News & Views Monday, December 15, 2025

recommended by Jen Sper, School Choral Music Specialist

Heart of Earth by Shruthi Rajasekar, SA a cappella with hand claps
“Heart of Earth” sets excerpts of poetry by Laura Purdie Salas that are rich in vivid descriptions of the natural world. Rajasekar was attracted to these texts by the way in which they relate to her home state of Minnesota, as well as places all around the world. The simple melodic lines are embellished with cross-rhythms and vocal scoops.

Our Song by Katerina Gimon, SSA with piano and optional percussion & string bass
Contemporary writing and folk-like harmonies support Lauren Peat’s lyrics about unity through song. The optional percussion and string bass add even more spirit to this upbeat treble feature!

Wanderlust by Marianne Forman, SA with piano and percussion
“Wanderlust” reflects on friendships and the desire to explore, both literally and figuratively. Ideal for children’s choir, it features a memorable melody and nostalgic harmonies against the backdrop of train-like sound effects from the voices and percussion (sand blocks, triangle, and train whistle).

Ilus Hääl by Margrit Kits/arr. Laura Jēkabsone, SSAA a cappella with shaker
“Ilus Hääl” was arranged in honor of the 100th anniversary of Estonia, neighbor of Latvia, the home of composer, arranger, and singer Laura Jēkabsone. The two countries are united by their love of song and rich history of folk song.

One Ripple by Kathryn Parrotta, SSA with piano
Flowing vocal lines are beautifully woven together to create a ripple effect in this stunning treble feature. A song of purpose and belonging, the lyrics explore being a part of something greater than oneself: “I am one ripple, one thread in the fabric of the blanket we weave. I am one ripple. But just one ripple makes a wave.”

Dum Spiro Spero by Daniel Brinsmead, SA with piano
“While I have breath, I hope…” Using both Latin and English, the text of “Dum Spiro Spero” is set with a sonority that conveys determination and a hopeful spirit. A wonderful piano accompaniment and the addition of claps make this an exciting choice for your concert program.

Begin Again by Daniel Brinsmead, SA with piano
The style and text of this SA work by Daniel Brinsmead will speak to anyone, and are sophisticated enough to work for choirs young and old. This is an important text that needs to be sung and heard.

For This Joy arr. Susan LaBarr, SSAA with piano and clarinet
“For This Joy” is a modern arrangement of the LOBE DEN HERREN hymn tune, with a new, ecumenical text written by poet Charles Anthony Silvestri. The text focuses on the richness of life and creation and the joy that is found in all aspects of life.

Fly by Ayrian Norman, 2-part with piano
Creative, energetic, and inspiring! This original work from composer Ayrian Norman weaves through different musical sections in a celebration of following dreams and aspirations. An energetic opening section is followed by an expressive, ballad featuring optional soloists. The contemporary harmonies make this piece feel like it could have come right from the stages of Broadway!

Sanctus by Dan Miner, SSA with piano
Open harmonies and a calm, fanfare-like introduction set the tone for this gentle SSA setting with piano. A strong option for middle or high school treble choirs developing expressive phrasing, breath support, and exposure to Latin text.

Hold (Love’s True Glow) by Coleman Peterson, SA with piano
Best-selling composer Coleman Peterson presents a new original work for SA choirs with piano, based on Sara Teasdale’s poem “To-Night.” Lovely and accessible, it features melodic vocal lines and a creative piano accompaniment which supports the voices throughout. Written in a duet style, this piece offers accessible ranges suitable for children and youth choirs, as well as developing secondary treble ensembles.

At Dawn by James DesJardins, SSA with piano and optional violin
“At Dawn,” beautifully crafted for treble choir with piano and optional violin, celebrates the awe-inspiring beauty of a sunrise. The piece contrasts the excitement of nature anticipating the dawn – reflected in shifting tonalities of the verses – with the steady, regal arrival of the sun in the refrain. A soft Latin text builds to a triumphant three-part C major chord, musically depicting the sunrise’s grandeur. The piano part alternates between strength and a harp-like delicacy, enhancing this vivid and uplifting portrayal of dawn’s arrival.

Thither Will I Go by Tom Trenney, SSAA with piano
An exploration of light and darkness, this setting of Laurence Housman’s text is an incredibly engaging piece for treble choir. Alternating between broad homophonic singing and sprightly canonic writing, this piece builds on a memorable motive and increases in intensity until the emphatic ending. A must-sing!

