News & Views Friday, January 16, 2026

Wondrous Love, O My Soul! NEW Anthems for Lent & Palm Sunday 15 January, 2026

recommended by Jennifer F., Sacred Choral Music Specialist

for LENT
Wondrous Love, O My Soul! by Mary McDonald, SATB with piano
Mary McDonald brings fresh life to the cherished hymn text “What Wondrous Love Is This” in this moving anthem. With its inspired original music, the setting captures both the awe of Christ’s sacrificial love and the joy of eternal praise. Rich choral writing, expressive harmonies, and a natural flow make it accessible for choirs of all sizes. A stirring choice for Lent, Holy Week, or any service centered on God’s redeeming love.

Lead Me to Calvary arr. Howard Helvey, SATB with piano
Howard Helvey presents this well-known hymn in an elegant chorale-prelude style, with simple but expressive choral parts over flowing lines of counterpoint in the piano. Easily learned for the choir, but exquisitely refined and communicative!

My Song Is Love Unknown (Cantique de Jean Racine) arr. Gregory M. Pysh, SATB with piano and optional oboe, clarinet, or flugelhorn
A striking re-texting of Faure’s “Cantique de Jean Racine.” The much-loved hymn text “My Song is Love Unknown” fits amazingly to Faure’s music, resulting in a musical meditation at the foot of the cross that will be perfect for Good Friday, communion, or general worship. For SATB choir with keyboard and optional C or Bb instrument obbligato.

My Lord, My Love, Is Crucified by Lloyd Larson, SATB with piano and optional cello
The time-honored text, “O Love Divine, What Hast Thou Done?” is paired with new music in this emotionally rich anthem expressing the awe, sorrow, gratitude and wonder at the sacrificial love of Christ displayed in his crucifixion.

Carry Him Sweetly by Ruth Elaine Schram, SATB with piano and optional cello
Tender and expressive, “Carry Him Sweetly” is a moving anthem for Good Friday worship. With a poignant original text and melody seamlessly woven together with the beloved hymn “Were You There?,” this piece draws choir and congregation alike into the Passion story. Its rich harmonies and heartfelt message make it a powerful addition to any Lenten or Holy Week service.

Were You There? arr. Mary McDonald, SAB with piano and optional orchestra
Mary McDonald’s masterful setting of this timeless spiritual paints a vivid picture of the solemn events of Jesus’ death. With breathtakingly beautiful and carefully approached key changes throughout, each verse is fresh and approached with creative expertise. This stellar arrangement will be a cornerstone musical moment in your Easter worship. “Were you there when He rose up from the grave?”

for PALM SUNDAY
Hosannas Raise! by Jay Althouse, SATB with piano and optional trumpet
This brisk and sturdy anthem is a perfect choice for Palm Sunday. Opening with vibrant energy, it poetically recounts the triumphal entry while lifting praise to “the promised Prince of Peace.” March-like rhythms lead to a moving a cappella section before building to a majestic final stanza crowned with a soaring soprano descant. For an added festive flourish, include the optional trumpet obbligato.

Blessed Is He Who Comes in the Name of the Lord! by Lloyd Larson, SATB with piano and optional children’s choir & congregation
A spirited Palm Sunday Processional scored for SATB Choir and Piano with optional Children’s Choir and Congregation. Includes the first verse of “All Glory, Laud and Honor.” Within the reach of the average church choir. A delightful way to begin a Palm Sunday worship service.

Rejoice and Sing, Hosanna to the King! by Lloyd Larson, SATB with piano and optional tambourine
A stirring anthem for Palm Sunday featuring choir, piano and tambourine. The use of a minor key and a contrasting major section represent both the poignance of Christ’s arrival and the joyous mood represented in scripture.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

Thy Great Name We Praise 14 January, 2026

recommended by Caryn G., Sacred Piano Music Specialist

Thy Great Name We Praise: Majestic Hymns of Our Faith arr. Brad Nix
Focusing on the theme of worship, this collection from Brad Nix offers a range of moods from meditative to celebratory, making it an ideal resource for intermediate pianists. With his considerable arranging experience, Brad brings a fresh perspective to each time-honored melody.

