Eternal Praise: Sacred Arrangements for Piano and Organ Duet arr. Marianne Kim Marianne Kim has selected seven anthems from the Beckenhorst catalog and transcribed them for piano and organ duet. These tastefully styled transcriptions, idiomatically written for both instruments, create washes of sound ranging from triumphant and majestic to tender and lyric. Highly recommended for adding color and interest to your worship services, or for sacred concerts.
Titles include: “Great Is Thy Faithfulness,” “Rejoice the Lord is King,” “What Wondrous Love Is This,” “It Is Well With My Soul,” “How Firm a Foundation,” “Give Me Jesus,” and “And Can It Be.”
“I started to think of my summers, the time when my life was deeply connected with all my senses, where the days felt like months and the months like years, and I was free from morning to night, and every day was a new discovery of life, with nature being a fundamental part of it. We were one with nature.”
“I thought that everyone has their own version of the summer portraits. A beautiful season connected with the best moments of our lives. So I started to make my own paintings with music. This album is dedicated to all our endless summer memories, all our beautiful moments.” – Ludovico Einaudi
This exclusive, official folio presents all 13 pieces from the album in piano solo format. Title include: “Rose Bay,” “Punta Bianca,” “Sequence,” “Pathos,” “To Be Sun,” “Jay,” “In Memory of a Dream,” “In Limine,” “Summer Song,” “Oil on Wood,” “Episode One,” “Maria Callas,” and “Santiago.”
A Little Jazz Mass by Bob Chilcott, SAB with piano and optional bass & drum kit Now celebrating its 20th anniversary, this highly original and effective concert setting of the five-movement Latin Missa brevis embraces a variety of jazz styles. The stylistic piano accompaniment can be played as written or serve as a guide, and bass and drums can join in ad lib, though a notated bass part is also available.
Art Dedrick: Pioneer in Jazz Education by Jason Dedrick Art Dedrick co-founded Kendor Music, the first company to publish professional-sounding jazz charts that were playable by students at all skill levels. This book documents his remarkable life overcoming daunting challenges to become a trail blazer in jazz education. It includes interviews with Sammy Nestico, John LaBarbera, Rusty Dedrick and others, as well as photos, news articles and correspondence with colleagues such as Doc Severinsen.
Born on a small farm in Western New York, Dedrick studied music and went on to play trombone and arrange for major big bands, including Red Norvo and Vaughn Monroe. In 1944, he was stricken with polio and had to use a wheelchair for the rest of his life. Subsequently, he returned to his hometown to teach music, but soon realized there were few good scores for his school dance bands to play, so in 1954, he and two other music teachers founded Kendor Music. Kendor published hundreds of Dedrick’s compositions and arrangements, as well as other jazz greats such as Sammy Nestico, Thad Jones, Phil Woods, Buddy Rich and Toshiko Akiyoshi.
In the late ‘60s, Dedrick launched the Free Design, a pop vocal group consisting of his four oldest children. They recorded seven albums, including their hit single “Kites Are Fun”, and appeared on numerous TV shows such as Johnny Carson’s Tonight Show and the Mike Douglas Show.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Solo Celebration selected and edited by Davis Dorrough This vibrant, six-book series showcases ten original piano solos in each book, bringing together the creative work of many well-known composers and rising talents. Spanning the early-elementary to late-intermediate levels, “Solo Celebration” highlights a variety of styles with fresh, contemporary elements that spark curiosity and imagination. Composers include W. T. Skye Garcia, Jennifer Linn, Kevin Olson, Wynn-Anne Rossi, and more!
Students thrive when they engage with music that feels relevant and exciting, and teachers appreciate pieces that balance creativity with solid pedagogy. “Solo Celebration” accomplishes both objectives, bringing together the collective efforts of both well-known composers and emerging talents. The works in this series explore a wide variety of styles, many with fresh, contemporary elements that spark curiosity and imagination. Rich with drama and storytelling potential, these pieces help students form meaningful connections with the music and are designed to inspire confident, memorable performances, whether at home or on stage.
Book 1 (Early Elementary) titles include: “Grand Waltz,” “Spooky, the Black Cat,” “Floating in Outer Space,” “Boss Battle,” “Peguin Procession,” “Evening Path,” “Video Game Time,” “Little Lucky,” “Game Day,” and “Sunrise.”
Book 2 (Elementary) titles include: “Pirate’s Secret Hideout,” “Come Dance with Me,” “Robo March,” “Under the Mango Tree,” “My Sasquatch,” “Tiptoe Power,” “I Like Ice Cream,” “Baseball Rocks!,” “Lost in the Labyrinth,” and “Celestial Lullaby.”
