News & Views Monday, March 18, 2024

Category: School Choral

You Hold the Key! End of Year Titles for Middle School Choir 01 March, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

You Hold the Key by Sherry Blevins, 3-part mixed with piano
“You hold the key, the key to your dreams, and with faith, hope, and love, you can do anything!” Inspirational lyrics and a singable melody combine into this memorable original concert work that will be a great choice for graduation or general concert use.

Bring Your Dreams Along by Shayla Blake, 2-part with piano
This inspiring new choral by Shayla Blake and Patricia Mock encourages young singers to follow their hearts, chase their dreams and embrace their future with open arms. With easily learned vocal parts, a supportive, yet artistic accompaniment, and an empowering text, this is an ideal choice for introducing developing choirs to singing with artistry and musicality.

Canon of Hope by Mark Burrows, 2-part with piano
“Find hope, shine hope, sing hope.” This simple melody stacks beautifully into a 3-part canon by the end of the song, building the skills of developing part-singers. A quote from Emily Dickinson’s treasured poem, “Hope Is the Thing with Feathers,” provides contrast in the middle of this tender and tuneful song. An excellent choice for any time of year.

Come Sail Away by Mary Donnelly & George L.O. Strid, 3-part mixed with piano and optional flute
3-part voices will love singing this original tune that gives a nod to the great sea shanties we love to sing. The setting is full of gusto as we “Heave ho! Away!” So, whether you’re a wannabe sailor or just a lover of the sea, this is the perfect up-tempo choice for your general concert or themed event. Optional flute included for added sea-worthy flair.

Dawn by Jacob Narverud, 3-part mixed with piano
In this addition to the BriLee catalog, Narverud shares his gift of melody in this heartfelt original setting appropriate for the burgeoning mixed ensemble of all sizes and abilities. Songs of love sing on!

I’m Still Standing arr. Roger Emerson, 3-part mixed with piano
Elton John writes great songs, and this one is no exception. Featured in movies like “Top Gun” and “Sing,” this well known song is packed with energy and drive. A classic rock song from a classic performer!

Light of Grace by Andy Beck, SAB with piano
Here’s a heartfelt adaptation of traditional Irish and English blessing texts. A gentle yet rhythmic piano figure supports graceful vocal lines and occasional harmonic crunches in this warm closer or send-off song by Andy Beck. Concludes with a musical quote from “Amazing Grace” to bring a final smile, chill, or tear. “May you always be the light of grace.”

Sing My Song by David Scott Gantz/arr. Masa Fukuda, 2-part with piano
This original pop ballad with words and music by David Gantz and arranged by Masa Fukuda is a ballad about the uniting power of music. Expressive solos present opportunities to feature multiple soloists.

Take Me Home, Country Roads arr. Roger Emerson, 2-part with piano
John Denver’s enduring and classic ode to West Virginia has a new audience as the lead in to the video game Fallout 76. This signature song and official state anthem continues to be one of Denver’s best-selling recordings nearly 50 years on. Deftly set by Roger Emerson to develop and emphasize harmonization and melodic independence skills.

Dream Big arr. Tim Hayden, 2-part with piano and optional cello
This inspirational song provides a powerful anchor for a concert or year-long theme. A light rhythmic groove and a contemporary tune support lyrics that encourage us to laugh often and look for the beauty in everyday life. Search YouTube for the father/daughter duet cover that inspired this heartwarming arrangement. Great for graduations or end-of-year occasions.

Let There Be Peace on Earth arr. Rollo Dilworth, 2-part with piano
New to the Voices In Harmony / SEL series, this classic song of peace on earth will lead to spirited discussion by your young singers. Social-Emotional assets including videos from the arranger and lesson plans lifting up SEL themes are available on the Hal Leonard website.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Hearts All Whole 26 February, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Hearts All Whole: Reflections on (Life and) Twelve Choral Gems by Robert Bode
With his hallmark wit and humor, choral conductor and poet Robert Bode brings readers on a journey through twelve great choral works, offering anecdotes, valuable insights, and interpretive advice for each. Along the way, Bode chronicles his own learning journey and shares candidly about his mistakes, his triumphs, and his love for the repertoire that has played a significant role in his life and illustrious career. This wisdom-filled volume will forever change your understanding and interpretation of these twelve choral gems – a must-read for all choral conductors and musicians.

