Dreams & Imagination by Carolyn Miller, for Later Elementary to Early Intermediate Piano 10 original piano solos perfect for the advancing young pianist needing a little boost in creativity and expression. Carolyn’s trademark compositions are written to sound more difficult than they are and these are no exception. Titles include: “Beautiful Day,” “Floating on Cloud Nine,” “Flying on a Broomstick,” “Fountain in the Garden,” “The Lonely Castle,” “Midnight Reverie,” “Star Gazing,” “Walking on Air,” “Whispering Wind,” and “Who’s That Knocking at My Door?”
Alleluia by Randall Thompson, SATB a cappella Perhaps one of the most often performed American choral works, millions of copies have sold since its composition in 1940 for the opening exercises of Tanglewood (the summer home of the Boston Symphony). Seventy-five years later, the continued popularity of this work attests to its endurance. This exciting new transcription also includes introductory notes compiled by Carl Schmidt, such as the following: “Conceived at one of the busiest and most stressful periods in his life, and at a time of great international turmoil, Thompson found time and inspiration in only seventy-eight bars of music and two words – Alleluia, Amen – to create one of the most cherished and frequently performed pieces of a cappella vocal music ever written. Sung and recorded around the world by singers of all ages, Alleluia richly deserves its lofty place in the pantheon of choral masterpieces.”
Hallelujah, Amen (from Judas Maccabaeus) by G.F. Handel/arr. Patrick M. Liebergen, SATB with piano A classic new edition of the choral masterpiece from Handel’s Judas Maccabaeus. Patrick Liebergen has carefully edited this work from an 1866 German publication, reducing the instrumental accompaniment to piano or organ. Give your choir the opportunity to perform this fine masterwork from the choral literature of Handel.
The Last Words of David by Randall Thompson, SATB with piano Commissioned and premiered in 1949 by the Boston Symphony Orchestra to honor Dr. Serge Koussevitsky for 25 years of directorship. Roaring ascending scales in the accompaniment reflect the great strength of this Old Testament text. The popularity of this anthem is surpassed only by Thompson’s “Alleluia.”
Love Is a Rain of Diamonds by Gwyneth Walker, SSA with piano Composer Gwyneth Walker has crafted this beautiful piece where interplay between a sparkling piano part and playful vocal lines mirrors poet May Swenson’s comparison between love and a cascade of diamonds. A stunning work! #4 in the cycle “Songs for Women’s Voices.”
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!
We celebrated Make Music Day on December 21st with Santa Presents Music, String Riffs, Katie O’Hara LaBrie, Steven L. Rosenhaus, and Randall Standridge. Special thank you to The Columbus Dispatch for joining us for their article on Dr. Shelia Santa.
Dr. Sheila Santa’s performance with Santa Presents Music for our Make Music Day event was written about in The Columbus Dispatch!
Santa Presents Music
If you desire live music at your next event, consider these amazing musicians with their extensive repertoire – Book them
String Riffs
String Riffs compositions are written mindful of varied students skill levels, classroom flexibility, and educational experiences. Try out Karen’s new Composer & Play at Stanton’s and listen to this video for a sample of her compositions!
So Far… by Phillip Keveren, for Intermediate to Advanced Piano A deeply personal collection of original piano solos from Phillip Keveren commemorating his six decades on the planet. The 12 beautifully written pieces range from intimate reflections to advanced showpieces and represent the important events and loves in his life. A recording is also available via Burton Avenue Music. Titles include: “Fireflies,” “Greener Pastures,” “Infinity,” “Isn’t It Grand?,” “Nazo (Enigma),” “Pacific Moonlight,” “Regrets,” “Sage,” “Second Chance,” “So Far…,” “Steadfast,” and “Turning the Page.”
Cantabile Voice Class by Katharin Rundus The “CANTABILE – Voice Class” textbook is clearly and concisely written for 21st century undergraduate voice students. Already tested in lower division voice classes, students’ response was overwhelmingly enthusiastic. Twelve foundational anchors of voice study are presented with accompanying vocal exercises that build competency and confidence from the first use. In addition to anchors on vocal technique, topics such as Deliberate Practice, Musical Expression and Vocal Health are covered. The text is engaging and well-illustrated with photos, drawings and icons. “CANTABILE – Voice Class” follows on the success of “CANTABILE – A Manual About Beautiful Singing,” a comprehensive volume that is now the preferred pedagogy course text for vocal study in studios and colleges throughout the United States and abroad. Instructors will find both texts invaluable. The concise format of “CANTABILE – Voice Class” makes it particularly attractive for a semester voice class and as supplementary material for choral groups and choral pedagogy classes.
