News & Views Wednesday, August 27, 2014

Category: School Choral

New for Middle School Choirs for Fall 2014 26 August, 2014

As you prepare for your first concert of the school year, Stanton’s Sheet Music suggests that you consider one of these outstanding selections for your middle school choir:

Autumn Fires by Mary Donnelly & George L.O. Strid
Your younger choirs will build important choral skills with this tender setting of a poem by Robert Louis Stevenson. Alternating between modal and major key tonality, the part-writing is carefully crafted, making this an excellent choice for that first concert of the year.

Cangia, Cangia Tue Voglie by Fasolo/arr. Tom Shelton
Here is a beautiful arrangement of an Italian Baroque tenor aria, scored for voices with piano and flute. It’s a great selection for introducing your students to singing in Italian, complete with a pronunciation guide and translation.

Didn’t My Lord Deliver Daniel? arr. Roger Emerson
Now available in a flexible SATB voicing, this driving rock spiritual features a subdued opening that explodes into high-powered energy sure to be a hit with your developing mixed choirs in middle and high school.

Dragonfly by Cristi Cary Miller
This vivid concert work for young voices portrays the emergence of the adult dragonfly with the dazzling, jewel-like sapphire wings through layered vocal lines and shifting 6/8 to 3/4 metric feel. Accessible but satisfying, this selection will be perfect for concert, contest and festival!

Hopsa! Lisella! arr. Russell Robinson
“Hopsa! Lisella!,” an 18th century Alsatian folk song, quite literally sways back and forth as it is sung. The feeling of acceleration typical of 18th century song is captured through ritards, accelerandos and tempo changes at the beginning of each verse. Add tambourine and triangle to enhance the French character of the song. In two parts, this accessible setting will work nicely with any treble group.

Jambo arr. Jacob Narverud
Kenyan composer Teddy Kalanda Harrison and his group Them Mushrooms received world-wide recognition with their platinum-certified recording of his piece. Now available in an exciting choral arrangement, it is bound to be a favorite.

Lascia Ch’io Pianga by Handel/arr. Russell Robinson
Singers have long cherished this staple of the solo repertoire, and now it is beautifully set for choral groups of any size. Teach all of the same lessons you learned from your favorite vocal instructor as you share this baroque aria with a new generation. Not difficult, but rewarding.

Laudate Dominum by Mozart/arr. Russell Robinson
From Mozart’s “Solemn Vespers K. 339,” this lovely 2-part setting captures the intention of the original while creating an accessible work for young voices. With its recognizable melody and supportive piano accompaniment, this arrangement is a classic for your choir to learn and enjoy, and a staple for your choral library.

Li’l Liza Jane arr. Catherine DeLanoy
Spirited and fun for young voices, this folksong favorite sparkles with rhythmic energy! Individual part-singing as well as chordal and polyphonic passages fill the work, creating teaching moments for your rehearsal and ultimately an entertaining performance. Your guys will love it too!

Mysterious Moon by Janet Gardner
Longfellow’s mysterious words are beautifully set with a minor-mode melody, designed specifically for developing choirs. Staggered entrances create a canon effect, and independent voice parts form partner song moments. Stays comfortably within a one-octave range for all.

Pie Jesu by Victor C. Johnson
This luscious and sensitive setting of the traditional Latin text exudes a gentle simplicity with soaring melodic lines and a fluid accompaniment. A pronunciation and translation guide is provided.

Uskudar arr. Audrey Snyder
Expand your students’ horizons with this arrangement of a popular Turkish folksong that depicts the colorful, energetic music of the Middle East. Well-crafted and effective in performance, it includes an easily learned section in Turkish with additional English lyrics, pronunciation guide and translation. With oboe and tambourine.

When Midnight Mists Are Creeping by Greg Gilpin
This evocative text setting makes it easy for developing concert choirs to impress. Modest vocal ranges, logical voice leading, and manageable phrase lengths allow musicality to be the focus of rehearsal and the hallmark of performance.

Witness arr. Victor C. Johnson
Contemporary harmonies, cool syncopations in the vocal parts, and a rhythmically supportive accompaniment grace Victor C. Johnson’s high-energy setting of this favorite spiritual. This work is a marvelous choice for developing choirs in both concert and festival settings.

For more suggestions, check out our video below, click here to view our complete Middle School Choral promotion for Fall 2014, or contact us!


Excellence Clinic 2014 Recap 25 August, 2014

Excellence logo NEWOn Saturday, August 23, Stanton’s Sheet Music hosted our 21st annual Excellence in Choral Literature Clinic! Our attendees gathered in the James E. Strouse Workshop Hall with our clinician Jim Gallagher, Professor Emeritus at The Ohio State University, and some of our choral staff (including our wonderful accompanist, Joyce Stonebraker) and had a fantastic morning reading through a wide variety of high-quality music for choirs at all levels of difficulty. We spent a little bit of time socializing and catching up with old friends, and A LOT of time discovering beautiful new music!