Titles include: “Praise to the Lord, the Almighty,” “My Jesus, I Love Thee,” “Like a River Glorious,” “Day by Day,” “I Sing the Mighty Power of God,” “Abide with Me,” “It Is Well with My Soul,” “Holy, Holy, Holy,” and “Immortal, Invisible, God Only Wise.”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

WHAT IT SOUNDS LIKE: New Choral Titles from Stage & Screen 12 January, 2026

recommended by Jen Sper, School Choral Music Specialist

What It Sounds Like (from KPop Demon Hunters) arr. Jack Zaino, SAB with piano
Here’s a high-power knockout from “KPop Demon Hunters.” Highlighting three soloists that combine for a brief triadic trio, this epic anthem explores themes of self-acceptance, authenticity, and perseverance. At a pivotal moment, the inspirational chorus unfolds into a powerful interlude that references another KPop hit, “Golden.” Memorable on its own or when programmed with other KPDH songs.

The Place Where Lost Things Go (from Mary Poppins Returns) arr. Garrett Breeze, SATB with piano and optional violin
Originally sung by Emily Blunt in the 2018 film “Mary Poppins Returns,” this powerful lullaby about loss, grief and hope has been reimagined in this mature setting for SATB choir. The exquisite work features lush, choral polyphony, a dynamic piano accompaniment and enchanting violin countermelodies. A stunning work written for, recorded and premiered by the BYU Singers under the direction of Andrew Crane.

Go the Distance/Defying Gravity arr. Roger Emerson, SATB with piano and optional rhythm
This mashup of choral music powerhouse numbers from “Hercules” and “Wicked” will simply blow you away! A match made in heaven (or, Oz) pairs Hercules and Elphaba’s signature songs into one glorious, musical firework!

When You Wish Upon a Star arr. Mark Hayes, SATB with piano and optional orchestra
Proudly presenting the ultimate choral arrangement of Disney’s signature song! No matter which voicing you select, singers will cherish the sweeping melody, lush harmonies, and seemingly magical modulations. Mark’s rhapsodic piano part and colorful orchestration vividly illustrate the “dreams come true” sentiment of the text. Begins with a sparkling introduction and ends with chills.

The Ballad of the Witches’ Road (from Agatha All Along) arr. Roger Emerson, SATB with piano and optional rhythm
From Marvel Television’s “Agatha All Along,” this epic setting by Roger Emerson is the perfect addition to any fall concert. Incorporating modal mixture, pedal tones, stepwise motion, and rounds this arrangement is a great device for teaching music literacy and blend.

If I Were a Rich Man (from Fiddler on the Roof) arr. Roger Emerson, TBB with piano and tambourine
Emerson’s arrangement of this Broadway classic is a perfect addition to any Bass Choir’s programming. The lyrics and style to this song lend themselves to a fun, animated, and memorable performance.

Ghostbusters arr. Tom Anderson, TB with piano
Grab your proton pack and join the ultimate ghost-busting adventure with Ray Parker, Jr.’s iconic 1980s hit. This action-packed novelty goes over the top with high-energy beats and a catchy chorus that instantly gives supernatural silliness. Whether you’re celebrating Halloween or just in need of a good time, this retro throwback will get everyone dancing.

Stand Up (from Harriet) arr. Mac Huff, TTBB with piano and optional rhythm
There was no greater live performance on the night of the 2020 Academy Awards ceremony than Cynthia Erivo’s dynamic and compelling performance of “Stand Up,” the lead single from the soundtrack to the biographical film “Harriet.” Backed by a gospel choir, this song is ready to be performed across the nation, from choirs large to small, to further the message of abolitionist Harriet Tubman.

Lazarus Drug (from Bluey) by Megan Washington/arr. Katerina Gimon, SATB with piano and optional instrumental ensemble
Immortalized in the extra-special episode of “Bluey” entitled “The Sign”, Meg Washington’s pivotal composition takes center stage in an emotional and gut-wrenching final act. A powerful testament to love, hope and faith, Gimon’s arrangement (and Bluey-influenced instrumental parts!) enhance the narrative with cascading, melodic vocal lines that embody both renewal and transformation.

Waiting on a Wish (from Snow White) arr. Mac Huff, SSA with piano and optional combo
Disney has a new signature song, and it’s absolutely bursting at the seams with desire and an aspiration for what’s to come. Acclaimed songwriting duo Pasek & Paul deliver here, crafting a Disney protagonist “want song” for the ages – an excellent concert closer!