Also available is the valuable “CANTABILE – Voice Class Online Plus,” the virtual textbook companion supplement. It provides an enriched hybrid learning experience for singers, voice classes, and choral singers. Dr. Katharin Rundus will guide you through a complete undergraduate learning course using a series of videos, interactive journals, practice tools, vocalises and songs for study and performance (Italian art song, German lied, folk song and contemporary art song by Rosephanye Powell), including learning recordings and accompaniment tracks. The accompanying audio is accessed through Hal Leonard’s popular MyLibrary system using the provided code. The audio can be streamed or downloaded and includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
Film Favorites for Piano Solo arr. Mark Hayes Ten tunes from Tinseltown masterfully arranged by Mark Hayes for piano solo. Titles include: “Climb Ev’ry Mountain” (from The Sound of Music); “Gabriel’s Oboe” (from The Mission); “God Help the Outcasts” (from The Hunchback of Notre Dame); “If I Only Had a Brain” (from The Wizard of Oz); “Part of Your World” (from The Little Mermaid); “People” (from Funny Girl); “Theme from Schindler’s List”; “Singin’ in the Rain”; “Somewhere, My Love” (from Doctor Zhivago); and “Unchained Melody.”
Make Music Day started in the 1980s in France to celebrate musicians and sharing of music! This year, Stanton’s Sheet Music is featuring new music played by school ensembles as well as featuring live musicians in our James E. Strouse Workshop Hall. If you can’t attend in person, catch the live stream on our Facebook Page.
Invitation by Bronislau Kaper/arr. Erik Morales, Grade 3.5 A jazz standard performed by all the jazz greats. This swing chart has a mysterioso yet exciting character as it changes grooves from swing to Afro-Cuban then a faster swing all around 126 BPM. Check out the fine solis for saxes, trumpets, and trombones, and lead trumpet range is to written A above the staff. Optional vibes and flute parts and more. Power and excitement in a dynamic chart!
‘Round Midnight by Thelonius Monk/arr. Rick Hirsch, Grade 2.5 A superb chart on a wonderful jazz standard, played around 140 BPM. Typically a ballad, this treatment is a straight-eighth feel with smooth cascading lines. Written-out solos are provided for trumpet 1 and alto 1. Included are a few sax solis, beautiful harmonies, and lead trumpet range is to written G on top of the staff. Optional parts include flute, clarinet, and vibes and more. A uniquely beautiful chart!
Solar by Miles Davis/arr. John Wasson, Grade 4 From his early “cool” period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each. A full band soli treatment rounds out this superb arrangement.
What Is This Thing Called Love? by Cole Porter/arr. Alan Baylock, Grade 3.5 Yes! A hot swinger played in double time around 110 BPM that alternates with a samba groove. A terrific jazz standard that is full of energy that features solo work for tenor 1 (sample solo provided) and drum solo fills in an interlude. Lead trumpet range is to written A above the staff, optional parts include flute and vibes and more. This is your opener or closer for every performance!
Work Song by Nat Adderley/arr. John Berry, Grade 1.5 One of the signature tunes of the Cannonball Adderley Quintet, composed by Nat Adderley, this well-known jazz standard remains as popular today as when it first came out in 1960. Arranged here in a solid even eighth note feel, this is an appealing choice for any concert.
About the Author: Eric Stratton is the Jazz Specialist at Stanton’s Sheet Music. From Westerville, OH, Eric received a Bachelor of Music in Classical Bass Performance and a Bachelor of Arts in Jazz Studies from Otterbein University. On both electric and double bass, he plays in various groups around Columbus, including New Albany Symphony and Westerville Symphony orchestras. He enjoys listening to and playing many types of music, from jazz, pop, to rock and metal. Some of Eric’s favorite performance opportunities are in the pit orchestras of musical theatre productions. When Eric isn’t gigging or at Stanton’s, he enjoys playing video games, hanging out with his cats, performing repair and tech work on guitars, and going to local restaurants and breweries with friends.