Did you miss out on this year’s Clinic? Never fear! Here are just a few of our favorite pieces that were featured:

For middle school choirs: Cangia, Cangia Tue Voglie arr. Tom Shelton
For high school choirs: Exultabunt Sancti in Gloria by J.M. Haydn/ed. Martin Banner
For college choirs: Live a Humble arr. Stacey V. Gibbs
For community choirs: I’m Gonna Sing When the Spirit Says Sing arr. K. Lee Scott
For holiday concerts: The Work of Christmas by Dan Forrest
For women’s choirs: The Coolin’ by Ryan O’Connell
For men’s choirs: The Dawn’s Awake! by Laura Farnell

You can still receive the full clinic packet for the registration fee of $15 (while supplies last). This year’s packet includes over 30 octavos, and contains an incredible amount of repertoire variety! Contact us if you are interested!


Stanton’s E-Tools: Virtual Workshop 22 August, 2014

virtual workshop image for promosThe amazing staff at Stanton’s knows how valuable your time is.  That’s why we try to provide you with as many tools as we can to make choosing music easier,  faster and more enjoyable.  In this series of blog posts, we will be profiling our E-tools. Whether you are a local customer here in Columbus, OH or one of our many friends around the world, we hope you will find a way to use our E-tools!

If you’ve never attended one of our workshops or reading sessions, you really are missing out.  We have tons of fun, read new music, and benefit from the advice and experience of internationally renowned clinicians as well as Stanton’s own knowledgeable staff.  But if you live too far away to attend, or just can’t make it, we are proud to present our Virtual Workshops.

Inside each Virtual Workshop you’ll preview the score of actual arrangements with audio demonstrations, and often LIVE video footage of our workshops.  The Virtual Workshops themselves are designed so you can easily preview Stanton’s top choices as featured on our clinics, workshops and promotions – it’s almost like being there!

Here is a sampling of just a few of our most recent clinics:

For questions about how to use the Virtual Workshops, please feel free to give us a call at 1-800-42-MUSIC or visit us online or in person!

Previous posts in this series:  Listening LibraryStanton’s App, Digital Delivery


STANTON’S SPOTLIGHT on High School Choir 20 August, 2014

Each year, the knowledgeable staff at Stanton’s chooses select titles to promote to you, our valued customers. We listen to thousands of new issues from scores of publishers and composers to present you with the very best in new music for your ensembles. In our new Stanton’s Spotlight feature, we will put a special focus on one piece that we particularly enjoy, and tell you how it can serve you and your group.

L’ultimo di di maggio

Ottorino Respighi/arr. Robert Sieving

recommended by Jen Sper, School Choral Specialist

L ultimo di di maggio-page-001This arrangement has had a rather convoluted journey to the final product – beginning as a balletto for lute written by Simone Molinaro in 1599, it was transcribed and arranged by Ottorino Respighi in his three suites for orchestra (Ancient Airs and Dances for Lute – 1917) before being paired with an anonymous 16th century poem in this setting by Robert Sieving. The charming Italian text tells of a lovely maid “on the last day of May” – “O happy day, joyful, fair and bright!”

Plenty of characteristic traits of a Renaissance madrigal are featured, including nonsense syllables – but, rather than another boring old “fa la la,” you get “tantandaridondela!” Fun!

Vocal ranges require all parts to stretch just a bit – sopranos up to high A, altos down to low A, and tenors up to F#. The bass part dips down to a low E very briefly, but remains within the staff most of the time. Divisi is straight-forward and diatonic, but will require good listening skills and tuning across the entire ensemble. Encourage light, healthy vocal production by keeping the tempo sprightly and the dynamics moderate.

Is it challenging? Yes! But is it achievable? YES! Use it as a teaching piece throughout the year – perhaps teach just the A section in the fall, then start the remainder of the piece in January when your ensemble has a few more skills under their belts.

This might be a great piece for your group because it…

  • provides an example of not only Renaissance madrigal style, but also introduces the instrumental music Respighi.
  • can be broken down and presented over a period of time – perfect for groups ready to transition to more difficult literature.
  • features straight-forward divisi that encourages tuning and listening skills.
  • encourages light, healthy vocal production.
  • is appropriate for concert performances, as well as festivals and adjudicated events.

For more great suggestions, please contact our Choral Department at 1.800.42.MUSIC or email us at choral@stantons.com.


New for High School Choirs for Fall 2014 19 August, 2014

As you prepare for your first concert of the school year, Stanton’s Sheet Music suggests that you consider one of these outstanding selections for your high school choir:

Aiken Drum arr. Philip Lawson
Like most popular Scottish folksongs, this one is rooted in history, but now has been transformed into a nonsense song. “Aiken Drum,” with his clothes made of tasty food, is creatively portrayed here in this clever edition with Scottish drone sounds, the melody passing from part to part, and underlying snare drum. A cheerful encore or folk selection!