Good Things Grow (from Snow White) arr. Roger Emerson, 2-part with piano
This dynamic song from Disney’s 2025 live-action remake of “Snow White” tells how happy, harmonious people can bring prosperity to a community and world. Easily learned vocals and a driving, energetic accompaniment make this piece an excellent choice for any concert!

I’m Finally Me (from Zombies 3) arr. Roger Emerson, 3-part mixed with piano
“I’m Finally Me” from the Disney hit “Zombies 3” gives young singers a great opportunity to explore who they are individually. The song’s energy will help choirs build a vibrant sound and shine with confidence.

Kiss the Sky (from The Wild Robot) arr. Roger Emerson, 3-part mixed with piano and optional rhythm
The award-winning song from “The Wild Robot” will inspire your singers and listeners to fearlessly follow their dreams. A perfect pairing of a positive message with fun-to-sing music makes this one a winner!

Beautiful City (from Godspell) arr. Mac Huff, SSA with piano
The 2011 Broadway revival of “Godspell” brought new interest to this inspiring pop anthem! It speaks directly to the human spirit and our ultimate power to build a truly civilized community.

The Voice of Disney (The Music of the Sherman Brothers) arr. Mac Huff, 3-part mixed with piano
Three classic Disney songs, from writers Richard and Robert Sherman, are skillfully arranged for young voices in this delightful medley: “It’s A Small World,” “Chim Chim Cher-ee,” and “I Wan’na Be Like You.”

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

CROSSROAD: New Creative Titles for Tenor/Bass Choir 09 January, 2026

recommended by Jen Sper, School Choral Music Specialist

Crossroad by Reginal Wright, TBB with piano and optional 2 violins
Reginal Wright’s emotional and uplifting “Crossroad” sets Robert Frost’s well-known poem “The road not taken.” A twinkling piano accompaniment supports the voices, and the optional violin duet floats above, expanding on figures from the vocal parts.

Truly Brave arr. Mac Huff, TTBB with piano
“Truly Brave” is a special mash-up of two great songs: “Brave” and “True Colors.” As a part of the NBC Today Show’s “Shine a Light” series, Hoda Kotb brought together Sara Bareilles and Cyndi Lauper to create this arrangement and to raise money and awareness for pediatric cancer. Most importantly, it captures the heart-breaking strength and live-for-the-moment attitudes that these kids with cancer have.

Willie Taylor arr. Sean Barnette, TB with piano and optional guitar
Tenor-Bass choirs of all sizes and levels will have a blast singing this Sea Shanty based a British Folk Song. Excellent ranges in all voice parts, plenty of unison and Tenor-Bass duet moments, a fun piano part, and optional guitar part make this a winner! Great fun and highly accessible.

¡Bailará! by Dan Davison, TTBB with piano, guitar and percussion
“¡Bailará!” is an original composition inspired by the flamenco tango style of Andalusia, Spain. Accompanied by piano, guitar, and percussion, this energetic work is an excellent choice for honor and festival choirs and for any occasion where a group wants to “bring the house down!”

In the Valley by Matt Podd, TTBB with piano and optional percussion
Quoting the famous lyrics by Joseph Brackett, this original setting of what we know as “Simple Gifts” utilizes a 10/8 and mixed meter with a colorful modern harmonic palette for both singers and accompaniment. There are optional percussion instruments you can add for an even more artistic experience. Absolutely beautiful!

Six Limericks by David A. Gerig, TTBB a cappella
Six humorous anonymous limericks are set here for unaccompanied TTBB choir by composer David Gerig. Choirs are invited to add movement and characterizations in performance to express the limericks.

Riversong by Andy Beck, TTBB with piano
New voicing of a bonafide winner – key adapted to fit changed Tenor/Bass voices. Fluid vocal parts glide effortlessly over a shimmering piano accompaniment in this nature-inspired contemporary choral. Musical quotes from familiar “river” songs are a noteworthy surprise at the end. An extraordinary piece, filled with symbolism!

An Earth Song by Marques L.A. Garrett, TTBB with piano
This new setting of Langston Hughes’ text celebrates the joy of new life and the beauty of this earth with flowing triplets, driving rhythms, and great joy!