Abduction from the Seraglio (Overture) by W.A. Mozart/arr. Andy Masters, Grade 2 Experience the thrill of playing an authentic Mozart opera overture while developing spiccato bowing technique and left hand extensions through multiple key centers. At a lightning-fast tempo, students will feel the accomplishment of their hard work.
Themes from Strauss Tone Poems by Richard Strauss/arr. Michael Hopkins, Grade 3 A leading German composer of both instrumental and vocal music during the late Romantic era and 20th century, Richard Strauss achieved his fame with his tone poems for large orchestras, including “Don Juan,” “Death and Transfiguration,” “Till Eulenspiegel’s Merry Pranks,” and “Also Sprach Zarathustra.” This accessible arrangement for string orchestra of famous themes from his tone poems offers an opportunity for young musicians to experience the power and beauty of Strauss’ music.
1812 Overture by Tchaikovsky/arr. Deborah Baker Monday, Grade 4+ This arrangement includes the gorgeous opening in the original key of Eb major, the exciting C minor imitative, and the transitional section arriving at the iconic military theme. Following is a unique offering of favorite themes, meticulously presented, that arrive at a spectacular finale.
Sinfonietta for Strings by Anthony Granata, Grade 2 Written specially to help young players gain confidence and build upon their beginning playing abilities, “Sinfonietta for Strings” by Anthony Granata echoes the composition style of the classical period. A Sinfonietta is a smaller and lighter version of the symphony. Set in the key of G major, students will love the broad and vigorous unison opening, the sudden change to E minor, and the mixture of dialogue and easy counterpoint interwoven throughout the piece. This piece will help your students develop skills in proper right-hand bow facility, simple slur and bowing patterns, common rhythms, identification of accidentals, and use of dynamics to achieve a very strong and dramatic sound.
Viva Amadeus! (based on Eine Kleine Nachtmusik) by W.A. Mozart/arr. Richard Meyer, Grade 2 It’s Mozart with a Latin twist! “Viva Amadeus!” arranged by Richard Meyer is a charming reworking of “Eine Kleine Nachtmusik.” It is sure to make your audience smile while providing your students with opportunities to work on syncopation and “south of the border” dance rhythms. Fun for everyone, as all the sections take turns stepping into the melodic spotlight. Latin percussion parts add to the cha-cha feel of this irresistible celebration. Olé!
Allegro Presto (from Symphony #2) by Joseph Bologne, Chevalier de Saint-Georges/arr. Deborah Baker Monday, Grade 2.5-3 Spotlight one of the first known classical composers of African ancestry with this incredible arrangement showcasing the music of De Saint-Georges, a Black contemporary of Mozart. Born the son of a slave and white plantation owner, he became a master fencer, violin virtuoso, conductor and composer. This vibrant and energetic movement from his second symphony is an amazing choice for any program!
Night on Bald Mountain by Modeste Moussorgsky/arr. Carrie Lane Gruselle, Grade 3.5-4 The opening eerie flutters and surges combine with the fiendish booming of the low strings in the iconic opening of this famous tone poem. Expertly arranged to sound remarkably authentic yet extremely playable, this setting offers the opportunity to explore one of the most well-known pieces in the repertoire.
Bacchanale by Liam Ramsey-White, Grade 3.5 “Bacchanale” is a frantic dance full of reckless abandon. Taken from the name of the Roman god of wine Bacchus, this work is a festive celebration. It starts with lyrical melodies juxtaposed against sharp, driving motor-like rhythms. The middle section consists of a tempo modulation into a contrasting tune filled with longing, but the party resumes and finishes in a spectacular style. Staccato, spiccato and legato articulations are explored along with accidentals, accents and bow lifts.
About the Author: Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.
Plan to attend Stanton’s Sacred Choral Clinic on Saturday, January 15th 2022, and you’ll be fully prepared for the next “holiday season.”
SACRED CHORAL READING SESSION Saturday January 15th, 2022 9:00 a.m.-12:30 p.m. Stanton’s Sheet Music James E. Strouse Workshop Hall 330 S Fourth Street, Columbus OH 43215 Cost: $20.00 (there is no pre-registration for this session; you may register the day of the clinic beginning at 8:30) email our Choral Department for more details
We will be featuring the best new choral publications for Spring, Lent, Easter, and beyond, as chosen by Stanton’s experienced Sacred Choral Music Specialists.
(Please note that in accordance with current local mandates, Stanton’s Sheet Music DOES REQUIRE face coverings indoors. Also, coffee and refreshments will not be served. Thank you for your understanding!)