Book 3 (Late Elementary) titles include: “Blues for Mr. Gershwin,” “T. Rex Goes for a Stroll,” “Sassy Cat,” “At the Aquarium,” “Finger Fiesta,” “Prelude to a Storm,” “Crash Toccatina,” “Rock It!,” “Rodeo’n,” and “Desert Mirage.”
We’re Back (from Moana 2) arr. Matt Conaway, Grade 3 A grooving arrangement of the hit song from the smash hit Disney sequel that will be a favorite of your percussion section. Also a great choice for parades.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Kindness: A Chorale and Fugue in the Baroque Tradition by Mark Hayes If you enjoy singing Baroque music and value the importance of kindness, courage and compassion, this new 30 minute through-composed work by Mark Hayes for chorus, soprano and tenor soloists and orchestra is for you.
Drawing from the writings of ancient and contemporary authors, the original text of “Kindness,” written by Hayes, seeks to answer the question, “How then shall we live, especially in a world that seems so dysfunctional?” The answer: live with kindness, courage and compassion. When we are joined as one in our pursuit of these values, we can make a lasting impact. To quote Margaret Mead, “Never underestimate the ability of a small group of committed individuals to change the world.”
“Kindness” is set in the Baroque tradition and features an original chorale tune with three separate texts, a fugue, both conventional and retrograde, recitative-like sections for the soprano and tenor soloists and extensive instrumental interludes. As a nod to Baroque masters such as Johann Sebastian Bach and George Frideric Handel, Hayes included passages imitating “Jesu, Joy of Man’s Desiring” and “Hallelujah Chorus.”
This work is perfect for high school and college choirs as well as community and church choirs. The text is intentionally not sacred, rather universal in its appeal. Imagine how the music and message of this work could join a community together in the pursuit of kindness, courage and compassion. It’s what the world needs.. now.
In “Breaking Through,” author Edward Varner helps music teachers understand the purpose of SEL, how it intersects with DEIA, and how to promote quality and equitable experiences for all students. The book is divided into three sections: • Groundwork looks at music education as a matter of equity and identifies the natural alignments between SEL and DEIA. • Avenues for Disruption offers strategies to make music education mindful, meaningful, and manageable. • Moving the Needle One Step at a Time identifies points of disruption and barriers to equity through an anti-racist lens.
Varner also explores how music teachers can use SEL to teach important life skills, including cooperation, communication, positive interactions, responsibility, impulse control, and accepting consequences, among others.
Music educators play a vital role in students’ lives and education. And through intentional SEL instruction, they empower their students and communities to break through and disrupt barriers to Diversity, Equity, Inclusion, and Access.
Jon Batiste: Beethoven Blues Inspired by the timeless beauty of classical music and the raw emotion of blues, Jon Batiste’s “Beethoven Blues” reimagines tradition with a modern voice. Our new matching songbook features all 11 tracks from the acclaimed solo piano album, with transcriptions approved by the five-time GRAMMY Award® winner himself.
Titles include: “American Symphony Theme,” “Dusklight Movement,” “5th Symphony in Congo Square,” “Für Elise – Batiste,” “Für Elise – Reverie,” “Life of Ludwig,” “Moonlight Sonata Blues,” “Ode to Joyful,” “7th Symphony Elegy,” “Symphony No. 5 Stomp,” and “Waldstein Wobble.”
Five Hymn Inspirations Set 6 arr. John A. Behnke The sixth installment in John A. Behnke’s popular organ series is here, offering another exciting collection of easy-to-learn pieces that sound magnificent. Titles include: “Evening and Morning,” “For All the Saints,” “How Firm a Foundation,” “Lord Jesus Christ, Be Present Now,” “Lord Jesus Christ, We Humbly Pray,” “Open Now Thy Gates of Beauty,” and “The Gospel Shows the Father’s Grace.”
In the Water, In the Word arr. James Biery Eight stunning settings to adorn the Sacrament of Holy Baptism with grace and gusto. A thrilling toccata on ES IST DAS HEIL sounds difficult but falls under the fingers with relative ease. Several tunes that have come into popularity more recently are treated, including BACHOFEN, DENBY, FATHER WELCOMES, and FILTER. Every tune also includes a fresh harmonization to be used with congregational singing, often tailored for use with the final stanza. Titles include: “All Who Believe and Are Baptized,” “Father Welcomes,” “God’s Own Child, I Gladly Say It,” “I Bind Unto Myself Today,” “O Blessed Spring,” “The Gifts Christ Freely Gives,” “To Jordan’s River Came Our Lord,” and “Water, Blood, and Spirit Crying.”