Arirang (Mother of Mine) by Byunghee Oh, SSA with piano
This Korean homage to mothers is both captivating and poignant. SSA, with a flowing piano accompaniment that supports the voices throughout. Treble choirs of all ages will love singing this gorgeous piece, which ends with the most powerful and important phrase “I love you.” The Korean text is written in a transliteration that makes it accessible to all treble choirs.

Seeking Light by Brandon Williams, SSAA with piano
Charles Anthony Silvestri’s text honors the adventuresome spirit of a life well lived and asserts that death is merely another crossing point on a continuing journey. The opening solo line blossoms into a full choral texture that is well complemented by an artistic piano accompaniment in this contemporary inspirational selection.

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Currents by Vince Gassi, Grade 3
A gentle ballad is always a welcome change of pace in a high-powered concert, and this Vince Gassi original is the perfect chart to fill that slot. There is a lyrical solo line for the Trombone, with beautiful muted brass backgrounds. The piece builds in intensity, moving through several keys, and features some lush musical moments that are the high points of the chart.

Early Morning by Doug Beach, Grade 3
Programming the right ballad is always a challenge. “Early Morning” by Doug Beach will make that decision a little easier. Written to feature your choice of Alto Sax, Trumpet or Tenor Sax, this beautiful ballad will be a memorable choice on any program. The pensive melody is supported by warmly scored backgrounds that build as the chart unfolds. The double time ensemble section provides a wonderful contrast to the ballad feel. A must have chart for any library.

Last Night of Summer by Terry White, Very Easy
This extremely playable laid back latin rock chart is the perfect difficulty for young ensemble success. With very easy rhythm section parts and limited ranges and rhythms in the horns, this is a great choice for bands getting ready for their first concert and looking for a change of pace. There are written solos for Alto Sax and Trumpet with the option to improvise.

Snowberry by Yukiko Nishimura, Grade 4
We are so happy to welcome Yukiko Nishimura to the Excelcia Jazz catalog! You are undoubtedly familiar with her captivating works for other types of concert ensembles, and her advanced and sophisticated harmonic vocabulary works perfectly in the Jazz world. This is a touching and heartfelt ballad that would be equally at home on a concert stage or at a festival performance.

Blue Valentine by Jamie Roth, Grade 1.5
If you are looking for a unique change of pace chart for your next performance, check out “Blue Valentine.” This Jazz Rock ballad is flowing and melodic but filled with contemporary harmony. The focus is on the ensemble throughout.

EKG by Peter Sciaino, Grade 3
This chart defies definition! Complex interweaving lines with lots of syncopation create a floating soundscape that rises and falls with each phrase. There are some wonderful musical moments where the chart lands on sustained suspended chords that highlight the end of each section. This is a fascinating chart!

Testifyin’ by Steve Shanley, Grade 3
“Testifyin’” is a soulful gospel rock ballad that brings heartfelt emotion and dynamic contrast to your jazz band’s performance. Designed to feature any soloist, the open solo section includes accessible chord changes and suggested pitches, making it ideal for developing improvisers. Clearly notated rhythm section parts provide solid support throughout. A powerful a cappella ensemble moment builds to an emotional peak before the soloist returns for a reflective, expressive close.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Austin Swack, Instrumental Education Specialist

The New Orleans Blues by Jelly Roll Morton/arr. Richard Webb, Grade 4
Ferdinand Joseph LeMonthe (c. 1890-1941), better known by his pen name “Jelly Roll” Morton, was a New Orleans-born ragtime pianist, composer, and band leader. One of the first musicians to play the New Orleans music that would come to be known as “jazz,” he was also one of the first artists to notate his jazz compositions on paper. He would claim, years later, that he had “invented” jazz, something historians dispute. His popular works include Dead Man’s Blues, King Porter Stomp, Alabama Bound, and the Tiger Rag. His 1920s recordings by his hand-picked band The Red Hot Peppers are considered classics in the early jazz idiom. Morton’s “The New Orleans Blues” appears to have been composed between 1900-1910, when the composer was touring the United States.