Does the World Say? by Kyle Pederson, TTBB with piano and optional violin
“Take my hand, don’t let go…” This inspirational selection about the pressures the world throws at us is an empowering and lyrical work that will inspire singers and audiences. With flexible voicing, this piece is ideal for tenor-bass choirs of various voices and sizes. An optional, soaring violin part provides nice texture and balance with the flowing, rhythmic piano accompaniment.

The Little Creek by Matt Carlson, TB with piano and optional guitar
This BEST SELLER is now available for Tenor-Bass choirs! Featuring an inspiring text, “Every door you enter you find a piece of something inside you never knew,” this piece offers comfort during times of struggle. With themes of self-discovery, self-acceptance, and self-worth, the music is accessible for choirs of all levels. Unison melodies provide excellent opportunities to develop legato tone, while the part writing is both quick to learn and rewarding to sing. This heartfelt work resonates deeply with singers and audiences alike, capturing the essence of the human experience.

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

A NEW CREATION: Organ Music from Lorenz for Service or Recital 08 January, 2026

A New Creation: Organ Music for Service or Recital by Jaebon Hwang
Jaebon Hwang writes, “The story of creation is the first Biblical narrative that many of us encounter, and throughout our lives we ponder its vast and overwhelming greatness.” This collection features an original five-movement suite inspired by that narrative, along with six hymn settings on familiar tunes whose texts celebrate the joy of creation. Titles include: “Toccata on Lasst uns erfreuen,” “Creation,” “Ritornello on Royal Oak,” “Meditation on St. Elizabeth,” “Flourish on Dix,” “Pastorale on Bunessan,” and “Landscape on O Store Gud.”

Psalm Celebrations: Organ Music for Service or Recital by Martin Ellis
Each piece in Martin Ellis’s collection draws inspiration from a different psalm, amplifying the strength, comfort, peace, and wisdom found in these timeless texts. Three original settings – usable individually or as a suite – are joined by six hymn tune settings traditionally paired with psalm-based texts. True to Ellis’s vivid style, the collection offers wide stylistic variety, from a neo-baroque treatment of ST. ANNE to a vibrant gospel postlude on the spiritual “I Will Trust.” Titles include: “Fanfare on Psalm 100,” “Trio and Chorale on Our God, Our Help in Ages Past (Psalm 90),” “Meditation on My Shepherd Will Supply My Need (Psalm 23),” “Variations on Pisgah (Psalm 114),” “Song of Peace on Psalm 131,” “Toccata Brevis on Many and Great (Psalm 104),” “Postlude on I Will Trust (Psalm 37),” “Meditation on Lead Me Lord (Psalm 3),” and “Blow Up the Trumpet in the New Moon (Psalm 81).”

Songs Without Words: Organ Music for Service or Recital by Alfred V. Fedak
Titled “Songs Without Words” in homage to Felix Mendelssohn, William Lloyd Webber, and others, this Alfred V. Fedak collection offers six brief character pieces equally suited for church or concert use. Originally conceived for a single-manual organ with pedals, they play beautifully on instruments of any size. Fedak’s trademark melodic and harmonic richness shines throughout, delivering both exquisite beauty and visceral excitement. Titles include: “Festive Voluntary,” “Berceuse,” “Palindromes: A Meditation,” “Arietta,” “Solemn Prelude,” and “Roundelay.”

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NEW in the Little Big Band Series 07 January, 2026

recommended by Ken Tilger and Austin Swack, Band Education Specialists

All of Me arr. Paul Murtha, Grade 2
Scored for 1 Alto, 1 Tenor, 1 Bari (opt. Trombone), 2 Trumpets (opt. Alto double w/Trumpet 2), 1 Trombone (opt. double w/Tenor) and rhythm section and easily accessible to young players, this arrangement of the timeless standard is perfect for select ensembles or ensembles with limited instrumentation. Written solo for Trumpet 2.

Things Ain’t What They Used to Be arr. Mark Taylor, Grade 3
A fantastic small ensemble arrangement of the immortal Mercer Ellington standard scored for 1 Alto, 2 Tenors, 2 Trumpets, 1 Trombone and rhythm section. Solos for Tenor sax, Trumpet and drums. Lead Trumpet plays up to high C and Lead Bone plays up to high Ab.

