Creative Programming: From the Masters Friday, May 01, 2020
recommended by Jen Sper and Lora Moore, School Choral Music Specialists
Gloria (from Heiligmesse) by Franz Josef Haydn/arr. John Leavitt, SSA with piano & optional chamber orchestra
When Leonard Bernstein wanted to “cleanse his palate” he studied Haydn. This chorus from Haydn’s “Heiligmesse” is an ideal introduction to classical style and a wonderful vehicle for you as the director to work on tone and line and all of the elements of good singing that you strive for.
Gloria Patri et Filio by Antonio Vivaldi/arr. Patrick M. Liebergen, 3-part mixed with piano & optional cello
From master composer Antonio Vivaldi’s “Laetatus Sum” (a setting of Psalm 121), this edition brings the brief work to today’s choirs. Featuring an accessible Latin text and a lively optional cello part, this well-crafted arrangement is an ideal introduction to many of the conventions of Baroque style, including terraced dynamics and the alternation between a small group (or soloist) and the full ensemble.
Sanctus (from German Mass in F) by Franz Schubert/arr. Lon Beery, 3-part mixed with piano
A beautiful adaptation of this Schubert standard for Three-Part Mixed (Optional Baritone) ensembles, it is equally appropriate for concert or worship settings and presents wonderful teaching opportunities for lyrical singing along with an introduction to simple German text. Sing the English version or the original German (pronunciation guide included).
Ad Dominum Cum Tribularer by Johann Michael Haydn/ed. Martin Banner, SATB with piano & optional instrumental ensemble
This arrangement, based on the original autographed edition, introduces everyone to a little known classical gem by Michael Haydn, the younger brother of Joseph Haydn. With either piano or ensemble accompaniment, the composition is a jubilant setting in Latin of Psalm 120:1-2.
Anvil Chorus (from Il Trovatore) by Giuseppe Verdi/arr. Jonny Priano, TBB with piano & optional anvils
This operatic gem from “Il Trovatore” is often referred to as “The Gypsy Chorus.” The drama and playfulness of the original orchestration are well preserved in the piano writing, and Verdi’s glorious melody and substantial harmony remain intact in both voicings. As a special touch, the arranger has included parts for two percussive anvils. An IPA guide is included for the Italian text.
Laudate Pueri (Chorus & Trio) by Felix Mendelssohn/ed. Cameron F. LaBarr, SSA with piano
A new edition of Mendelssohn’s “Laudate Pueri” that includes both the chorus (Laudate Pueri) and the trio (Beati omnes). This edition offers a clean score for choir and keyboard with a few small ediorial markings and a phrase-by-phrase translation.
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About the Authors:
Jen Sper has been with Stanton’s since 2006. A former middle school and high school choral director, she holds a Bachelor of Music Education degree from Baldwin Wallace College Conservatory of Music. An active choral singer and accompanist throughout the Central Ohio area, she also enjoys good food, running (to counteract the good food…) and the Muppets.
Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. Currently she is a church choir director, operates a private voice/piano studio and is active as a clinician and accompanist. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!