Come Back to the Sea by David Waggoner
The emotive text of this contemporary choral compares the ebb and flow of ocean waves to our dreams and calls us to the sea. Musicality and metaphors abound. The inspirational message and memorable hook will bring out the best in your singers.

Du, Du Liegst Mir im Herzen arr. Keith Christopher
A lilting love song with great educational merit. Sing entirely in English or take time to teach the German text (both are included in the publication, along with an IPA pronunciation guide). An international delight.

Four Choral Critters by Christine Donkin
The poetry of Ogden Nash is witty and wonderful. Canadian composer Christine Donkin has selected four of the best: “The Duck,” “The Panther,” “The Guppy” and “The Llama.” The music brings even more fun to the lyrics. Excellent for high school, college and community choirs, these works are sold in 2 sets: THE FIRST TWO and THE OTHER TWO.

I’m Gonna Sing When the Spirit Says Sing arr. K. Lee Scott
K. Lee Scott is a superior arranger – he knows how to get the most out of the voice and gratify an audience. This is such a well-known spiritual and Lee piques our interest with tight, solid, harmonies that thicken and rise as the verses unfold, all the way to the vigorous finale. Great for church or school.

L’ultimo di di maggio arr. Robert Sieving
Robert Sieving combines an anonymous sixteenth-century poem with music from Respighi’s brilliant “Ancient Aires and Dances for Lute, Suite 1: Balletto” to create a light-hearted, dance-like representation of a charming lute piece.

Shenandoah arr. Andrea Ramsey
Weaving choral textures and warm harmonies evoke the gentle undulation of the river in this sensitive a cappella setting. Accessible for developing choirs, this work will provide wonderful opportunities for developing important choral skills.

Steal Away arr. Russell Robinson
A fine interpretation of this expressive arrangement will be a source of considerable pride for conductors and singers alike. Dr. Robinson treats the moving spiritual with great reverence and employs classic hallmarks of the choral tradition. Take liberties with the marked rubato for a meaningful performance.

Sweet Betsy from Pike arr. Greg Gilpin
Full of diverse rhythms, meters, harmonies, text-painting, and lots of humor, the journey of Sweet Betsy and Long Ike from Pike County to California has never sounded so fun! This delightful new take on the popular American folk song from the Gold Rush era will become a favorite for you and your singers and will certainly entertain your audiences.

We Sing by Brian Tate
This creative song affirms each person’s dreams and persona. Beginning quietly with assurance, solo voices bring us the first theme and soon the choir joins in. Then the choir introduces a new theme with a joyful Latin text accompanied by indigenous drums. Moments later the two themes are brought together. The unique combination of sounds, texts and message make this an excellent piece for high school and college choirs.

Who Paints the Night? by Mark Patterson
Inspired by Van Gogh’s painting Starry Night, this is a lovely reflection on the meaning of art and music. A wonderful work full of beautiful imagery!

For more suggestions, check out our video below, click here to view our complete High School Choral promotion for Fall 2014, or contact us!


Stanton’s E-Tools: Digital Delivery 15 August, 2014

digital deliveryThe amazing staff at Stanton’s knows how valuable your time is.  That’s why we try to provide you with as many tools as we can to make choosing music easier, faster and more enjoyable.  In this series of blog posts, we will be profiling our E-tools. Whether you are a local customer here in Columbus, OH or one of our many friends around the world, we hope you will find a way to use our E-tools!

It’s happened to all of us:  You have a rehearsal or a performance coming up in a few days (or a few hours!) and you’ve lost your music;  it’s they day before a competition, and your judges’ copies are no where to be found; you desperately need something new and fresh for your church choir to start on tonight.   In many cases, Stanton’s Digital Delivery can come to your rescue.

Using the Digital Delivery website, you can purchase thousands of titles and print them at home on your home computer within minutes.  In addition, many popular sheets (including pop, broadway, etc.) can be transposed to the key of your choosing, so you’ll always be able to have piece in a comfortable range for you.  Lead lines can also be transposed for instruments such as trumpet, clarinet, saxophone and French horn.  All you have to do is download the FREE Scorch Viewer software and you are off and running.

You access our Digital Delivery site directly by clicking here, where you can browse options for bands, orchestradigital delivery printers, choirs, and solos for many different instruments.  You can also use the regular Stanton’s website, where titles available for Digital Delivery have a printer icon next to their descriptions.  Clicking on that icon will take you directly to that item’s page on the Digital Delivery website, where you can purchase and print.

For questions about how to use the Stanton’s Digital Delivery Site, please feel free to give us a call at 1-800-42-MUSIC or visit us online or in person!

Previous posts in this series:  Listening LibraryStanton’s App


Stanton’s E-Tools: The Stanton’s App 08 August, 2014

smart phonesThe amazing staff at Stanton’s knows how valuable your time is.  That’s why we try to provide you with as many tools as we can to make choosing music easier, faster and more enjoyable.  In this series of blog posts, we will be profiling our E-tools. Whether you are a local customer here in Columbus, OH or one of our many friends around the world, we hope you will find a way to use our E-tools!

stanton's bar code scanner

 

Stanton’s has an app? 