Hymns Complete Set 4 arr. John A. Behnke Play hymns from introduction to final stanza in a style fit for a hymn festival. Set 4 from John A. Behnke offers nine more hymns with an inventive introduction and creative harmonizations for every stanza. Treat your congregation to hymn accompaniments that are sensitive to the text and interesting for the ear. Titles include: “A Mighty Fortress Is Our God,” “Built on the Rock,” “Christ Is Our Cornerstone,” “Dear Christians, One and All, Rejoice,” “Glory Be to Jesus,” “How Clear Is Our Vocation, Lord,” “Just As I Am, Without One Plea,” “Kyrie! God, Father,” and “Let All Mortal Flesh Keep Silence.”
Offertory Mosaics arr. Jacob B. Weber Accent the offertory with grace and joy using the latest book in the long-running Mosaics series by Jacob B. Weber. Six organ preludes provide excellent, fresh settings with several pieces having built-in jump points for playing shortened versions, making them especially flexible for use during the offering. Titles include: “Consider How the Birds Above,” “Create in Me a Clean Heart, O God,” “For the Fruits of His Creation,” “Take My Life and Let It Be,” “We Give Thee But Thine Own,” and “What Is the World to Me.”
Sojourn: Four Chorale Preludes from Childhood to Resurrection arr. Bernard Wayne Sanders Take a journey through the seasons of life with this set of four chorale preludes. By German composer Bernard Wayne Sanders, the preludes can be played individually or as a set of hymns that outline one’s sojourn from cradle to grave. These sophisticated pieces engage and immerse the listener in these beautiful hymn tunes and are appropriate for both service and concert use. Titles include: “Awake, My Heart, with Gladness,” “Entrust Your Fear and Doubting,” “I Am Jesus’ Little Lamb,” “Lord, Take My Hand and Lead Me,” and “Thy Way and All Thy Sorrows.”
Ten Interpretations Set 1 arr. Jeffrey Blersch The trusted craftsman at leading engaging congregational singing, Jeffrey Blersch is at it again with a brand-new series of hymn introductions and harmonizations. In this series, ten hymns are treated with an introduction and one or more harmonizations, often with specific stanzas in mind, cementing the connection between words and music, and vividly bringing out the meaning of the text. Use these to uplift, inspire awe, and draw attention to what hymns say. Titles include: “As with Gladness Men of Old,” “Children of the Heavenly Father,” “Glory Be to Jesus,” “How Clear Is Our Vocation, Lord,” “Lord Jesus Christ, Be Present Now,” “Lord Jesus Christ, We Humbly Pray,” “O Christ, Our Hope, Our Hearts’ Desire,” “O Sing to the Lord,” “O Worship the King,” “Rejoice, My Heart, Be Glad and Sing,” “See This Wonder in the Making,” “Sing Praise to God, the Highest Good,” “The Gospel Shows the Father’s Grace,” and “When Morning Gilds the Skies.”
I Got You (I Feel Good) arr. Paul Murtha, Grade 2 Here is the signature hit by the “Godfather of Soul” in a solidly scored version perfect for young players. With a funky groove that captures the style of the original this chart also features solo opportunities for any combination of alto sax, trumpet, and trombone.
Pyramid Power by Doug Beach & George Shutack, Grade 1 This driving rock chart is sure to be a hit, not only with the band, but with the audience as well. The infectious groove, the building pyramids, and the catchy melody all combine to create a perfect chart for your next program. The Jazz Foundations scoring ensures that the chart will work with virtually any instrumentation.
Midnight Creeper arr. Terry White, Grade 1.5 A funky-rock groove on a great jazz tune played around 112 BPM. Suggested solos provided for trumpets 1 and alto 1 with trumpet 1 range to written top line F. An excellent blues chart that is fun to play and easy to assemble.
Phat Tuesday by Peter Sciaino, Grade 4 In the composer’s own words, “I was going for a New Orleans vibe…like a Dirty Dozen Brass Band sort of thing but it went J.B. horns (James Brown) style at some point.” That beautifully sums up this great new funk chart – searing horn lines and a cooking rhythm section.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Great Day! A Collection of Spiritual Arrangements arr. Brandon A. Boyd & Rosephanye Powell We are thrilled to announce the release of “Great Day,” a stunning collection of solo spiritual arrangements for voice and piano, expertly edited and compiled by renowned musicians Brandon A. Boyd and Rosephanye Powell. This exceptional book is available in both High Voice and Low Voice editions, making it accessible to singers of all ages and skill levels.
“Great Day” features nine beautiful arrangements of classic spirituals. These timeless pieces have been carefully crafted to showcase the human voice, accompanied by elegant piano harmonies. Perfect for contests, recitals, concerts, and worship services, this collection is a valuable resource for singers seeking to connect with the rich heritage of spiritual music.
