News & Views Thursday, December 14, 2017

Ken’s 10: New Pieces for HS Concert Band 14 December, 2017

by Ken Tilger, Band Education Specialist –

The first Ken’s 10 post featured my 10 favorite new titles from our 2017 Signature Selections for Young Band.  It only makes sense to follow it up with my 10 favorites from our Signature Selections for High School Band.  Like the first post, these are unranked.  While most of them are programmatic, there is also a previously unpublished Claude T. Smith march and 3 of them draw from varied influences and sources.  They are pieces that will be fun to play, enjoyable for your audience, and provide some nice choices for select adjudication numbers.  I hope you like them, too.

Across the Great Plains
William Owens – Grade 3.5-4
The awe-inspiring legacy of the Pony Express gallops to life in this thrilling musical tale of one of America’s greatest institutions! Conceived from a single rhythmic motif, this adrenaline-fueled, rhythmically packed work yields heroic melodic statements, brilliant runs and a beautifully contrasting 3/4 section.

The Blue Ridge
arr. Robert Sheldon – Grade 4
The Blue Ridge Mountains have a rich history of folk music handed down by the families of the settlers in this region. Who better than Robert Sheldon to weave a tapestry of four of these wonderful songs into a setting for concert band?  Includes the spirited (and syncopated) Jack-a-Roe; the haunting Come All Ye Fair and Tender Ladies in a subtle call-and-response; the very popular Tom Dooley (watch those meters!); and a lush setting of the beautiful Barbara Allen.

Der Lehrmeister
Robert Sheldon – Grade 3.5
Don’t shy away from this title.  Translated from German as “The Master Teacher” and written in a style reminiscent of Richard Strauss, Der Lehrmeister was commissioned by the Florida Bandmasters Association in memory of Jack Crew, one of the all-time great teachers and musicians in the world band music.  Robert Sheldon has crafted a wonderfully authentic, sophisticated homage to German symphonic and operatic repertoire.

Dos Danzas Latinas
Andre Waignein – Grade 3.5
Want something different?  This dramatic, Latin dance style work is a guaranteed sonic palette cleanser!  Based on a habanera rhythm, the opening features oboe (cued in clarinet) and flute in a reminiscent dialogue. As the music builds, it accelerates into a wild and exciting rumba that drives to a fiery finish.

Fable
Erik Morales – Grade 3
Fable was inspired by ancient collections of children’s stories such as Aesop’s Fables and Grimm’s Fairy Tales.  Broad, memorable themes jump off the page along with an energetic rhythmic pulse that propels the narrative forward. The music maintains a veil of darkness and intrigue that will capture the imagination of the listener from start to finish, and your students will love its awesome, epic soundtrack quality!

Honor Guard March
Claude T. Smith – Grade 3.5
Traditional in all the best ways!  Previously unpublished, Honor Guard March was composed by Claude T. Smith in 1959 while he was teaching in Cozad, NE. Premiered in 1961and written in traditional form, this march contains a contemporary flair and sound that is unique to Smith’s distinctive style, and features an unusual meter shift from 6/8 to cut-time at the trio.  A wonderful addition to your school band library!

The Lost Temple
Jared Barnes – Grade 3
The Lost Temple captures the intrigue of ancient legends, lost treasures, and adventures into the unknown. A quiet, mysterious theme opens the piece (with just a hint of Indiana Jones!), eventually giving way to a rhythmic adventure theme. A sense of calm and wonder emerges as dangers reveal themselves amid flowing musical lines. A triumphant flourish ends the musical journey.  This title is on the 2018 Ohio High School Class A list.

Rise of the Silver City
Rossano Galante – Grade 4.5
There’s a reason why Rossano Galante is among my favorite band composers, and Rise of the Silver City is a great example.  Brass flourishes, lyrical woodwinds, and stately themes lead to a heroic climax in this work full of the orchestral soundtrack qualities that are his hallmarks – if you close your eyes you can see the closing credits.  Sure to be a piece your students are most excited about!