Attending this clinic is a fantastic way for you to choose new church anthems for your choir by hearing the music read live. This January’s clinicians will be Stanton’s own Jennifer Fry and president emeritus Jim Strouse. Please feel free to contact Stanton’s at 1-800-42-MUSIC and speak with a Choral Music Specialist for the details of the event. We look forward to seeing you on January 15th for a wonderful morning of singing!
American Visions by Mark Lortz,Grade 3 Composed to embody the sense of American vigor and patriotism, this fast-paced and energetic fanfare, concert opener or contest selection features rousing brass fanfares, lively woodwind motives, and driving percussion. Using a simple motive that alternates between duple and triplet rhythms, this is a great selection to use for teaching the difference between the two. A contrasting middle section can be used for developing characteristic warm concert band sounds while a return to the initial material with an additional countermelody can be used for balance and blend development.
Kaleidoscope Sky by Peter Sciaino, Grade 3 Inspired by hot air ballooning, this concert or contest composition starts with a celebratory feel with soaring melodic material and progresses to a suspenseful, yet graceful, completion. Multiple dynamic, phrasing and articulation demands in all sections combined with meter changes will challenge your players while rewarding your audiences.
Beyond Reach by Adrian B. Sims, Grade 3 Reminiscent of a movie soundtrack, “Beyond Reach” by Adrian B. Sims characterizes an action-filled journey depicting the trek towards an unseen opposition. This work is full of unforgettable melodic lines and explores a unique variety of harmonic twists and turns. Filled with anticipation, hope, fear, and bravery, the adventurers unabashedly charge into combat, ultimately emerging victorious.
Rocket Surgery by Chris Campbell, Grade 3 Written for smaller bands with limited instrumentation that are looking for more challenging compositions, this complex composition will develop musicians counting and rhythmic precision skills while also working on cut-time and tonguing. Definitely a different type of composition, this will entertain performers and audiences alike with its tongue-in-cheek approach.
About the Author: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Dance to the Music arr. Paul Langford, SATB a cappella with vocal percussion Few songs have captured the joy of dancing more than this 1968 song by Sly and the Family Stone. The Family Stone harnessed many of the disparate musical trends of the time in this brilliant fusion and this arrangement brings it all together for the adventurous choir. It will be difficult to follow this in a show so make it your closer.
Sweet Caroline arr. Alan Billingsley, SATB a cappella Has there ever been a song better suited for a sing-a-long than Neil Diamond’s “Sweet Caroline”? Your audience won’t be able to resist singing out the “so good! so good! so good!” as your choir takes the rest of the vocal (and instrumental) duties in this long overdue a cappella dazzler!
Don’t Start Now arr. Deke Sharon, SATB a cappella This hit song from Dua Lipa’s award-winning album is all about the funky nu-disco sound. Arranged by the defacto “father of contemporary a cappella,” this is a fun number that mixed or treble a cappella groups will love to perform. Add some vocal percussion to make it really pop!
Hero arr. Aaron Jensen & Bryan Sharpe, SATB a cappella The beloved cast of “Schitt’s Creek” performed this incredible Mariah Carey hit for YouTube’s 2020 virtual commencement. This much-anticipated publication features rich harmonies by Aaron Jensen (music consultant for the Netflix series) as transcribed by a cappella master-arranger Bryan Sharpe. Perfect for honoring graduates, essential/frontline workers, teachers, or anyone who is an everyday hero.
Sir Duke arr. Paul Langford, SATB a cappella Wow, this is a fabulous a cappella vocal arrangement of Stevie Wonder’s 1977 hit from his album “Songs in the Key of Life!” The work captures all the style and rhythmic energy of the original instrumental lines with outstanding vocal writing that will thrill your singers and audience.
This Is Me (from The Greatest Showman) arr. Kirby Shaw, SATB a cappella Composers Benj Pasek and Justin Paul have created something that is enduring and applicable to all stages of life with “This Is Me.” This a cappella arrangement of the breakout anthem from “The Greatest Showman” is full of veteran choral intricacies and flourishes!
Try Everything arr. Paul Langford, SSAA a cappella Here is a happy a cappella setting of the upbeat song from the Disney animated film “Zootopia,” reminding us to “Don’t give up! Don’t give in!” A super concert feature, this positive message will give your singers encouragement to work hard and keep trying, no matter what.