Bubble Gum Blues by Caryn Wiegand Neidhold, Grade 1
Get ready to groove with “Bubble Gum Blues” – the perfect introduction to jazz for your beginning orchestra! Students will learn to swing like pros, lay down a smooth walking bass line, and take their turn in the spotlight with an easy-to-learn solo – either improvised or pre-written. Fun rehearsal lyrics help lock in the rhythms, and an optional drumset part adds an authentic jazz vibe. Watch your students “POP” with excitement as they bring this catchy tune to life!

Droid Funk by Dylan Fixmer, Grade 3
Inspired by the whimsical space robots of childhood, this exciting piece will get your string orchestra grooving and improvising with confidence. Written solos in each part provide scaffolded improvisation practice and highlight students seeking a challenge. Prepare for a jump to groove-speed; your orchestra is about to get funky!

Cyborg by Michael Hopkins, Grade 4
“Cyborg” by Michael Hopkins is an upbeat, high energy blues-rock piece for intermediate orchestra. This is a great piece for working on left hand chromatic fingering, syncopated rhythms, and crisp articulations. Written in a modified 12-bar blues form, the music features all sections of the orchestra on thematic material. You and your students will have fun performing this exciting work for intermediate orchestra.

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About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Gloria! Advent and Christmas Music for Organ arr. Anna Laura Page
Anna Laura Page has arranged ten familiar Advent and Christmas carols in varied, tuneful organ settings that joyfully recall the birth of the Savior. These moderately easy pieces will make ideal preludes, offertories, and postludes throughout the season. Titles include: “Angels We Have Heard on High,” “Away in a Manger,” “Good Christian Friends, Rejoice!,” “He Is Born,” “It Came Upon the Midnight Clear,” “Joy to the World!,” “O Come, O Come, Emmanuel,” “On Christmas Night All Christians Sing,” “Once in Royal David’s City,” and “People, Look East.”

Carols of the Christ Child arr. Janet Linker
Seven carol settings. Titles include: “Go Tell It on the Mountain,” “Trumpet Tune on Angels, from the Realms of Glory,” “Infant Holy, Infant Lowly,” “Away in a Manger,” “Silent Night” (two versions), and “Variations on Hark! The Herald Angels Sing.”

A Nativity Suite by Wilbur Held
These little pieces were written to help fill the need for serviceable music of very modest technical demands. The pedal part especially has been kept simple so that the beginning organist may have experience with organ style and registration even before his pedal technique is firmly established. Organ and Hammond registrations by Wilbur Held. Titles include: “Oh, Come, Emmanuel,” “Silent Night,” “Shepherds,” “The Three Kings,” and “Joy to the World.”

He Is Born: Christmas Carols for Organ arr. Lloyd Larson
After the success of Lloyd Larson’s first organ collection, we are delighted to present a new volume, this time with arrangements of familiar Christmas and Advent carols. About this volume, Larson writes: “I think it can be said that many of the Christmas carols that have been woven into the fabric of our yuletide celebrations are also timeless. They have survived because they have something to say and have been wedded with memorable melodies. My goal in this collection has been to take these enduring strains and package them in fresh ways for the organist. At the same time, I wanted to do my best as an arranger to stay out of the way and ensure that these ageless melodies took center stage.” Titles include: “He Is Born, the Divine Christ Child,” “How Far Is It to Bethlehem,” “It Came Upon the Midnight Clear,” “Manger Carols,” “While Shepherds Watched Their Flocks,” “Once in Royal David’s City,” and “O Come, All Ye Faithful.”

Christmas Carol Hymn Settings for Organ arr. Jean Langlais
This wonderful collection of Christmas carols has been set by France’s master of the organ, Jean Langlais. It contains some of the best-loved tunes, arranged for the intermediate to advanced player. Titles include: “Angels We Have Heard on High,” “He Is Born,” “In Dulci Jubilo,” “Joy to the World,” “O Come, All Ye Faithful,” and “Silent Night.”

The Joy of Christmas arr. Diane Bish
World-renowned organist and host of the international television series “The Joy of Music” Diane Bish presents this thrilling volume of her newest Christmas carol settings. The many moods of the season are vividly displayed in these magnificent works as the words of these timeless carols come alive with deep musical meaning, creating inspirational and moving experiences for the listener. Titles include: “Away in a Manger,” “God Rest You Merry, Gentlemen,” “I Saw Three Ships,” “It Came Upon a Midnight Clear,” “Joy to the World,” and “Sing We Now of Christmas.”

