THE BEST New Ballads for Jazz Ensemble 2025 Thursday, November 20, 2025
recommended by Ken Tilger and Austin Swack, Band Education Specialists
Currents by Vince Gassi, Grade 3
A gentle ballad is always a welcome change of pace in a high-powered concert, and this Vince Gassi original is the perfect chart to fill that slot. There is a lyrical solo line for the Trombone, with beautiful muted brass backgrounds. The piece builds in intensity, moving through several keys, and features some lush musical moments that are the high points of the chart.
Early Morning by Doug Beach, Grade 3
Programming the right ballad is always a challenge. “Early Morning” by Doug Beach will make that decision a little easier. Written to feature your choice of Alto Sax, Trumpet or Tenor Sax, this beautiful ballad will be a memorable choice on any program. The pensive melody is supported by warmly scored backgrounds that build as the chart unfolds. The double time ensemble section provides a wonderful contrast to the ballad feel. A must have chart for any library.
Last Night of Summer by Terry White, Very Easy
This extremely playable laid back latin rock chart is the perfect difficulty for young ensemble success. With very easy rhythm section parts and limited ranges and rhythms in the horns, this is a great choice for bands getting ready for their first concert and looking for a change of pace. There are written solos for Alto Sax and Trumpet with the option to improvise.
Snowberry by Yukiko Nishimura, Grade 4
We are so happy to welcome Yukiko Nishimura to the Excelcia Jazz catalog! You are undoubtedly familiar with her captivating works for other types of concert ensembles, and her advanced and sophisticated harmonic vocabulary works perfectly in the Jazz world. This is a touching and heartfelt ballad that would be equally at home on a concert stage or at a festival performance.
Blue Valentine by Jamie Roth, Grade 1.5
If you are looking for a unique change of pace chart for your next performance, check out “Blue Valentine.” This Jazz Rock ballad is flowing and melodic but filled with contemporary harmony. The focus is on the ensemble throughout.
EKG by Peter Sciaino, Grade 3
This chart defies definition! Complex interweaving lines with lots of syncopation create a floating soundscape that rises and falls with each phrase. There are some wonderful musical moments where the chart lands on sustained suspended chords that highlight the end of each section. This is a fascinating chart!
Testifyin’ by Steve Shanley, Grade 3
“Testifyin’” is a soulful gospel rock ballad that brings heartfelt emotion and dynamic contrast to your jazz band’s performance. Designed to feature any soloist, the open solo section includes accessible chord changes and suggested pitches, making it ideal for developing improvisers. Clearly notated rhythm section parts provide solid support throughout. A powerful a cappella ensemble moment builds to an emotional peak before the soloist returns for a reflective, expressive close.
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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!