What a Wonderful World arr. Andy Beck, SATB a cappella with optional piano, ukulele, or guitar This inspired setting faithfully retains the Hawaiian character of Israel Kamakawiwo’ole’s cover. Andy features the sopranos, then altos, on the classic melody, accompanied by rhythmic “aloha’s” from other sections of the choir. This adaptable publication invites you to perform a cappella or with optional piano, ukulele, or guitar. A special arrangement that honors the depth of the original song, the spirit of “Brother Iz,” and the beauty of the earth.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!
Stanton’s supports small music businesses! Here are just a few of the musicians in our community who #makethemostmusic Watch their videos to hear about their musical messages.
Dynamite arr. Roger Emerson, SAB with piano and optional rhythm The explosive quality of K-Pop global superstars BTS garner their songs airtime in commercials, movies, television and streaming platforms around the world. Take home Roger Emerson’s accessible choral arrangement today and keep the retro-disco sound of this #1 hit alive!
Be a Light arr. Tim Hayden, SAB with piano “In a world full of hate, be a light.” These words strike a meaningful chord about our power to affect change in the world. And the memorable music of this 2020 track creates a moving ballad for our times. Recorded by Thomas Rhett, Reba McEntire, Hillary Scott, Chris Tomlin, and Keith Urban, this anthem of hope holds a significant message. Highly effective in virtual or live performance!
Dance Monkey arr. Andy Beck, 2-part with piano Warning: if you are averse to earworms, best to skip this one. Endorsement: if you’re looking to delight and excite your 2-part singers, there’s nothing better! This Tones and I novelty has surpassed two billion streams on Spotify, set records on Shazam, and provided the soundtrack to millions of user-made videos on YouTube, TikTok, Instagram, and other social media platforms. Our SoundTrax accompaniment provides a buoyant synth-pop groove and just the right amount of support for younger singers. If you don’t know it, no worries, your kids do!
It’s All Right arr. Robert T. Gibson, 2-part/SSA with piano Jon Batiste’s cover for Pixar’s “Soul” brings this feel-good Curtis Mayfield song to a whole new generation. Built on a soulful groove, jazzy twists, and an upbeat vibe, it’s everywhere! First made famous by The Impressions, a 60s group of which Mayfield was a member, this happy hit has stood the test of time, recorded by many diverse artists over the years. The arranger adds his own authentic touch with some gospel inflections and interjections. “It’s all right, have a good time, ’cause it’s all right!”
Rainbow arr. Cristi Cary Miller, 2-part with piano What an outstanding and inspirational message to send to young, impressionable singers today: When all seems cloudy and gray, you must remember that “there’s always been a Rainbow hanging over your head.” Kacey Musgraves’ iconic song will stick with you long after the performance.
River of Dreams arr. Roger Emerson, 3-part mixed with piano and optional conga drums This classic Billy Joel song was his greatest hit in the 1990s. The song borrows from gospel and spiritual music traditions while touching on issues of inner peace and the afterlife. The upbeat shuffle and lively accompaniment make this piece a lasting treasure!
What a Wonderful World arr. Andy Beck, 2-part with piano and optional ukulele or guitar Here’s an inspired setting that faithfully retains the Hawaiian character of Israel Kamakawiwo’ole’s cover. In this well-crafted treble version, both sections of the choir take a turn singing the classic melody, while the opposite part interjects with independent “aloha’s.” This easy-to-do treatment performs well with the light piano part, an optional ukulele/guitar, or the professional SoundTrax accompaniment. It’s a special arrangement that honors the depth of the original, the spirit of “Brother Iz,” and the beauty of the earth.
Blackbird arr. Audrey Snyder, TB with piano Your TB groups will love performing this classic song by the Beatles in a well-crafted edition that accommodates the specific ranges of TB singers. It’s sure to be a choir and audience favorite!
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!
recommended by Jen Sper and Lora Moore, School Choral & Classroom Music Specialists
Aligning Music to STEM (Theory and Practice for Middle School General Music) by Frank Abrahams This book serves to be a road-map for today’s music educators who are tasked with promoting and fulfilling a rich arts curriculum, while still understanding and incorporating the realities and skill sets required in current and future job markets. “Aligning Music to STEM” challenges teachers and administrators to rethink the structure of traditional music education, as well as encourages universities to reimagine how they train music educators. It motivates schools and universities to explore their curricula designs and how ideas and lesson plans are being differentiated to promote the integration of STEM in the music classroom.