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recommended by Jen Sper, School Choral Music Specialist

A Wreath of Holiday Chorals by Greg Gilpin
This musically diverse collection contains seven reproducible selections for Christmas, Hanukkah and December holidays, carefully arranged to be sung as unison or optionally as 2-part.

“A Wreath of Holiday Chorals” works as a bridge to teaching harmony, giving less experienced choirs and younger singers quality literature with many performance options. As you rehearse, you will discover the many ways to incorporate the optional Part Two; perhaps by adding a simple harmony or selecting a section where both parts are sung instead of just unison.

In addition to the physical book, it is also completely digital, granting you permission to print the entire book or singer-only PDF parts. Included are full performance and accompaniment MP3s as well as part-dominant recordings to help with individual learning, all downloadable for immediate use.

Whether you incorporate one of or all the selections, you will love the versatility, quality, and budget-stretching punch for your music program.

Titles include: “Adeste Fideles,” “Bethlehem Lullaby,” “Hear the Sleigh Bells Ring!,” “The Holiday Tango!,” “Over the River and Through the Wood,” “S’vivon,” and “A Wreath of Carols.”

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

SingCircle Voiceworks: 111 Rounds for Singing by Heart by Edward Caswell & Peter Hunt
Suitable for groups of all ages and experience levels, “SingCircle” provides choral leaders with everything they need to facilitate inclusive and satisfying group singing. This unique collection of rounds spans centuries of accessible material from the medieval period to the present day, drawing from a range of musical traditions and offering the chance to explore singing in different languages. The progressive structure allows confidence to grow with the repertoire, which stretches from unison songs and rounds to rich extended part-singing, and singers are encouraged to learn by rote. There is music from diverse voices and communities – with well-established classics sitting alongside new compositions – and to suit a variety of settings.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Mark Hayes Hymns for Organ Volume 5 arr. Marvin Gaspard
Mark Hayes’s best-selling series of organ arrangements continues with this volume featuring a diverse selection of hymns. The collection includes both general hymns and pieces often used during specific seasons of the year. As always, Marvin Gaspard has skillfully adapted Hayes’s piano originals into effective and idiomatic organ arrangements that showcase Hayes’s signature style.

Titles include: “Lead On, O King Eternal,” “Hallelujah, What a Savior,” “Hosanna, Loud Hosanna,” “Look, Ye Saints! the Sight Is Glorious,” “Of the Father’s Love Begotten,” “Spirit of God, Descend Upon My Heart,” and “Jesus Shall Reign.”

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recommended by Caryn G., Sacred Piano Music Specialist

Heavenly Peace: Christmas Meditations for Solo Piano arr. Mary McDonald
We are pleased to present our first solo collection for pianists from one of our most valued and trusted composers, Mary McDonald. Here are ten settings ingeniously crafted for the church musician who desires music that can be easily mastered with minimal practice. These quiet, meditative settings are ideal for worship as well as personal renewal. Each setting is designed for personal expression and will accommodate intermediate to advanced pianists.

Titles include: “Away in a Manger,” “The Coventry Carol,” “Heavenly Peace,” “In the Bleak Midwinter,” “Jesus, Jesus, Rest your Head,” “O Come to My Heart,” “Once in Royal David’s City,” “See, Amid the Winter’s Snow,” “The Babe, the Son of Mary,” and “Good People All, This Christmas Time.”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

This Great Legacy by William Owens, Grade 2.5
“This Great Legacy” by William Owens is a spirited Grade 2.5 concert march written in honor of John Gibson, co-founder of the Association of Texas Small School Bands. With seamless transitions between 6/8 and 2/4 meters, rich harmonies, and a strong melodic focus, this work offers an excellent opportunity to teach march style and changing meter. Both a tribute and a teaching tool, “This Great Legacy” is a meaningful and exciting choice for concert or festival performance.

Americans We by Henry Fillmore/arr. Rob Romeyn, Grade 2.5
“Americans We” is one of Henry Fillmore’s most beloved and iconic marches, and this skillful arrangement by Rob Romeyn thoughtfully adapts it for young bands while staying true to the spirit and energy of the original. Creative scoring ensures it works beautifully with smaller or less experienced ensembles. A superb introduction to the march style and an excellent teaching tool for developing musicians. A classic march, reimagined for young bands!

