable connection for anybody who calls the piano department.

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

Program upcoming pops concerts with these new options for high school and middle school ensembles!

Reach Out I’ll Be There arr. Alan Billingsley, SATB with piano & optional combo
The Four Tops reached their place in history by defining the quintessential Detroit-based Motown sound of the 1960s. Considered the Tops “signature song”, give your choirs the chance to sing in this crowd-pleasing and groundbreaking musical style.

This Magic Moment arr. Mac Huff, SATB with piano & optional combo
First recorded by Ben E. King and the Drifters in 1960, this easy listening love song is here set in a doo wop style that harkens back to the 1950s with finger snaps, a doo wop bass line and a feature for a soloist who can really bring the style. The instrumental accompaniment for 2 trumpets, tenor and baritone saxophones, trombone and rhythm section is just as stylish as the vocals and together a scene with poodle skirts, bobby socks, duck tail hairstyles and all things cool from the period is set.

Wake Me Up Before You Go-Go arr. Kirby Shaw, SATB with piano & optional combo
Who can forget this #1 hit by the British duo Wham! Kirby’s choral adaptation gets right in the groove of the finger-snapping piece of pop perfection. For even more fun, add the optional SoundPax or SoundTrax CD, 1980s costumes, and some show choir choreography. “Jitterbug!”

Don’t You Worry ‘Bout a Thing arr. Roger Emerson, SSA with piano
This Discovery series edition of Stevie Wonder’s 1973 song packs all the joyful Latin energy you would want into an accessible arrangement that is super cool and fun to sing. Great for building skills and style, the voice-leading is well-crafted for your beginning and developing jazz/pop groups.

More Than a Feeling arr. Kirby Shaw, TTB with piano & optional combo
Named one of the top rock songs of all time and part of the Rock and Roll Hall of Fame, this classic from the band Boston fits nicely in the voice. This arrangement is full of style and gives your singers the chance to explore pop/rock stylings while maintaining strong vocal technique.

Alright, Okay, You Win arr. Roger Emerson, 2-part mixed with piano
Here is a swinging classic jazz song ideal for young singers. A call and response style so important in jazz and here offers your young singers the opportunity to experience it. Detailed performance notes are offered by the arranger. And, as always, the vocal ranges and musical elements required to successfully perform this have been carefully chosen to ensure success.

A Wonderful Day Like Today arr. Greg Gilpin, 2-part with piano & optional kazoos
The musical “The Roar of the Greasepaint, the Smell of the Crowd” gave us this bright two-beat number. It’s a perfect selection for young singers to perform a positive message, add some choreography and the best part…play some kazoos! A terrific opener for any general concert.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper has been with Stanton’s since 2006. A former middle school and high school choral director, she holds a Bachelor of Music Education degree from Baldwin Wallace College Conservatory of Music. An active choral singer and accompanist throughout the Central Ohio area, she also enjoys good food, running (to counteract the good food…) and the Muppets.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. Currently she is a church choir director, operates a private voice/piano studio and is active as a clinician and accompanist. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Judy H. and Jennifer F., Sacred Choral Music Specialists

for Palm Sunday
Hosanna in the Highest by Craig Courtney, SATB with organ and optional children’s choir, 3-5 octaves handbells, brass sextet and percussion
Although this majestic anthem is appropriate for Palm Sunday, its text, based on the Sanctus and Benedictus, makes it suitable for services and celebrations throughout the year. Optional children’s choir, handbells, brass and percussion lend adaptability for all types of settings.

With Waving Palms and Shouts of Praise arr. Keith Christopher, SATB with piano and optional children’s choir, congregation and handbells or handchimes
This selection, using the familiar FOREST GREEN tune, will make a joyous processional for Palm Sunday. Accessible choral writing makes this arrangement easily learned while still being highly effective. With the option to incorporate a children’s choir and the congregation, the piece builds to a triumphant, multigenerational close. An optional two-octave handbell (or handchime) part is included.

Hosanna to the King Who Comes! by Lloyd Larson, SATB with piano and optional children’s choir, hand drum and bass
Lloyd Laron’s festive Palm Sunday anthem depicts Jesus’ arrival in Jerusalem with a celebratory, upbeat groove and refrain. Incorporate a children’s choir for multi-generational participation, and if you’re looking to enhance the rhythmic elements, add the optional hand drum and bass parts.

for Easter Sunday
Christ Is Risen Today, Alleluia! by Patricia Mock/arr. Faye Lopez, SATB with piano and optional trumpet and congregation
Celebrate the resurrection power of Christ with this dynamic Easter anthem featuring the beloved EASTER HYMN. A gently syncopated melody is enhanced by accessible harmonies and a supportive accompaniment. Also included are options to add a bright trumpet obbligato and congregational participation.

Crown Him with Many Crowns arr. Lloyd Larson, SATB with piano and optional congregation
This regal selection provides the makings of a high moment of praise for the gathered church. Between the choral fanfares at the beginning and end, the congregation is invited to join the choir in this well-written arrangement of a favorite hymn. A soprano descant on the last stanza enhances the powerful unison melody sung by all. An optional orchestration is available separately. Majestic!

Risen Indeed! by Allen Pote, SATB with piano and optional brass quintet and timpani
This original anthem tells the Easter story in a mighty way with piano and/or organ, and dynamic brass accompaniment. The syncopation and rhythmic energy provides the festivity needed to celebrate the resurrection of our Lord proclaiming that Christ is risen indeed!

Christ Is Risen, Sing Alleluia! by Lloyd Larson, SATB with organ or piano and optional brass quintet, percussion, and 3 octave handbells
This exclamatory anthem is a joyous proclamation of Christ’s Resurrection. The regal opening features bold choral divisi before settling into a unison statement of a melody expertly composed by Lloyd Larson. The final section ultimately builds up to a restatement of the opening and ends with a big finish. Incorporate brass, handbells, percussion, and organ for a spectacular Easter morning!

The Great I AM! by Jay Rouse, SATB with piano and optional orchestra
From the cantata “Calvary’s Love,” this piece is a triumphant celebration of the power that overcame death and the grave. Soaring unison moments contrast with rich choral harmonies, supported by a substantial piano part or the impressive optional orchestration. Sweeping and majestic, this selection is a wonderful way to open or close your Easter service.

Find more anthems for Palm Sunday and Easter in our Listening Library, or call us at 1-800-42-MUSIC to speak with one of our Sheet Music Specialists. Shop Stanton’s for all your sheet music needs!

About the Authors:
Judy H. has been working in Stanton’s Choral Department since 1975. She holds a Bachelor’s degree in Music Education from Bowling Green State University, and a Master’s degree in Choral Conducting from The Ohio State University. A member of the Grove City Chamber Singers, Judy also enjoys reading and spending time with her four grandchildren.

Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 15 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church and sings in the First Church Choir at First Congregational Church in Columbus Ohio, and is also the founder, Artistic Director and bass bell ringer for Handbells Columbus.