Soaring
Naoya Wada – Grade 3.5
Open your concert program by lifting off with this lofty work that lives up to its title!  Memorable, soaring melodies, upper woodwind obbligati (fingers are flyin’), and traditional A-B-A form set the stage for this exhilarating opener. The flowing middle section unfolds in an uplifting way through two key changes, before ascending back to full flight and soaring through the exuberant ending.

Vanguard
Chris M. Bernotas – Grade 3.5
Vanguard is an exciting and energetic piece that shifts between dynamic brass fanfare gestures, flourishes, and sweeping melodic lines.  All sections have a chance to shine on this attention-getting concert opener that starts big and bold and somehow manages to build to an ecstatic finish.

About the Author:
Ken is a former band director, and has been with Stanton’s since 2004.  His iPod ranges from jazz and funk to classic and alternative rock, and symphonies.  He is excited to add Sharon Jones and The Dap-Kings’ It’s a Holiday Soul Party to his Christmas rotation this year (on vinyl, of course!).  8 Days (of Hanukkah) and Ain’t No Chimneys In The Projects fills your stocking with funky goodness, Silent Night is simply gorgeous, and White Christmas is flat out smokin’!


Sacred Choral Clinic in ONE MONTH 13 December, 2017

Lullington_Church_with_spring_flowers_-_geograph.org.uk_-_1103346With Christmas around the corner it seems strange to think that it’s almost time to purchase music for Lent and Easter! Plan to attend Stanton’s Sacred Choral Clinic on Saturday, January 13th 2018, and you’ll be fully prepared for the next “holiday season.”

SACRED CHORAL READING SESSION
Saturday January 13th, 2018
9:00 a.m.-12:30 p.m.

We will be featuring the best new choral publications for Lent, Easter and beyond, as chosen by Stanton’s sacred choral staff. This January’s clinic will be held at Livingston United Methodist Church, just a few blocks from our store in downtown Columbus!

Attending this clinic is a fantastic way for you to choose new church anthems for your choir by hearing the music read live. This January’s clinicians will be Stanton’s own Judy Henry and president emeritus Jim Strouse. Please feel free to contact Stanton’s at 1-800-42-MUSIC and speak with a choral staff member for the details of the event. We look forward to seeing you at 8:30 on January 13th for registration, coffee and doughnuts followed by a wonderful morning of singing!

Shop Stanton’s for all your sheet music needs!


Organ Arrangements of Jewish Melodies 11 December, 2017

702076It is rare to find Jewish liturgical music arranged for organ, so we were pleased to see this new collection, “Sim Shalom,” which features includes eight lovely organ arrangements by Christina Harmon, who served as organist at Temple Emmanuel-El in Dallas, Texas. In addition to Jewish services, these arrangements can be played in Christian services as well, as a way to highlight shared spiritual heritage, for interfaith occasions, or in recital.

For more information about this collection or other organ music, call us at 1-800-42-MUSIC, email keyboard@stantons.com, or visit us online. Shop Stanton’s for all your sheet music needs!


Prep for Summer Jazz Festivals 08 December, 2017

recommended by Ben Huntoon, Jazz Specialist

It may be cold outside, but this is the time of year to think about all of the upcoming spring and summer jazz festivals. Here is our list of classic showstoppers guaranteed to make a lasting impression!

sierra-smp240-fBig Swing Face by Bill Potts, Grade 5
This is the real thing, as written for and recorded by the Buddy Rich Band on the Big Swing Face CD. It is a medium-up swing chart that provides plenty of solo space for alto sax (al la Ernie Watts), piano (a la Ray Starling) and trumpet (a la Bobby Shew). Features a terrific saxophone section soli. Buddy’s band played this one a lot! Big Band Swing at its best!