The Band of Bands by Ted Mesang/arr. Quincy Hilliard, Grade 3
Originally published in 1961, “The Band of Bands” was composed for the Wisconsin Band Masters. It is unique in style, with terrific melodies and interesting harmonic changes. It makes a wonderful change from the standard marches.

March Past of the Kitchen Utensils by Ralph Vaughan Williams/arr. John Fulton, Grade 3.5
Ralph Vaughan Williams’ “March Past of the Kitchen Utensils” is a unique “walking” style English march. There are several teaching moments that you and your students will enjoy as you prepare this piece for concert or festival. If you’re looking to bring something unusual to a festival or assessment, or to end a concert with a fun march, consider “March Past of the Kitchen Utensils.”

Furious Granite by Nathan Farrell, Grade 4
Inspired by the transformation of molten rock into enduring granite, this concert march pays tribute to the memorials that honor sacrifice and valor. With its bold themes and resilient spirit, it captures the strength and dignity of these timeless monuments.

Legend of the Red Tails by Matthew R. Putnam, Grade 1.5
Matthew R. Putnam brings us an homage to the storied Tuskegee Airman with “Legend of the Red Tails.” A march in traditional form, this one is a perfect addition to any concert program or festival evaluation.

Lock 70 by John M. Pasternak, Grade 3.5
“Lock 70” is a brilliantly scored march in traditional form for the concert band. Composer John M. Pasternak wrote this in the 20th century, but you’d be hard-pressed not to feel this march sits among the great marches of old! A wonderful addition to challenging march repertoire, especially if you are looking for something new in your library!

March Grande Dame by Mark Grauer, Grade 2.5
A charming and spirited original march that captures the lively essence of early 20th century classic marches. With its catchy melody and vibrant rhythm, listeners will be transported to a bustling carnival midway, where the sounds of a circus band or calliope fill the air. Perfect for any season, this crowd-pleaser brings festive energy and nostalgic flair to any performance.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral Music Specialist

Jack Frost by Savannah Zielinski, T(T)B with piano
With a flurry of excitement and a touch of theatrics, “Jack Frost” is a playful, high-energy choral piece perfect for young choirs. Rhythmic drive, vivid storytelling, and dramatic flair bring this wintry tale to life, making your next performance an engaging and spirited event. From creeping cold to swirling blizzards, the music builds with suspense and whimsy, inviting singers to embrace its theatrical energy. Whether staged with full dramatics or performed as a lively concert piece, Jack Frost is a wickedly fun addition to any winter program. Beware the bitter winds – Jack Frost is here!

Hanerot Halalu by Sarah Riskind, 3-part flexible canon a cappella
This canon offers a beautiful, reverent, and flexible musical addition to any worship service or concert performance celebrating Hanukkah. The format provided can work with just three solo voices to a full choir. The ranges of the voice parts are mid-range and all the same, so SSA, TBB, SAB, or any derivation therein is appropriate. Listed as a cappella, instruments can easily be added. It encourages flexibility and creativity.

I Saw Three Ships arr. Garrett Breeze, SSAA a cappella
This upbeat, energetic arrangement is a delightful new choral take on the familiar 18th century English carol. The substantive a cappella work arranged for SSAA voices explores a variety of textures and rhythms making it a significant addition to treble-choir literature for the holidays.

Yuki Ya Kon Kon (Falling Snow) by Mary Donnelly & George L.O. Strid, 2-part with piano and optional flute
This gentle piece, inspired by a Japanese folk song and featuring lyrics by Robert Louis Stevenson, beautifully captures the serene imagery of winter’s snowfall. As snow softly blankets the trees, it creates the illusion of ‘little snow flowers’ blooming in the quiet of the season. An optional flute part adds a delicate, airy quality, enhancing the piece’s light, wintry feel.

Chiquirriquitin arr. Vicki Tucker Courtney, SSA with piano
“Chiquirriquitin,” a rhythmic play on “chiquitin” (little children), is one of the most famous Christmas carols from the region of Andalusia, Spain. Consider using accompanying instruments such as a lightly strummed guitar and a small drum and triangle for rhythm. The lilting vocal arrangement dances perfectly with treble voices!

Personent Hodie arr. Earlene Rentz, TBB with piano
Composed in the 14th century, this well-known Latin carol based on the Piae Cantiones text is presented in an easily learned arrangement that offers both the original Latin text and a singable English version. Ideal for both concerts and services, it can serve as a processional or opening selection that offers a strong pulse and dynamic character. Accessible and rewarding!