This text outlines ways that we can carefully redesign curricula and explore new approaches that aim to provide students with new opportunities to problem-solve, create, collaborate, and experience the world. Abrahams concludes that as current educators, it is our responsibility to promote new ideas for teaching and learning that lead students to a successful, creative life.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!
Rejoice! (Ten Carol Settings for Piano) arr. Mark Patterson A collection of 10 piano solos based on familiar carols. This popular composer is known for his creative yet accessible style. The pieces will fit into many different styles of worship and will be useful for program material as well. Titles include: “Angels We Have Heard on High,” “Christmas in Six,” “Huron Carol,” “In the Bleak Midwinter,” “Joy to the World,” “Rejoice!,” “Silent Night,” “Still, Still, Still,” “The First Nowell,” and “We Three Kings.”
Nativity Scenes arr. Timothy Shaw A collection of favorite Christmas carols that will work well as reflections, preludes, or in some cases, as expanded introductions. Most are short and many can be combined with other settings to create a suite of carols. A very creative and useful collection. Titles include: “The Angel Gabriel from Heaven Came,” “Angels from the Realms of Glory,” “Away in a Manger,” “Bring a Torch, Jeanette, Isabella,” “Go Tell it on the Mountain,” “O Little Town of Bethlehem,” “On Christmas Night,” “Prepare the Royal Highway,” “Savior of the Nations, Come,” “Silent Night,” “Sing We Now of Christmas,” and “The Wexford Carol.”
As you prepare for Advent and Christmas worship, all titles in both books are available for immediate Digital Delivery for only $5.00 each! Contact us for more information, and shop Stanton’s for all your sheet music needs!
recommended by Caryn G. and Judy S., Sacred Keyboard Music Specialists
I’m Gonna Sing (Spirituals and Hymns for Organ) arr. André J. Thomas & Douglas E. Wagner, for Moderately Easy Organ The choral music of André J. Thomas instantly evokes an exhilarating feeling of joy in anyone who has experienced his unique signature style of writing. Seven of Dr. Thomas’s most often performed choral titles (largely based on spirituals) are arranged in this collection by Douglas E. Wagner to become stunning organ solos. Titles include: “I’m Gonna Sing,” “Beautiful City,” “Swing Down, Chariot,” “I Couldn’t Hear Nobody Pray,” “Joshua Fit the Battle of Jericho,” “The Virgin Mary Had a Baby Boy,” and “Do, Lord, Remember Me.”
Mark Hayes Hymns for Organ Volume 4 arr. Marvin Gaspard, for Moderately Easy 2-staff organ Mark Hayes’s best-selling series of organ arrangements continues with this volume of pieces based on non-seasonal hymns. As always, Marvin Gaspard has adapted Hayes’s piano originals into effective and idiomatic organ arrangements that fully display the Hayes signature touch. Titles include: “For the Beauty of the Earth,” “Benediction Medley,” “Let All Mortal Flesh Keep Silence,” “O for a Thousand Tongues to Sing,” “Praise Him! Praise Him!,” “More Love to Thee, O Christ,” and “When in Our Music God is Glorified.”
My Hope Is Found arr. Jason D. Payne, for Moderately Advanced 3-staff organ The Getty creative team (represented here with the work of Keith Getty, Kristyn Getty, and Stuart Townend) has made a tremendous impact in the world of church music. Many of their songs have entered the repertoire of churches as “modern hymns” for the present era. Taking inspiration from the powerful words and stirring tunes, Jason D. Payne has crafted worshipful organ arrangements of seven of their best known hymns that are by turns thrilling and poignant. Titles include: “In Christ Alone,” “Behold the Lamb (Communion Hymn),” “How Deep the Father’s Love for Us,” “O Church, Arise,” “The Power of the Cross (with When I Survey the Wondrous Cross),” “Beneath the Cross,” and “Speak, O Lord.”