Titles include: “Ave Maria” by Josquin, “Ave Redemptoris Mater” by Palestrina, “O Mirtillo” by Monteverdi, “Ave verum corpus” by Mozart, “O schöne Nacht!” by Brahms, “Os Justi” by Bruckner, “Bogoroditse Devo” by Rachmaninoff, “My Spirit Sang All Day” by Finzi, “Hodie Christus natus est” by Poulenc, “At the Round Earth’s Imagin’d Corners” by Spencer, “Ubi Caritas” by Duruflé, and “Sure on This Shining Night” by Lauridsen.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Washington Women 21 February, 2024

Washington Women: A Choral Cycle by David Chase & Judith Clurman, SATB with piano and cello
“Washington Women” is a collection of musical settings of speeches, opinions, and interviews of sixteen remarkable women from all across the political spectrum and throughout U.S. history, from Abigail Adams to Kamala Harris. The composers took their words and set them to music with the hopes that performers and their audiences will learn more about these women and discover why they spoke those words when they did.

Women featured include: Abigail Adams, Madeleine Albright, Barbara Bush, Laura Bush, Shirley Chisholm, Hillary Rodham Clinton, Betty Ford, Ruth Bader Ginsburg, Kamala Harris, Elena Kagan, Sandra Day O’Connor, Michelle Obama, Nancy Pelosi, Condoleeza Rice, Eleanor Roosevelt, and Margaret Chase Smith.

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I’ll Stand: Spirituals & Folksongs for Choir 16 February, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

I’ll Stand by Raymond Wise, SATB divisi a cappella
This original work, written in the lively style of a concert spiritual, offers a challenge and rich rewards for the advanced SATB divisi chorus. The fast-paced, rhythmic call and response energizes choirs and inspires audiences. Encouraging listeners to take a stand for what is right, this piece is ideal for church and for social justice and equality events.

Down in the River to Pray arr. Jace Wittig, SATB a cappella with body percussion
The video of the Colorado All-State Treble Choir singing this piece from the balconies in a hotel lobby has gone viral for good reason! This a cappella arrangement of the folk hymn made popular in the movie “O Brother, Where Art Thou?” utilizes effective body percussion, compelling harmonies and an authentic vocal style to create an unforgettable choral piece.

Bring Me Little Water, Sylvie arr. Robert Jones, TTB a cappella with string bass
This down-to-earth setting has already blanketed every other voicing – now comes the TTB version. Professor Sharon Gratto has built a career around providing historical context to multicultural and folk music. A simple three-part choir accompanied by a stand-up bass gives an authentic American homespun quality to the work. Truly fun to sing, this arrangement sounds just right – just the way this song should always be sung.

All Night, All Day (with My Lord, What a Morning) arr. Russell Robinson, 3-part mixed with piano
This delightful partnering of two familiar African-American Spirituals in a rhythmic, jazzy style is both easy to teach and fun for your young singers. Both songs are introduced in unison in this arrangement that builds in intensity and ends with a strong, bright finish.

Shady Grove arr. Cristi Cary Miller, 3-part mixed with piano and optional fiddle
Teaching opportunities abound in this irresistible setting of a traditional American folk tune. The modal melody is in pentatonic, easy ostinato-like countermelodies make the part-singing a snap, and there is even a fun body percussion section. Perform it with live fiddle or with the digital audio for a sensational concert showcase!

Shenandoah arr. Roger Emerson, SAB with piano
Using rich, lush contemporary harmonies often found in pop and jazz settings and featuring voices that are often relegated to harmony this new setting of the familiar chanty is a joy to sing.

And We Shall Sail (with The Water Is Wide) arr. Glenda E. Franklin, 2-part with piano and optional flute
An original melody paired with the Scottish folk song “The Water Is Wide” creates a gently flowing choral for 2-part voices with optional flute. The original words speak of sailing to places unknown, sails filled with a gentle breeze and a winding river filled with adventures yet unknown. A fresh take on a well-loved melody creating a beautiful ballad for young voices to learn and experience.