Some Children See Him by Alfred Burt/arr. Joseph M. Martin, TTB with piano
One of the great carols of our last century is carefully arranged by Joseph Martin and brilliantly orchestrated by Brant Adams. A true classic in every sense of the word, this carol has an important message for all of us in these troubled times. Includes an optional part for children or solo.

We Three Kings arr. Noah Reese, TTB with piano
“We Three Kings” is the first Christmas carol written in the United States to gain widespread popularity. Composed for a Christmas pageant by John Henry Hopkins, Jr. in 1857, the piece tells the Biblical story of the Three Magi who traveled a great distance with gifts of gold, frankincense, and myrrh for Jesus. The piece is great for teaching the time signature 3/4 and helping students recognize the difference between the minor-key verse and the major-key chorus.

Winter Moon by Jordan Ricks, SA with piano
Jordan Ricks’ “Winter Moon” is a lovely, lyrical work for young treble ensembles. The beautifully expressive and singable melody, set to a mysteriously evocative text, is paired with a rich accompaniment that supports the vocals with compelling harmonic character. This piece is a great choice for treble choirs who are getting started early in the school year to help teach ensemble singing, phrasing, and diction.

Children, Go Where I Send Thee arr. Kevin Phillip Johnson, TTBB with piano and percussion, optional rapper & bass guitar
An exciting, accessible new arrangement of this wonderful African American spiritual, rich in texture and vibrancy, written by Kevin Phillip Johnson as part of his Soulful Singing Series. With or without the rap section, it is sure to invigorate any holiday concert!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral & Classroom Music Specialist

Meow! The Musical: The Most Excellent and Remarkable Tale of Rover and Mewliet by John Jacobson & Walter Jack
Join John Jacobson and his feline friends. One particular kitten by the name of Mewliet (as in Juliet) comes to the group with a problem. Her friend, who has a huge admiration for cats and their ability to climb trees, would like Mewliet to teach them how to climb a tree like a cat. The other cats are eager to help until they find out that the friend’s name is Rover and is, in fact, a dog! In the course of the musical, the cats, Rover, and his canine pals, come to realize that maybe if they got a different perspective, say from the top of a tree, things might look different, and we all might get along.

This musical is a treasure trove for teachers, including a comprehensive guide with a script, piano scores, and reproducible vocal and lyric sheets. With your purchase, you’ll also receive a digital download packed with projectables (lyrics/notation), videos (lyrics/notation/choreography), vocal and accompaniment tracks, and the teacher guide in digital format.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Bravito! by Michele Fernández, Grade 2
Teach your early jazz players authentic Merengue style with this fiery Latin original. Great yet accessible parts for all sections and your rhythm section will be on fire. Open solos for all sections and a fun opportunity for the trumpets to make verbal shaker sounds. Lead trumpet plays E, lead bone plays Eb.

Bossa Corrente by Dean Sorenson, Grade 1
The timeless beauty and power of the Mighty Mississippi River is the inspiration for “Bossa Corrente.” In a river, the current (“corrente” in Portuguese) refers to the flow of the water The composer captures the Mississippi’s unyielding river flow using distinctive melodies, rich counterpoint, and layered musical textures. These techniques, combined with a relaxed Bossa Nova groove, paint a picture of the Mississippi as its current cuts a swath from the forests of northern Minnesota to the Crescent City of New Orleans, Louisiana. The open solo section allows students to improvise using only the notes of the concert D Aeolian scale. A written suggested solo is also included.

Chili Pepper Puree by Doug Beach, Grade 2
A driving latin feel is the foundation of this new chart from Doug Beach. With a strong melody, solid voicings and an open solo section, this piece will be not only a great concert or festival choice, but also a wonderful vehicle for teaching young players this important style.

Danza del Gato Verde by Mike Collins-Dowden, Easy
This original laid back latin tune will make other cats green with envy. Young bands will love the groove on this chart almost as much as it’s playability. The solo section features space for any instrument to play a written suggested solo or improvise over the spicy Latin groove.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Handbell Music Specialist

Echoes of Christmas arr. Karissa Dennis, 3-5 octaves with optional handchimes, Level 3
The “Ukrainian Bell Carol” is cleverly combined with “What Child is This?” in this useful and charming arrangement for the Christmas season.