That’s right, just like everyone else these days, Stanton’s Sheet Music has an app.  It’s called the Stanton’s Bar Code Scanner, and it is available for both Android and iPhone.   Even better, it’s free!

What does the app do?

Our simple-to-use app is just what it sounds like.  It helps you to use your phone or tablet’s  camera to scan bar codes on music.  Once you scan, you are taken automatically to the item’s page in our Listening Library.  Within seconds, you can be listening to the sample recording of the piece that you are holding in your hand!  If there is no sample recording of the piece provided by the publisher, you will still be guided to that item’s entry on our website where you will find a description, price, catalog number and other useful information.

How can I make the app work for me?

  • When you are shopping for music in our store, bring your headphones!  As you pull music off the shelf you can scan and listen immediately.
  • Going through your own music library?  Scan the titles you already own to refresh your memory or see if the item is still available to order.
  • When  you send your students or church choir members home with a folder full of new music, have them download the app as well.  They can listen, look, and have a valuable listening example at their fingertips!

For questions about how to use the Stanton’s Bar Code Scanner, please feel free to give us a call at 1-800-42-MUSIC or visit us online or in person!

Previous posts in this series:  Listening Library


Band Directors Teaching Choir-SAB or SATB? 29 July, 2014

Here at Stanton’s12VBF_ConspirareHandel, we’re aware of the rising number of music teachers working outside of their specialty.  Cutbacks have forced many instrumental specialists to begin teaching choir-but never fear!  In this series, we will try to give some advice on where to start, as well as recommending some “tried and true” products that will help you become a great choral educator!

SATB is the standard voicing for high school mixed choirs and SAB/3-Part Mixed arrangements have the same designation at the middle school level.  However,  a teacher’s world is rarely perfect.  There are many reasons why you might have a need to use SAB pieces in a high school or SATB pieces in a middle school.

If one or more of the following apply to your high school singers….

-You have less than half as many men as women; putting the men on the same part will balance the group

-Your male singers are inexperienced enough that  they need the strength in numbers

-You are working on a new concept (language, choreography, etc.) and want to simplify the number of parts

…you may want to try one of these excellent SAB pieces:

Canon of Praise – Pachelbel, arr. Hal Hopson – MW1226

Der Tanz – Schubert, arr. Patrick Liebergen – BL382

Die Nachtigall – Schubert, arr. Russell Robinson – 08501705

Elijah – Dan Davison – 00126742

Praise the Lord – Handel, arr. Hal Hopson – 35017273

Sicut Cervus – Palestrina, arr. Russell Robinson – 31089

If one or more of the following apply to your middle school group…

-The young men in your choir are overpowering the light, healthy sound of your middle school women

-You have enough men that they are able to sing 2 different parts and still balance your women

-You have boys whose voices are changing in different ways; some still comfortable in a cambiata range and some who have temporarily lost their mid-range (from about A below middle C to E above)

-You teach in a junior high instead of middle school and have 7th, 8th and 9th graders in the same group

…you may want to try one of these beginner SATB pieces:

Adoramus Te – Emily Crocker – 08740061

Beachcombers – Amy Bernon – 15/2538H

Bound for Jubilee –  Joyce Eilers – SV7903

Come to Me, O My Love – Allan Petker – HMC997

Going Over Home – Sonja Poorman – BL334

Hush! Somebody’s Callin’ My Name – Dennard Brazeal – 35009892

Song of the Sea – Raymond Hannisian – SV7802

Three Madrigals – Emma Lou Diemer – 48003439

Hope Is Like the Wind – Ruth Elaine Schram – 15/2677H

Remember, voicing does not always indicate difficulty level.  With some sleuthing you can find appropriate pieces for all ages in a variety of voicings.

Still not sure what to choose?  Don’t be shy about asking for help, especially if you are new to the choral world.  As always, the experienced choral directors at Stanton’s are thrilled to help you select materials, make recommendations, or give advice.    Contact us at 1-800-42-MUSIC, extension 1 or visit our store.  We look forward to seeing you soon!

Previous posts in this series: Warm-Ups and Rounds; Sight-Singing; SAB or 3 Part Mixed; Help! I’m Not a Pianist!; Solo and Ensemble Pt. 1; Solo and Ensemble Pt. 2


The Stanton’s Difference: Big Enough to Serve Your Needs; Small Enough to Serve You 28 July, 2014

At Stanton’s, we know you have many choices when it comes to purchasing sheet music.  Over the past few weeks, we’ve been highlighting just a few of the many reasons why Stanton’s is the best place to buy music for your school, church, private studio or personal use!

We’re Big Enough to Serve Your Needs-
*
Stanton’s Sheet Music has direct access to all major and many minor, independent, and European publishers allowing us to carry and order hundreds of thousands of print music titles for you.