Blue Train by John Coltrane/arr. John Wasson, Grade 2
The classic John Coltrane standard is arranged marvelously for small jazz ensembles (1 Alto, 1 Tenor, Bari, 2 Trumpets, 1 Trombone and rhythm section). Lead trumpet plays an Ab. Written solo for Tenor Sax.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Masterpieces for Piano from Edition Peters 06 January, 2026

The Masterpieces for Piano series presents superb collections of core repertoire by the great piano composers. These beautifully produced, carefully curated editions provide pianists with an excellent overview of each composer and should be an essential part of all players’ libraries. Suitable for intermediate to advanced level players.

Beethoven: Masterpieces for Piano
“Beethoven: Masterpieces for Piano” brings together original piano works by Ludwig van Beethoven, suitable for intermediate to advanced level players. Arranged in progressive order, the collection includes a mixture of favorites and lesser-known works. The cover design features a painting by John Martin, “Sadak in Search of the Waters of Oblivion” (1812).

Mozart: Masterpieces for Piano
“Mozart: Masterpieces for Piano” brings together original piano works by Wolfgang Amadeus Mozart, suitable for intermediate to advanced level players. Arranged in progressive order, the collection includes a mixture of favorites and lesser-known works, with a cover design featuring Jean Honoré Fragonard’s painting, The Swing.

Schubert: Masterpieces for Piano
“Schubert: Masterpieces for Piano” brings together original piano works by Franz Schubert, suitable for intermediate to advanced level players. Arranged in progressive order, the collection features a mixture of favorites and lesser-known works, with a complete sonata – Sonata in A major, D664 – at the end of the book. The cover features Wasserfall mit Mühle by Austrian painter Albert Rieger (1834–1905).

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THE GIFT TO SING: New for Contest & Festival 2026 05 January, 2026

recommended by Jen Sper, School Choral Music Specialist

for MIXED Choirs
The Gift to Sing by Brian Jones, SATB divisi a cappella
This piece is written for high school, university, and adult advanced ensembles, and is appropriate for both sacred and secular concerts. With this breathtaking setting, your singers will truly feel the meaning of the text they are singing: unbridled joy, of the power of music, and the beauty of singing to overcome life’s trials and tribulations.

To the Road by Tom Shelton, SSATTB with piano
Set to poetry by Paul Laurence Dunbar, the text and music evoke energy and adventure. Set for SSATTB Choir with a sparkling piano part, this could be a great concert opener or closer for high school, university and community choirs.

Benedicite by Paul David Thomas, SATB with piano
Paul David Thomas is known for writing music that sounds complex and impressive while remaining intuitive for singers. This energetic work, with its driving piano part and thoughtful vocal writing, is a perfect concert opener. A lyrical middle section offers a lovely contrast before building to a thrilling finale.

Dies Irae by Roger Emerson, SATB with piano
Roger Emerson’s intense and foreboding setting of “Dies Irae” ultimately ends with a message of hope and light represented in the composition’s triumphant ending. Gradually stacking musical ideas on top of one another, this composition exposes singers to part independence in an accessible way that will sound impressive to audiences.

for TREBLE Choirs
Swifter Than Flame by Elaine Hagenberg, SSAA with piano
“Swifter Than Flame” invites singers to explore the vast unknown in exhilarating ascent! Rapidly layered vocal entrances and racing sixteenth notes in the piano propel the journey, while text painting lends itself to expressive phrasing. With a brief reflective section of awe and wonder, this dramatic concert selection concludes with a final adventurous launch into “timeless flight!”

Mangisondele Nkosi Yam arr. Michael Barrett, SSAA a cappella
Now available for treble choirs, this traditional Zulu praise and worship song is written in the isicathamiya style – an a cappella form featuring close harmonies that originated among Zulu mine workers during the apartheid era. The piece opens with two soloists calling out, followed by a choral response. Dramatic and powerful, it builds in intensity, with a vibrant rhythmic section at its heart. The title translates to “Let Me Be Nearer, My Lord.” A pronunciation and translation guide is included for ease of learning.