Advent Majesty arr. Karen Buckwalter, 3-5 octaves, Level 3
Karen Buckwalter’s bold medley of the hymntunes CONSOLATION, KINGSFOLD, and VENI EMMANUEL highlights the birth of Jesus as that of the King of Kings. The tunes are masterfully woven together, building in power and majesty throughout until the final, triumphant ending. Perfect for any time during Advent.

Celebrations for the Handbell Ensemble arr. Martha Lynn Thompson, 3 octaves, Level 2
This creative REPRODUCIBLE collection is playable by six or seven ringers. Titles include: “Come, Christians, Join to Sing,” “Come, Come Ye Saints,” “Come, Thou Fount of Every Blessing (Warrenton tune),” “Fanfare,” “Gaudeamus Igitur,” “A King in His Glory,” “O God, Beyond All Praising,” “Praise the Lord, Ye Heavens Adore Him,” “See Amid the Winter Snow,” and “Tuoro-Luoro- Luoro.”

Fantasy on French Carols arr. Michael Helman, 3-5 octaves, Level 2+
Three beloved French carols (Angels We Have Heard on High, He Is Born, and Ding Dong Merrily on High) are woven together in this festive medley suitable for church or concert use. Compatible editions for 2-3 and 3-5 octave ensembles give this setting greater use in festival settings, as well.

Lo, How a Rose E’er Blooming arr. Jason W. Krug, 2-3 octaves, Level 1+
This traditional Christmas carol with origins in 16th century Germany is designed for 2-3 octaves of handbells and is perfect for the developing ringer. The arrangement captures the hymn’s reflective and celebratory spirit, and is suitable for worship services, school and special events.

Ring with the Angels arr. Brenda E. Austin, 3-6 octaves with optional handchimes, Level 3
Three beloved angel carols are seamlessly woven together in this joyful medley.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

Advent Awakenings arr. Franklin D. Ashdown
The ten free style and hymn-based pieces that comprise Advent Awakenings speak to the exuberant anticipation of Christ’s birth. “Wake, Awake, for Night Is Flying,” a set of variations on WACHET AUF, was inspired by the resounding acoustics of St. Paul’s Cathedral, London, where it was premiered. Even the quieter pieces evoke a spirit of contained joy. This volume should bring warmth of the season to both organist and listener.

Advent Postludes for Organ arr. Kristina Langlois
A compilation of joyous Postludes appropriate for the Advent Season. The collection features seven composers, and seven great tunes. Titles include: “Come, Thou Long-Expected Jesus,” “Lift Up Your Heads, You Mighty Gates,” “People, Look East,” “Rejoice, Rejoice, Believers,” “The King Shall Come,” and “Wake, Awake, for Night Is Flying.”

Advent Mosaics arr. Jacob B. Weber
Jacob B. Weber brings his elegantly simple style to this collection of six organ preludes for the Advent season. Like past “Mosaics” volumes, a variety of techniques and styles have been used. From rhythmic and bold to freely flowing, these preludes are sure to find a home in every organist’s library. Titles include: “Prepare the Royal Highway,” “The Angel Gabriel from Heaven Came,” “Lo! He Comes with Clouds Descending,” “Come, Thou Long-Expected Jesus,” “Savior of the Nations, Come,” and “O Come, O Come, Emmanuel.”

Advent with Minimum Pedal arr. Edwin T. Childs
Edwin T. Childs adds to his series of settings for minimum pedal, providing a collection of hymn tunes for the season of Advent. These inventive preludes are suitable as hymn introductions, preludes, voluntaries, and postludes, and will appeal to organists with limited pedal abilities or seasoned organists that need something in a pinch. Titles include: “Creator of the Stars of Night,” “The King Shall Come When Morning Dawns,” “Comfort, Comfort Ye My People,” “The Angel Gabriel from Heaven Came,” “Once He Came in Blessing,” “Lo! He Comes with Clouds Descending,” “Come, Thou Long-Expected Jesus,” “Lift Up Your Heads, Ye Mighty Gates,” “Come, Thou Precious Ransom, Come,” “Hark! A Thrilling Voice Is Sounding,” “Savior of the Nations, Come,” “On Jordan’s Bank the Baptist’s Cry,” “The Advent of Our King,” and “O Come, O Come, Emmanuel.”