Freedom’s Plow arr. Joseph Joubert, SATB with piano
Poet Langston Hughes writes “A long time ago, an enslaved people heading toward freedom made up a song: Keep Your Hand on the Plow! Hold On! The plow plowed a new furrow across the field of history. Into that furrow, the freedom seed was dropped. From that seed a tree grew, is growing, will ever grow. That tree is for you, and me and everybody.” This is for an advanced choir with an accomplished accompanist.

Hold On arr. Dan Davison, TB with piano and optional percussion
With tremendous rhythmic variety, vitality, and even counterpoint, Davison creates a frenetic energy in this beloved spiritual that comes out of the slave culture of the American south. Ranges are perfect for emerging tenor-bass choirs in the middle and developing high school levels. Add the optional brake drum for greater effect.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

May Wind, Set Me Free: Creative Spring Programming for High School Choirs 15 February, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

May Wind (Set Me Free) by Jacob Narverud, SATB with piano
Narverud’s setting of this evocative Sara Teasdale poem tells a story about how experiencing nature and music can inspire deep love and happiness. Soaring vocal lines combined with rich, dissonant harmonies and a rocking piano accompaniment make this a powerful piece that will resonate with choirs of all ages. The duple-against-triple patterns represent the conflict between Love and Stubbornness, which ultimately ends with the triplet pattern (Stubbornness) surrendering to Love (duple pattern) for a beautiful, empowering ending – “Love: Set Me Free!”

Time by Jennifer Lucy Cook, SATB a cappella
The line between time’s reality and its invention is blurry. In this new piece, the lyrics disappear and phrases take on new meaning. We lose time when we try to keep it, we spend time as we try to save it. Time insists upon eluding us, we can only notice the fact that time has been wining at us all along. This music is a way of winking back.

Every Given Light by Dominick DiOrio, SSA with piano
“This is the day when every given light bears forth like a star.” A hopeful and inspirational message set to a rhythmic melody with a moving piano accompaniment. Ranging from unison to four parts, this is a charming sentiment for children’s choirs and developing treble ensembles.

Falling Star by Glenda E. Franklin, SSA with piano and optional flute
Sara Teasdale’s poem “The Falling Star” is blended with lines from childhood rhymes like “Twinkle, Twinkle, Little Star” and “Star Light, Star Bright” in a creative pairing of celestial texts. A minor key brings a mysterious feel, and the lyrical lines are enhanced with a flowing, delicate piano accompaniment and optional flute obbligato.

Little Alleluia by Grace O’Duffy, SATB a cappella
This is a rhythmic choral miniature, composed for the Chamber Choir Ireland Choral Postcards project. It opens with a sparkling soprano motif, joined quickly by the other treble voices in rhythmic and fragmented repetition of the world “alleluia.” The music alternates between 10/8 and 7/8, maintaining a feeling of spontaneity and exuberance.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

The Lost Birds by Christopher Tin 26 January, 2024

The Lost Birds: An Extinction Elegy by Christopher Tin
“The Lost Birds” is a musical memorial to bird species driven to extinction by humankind. Sweeping and elegiac, it’s a haunting tribute to those soaring flocks that once filled our skies, but whose songs have since been silenced. It’s a celebration of their feathered beauty: their symbolism as messengers of hope, peace, and renewal. But it’s also a warning about our own tenuous existence on the planet: that the fate that befell these once soaring flocks foreshadows our own extinction.

Individual movements available separately:
The Saddest Noise by Christopher Tin, SATB divisi a cappella
“The Saddest Noise” is a setting of Emily Dickinson’s poem “The Saddest Noise, the Sweetest Noise.” It begins the story of “The Lost Birds” in spring: the season of birth and renewal, and a time of year when bird songs flood the skies. But what is ordinarily a joyous sound is now riddled with sorrow, as the songs of the remaining birds remind us of the ones we’ve already lost.

Wild Swans by Christopher Tin, SATB divisi a cappella
“Wild Swans,” a setting of a poem by Edna St. Vincent Millay, ends the first half of “The Lost Birds.” Told from the point of view of the poet, it starts with the sound of bird cries: gradually approaching from a distance, until they pass overhead, triggering feelings of longing. After an instrumental interlude, and the narrator’s impassioned declaration of freedom, the song ends as it started – with the cries of wild swans receding into the distance, foreshadowing their demise.