Sixty-Second Service Solutions for Organ arr. Larry Shackley, for Moderately Easy 2-staff organ This highly practical volume by Larry Shackley contains 33 arrangements of popular hymns. Each is almost exactly 60 seconds in length and has various possible uses: as brief instrumental calls-to-worship, as interludes during communion, as “filler” between service elements, or as brief offertories for small congregations. Each one also has an optional introduction ending so that it can serve as a direct lead-in to congregational singing of the hymn. Titles include: “Ah, Holy Jesus,” “Alas! and Did My Savior Bleed,” “All Hail the Power of Jesus’ Name,” “Alleluia! Sing to Jesus,” “Blessed Assurance,” “Blest Be the Tie That Binds,” “Come, Thou Almighty King,” “Come, Thou Fount of Every Blessing,” “Crown Him with Many Crowns,” “Fairest Lord Jesus,” “Hallelujah! What a Savior!,” “Holy God, We Praise Thy Name,” “Holy, Holy, Holy,” “How Firm a Foundation,” “In the Cross of Christ I Glory,” “Jesus Paid It All,” “Jesus Shall Reign,” “Lead On, O King Eternal,” “Let Us Break Bread Together,” “Near the Cross,” “Nothing but the Blood of Jesus,” “O for a Thousand Tongues to Sing,” “O God, Our Help in Ages Past,” “O Sacred Head, Now Wounded,” “O Worship the King,” “Praise to the Lord, the Almighty,” “Spirit of God, Descend Upon My Heart,” “Stand Up, Stand Up for Jesus,” “The Lord’s My Shepherd,” “To God Be the Glory,” “Were You There?,” “What a Friend We Have in Jesus,” and “What Wondrous Love Is This.”
About the Authors: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Judy S. has 30 years of private piano teaching experience and 40 years as a church pianist. Her experience makes her a valuable connection for anybody who calls the piano department.
Brasstown Bald Overture by R. Alan Carter, Grade 2.5 This concert and contest overture depicts the beauty and grandeur of the panoramic views from the top of Brasstown Bald mountain, the highest point in Georgia. An opening fanfare sets the mood with a middle section based on folk tunes. A fanfare return builds to a triumphant finish. Use this to develop listening and balance skills and to teach students about ABA form.
The Edge of Adventure by Todd Stalter, Grade 2.5 Excitement, anticipation, dread, wonder…all of these thrilling aspects of the journey of discovery into the unknown are musically depicted in composer Todd Stalter’s work, “The Edge of Adventure.” Players will love the energetic tempo of the beginning, with its unanticipated rhythmic accents, driving percussion, and foreboding chords, and have an opportunity to play expressively in a middle section that builds to a triumphant, musically satisfying expression of amazement and beauty. Listeners and performers alike are drawn into the piece, constantly sitting on adventure’s edge, unaware of what to expect as their quest for discovery unfolds. An ideal young band piece to open or close a concert, “The Edge of Adventure” lends itself to connections to literature and artwork that can inspire your students to find deeper levels of meaning in the music.
Fanfare for a New Day by Evan VanDoren, Grade 2.5 “Fanfare for a New Day” captures the excitement and exuberance of the new! Highly playable for a younger band, this brief concert opener provides opportunities to explore lyrical melodies, exciting fanfare figures, and sudden dynamic changes in appropriate settings. You will want to program this attention-getter to start your next concert!
Mama Sea Turtle by Heather Hoefle, Grade 2.5 The first movement in “Water Tales, Suite for Band,” this lyrical work is a beautiful depiction of a sea turtle departing the beach after laying her eggs in the sand. This piece in 3/4 time is a great opportunity for your students to work on slurs and phrasing while they learn about these amazing, endangered water creatures. This first installment of this marine-based suite has great potential for themed concerts and cross-curricular activities!
Time After Time arr. Patrick Roszell, Grade 2 Awarded Song of the Year at the 1985 Grammy Awards, Cyndi Lauper’s timeless ballad “Time After Time” is still as poignant as ever. The song was a success on the charts as well; it became her first number-one single on the U.S. Billboard Hot 100 chart on June 9, 1984 and remained there for two weeks. With its gentle groove and positive message, this classic tune arranged by Patrick Roszell will make a great addition to your pop or spring concert program, even graduation.
About the Author: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Cinderella (An Amazon Original Movie) Our souvenir songbook from the 2021 modern re-boot of the classic fairy tale features piano/vocal/guitar arrangements of 13 songs plus seven pages of full-color photos from the movie! Starring Camila Cabello, the soundtrack features a fun mix of pop songs plus original ones written for the movie. Titles include: “Dream Girl,” “Let’s Get Loud,” “Material Girl,” “Million to One,” “Perfect,” “Rhythm Nation,” “Seven Nation Army,” “Somebody to Love,” “You Gotta Be,” and more.