Celtic Jubilate by Daniel Brinsmead, SSAA a cappella with bodhrán (or djembe)
“Celtic Jubilate” is a vibrant unaccompanied piece that weaves together traditional Celtic melodies and harmonies with uplifting rhythms. The work captures the essence of joy and celebration.

Wind in the Pines by Bruce W. Tippette, SSA with piano
This expressive poetic setting opens with a piano motif reminiscent of rushing wind. Three legato voice parts unfold and intertwine. Staggered entrances in the middle assemble and grow until we “hear sonorous lines soaring through the pines.” Encourage singers to soften and slow to a dreamy, relaxed ending. Ideal for contest and festival use.

for TENOR/BASS Choirs
Soon I Will Be Done arr. Marques L.A. Garrett, TTBB a cappella
A spiritual about life after death and seeing loved ones on the other side. An energetic arrangement for TTBB choirs with ever-present joy.

Swilo Yini arr. Michael Barrett, TTBB a cappella with improvised percussion
“Swilo Yini” is a traditional Tsonga song from South Africa that is linked to the sinking of a steamship which carried black South African troops to fight against the Germans during World War I. The story speaks of angry passengers on board blaming the boat keeper for the poor condition of the ship. The addition of improvised drum and dancing adds to the expression of this story.

Ten Thousand Miles Away arr. Steven Mark Kohn & Austin Echols, TTBB with piano
A flowing piano accompaniment supports expressive choral writing in this arrangement of a traditional Irish sea song, giving it energy and warmth. More advanced ensembles will appreciate its lyrical style and accessible yet rewarding textures.

In the Silence of the Night by Andrew Steffen, TBB with piano
Andrew Steffen’s setting of Christina Rosetti’s poem Echo is both contemplative, yet passionate. With lyricism at its heart, this piece moves between unison, canon, and homophonic harmony, guiding the listener through the emotional ebbs and flows of longing, nostalgia, and lost love.

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

DAYBREAK and More of the Newest Orchestra Titles from Highland/Etling 02 January, 2026

recommended by Austin Swack, Instrumental Education Specialist

Daybreak by Daniel Keeler, Grade 3
Written in a friendly D major, “Daybreak” by Daniel Keeler begins lyrical and tranquil, like the dawning of a new day. Throughout the opening, the focus can be on larger group phrasing and dynamic contrast. Moving on to an upbeat, articulate, and jovial section, focus moves to hooked bowings and rhythmic triplets that span all strings and give cellos and violas more time on the C string. Sections throughout provide moments of part independence. This is a great piece to practice multiple musical styles, bowings, dynamic contrast, and overall ensemble.

Echoes of Valor by Adrian Gordon, Grade 3
“Echoes of Valor” by Adrian Gordon is a musical homage to bravery, painting vivid portraits of heroism and resilience. Beginning with heralding notes of optimism and strength, it progresses into a contemplative soundscape balancing tiredness with hope, culminating in an optimistic refrain echoing unwavering resolve. Approachable 6/8 meter for all and one shift to third position for a solo violin. Fantastic in every way!

Spiders! by Christopher Alan Schmitz, Grade 2.5
Spiders have taken over the house! Tiptoe across the floor (pizzicato) so that you don’t disturb the skittering spiders (collegno). But watch out for that big one descending from the ceiling (glissando)! Spiders!, by Christopher Alan Schmitz, will provide a frightening touch to your fall concert.

The Gates of Janus by Richard Meyer, Grade 3
Explore the duality of music with “The Gates of Janus” by Richard Meyer, which was inspired by Janus, the Greek god of opposites. Featuring contrasting melodies – one slow and soft, the other fast and loud – students will uncover six musical opposites and enhance their skills and expressive performance. Perfect for sparking discussions on how music conveys emotions.

By a Stream by Susan H. Day, Grade 2.5
“By a Stream” was composed by Susan H. Day with the aim of transporting its listeners to a peaceful setting near a mountain stream. Unhurried, with a relaxed tempo, the sounds of the stream are represented by lyrical legato melodies in all parts, flowing cello arpeggios, pizzicato, countermelodies, crescendos, and dynamic contrasts. Written entirely in the key of D major and 4/4 time, techniques to be reinforced include hooked bowings, two note slurs, a few high third fingers in the upper strings, and some divisi. There is a short solo for first violin and cello at the end. Piano is optional.

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About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!