*Stanton’s e-Tools are designed to make your job easier. Use our Listening Library, Jukebox, Virtual Workshop, Wish List, and Digital Delivery features to compare and organize titles for your music program. Watch for our upcoming blog series spotlighting each of our e-Tool features.

*Itemized purchase orders, bids, and large orders are no problem. We work with a number of schools around the country and U.S. International schools who “bulk order” over the summer.

*Besides providing music to customers all over the country, access to publishers like Hal Leonard and Alfred combined with stantons.com gives Stanton’s Sheet Music global reach with numerous international orders and worldwide shipping destinations.

But Small Enough to Serve YOU-
*
Stanton’s Sheet Music is still a single, family-owned store in downtown Columbus, Ohio. We do not have a warehouse or call center, and our website is just another way to shop for music with Stanton’s.

*We have 3 departments each with a specific number of dedicated, specialized staff: Choral & General Music, Band & Orchestra, and Keyboard & Pop. While anyone in a respective department can help you, if you find a specific staff member you like to work with, feel free to request them.

*We are your customer service. We answer your phone calls and e-mails. We fill your orders and process your internet orders. We personally handle your “sheet music emergencies.” We solve any problems should they arise. We will get to know you by name, and by working with you over time, get to know your program.

*We are your partner in music education. We choose Stanton’s Suggestions and Top Choices to make your job easier. We organize and conduct Stanton’s numerous clinics, workshops and reading sessions. We develop Stanton’s e-Tools with you, the music teacher, in mind.

We hope that over the course of this series we have given you some reasons to make Stanton’s your #1 choice for sheet music. If not, give us a call or place an order with us, and see why Stanton’s Sheet Music has been Sheet Music Specialists since 1960!

Previous posts in this series: 10% Educational Discount, Knowledgeable Staff, 21 Day Trial, For New Teachers, Setting Up Accounts, Make It a Road Trip!, Going the Extra Mile


JUST ONE MONTH – Excellence in Choral Literature! 23 July, 2014

Stanton’s Sheet Music is pleased to announce our 21st annual Excellence in Choral Literature Clinic on Saturday August 23, 2014! This session was designed to help you select concert and contest literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and men’s choirs at all levels of difficulty. Registration fee includes a complimentary packet of over 30 titles.

Come join us to discover beautiful music and share ideas with colleagues and friends! For more information, please check out our video below, contact us by email, or call us at 1.800.426.8742. Register online NOW!

Click here to watch video


The Stanton’s Difference: Going the Extra Mile 21 July, 2014

At Stanton’s, we know you have many choices when it comes to purchasing sheet music.  Over the past few weeks, we’ve been highlighting just a few of the many reasons why Stanton’s is the best place to buy music for your school, church, private studio or personal use!  Today we’d like to spotlight a couple of ways the Stanton’s staff goes above and beyond for you.

So you want to program an old title. You call us to order it, or place your order at stantons.com. While taking/processing your order, our knowledgeable staff realizes the age of the title, either because we remember when it was published (yes, many of us have been here that long), or we’re tipped off by the catalog number – in fact, old Belwin/Columbia Pictures numbers contain the year of publication within them. Rather than just place the title on backorder, and hope it comes in, we often check the availability of old titles in real time! The Alfred and Hal Leonard dealer websites allow us to check the status of a title, and, if it is urgent, we are happy to call our representatives with other publishers on your behalf. This way you know as soon as possible whether you can expect to receive your title, or if you need to consider programming another piece. Sure, we hate to disappoint, but we’d rather you know sooner than later if a piece is unavailable so you can plan accordingly.

You need music in a hurry! Despite your best planning, sometimes music and scores get lost before an impending performance or an administrator/civic leader requests a specific title that’s not in your library for performance at the end of the week. If you find yourself in a “sheet music emergency,” Stanton’s can help! First, if the music you need is in-stock, we will strive to get it out the same day as long as we have your order before 4:30 pm, and we’ll work with you to find the right balance of expedited shipping time and cost. If your item is not in-stock, we can arrange for drop-ship service directly from most publishers so that your music will ship within 24 hours. If your timetable is REALLY urgent, we will personally call your drop-ship order in to the publisher to ensure that it is handled properly and shipped the same day – most publishers can get expedited orders out the same day if they are placed by noon or 12:30 local (publisher) time.  We strongly recommend that if you need to place an expedited or drop-ship order that you call us asap so that we can give your order the detailed attention it requires, and you the service you deserve!

Does your sheet music store do this? If not, give us a call and see why Stanton’s Sheet Music has been the “Sheet Music Specialist”  for over 50 years, and why you should shop Stanton’s for all your sheet music needs!

Previous posts in this series: 10% Educational Discount, Knowledgeable Staff, 21 Day Trial, For New Teachers, Setting Up Accounts, Make It a Road Trip!


Band Directors Teaching Choir: Solo and Ensemble Pt. 2 15 July, 2014

Here at Stanton’s12VBF_ConspirareHandel, we’re aware of the rising number of music teachers working outside of their specialty.  Cutbacks have forced many instrumental specialists to begin teaching choir-but never fear!  In this series, we will try to give some advice on where to start, as well as recommending some “tried and true” products that will help you become a great choral educator!