All That Could Never Be Said by Christopher Tin, SATB divisi a cappella
With a simple melody inspired by children’s songs, “All That Could Never Be Said” is a setting of Sara Teasdale’s poem “In the End.” Showcasing her signature pairing of nihilism and pastoral beauty, the poem is an exploration of regret: it suggests that the consequences of our inaction are final and absolute. There are no second chances to speak up or to act, and all our missed opportunities will be lost to us until we’re reunited with them in death.

I Shall Not See the Shadows by Christopher Tin, SATB divisi with piano
“I Shall Not See the Shadows” is based on Christina Rossetti’s poem “When I Am Dead My Dearest.” It portrays death at its most indifferent – unnoticed, unheralded, unremembered. It also suggests that forgetting is a form of extinction, too – that the finality of species lies not in the death of its last remaining members, but in the failure to preserve their memory.

Hope Is the Thing with Feathers by Christopher Tin, SSATBB a cappella
Emily Dickinson’s poem on the fragility of nature, as well as our own hand in its destruction, finds a elegiac tone in this original piece from “Baba Yetu” composer Christopher Tin. Palo Alto High School, Tin’s alma mater, commissioned this deeply melodic composition in celebration of their centennial in 2018.

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Fey O! Choral Music from Around the World 22 January, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Fèy O! arr. Ruth Morris Gray, 3-part mixed a cappella with optional piano & percussion
Lively percussion and rhythmic choral phrases reflect the urgency of a parent seeking healing herbs for a sick child. Sung entirely in Creole, this song is well-known across Haiti and beyond. The arrangement punctuates a faithful interpretation of the folk song with new material and can be performed with or without piano.

J’ai vu le loup (I Saw the Wolf) arr. Emily Crocker, 3-part mixed with piano
“J’ai vu le loup” is a French folk song that dates to the medieval era. Many versions of the song exist, but they all feature animals imitating humans by dancing, laughing, and singing. This arrangement includes a version of the song along with additional music and lyrics created by the arranger.

Dayung Sampan arr. Ruth Morris Gray, 3-part mixed with piano and optional flute
This is lovely setting of a popular Indonesian folk song that arrived on the shores of the sunny island in the early nineteenth century. “Dayung Sampan” translated means “rowing a wooden boat” and poetically describes the historical and humble journey of Chinese migrants to Singapore. The modal piano accompaniment and optional flute add authentic flavor and texture to this multicultural gem. A pronunciation guide and translation are included.

Blow the Wind Southerly arr. Douglas E. Wagner, SSA with piano
Peace and tranquility is truly experienced in this beautiful arrangement of the traditional Northumbrian Folk Song. Warm choral sonorities and an accompaniment that ebbs and flows are the hallmarks of this impressive setting for treble voices. This is certain to become a favorite of singers for many seasons to come.

Oy Khodyt Son arr. Sarah Martinez, SATB a cappella (optional piano)
This traditional Ukrainian lullaby is characterized by a somber minor key and heartfelt rubato. This beautifully sparse treatment invites ensembles to personalize their performance by including the optional piano accompaniment or featuring solo voices. An optional narrator may read the English text translation during delicate interludes. Both phonetic and IPA guides appear in the publication or view the pronunciation video to hear a demonstration by a native speaker.

Jeunes Fillettes arr. Dan Miner, SA with piano
Miner’s setting of this playful and flirtatious text is perfect for the developing SA choir. With many opportunities to explore phrasing, articulation, dynamics, and drama, “Jeunes Fillettes” is an all-around great teaching piece! Don’t be afraid of the French, as there is a pronunciation recording available to aid in learning. Highly recommend!

Hine Ma Tov arr. Neil Ginsberg, SAB with piano and optional flute
This BEST SELLER is now more accessible than ever in this fresh new SAB setting with piano and optional flute. Perfect for developing voices, this concert/festival piece is exciting and tasteful. Sing it in the original Hebrew or in English.

Heave Away, Me Jollies arr. Ryan O’Connell, TB with piano
Your guys will love learning and performing this rousing sea shanty. Optional hand claps give percussive fun, and the track is filled with energy and life like a true showstopper! 2-part writing for young men doesn’t get better than this!