Four Advent Trumpet Tunes arr. Jerry Westenkuehler
This useful collection takes four well-known Advent tunes and features each as a unique and energetic trumpet tune. These pieces can be used in a variety of ways and are particularly effective postludes. Titles include: “Come, Thou Long-Expected Jesus,” “Comfort, Comfort, Now My People,” “Lift Up Your Heads, Ye Mighty Gates,” and “People, Look East.”

Advent Organ Book arr. Michael D. Costello
This delightful collection of fresh arrangements sets seven traditional Advent melodies. Titles include: “Prepare the Royal Highway,” “O Come, O Come, Emmanuel,” “Wake, Awake, for Night Is Flying,” “On Jordan’s Bank the Baptist’s Cry,” “O Lord, How Shall I Meet You,” “Rejoice, Rejoice, Believers,” and “Savior of the Nations, Come.”

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recommended by Jen Sper, School Choral Music Specialist

Home for Christmas arr. Mac Huff, SATB with piano and optional rhythm
Relive the ’90s boy-band era with this Christmas power pop ballad from NSYNC. It opens with a chorale-style underscoring and featured solo, then slowly builds in intensity to a powerful vamp that declares, “I’m coming home.”

A Saint Nick Jazz Trio arr. Michele Weir, SATB a cappella
Jazz educator Michele Weir offers three approachable a cappella vocal jazz arrangements in this versatile publication. Whether programming for your winter concert, door-to-door caroling, or community run-outs, “Up on the Housetop,” “Toyland,” and “Jolly Old Saint Nicholas” may be performed individually or as a set. With no divisi required, these brief and charming selections work well for a small ensemble or the whole choir.

Merry Christmas arr. Paul Langford, SATB with piano
Inspired by Bette Midler’s expressive recording of this classic ballad, Paul Langford’s nostalgic arrangement uses warm vocal harmonies and a lush piano part to create a cozy Christmas soundscape. Lean into the storytelling, observing the rubato and dynamic nuances to shape a text-driven performance. Holiday programming at its best!

Santa Claus Is Comin’ to Town arr. Tim Hayden, SATB with piano and optional combo
The Queen of Christmas rocks this iconic holiday song! This high-powered arrangement captures all of the energy of Mariah Carey’s famous recording, complete with a bright rock shuffle feel, those signature piano triplets, and punchy, accented vocals. It’s an electrifying opener, closer, or Santa hat novelty, with or without the horns and rhythm SoundPax and SoundTrax.

We Need a Little Christmas (from Mame) arr. Ryan O’Connell, SATB with piano and optional rhythm
It was first a popular Christmas song originating from Jerry Herman’s Broadway musical “Mame.” Since then, it has found its way in many holiday recordings, television shows, movies, as well as the hearts of everyone who hears it. This arrangement is in a festive swing and bounces along with harmonic fun!

One More Sleep ‘Til Christmas (from The Muppet Christmas Carol) arr. Cristi Cary Miller, 3-part mixed with piano
This charming song from “The Muppet Christmas Carol” captures a sentiment that resonates with everyone as the holiday approaches. Use the song as an opportunity to discover different traditions and festive occasions that people celebrate during this special time of year.

Rockin’ Down the Chimney Tonight! by Kirby Shaw, TTB with piano and optional combo
Santa will be rock and rolling down the chimney this Christmas! This original by Kirby Shaw will have your audience rocking and rolling in the aisles. Fun for all ages!

Believe (from The Polar Express) arr. Cristi Cary Miller, 3-part mixed with piano
“Believe,” from the 2004 film “The Polar Express,” taps into the universal feelings of hope, love, and joy that fill the holiday season. The song’s central theme of “believing” resonates with children and adults alike.

Jolly Old St. Nicholas arr. John Maclane Schirard, SATB a cappella
“Jolly Old St. Nicholas” arranged by John Maclane Schirard brings a playful, a cappella jazz twist to this classic Christmas carol. With dynamic harmonies and a fun, upbeat style, it’s perfect for festive holiday performances.

An A Cappella Christmas Volume 2 arr. Kirby Shaw, SATB a cappella
Celebrate the season with these tasty vocal jazz settings of your holiday favorites. Titles include: “Count Your Blessings Instead of Sheep,” “Have Yourself a Merry Little Christmas,” “Here Comes Santa Claus (Right Down Santa Claus Lane),” “Jingle Bells,” “Merry Christmas, Darling,” and “We Wish You a Merry Christmas.”

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.