Computer by Bob Mintzer, Grade 4.5
As recorded by the Bob Mintzer Big Band on Incredible Journey, a recurring melodic motif, driving funk groove, and fully-voiced harmonic landscape give this chart real substance and audience appeal. Solos are assigned to alto and tenor sax, and paying very careful attention to articulations throughout will yield best results. Rhythm section parts are partially notated with chords cued.

alfred-jlcm01005-fSuch Sweet Thunder by Duke Ellington & Billy Strayhorn, Grade 5
Warner Bros. Publications is proud to present this important series, Jazz at Lincoln Center Library. Each selection was selected by the Center’s musical director, Wynton Marsalis. Each transcription is direct from the recordings of the immortal Duke Ellington, and they are not only authentic, they are perfect for your jazz ensemble. Features information about the original recording, rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions from Wynton Marsalis. These classic tunes represent jazz at its finest!

Blue Rondo a la Turk by Dave Brubeck/arr. Kris Berg, Grade 5
A show-stopping tour de force! Dave Brubeck’s fabulous tune from his classic quartet album Time Out. Arranger Kris Berg worked hard on this chart to capture the essence of Brubeck. The meter changes from 9/8 to 12/8 Afro-Cuban groove with the Brubeck rhythm patterns. Solo space for alto 1, trumpet 2 and drums. Lead trumpet goes up to high C. This is an exceptional chart for concert or festival!

barn-036-0279-00a-fOpen Wide by Don Ellis/arr. Bob Lowden, Grade 5.5
This incredible Don Ellis chart was the highlight of his best-selling ‘Live At Montreux’ Album. Intense jazz samba that features the trumpet…naturally!

Satin Doll arr. Sammy Nestico, Grade 5.5
This is the authentic Nestico arrangement as recorded by the Count Basie Orchestra! Opening with a piano introduction, this medium swing chart progresses through statements by the saxes, expertly woven brass figures, and shouting ensemble sections. Includes solo space for trumpet, tenor and piano. This definitive version is a masterpiece of arranging craftsmanship!

kendor-4500-fBig Dipper by Thad Jones, Grade 4.5
As recorded by the Thad Jones-Mel Lewis Orchestra on Central Park North (Solid State #18058), this classic swinger is a winning mix of solo-with-rhythm-section and full-band passages. Designated soloists include piano, trumpet and tenor, with the drummer taking a solo just before the final four bars. Rhythm section parts are partially notated with chords cued.

About the Author:
Ben Huntoon is the Jazz Education Consultant at Stanton’s Sheet Music. He received bachelors and masters degrees in music from Capital University and The Ohio State University respectively. As a professional trumpeter, Ben is accomplished in a wide variety of genres and has performed throughout the Midwest on many stages over the past 30 years. He also teaches trumpet, coaches brass ensembles and serves on the jazz faculty at Otterbein University in Westerville, Ohio.


Modern Worship Christmas for Guitar 06 December, 2017

44744recommended by Barb M., Keyboard and Folk Music Specialist

The collection “Modern Worship Christmas for Guitar” includes 20 songs that are new to the Christmas repertoire since the year 2000, including “Born Is the King (It’s Christmas)” by Hillsong; “Hallelujah” by Darlene Zschech; “How Many Kings” by Downhere, and “Joseph’s Lullaby” by MercyMe. The guitar parts are written out both in tablature and note, the words and vocal parts are all written out, and there are also some cues for keyboard – perfect for a praise band to use! It’s not so easy to find this many new songs in one collection, so check it out!

For more information about this collection or others like it, call us at 1-800-42-MUSIC, email keyboard@stantons.com, or visit our website, stantons.com. For this holiday season, shop Stanton’s for all your sheet music needs!

About the Author:
Barb M. has worked in the Keyboard Department at Stanton’s since 1981. An active folk musician in the Columbus area, Barb also works with ensembles at her church and plays in the Columbus State Concert Band. In her spare time, Barb loves working with animals and computer games.


