Autoharpin’ 17 May, 2013
In 1881, Charles Zimmerman invented the Autoharp. In the 1960′s, Rhythm Band began to import Chromaharps from Japan. They are much the same instrument. Both have 36 strings and buttons on bars to press down, each bar pressed down produces a different chord. Elementary music teachers nearly always have one or the other in the instrument cabinet in the classroom. Much more can be done with an Autoharp or Chromaharp than simple strumming. Fancier strums can be employed, and there is a way to do some picking. Folksingers often include an Autoharp in their collection of instruments they use to accompany themselves. Mother Maybelle Carter is one of the best known autoharp players. It’s a much more versatile instrument than many people realize. Mel Bay’s Complete Method for Autoharp or Chromaharp has 48 lessons teaching everything from learning to read music and tuning to advanced strumming. This book of sheet music for Autoharp was written by Meg Peterson, and includes a CD. For more information about this or other Autoharp music, please call us at 1-800-42-MUSIC, email us at keyboard@stantons.com, or visit our website at http://www.stantons.com. Shop Stanton’s for all your sheet music needs!

The Seasons, Opus 37b
Not so long ago, a customer remarked to me that the accordion was “coming back” (into favor). Momentarily, I was puzzled. For me, as a member of the folk music/dance community, the accordion never “went away!”
matter. All you have to do is use the chords for your own instrument and follow the chord progressions. This dial is indispensable for learning the Nashville number system. It’s a great time saver for those who work with vocalists, and need to change keys on the spot! For more information about this or other helpful guides for playing guitar, call us at 1-800-42-MUSIC, write us at 



Does your youngster get excited about hearing music, or “reading” along with you? Here are four picture books, each including a CD that goes along with the book. The books have heavy card stock pages with colorful illustrations. Each page has a corresponding song on its CD. The players in the jazz band recording are some of New York City’s hottest young jazz players.




With an initial print run of 200,000 copies, no one knew the success on the horizon for Suzanne Collins’ 