Embrace the beauty and power of spiritual music with this unforgettable collection, carefully curated by two masters of their craft.
Titles include: “Fix Me, Jesus,” “I Want Jesus to Walk with Me,” “My God Is So High,” “Go Down, Moses,” “Ride Up in the Chariot,” “Plenty Good Room,” “Great Day,” “Balm in Gilead,” and “Get On Board.”
APT. arr. Mike Story, Grade 2 Catchy melodies and driving percussion highlight this huge hit from ROSÉ and Bruno Mars. Mike Story’s fun arrangement is destined to be THE stands tune for this fall!
APT. arr. Matt Conaway, Grade 3 The groove doesn’t get any more infectious than this. Whether it’s on the field, in between quarters or during a timeout, this arrangement of the smash hit from Rosé and Bruno Mars will get the party started!
Bye Bye Bye arr. Paul Murtha, Grade 2 This hip and grooving arrangement of the *NSYNC classic will be a crowd favorite and a necessary addition to a 90’s of Pop field show.
Bad Blood arr. Doug Adams, Grade 2 Taylor Swift is as popular as ever, and this brand new Doug Adams arrangement of her timeless song really hits all the right notes! It’s perfect for the stands or pep band, as well as for dance and drill teams.
Crazy in Love arr. Ishbah Cox, Grade 3 This chart-topping hit from Beyoncé will have the crowd dancing and singing and is the perfect addition to your field show or stand repertoire.
Hot N Cold arr. Jordan Barker, Grade 3 Here is one of Katy Perry’s biggest hits in a hip new arrangement. Writer Jordan Barker gives us a powerful and exciting chart full of great sounds!
Espresso arr. Nick Baratta, Grade 3 Here is the GRAMMY® Award-winning song from talented singer-songwriter Sabrina Carpenter in a terrific arrangement by Nick Baratta. Tuneful melodies and exciting harmonies make this a winner for any band!
Illusion arr. Brian Scott, Grade 3 Singer/songwriter Dua Lipa had a big hit with this dance-pop offering. Arranger Brian Scott captures the unique style and groove of the original. This one is pure fun!
Next Semester arr. Dave Henning, Grade 3 This epic rock tune from the group Twenty One Pilots makes an ideal vehicle for marching bands that want to rock hard while shaking the press box to its foundation!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Beetlejuice (Main Theme) arr. Michael Brown, Grade 3 Your concert band will love this excellent arrangement of the quirky, mischievous, and spooky theme from the classic movie that has become a staple of popular culture. Perfect for Halloween concerts or as a fun addition to any program.
Beetlejuice (Main Theme) arr. Johnnie Vinson, Grade 2 Flex-Band An outstanding arrangement of one of the most recognizable movie themes ever that captures the spooky, quirky, and ethereal sounds of the original while being scored for flexible instrumentation. Your young musicians will have so much fun practicing they won’t even realize they are learning various articulations, dynamics, and chromatics.
This Is Halloween arr. Johnnie Vinson, Grade 2 “Boys and girls of every age. Would you like to see something strange?” Young concert bands are now able to enjoy one of the most popular movie songs of all time. An excellent choice for reinforcing chromaticism this is perfect for programming at anytime of the year!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Choral Charisma: Singing with Expression by Tom Carter “Choral Charisma” presents an accessible yet comprehensive approach to singing with expression. Written for directors, singers, and teachers at all levels, the book presents techniques and insights empowering the reader to bring even more humanity to their craft. The heart, mind, body, and spirit can play together to make singing even more fulfilling – for you and your audience.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
SACRED CHORAL READING SESSION Saturday August 9, 2025 9:00 a.m.-12:30 p.m. Church of the Messiah, 51 N. State Street, Westerville OH 43081 Presented by Mary McDonald $25.00
Stanton’s is pleased to welcome back Mary McDonald as our clinician for the August Sacred Choral Music reading session. With a career that spans over forty years, her songs appear in the catalogs of every major publisher of church music. More than 1200 compositions through anthems, seasonal musicals and keyboard collections testify to her significant contribution to church music. Her greatest desire is “to give God glory for the songs He has allowed me to compose. He alone, is the true Creator behind my pen.”
In 2011, after serving as sacred music editor for The Lorenz Corporation in Dayton, Ohio for more than twenty years, Mary answered a new call. Now she takes her tremendous passion and love for music making directly to churches as an independent artist. Since then, she has been in constant demand in churches across the nation for composer weekends as well as served as host for many of the top choral music dealer conferences in the United States and Canada.
Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.
SACRED PIANO READING SESSION Saturday August 9, 2025 2:00 p.m.-4:30 p.m. Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215 Presented by Mary McDonald $5.00
Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Mary McDonald.
Popular Video Game Themes for Easy Piano Beginning pianists can now play their favorite video game themes! Features 24 signature selections from 22 video games arranged for easy piano, including “God of War,” “Civilization VI,” “Medal of Honor,” “Marvel’s Spider-Man,” “Shadow of the Colossus,” “The Sims,” “Tetris,” “Undertale,” and more.
Popular Video Game Themes for Piano Solo Level up your piano repertoire with “Popular Video Game Themes for Piano Solo!” This songbook features 24 iconic melodies from 22 beloved games, including “Assassin’s Creed,” “Ghost of Tsushima,” “Tetris,” and “Undertale.” Perfectly arranged for piano solo, it’s a must-have for gamers and music lovers alike. Bring the excitement of your favorite virtual worlds to life at the keyboard!
recommended by Caryn G., Sacred Piano Music Specialists
Peaceful Piano: 25 Meditative Interludes and Underscores for Worship by Mark Hayes Here is a collection for your keyboard ministry that is both innovative and practical. Legendary arranger Mark Hayes has written 25 original vignettes designed to be used as service music. They can successfully underscore times of prayer, transition, or scripture reading, and can even be used as offertories. Each brief selection is intermediate in difficulty, and the table of contents highlights the key of each piece for easy reference. This is a volume that you will use again and again!
About the Author: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Reggaeton by Steve Shanley, Grade 2.5 The “reggaeton” genre is one of the most popular musical styles in the world, and now you can finally play it with your jazz band! Steve Shanley’s “Reggaeton” utilizes the infectious groove in a jazz chart for developing musicians. You’ll love the accessible rhythm section parts and easy solo section, and your young jazzers will love the feel and groove of this fun chart. A perfect closer for your next concert or festival! Highly recommended!
MonteBello Mambo Rock by Michele Fernández, Grade 2 Michele Fernández’s unique approach to writing for Jazz ensemble and her attention to detail is evident in this great new “Afro-Latin” chart written with younger players in mind. There is a written sample solo in alto sax 1, but all the parts include the solo changes.
Meet Me at the Taqueria by Doug Beach & George Shutack, Grade 2 A driving Latin feel is the foundation of this chart. With a strong melody, solid voicings and an open solo section, this piece will be not only a great concert choice, but also a wonderful vehicle for teaching young players this important style.
Carnival by David Samuel, Grade 3 Let the festivities begin! This bright Latin chart is the perfect change of pace chart for contest/festival or for your home stage. Intriguing harmony and rhythmic vitality make this chart shine!
My Favorite Things arr. Michele Fernández, Grade 4 Here’s a wonderful new take on a timeless melody. Michele Fernández shows her Latin expertise in this high-energy and sizzling arrangement for jazz ensemble. Sure to be a favorite with all audiences, and an impressive choice for contest or festival.
Habanero Hustle by Andrew Lesick, Grade 3 This is a unique chart that blends a fiery, driving Latin groove with a more carefree Chuck Mangione feel. After a percussive intro, a trio with Tenor, Trumpet and Trombone present the head of the tune. There is an optional Conga part included, but adding other percussion instruments would spice up the flavor of the chart.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Ringing with Keys Volume 3 arr. Lloyd Larson, 2 octave reproducible collection, Level 2 Here is a collection of eight arrangements for smaller ensembles of handbell ringers and piano. It may be run with 1 ½ or 2 octaves of handbells, D5 to G6 or G4 to G6. The contents include a mixture of hymns useful for Christmas, Palm Sunday, Easter, Thanksgiving, and general occasions. The piano accompaniment fills out the harmonies, keeping the handbell parts accessible while adding beautiful texture and color to the arrangements. Titles include: “Come, Christians, Join to Sing,” “My Faith Looks Up to Thee,” “All Glory, Laud, and Honor,” “Still, Still, Still,” “We Gather Together,” “Give Me Jesus,” “O Love That Will Not Let Me Go,” and “Crown Him with Many Crowns.”
Rejoice, the Lord Is King arr. Linda Scholes, 3-6 octaves, Level 2+ This powerful setting of DARWALL’S 148TH is a perfect choice for the Easter season or any time something bold and celebratory is called for. Available in compatible 2-3 and 3-6 octave settings, its bold harmonies and driving rhythms are equally at home in church as in concert or festival settings.
Classic Rings II for Church & School arr. Martha Lynn Thompson, 3 octave reproducible collection, Level 1-2 This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