Just when you’ve gotten comfortable with the daily running of your choral group(s), it’s time to begin preparing for Solo and Ensemble festivals. The general procedures for vocal and instrumental music are often similar, but there are some differences that new choral teachers should be aware of.  This post will focus on small ensembles.

Conducting-Depending on the size of the ensemble, a conductor may or may not be allowed, so consider the difficulty of entrances and phrase endings when choosing music.  Be sure to have at least one student who is able to give small conducting gestures for starting, stopping, and changes of tempo.

Doubling Parts-Unlike a brass quintet or a flute trio, most vocal ensembles allow for parts to be doubled.  Usually there is a limit to the number of singers in an ensemble, but more than one singer may be on a part.

Pianists-Don’t forget to engage an accompanist for your groups.  Unless they are singing a cappella, vocal groups will need an accomplished accompanist.  If you must use a CD or electronic accompaniment, be sure your selection has a CD available.

Literature-Small vocal ensembles use the same music as a large choir of the same voicing.  For example, a 3 part women’s ensemble (SSA) could use the same music as your women’s choir; a mixed group could use the same SATB music as your mixed choir.  Not all pieces work well for small groups though, so use your state’s music list as a guide or check our website for suggestions .

As always, individual states’ rules vary.  Please check your state rule book  for more information.

Still not sure what to choose?  Don’t be shy about asking for help, especially if you are new to the choral world.  As always, the experienced choral directors at Stanton’s are thrilled to help you select materials, make recommendations, or give advice.    Contact us at 1-800-42-MUSIC, extension 1 or visit our store.  We look forward to seeing you soon!

Previous posts in this series: Warm-Ups and Rounds; Sight-Singing; SAB or 3 Part Mixed; Help! I’m Not a Pianist!; Solo and Ensemble Pt. 1


The Stanton’s Difference: Make It A Road Trip!! 14 July, 2014

At Stanton’s, we know you have many choices when it comes to purchasing sheet music.  Over the next few weeks, we want to take the opportunity to highlight just a few of the many reasons why Stanton’s is the best place to buy music for your school, church, private studio or personal use!

Places where you can browse and buy A LOT of sheet music are hard to come by. It’s amazing how many times we hear, “It’s so nice to be able to look at music before you buy it,” and “I live in                                              , and there is nowhere like this to buy music.”  This last statement includes cities like New York and Los Angeles, and has been made by some of the touring Broadway Across America musicians who come through Columbus.  If you live within driving distance of Columbus, and you’re wondering if a trip to Stanton’s is worth it the answer is “absolutely!”

Who doesn’t love a road trip? We’re not as far away as you might think. Columbus is only a 2 hour drive from Cleveland and Cincinnati, and 3 hours from Indianapolis, Pittsburgh, Lexington and some of the farther reaches of Ohio. Besides, Stanton’s Sheet Music is in a former A&P grocery store (complete with cupola) that has hundreds of thousands of sheet music titles in stock!

While you’re here, you are welcome to look through and compare all of the music that’s on hand. You can pull up a chair at our listening station or use the Stanton’s app on your smart phone to scan titles and listen to them throughout the store. If it’s your first time at Stanton’s, let us know – we’ll give you a tour! Did we mention that you can also take advantage of our knowledgeable staff, too?

Need to grab lunch, or staying in town for dinner? In addition to sheet music suggestions, our staff can recommend plenty of great, non-chain places to grab a bite. Within walking distance are Dirty Frank’s, Little Palace, The Jury Room, Katzinger’s Delicatessen, and Indian Oven, as well as Mikey’s Late Night Slice and Jeni’s Splendid Ice Creams at the Columbus Commons (and you’ve got to try Jeni’s!)  Also nearby are plenty of restaurants in German Village, on Gay Street, and in the Short North and Arena Districts.

“My spouse will be bored/we have the kids with us.” Guess what? Your spouse/kids can take advantage of the many attractions Columbus has to offer while you shop, or plan a whole day or overnight trip for some quality family time. Downtown destinations include programs at the Columbus Metropolitan Library, PB & Jazz kids’ concerts, COSI, the Santa Maria, Ohio Statehouse tours, and the Columbus Museum of Art, as well as events at the downtown theaters like the CAPA Summer Movie Series and Broadway Across America. The Columbus Commons hosts many events including food trucks on Thursdays, Commons for Kids on Fridays (with free carousel rides!), and the Columbus Symphony Pops concerts. Also nearby are the North Market, Franklin Park Conservatory, Crew Stadium, and the Columbus Clippers at Huntington Park – a fantastic venue to take in a ballgame, the Columbus skyline, and eat City Barbeque!  Other annual events include the Columbus Arts Festival, Actors’ Theatre performances, the Ohio State Fair (July 23-Aug. 3), and the upcoming Jazz & Ribs Festival (July 18-20). Within driving distance are shopping at Easton Town Center and Polaris Fashion Place, as well as the renowned Columbus Zoo and Aquarium featuring the newly added Heart of Africa region, and Zoombezi Bay water park.