Dear Evan Hansen (Music from the Motion Picture Soundtrack) 11 songs from the hit movie soundtrack, including “The Anonymous Ones” and “A Little Closer,” written exclusively for the film. All songs are arranged for piano, voice, and guitar with chord symbols, guitar chord frames, and full lyrics. The melody is included in the piano part. Titles include: “The Anonymous Ones,” “For Forever,” “If I Could Tell Her,” “A Little Closer,” “Only Us,” “Requiem,” “Sincerely, Me,” “So Big/So Small,” “Waving Through a Window,” “Words Fail,” and “You Will Be Found.’
In the Heights (Music from the Original Motion Picture Soundtrack) From the creator of “Hamilton,” and the director of “Crazy Rich Asians,” we invite you to a cinematic event where the streets are made of music and little dreams become big – “In The Heights.” Our piano/vocal selections songbook features 13 songs from the 2021 film based on the four-time Tony Award-winning show. Original, full-color photography and movie artwork are included within this beautifully packaged portfolio. Lin-Manuel Miranda’s kinetic music and lyrics capture a world very much of its place, but universal in its experience. Titles include: “In The Heights,” “Breathe,” “¡No Me Diga!,” “It Won’t Be Long Now,” “96,000,” “Piragua,” “When You’re Home,” “Blackout,” “¡Paciencia Y Fe!,” “Alabanza,” “When the Sun Goes Down,” “Champagne,” and “Home All Summer.”
Respect (Selections from the Motion Picture Soundtrack) A dozen timeless hits sung by Aretha Franklin as presented in the 2021 hit movie “Respect” starring Jennifer Hudson, in arrangements for piano, voice and guitar. Titles include: “Ain’t No Way,” “Chain of Fools,” “Do Right Woman Do Right Man,” “Dr. Feelgood (Love Is a Serious Business),” “Here I Am (Singing My Way Home),” “I Never Loved a Man (The Way I Love You),” “I Say a Little Prayer,” “(You Make Me Feel Like) a Natural Woman,” “Respect,” “Since You’ve Been Gone (Sweet, Sweet Baby),” “Spanish Harlem,” and “Think.”
Atlantis by Todd Parrish, Grade 1 An exciting journey through Atlantis awaits students in this straight-forward composition using notes of the B natural-minor scale. Using only the notes and rhythms learned in the first year of study, this work is very accessible for beginning to intermediate students. Dynamic contrasts from piano to forte are explored including crescendos and decrescendos, along with short and long bowing articulations. The minor-key feel of this work will motivate students from the first rehearsal to the final performance.
Never Let Up by Brian Balmages, Grade 1 Persistence, dedication, intention and drive. Exploring the dynamics of human resiliency, this aggressive work relies on driving rhythmic elements, stately melodic lines and intense harmonic moments. Heroic and powerful from start to finish!
Snowy Woods by James O. Lockett, Grade 1.5 Envision a crackling fireplace on a snowy December night or imagine gazing out the window in the morning at the beauty of a new-fallen snow – this beautiful original work will warm the audience and players with delight. A beautiful melody and colorful harmonies combined with lush and expert scoring will make the developing orchestra sound full. A harp (optional piano) part adds to the perfect palette of color. A must-have holiday gem.
Acidic by Tyler Arcari, Grade 1 Tyler Arcari brings us a driving contest piece that is sure to keep your students motivated. Cinematic-like orchestra hits and biting rhythms make for a fun experience, while lyrical contrast in the B-section is perfect for introducing expressive playing. Your students will ask to play this one over and over!
Mountain Run by Liam Ramsey-White, Grade 1.5 As the name implies, this work portrays a morning run up a mountain and the feeling that comes with the wonderful vistas that surround. Students will experience images of beautiful vegetation and fresh-water streams as they traverse the mountain path. All notes are playable in D Major after just a couple years of study, with no low second fingers. The adventurous theme and accompaniments are composed of simple rhythms that sound great and are easy to put together.
Twilight Smiling by Larry Clark, Grade 0.5 There is sometimes a lack of sensitive music at this grade level, which is why “Twilight Smiling” by Larry Clark is so great. Wonderful opportunities to teach expressive playing and phrasing, this lyrical work will be a hit at any concert throughout the school year.
About the Author: Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.