World Music for the Elementary Classroom 04 December, 2017

recommended by Jen Sper and Alissa Ruth, School Choral and Classroom Music Specialists

Folksong Partners Around the WorldFolksong Partners Around the World arr. Mary Donnelly & George L.O. Strid
Here are more flexible folksongs to introduce young singers to beginning part-singing and experience a variety of world cultures. The reproducible singer songsheets feature each folksong and its partner on separate pages for a variety of teaching options. Teach these world folksongs in the lower grades. When singers are ready, teach the partner songs, and add twelve more songs to their singing repertoire. For further challenge, “partner them up” for twelve more performance options! A helpful teaching sequence and extension activities are also included. Accompany your singers live with simple piano parts in the printed collection, or use quality performance/accompaniment MP3 recordings available via audio access in the Performance Kit.

Fresh new originals partnered with these world folksongs: Ging Gang Goolie, Tum Balalaika, Andale Juana, Sansa Kroma, Haru Ga Kita, Old Dan Tucker, Sarasponda, Ma Bella Bimba, and more! Suggested for grades 1-6.

Kalani's World RhythmsKalani’s World Rhythms by Kalani Das
Energize your classroom with traditional World Music! From the simplest of rhythm patterns to beautiful melodies and rich harmonies, there’s a part to play for every student as they explore authentic songs and rhythms. Easy-to-play drumming arrangements place success and fun within reach of every student. Kalani is your guest instructor! Authentic techniques and rhythms for a range of drums and percussion instruments are demonstrated via downloadable video and audio recordings, bringing Kalani’s expertise right into your classroom. PDF scores of each song provide piano and Orff instrument parts and every song is suitable for ukuleles and other common chording instruments. Students will love the upbeat rhythms.

No drums? No problem. Alternative instrumentation is provided and the included accompaniment recordings make it easy to perform without any instruments. Each song tells a story that can be used to prompt creative movement, foster teamwork and build character. Kalani gives you ways to bring out the best in your students – including special learners. Video segments include: instruction for every drum and percussion instrument, layering in of all rhythm parts for each song, and how to teach rhythms using PUPS (Pulse Under Pattern Sequence). Audio includes: full performance recordings, accompaniment recordings, and layering in of rhythm parts for each song.

Songs include: Baiana, Kakilambe, Moribayasa, Paranaue, Tambor, and Zun Zun. Suggested for grades 4-8.

More Children of the WorldMore Children of the World by Andy Beck & Brian Fisher
These authentic folk songs from around the globe are arranged especially for 2-part voices, creating an amazing international field trip through nine countries on four continents! Information on the Fun Fact pages provides a fascinating look at world cultures and doubles as flexible narration for a 30-minutes multicultural music program. The Enhanced CD includes reproducible student song sheets, background pages, and cover art. Combine with the original “Children of the World” for an additional nine countries. Recommended for grades three and up.

For more information about these and other products, visit our website at stantons.com, email us at choral@stantons.com, or call us at 1.800.42.MUSIC ext 1. We are happy to help you with all of your sheet music needs!

About the Authors:
Jen Sper has been with Stanton’s since 2006. A former middle school and high school choral director, she holds a Bachelor of Music Education degree from Baldwin Wallace College Conservatory of Music. An active choral singer and accompanist throughout the Central Ohio area, she also enjoys good food, running (to counteract the good food…) and the Muppets.

Alissa Ruth began working at Stanton’s in the summer of 2016. She is a former middle and high school choir director and holds a Bachelor of Music in Education degree from Capital University. She is an active professional choral singer and spends her free time running, doing yoga, cooking, and watching Netflix.