Have we given you enough reasons to come to Columbus and visit us? We look forward to seeing you soon!

Previous posts in this series: 10% Educational Discount, Knowledgeable Staff, 21 Day Trial, For New Teachers, Setting Up Accounts


The Stanton’s Difference: Setting Up Accounts Is Easy! 07 July, 2014

At Stanton’s, we know you have many choices when it comes to purchasing sheet music.  Over the next few weeks, we want to take the opportunity to highlight just a few of the many reasons why Stanton’s is the best place to buy music for your school, church, private studio or personal use!

If you’re a school, church or community music director, your purchases are usually made to an account to be paid by your institution. If you are new to any of these positions, or have recently changed gigs, give us a call! We will be happy to provide you with your organization’s account number(s), and walk you through the billing process.

Are you new to shopping with Stanton’s? Rest easy – our staff can check to see if your organization already has an account (many often do), and if not, setting up a new account is easy! In fact, we can help you set up a new account when you place your first order, or make your first purchase, in a matter of minutes!

What we need:
- Name of the organization to be billed
- Billing address
- Billing phone number
- Purchase order number (if required by billing institution)

Let us know where you would like to have your order shipped, and you’re done!

Some notes:
*
Stanton’s can bill your: School Board/District; Church; School Building Activity Fund; Booster organization; Community Band/Choir organization

*We can assign multiple ship-to addresses and institutional credit cards to your account.

*You can bill orders to your account at our store, over the phone, at stantons.com, or at any conference or reading session where we’re exhibiting!

If you have any questions, give us a call at 1-800-42-MUSIC and speak with our sales staff, or press 4 to speak directly with our accounting department, and shop Stanton’s for all your sheet music needs!

 

Previous posts in this series: 10% Educational Discount, Knowledgeable Staff, 21 Day Trial, For New Teachers

LESS THAN 4 WEEKS – Stanton’s Super Session! 02 July, 2014

ss logoDo you need to put a little “spark” in your choral program? Is there just too much new music out there for you to review? Join us for a fun, enriching day of music education with Andy Beck, Greg Gilpin, and Stanton’s own Jen Sper featuring music from Alfred Publications, Shawnee Press and many other choral publishers.

Stanton’s Super Session
Saturday 8/2/2014, 9:00 am-4:00 pm
at Stanton’s Sheet Music, 330 S. Fourth St, 43215
REGISTRATION: $55.00 (includes lunch)

Nowhere else will you find such a variety of new choral selections and teaching resources to inspire and motivate you and your students as you begin the school year.

Shop Stanton’s for all your sheet music needs!

Band Directors Teaching Choir-Solo and Ensemble Pt. 1 01 July, 2014

Here at Stanton’s12VBF_ConspirareHandel, we’re aware of the rising number of music teachers working outside of their specialty.  Cutbacks have forced many instrumental specialists to begin teaching choir-but never fear!  In this series, we will try to give some advice on where to start, as well as recommending some “tried and true” products that will help you become a great choral educator!

Just when you’ve gotten comfortable with the daily running of your choral group(s), it’s time to begin preparing for Solo and Ensemble festivals. The general procedures for vocal and instrumental music are often similar, but there are some differences that new choral teachers should be aware of.  This post will focus on solo literature.

Memorization-Unlike instrumental events, vocal events must be memorized.  Though a piece might seem easy on the surface, the memorization of text and/or musical elements can be an issue for some.  Consider the number of verses, language,  and the difficulty of entrances or phrase endings when thinking about a student’s ability to memorize.

Pianists-An accomplished accompanist is extremely important, especially when young singers are involved.  While a live accompanist is always best, many standard vocal collections now come with a CD.  This can be an invaluable tool for a student who may not get much rehearsal time with an accompanist or instructor.  Click here to see a selection of collections available with accompaniment CD’s.

Literature-While most instrumental solos are available as singles, most vocal literature can be found in collections.   These budget-stretching books can have many solos that appear on your state list, often at different difficulty levels and/or in different ranges.  Don’t forget to order an original copy for the accompanist as well.  Click here to see our best-selling vocal collections.  For students in junior high/middle school, check out our previous blog post on this topic.

As always, individual states’ rules vary.  Please check your state rule book  for more information.

Still not sure which collections to invest in?  Don’t be shy about asking for help, especially if you are new to the choral world.  As always, the experienced choral directors at Stanton’s are thrilled to help you select materials, make recommendations, or give advice.    Contact us at 1-800-42-MUSIC, extension 1 or visit our store.  We look forward to seeing you soon!

Previous posts in this series: Warm-Ups and Rounds; Sight-Singing; SAB or 3 Part Mixed; Help! I’m Not a Pianist!

The Stanton’s Difference: For New Teachers 30 June, 2014

At Stanton’s, we know you have many choices when it comes to purchasing sheet music.  Over the next few weeks, we want to take the opportunity to highlight just a few of the many reasons why Stanton’s is the best place to buy music for your school, church, private studio or personal use!

The staff at Stanton’s understands the stresses and pressures of the first year of teaching.  Getting to know your building or district, discipline, lesson plans, common core, evaluations, booster groups, budgets/purchasing, scheduling….oh, yeah, and actually teaching!  We’d like to make your life just a little bit easier, and here’s what we can do to help:

Money Matters-Requisitions, purchase orders, board accounts, booster accounts; it can all seem “Greek to you” if you’re not familiar with school purchasing.  Visit or call us as soon as you are hired to determine what kind of account(s) your school has and what you have to do to get music.  Don’t be shy, ask lots of questions now!

We’re Happy To Meet You-Come on down and visit us in person.  Introduce yourself to the staff, let us know what and where you’re teaching.  We can give you a short tour of the store and let you know what kinds of products we have that fit your needs.  We’ll also be happy to send you home with any current promotional materials or a 21 Day Trial so you can choose literature at your leisure.

So Much Music, So Little Time-The tens of thousands titles that we have in stock can be a bit overwhelming for anyone.  The music educators on our staff can steer you in the right direction, offering suggestions for all types of classes and ensembles at all levels. We spend hundreds of hours each year reviewing new publications, so we show you only the best of what’s out there.

E-Tools-Stanton’s website has several different e-tools to assist you in choosing, purchasing and teaching your music.  There’s our Virtual Workshops, Jukebox, Listening Library, Digital Delivery and, of course, there’s an app for us too-we’re on The App Store and Google Plus.

For more details, questions or to introduce yourself, visit us online at www.stantons.com, or give us a call at 1-800-42-MUSIC!

Previous posts in this series:  10% Educational Discount; Knowledgeable Staff; 21 Day Trial

LESS THAN ONE MONTH – Hal Leonard Reading Sessions! 25 June, 2014

logo JJWStanton’s Sheet Music is pleased to invite you to our 2014 “John Jacobson Workshop” on July 31st and “Joy of Singing” on August 1st – two full days of the best new music from Hal Leonard!

John Jacobson Workshop
Thursday 7/31/2014, 9:00 am-4:00 pm
Columbia Heights UMC
REGISTRATION: $60.00 teacher/$40.00 student, Both fees include lunch

logo JOSJoy of Singing
Friday 8/1/2014, 9:00 am-4:00 pm
Columbia Heights UMC
REGISTRATION: $50.00 (includes lunch)

Register now online, or contact us at 1-800-426-8742 or choral@stantons.com for more information.

Shop Stanton’s for all your sheet music needs!

The Stanton’s Difference: 21 Day Trial 23 June, 2014

At Stanton’s, we know you have many choices when it comes to purchasing sheet music.  Over the next few weeks, we want to take the opportunity to highlight just a few of the many reasons why Stanton’s is the best place to buy music for your school, church, private studio or personal use!

Stanton’s is one of the largest sheet music retailers in the country, with tens of thousands of titles in stock.  We understand that many of our customers can’t make it to our Columbus, Ohio location to peruse music, so we offer a 21 Day Trial service.

How It Works-Music can be secured with either a Stanton’s account or a credit card.  We send you the in-stock materials you request,  and you pay nothing but the shipping and handling costs.  As long as the music is returned to us in NEW condition within 21 days, you are never charged.  If you have specific titles you’d like to see, we will happily send those to you, or you can ask one of our knowledgeable staff members to select pieces for you based on concert theme, performance venue, type of group, etc.

What You Can Take On Trial (by department):

Choral, Handbell, Classroom General Music & Solo Vocal-You may take up to 20 single copies of octavos and/or up to 5 musicals, collections, or director’s scores.

Band, Orchestra and Instrumental-You may take up to six items on trial, including full arrangements, solos and chamber ensembles.  (Only scores will be sent for titles appearing on the OMEA High School Large Group Contest List.)

Piano/Keyboard-Up to five collections and/or 10 teaching pieces, one copy each.  Popular sheet music is not available for 21 Day Trial.  75% (by dollar amount) of the piano music on trial must be purchased.

For more details about our 21 Day Trial, visit us online at www.stantons.com, or give us a call at 1-800-42-MUSIC!

Previous posts in this series:  10% Educational Discount; Knowledgeable Staff

Commit to “Excellence” for your choral ensembles! 20 June, 2014

Stanton’s Sheet Music is pleased to announce our 21st annual Excellence in Choral Literature Clinic on Saturday August 23, 2014! This session was designed to help you select concert and contest literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and men’s choirs at all levels of difficulty. Registration fee includes a complimentary packet of over 30 titles.

Come join us to discover beautiful music and share ideas with colleagues and friends! For more information, please check out our video below, contact us by email, or call us at 1.800.426.8742. Register online NOW!

Click here to watch video

Shop Stanton’s for all your sheet music needs!