Middle School General Music: Theory & Ear Training 01 December, 2017

recommended by Jen Sper and Alissa Ruth, School Choral and Classroom Music Specialists

The middle school general music classroom can be an exciting (and/or terrifying) place! Throughout this school year, we’ve been sharing with you some valuable resources to help you develop enthusiasm and skills in your middle school musicians! Today, here are some great new options for teaching music theory and ear training:

Rounds PlusRounds Plus arr. Roger Emerson
Rounds are wonderful ways to introduce harmony to young singers! However, traditional rounds are often too wide of a range for the changing voice. Hence, this collection was created with the young male voice in mind. Easy-to-sing ostinati for the changing male voice accompany 10 familiar rounds sung by treble voices. Each round is presented in two keys to accommodate both the cambiata, mid-voice and new baritone range comfortably. Experiment with other keys until you find your choirs’ “sweet spot” vocally. This will give you a good idea of the range and tessitura that will be effective when choosing your choral literature. These unaccompanied rounds may be taught entirely by ear, or duplicated for sight reading purposes.

We at Stanton’s like this resource because rounds are such excellent learning tools for part independence, and presenting them in this way helps reinforce the I-IV-V in the Baritone part while keeping their range within a perfect fifth. The use of high/low key options helps immensely with the constantly-changing nature of the boys’ voicing at that middle school age.

Songs include: Dona Nobis Pacem, Down by the Bay, Heigh Ho Nobody’s Home, Jubilate Deo, London’s Burning, Music Alone Shall Live, and more. Suggested for grades 6-9.

Sight Reading 101Sight Reading 101 by Mary Jane Phillips
“Sight Reading 101” proves effortlessly that learning to sight read can be accessible and fun. Practical, efficient, and systematic, this approach to teaching beginners to sight read music utilizes step-by-step “how to’s” for pitch matching success and rhythm comprehension, games to reinforce learned skills, and reproducible exercises to challenge and stretch students’ abilities. No beginning choir director should be without this surefire tool for success!

We like this because of the logical, sequential nature of this method, in particular the separation of pitch and rhythm and the speed at which those are combined. We feel that using this book with beginners would allow them a smooth transition to most other sight reading methods.

Rhythm RescueRhythm Rescue by Lynn M Brinckmeyer
Lynn Brinkmeyer brings her musical expertise in her new book, “Rhythm Rescue!” with the intention to expand the rhythmic vocabulary of singers. Students of all ages are more successful if they use a physical gesture during the learning process. Singers do not have a lever, a bow, strings or buttons to push like instrumentalists do. Physiology helps solidify those rhythms in the body and Lynn has created fun and exciting rhythm exercises to teach and reinforce rhythm learning in the classroom and rehearsal.

This book has two sections: “Isolated Rhythm Activities” and “Rhythms and Pitches.” Many of the songs include traditional folk songs which is an added bonus. All the strategies are intended to support the required curriculum and state and national music standards. Most of the activities are interchangeable with the different songs in the book and can also be transferred to barred instruments, non-pitched percussion instruments and performance literature. Activities include: Passing Rhythms ‘Round the Circle, Partners in Common Time, Pulsing Notes, Rhythm Drills, Duple or Triple? Rhythm Treasure Hunt, Change It Up! Rhythms Rearranged, Secret Word Secret Rhythm, London Bridge Mix-Up and more!

We liked this because we feel that it can be useful for all secondary students in grades 6-12, making it a worthwhile investment. We like the use of the Takademi syllables and the physicality in these exercises.

For more information about these and other products, visit our website at stantons.com, email us at choral@stantons.com, or call us at1.800.42.MUSIC ext. 1. We are happy to help with all of your sheet music needs!

About the Authors:
Jen Sper has been with Stanton’s since 2006. A former middle school and high school choral director, she holds a Bachelor of Music Education degree from Baldwin Wallace College Conservatory of Music. An active choral singer and accompanist throughout the Central Ohio area, she also enjoys good food, running (to counteract the good food…) and the Muppets.

Alissa Ruth began working at Stanton’s in the summer of 2016. She is a former middle and high school choir director and holds a Bachelor of Music in Education degree from Capital University. She is an active professional choral singer, and spends her free time running, doing yoga, cooking, and watching Netflix.