Howdidow, deediddleumday (Leatherwing Bat) arr. Vicki Tucker Courtney, TB with piano
A fantastic piece to teach vowels, diction, rhythms, and pitch precision, this English folk song titled “Leatherwing Bat” is fun to sing and impressive to perform. The nonsense syllables represent birds and bats chatting to one another in a rhythmic, witty fashion that your students will love to sing.

Aiken Drum arr. Ruth Morris Gray, 3-part mixed with piano and optional percussion
A lively piano accompaniment with optional percussion and body percussion adds energy to this spirited Scottish folk song. The lyrics are filled with nonsense and fun making a humorous choice for programming. It’s a terrific piece to teach rhythm, dynamic contrast, and an opportunity to delve into some Scottish folklore, too.

Carrickfergus arr. Russell Robinson, SAB with piano and optional flute
A song of great longing and beauty, this lyrical Irish folk song is arranged for two-part treble voices with almost equal ranges. With solo opportunities throughout, the gorgeous melody is further enhanced by the optional flute obbligato. A gorgeous piece for developing musicality, register changes, and purity of tone with your young treble choirs!

Babethandaza arr. Daniel Hughes, TTBB a cappella with percussion
The award-winning African-American singing group Sweet Honey in the Rock has made this piece popular, and they shared with the arranger the text that they learned from an African native. The translation of the original Swahili is: “We are marching in the light of God.” Incorporating the popular tune “Siyahamba,” this arrangement features claves, shakere, and djembe as the accompaniment.

Wahamba Nathi arr. Daniel Jackson, SATB divisi a cappella with percussion
A traditional isiZulu song expressing thankfulness to God for walking beside us. Celebratory and lots of fun, this would make a fantastic concert opener or closer.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Children Will Listen: Stage & Screen Titles for Choir 17 January, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Children Will Listen (from Into the Woods) arr. Jacob Narverud, SATB divisi with piano and optional strings & percussion
This powerful and passionate ballad by the Witch to her daughter from Sondheim’s masterpiece “Into the Woods” is here set for the concert stage. It is a tour de force when performed with piano but when using the optional instrumentation for 2 violins, viola, cello, celesta, and percussion this will be a most memorable addition to a concert. The SATB version includes a part for optional children’s chorus or descant.

Heart of Stone (from SIX) arr. Andy Beck, SSAA with piano
Winner of the 2022 Tony Award for Best Original Score! The musical SIX is a modern retelling of the lives of Henry VIII’s wives, presented as a high-energy pop concert. In this poignant power ballad, Jane Seymour (wife number three) sings of ultimate devotion, despite her husband’s flaws. “My love is set in stone.” An R&B groove, woven choral textures, and a layered final flourish bestow the royal treatment on this remarkable rendition.

Big Time (from Better Nate Than Ever) arr. Jacob Narverud, SAB with piano and optional rhythm
This snappy and modern Disney+ movie musical gained a significant amount of attention for its breakout stars, its old-fashioned demeanor and its timely message of self-acceptance. Jacob Narverud’s faithful arrangement is geared towards developing and emerging choirs.

Back in Time (from Back to the Future) arr. Alan Billingsley, TTB with piano and optional combo
Great Scott! “Back to the Future” is back – and this time on Broadway! Take your audience on a two-minute ride to 1985 with this high-energy rock song by Huey Lewis and the News. Bring some lightning to the stage with the optional horns and rhythm in the SoundPax, or with the electrifying SoundTrax accompaniment.

Top of the World (from Lyle, Lyle, Crocodile) arr. Mark Brymer, SATB with piano and optional rhythm
There’s no greater feeling than where you’re “Top of the World”! Shawn Mendes brings the message home in this musical-theater pop treat of a song that sees the clear way out from adversity and struggle. Inspiring!

When I Grow Up/Naughty (from Matilda) arr. Mac Huff, 3-part mixed with piano
From the musical “Matilda” come two songs that poignantly express the desire for independence and equality: “When I Grow Up” and “Naughty.” These songs capture the magic and whimsy found throughout the musical known for its fun, unconventional, and off-beat style.

Go the Distance (from Hercules) arr. Roger Emerson, 2-part with piano
This exciting song from the Walt Disney animated feature “Hercules” has been skillfully arranged by Roger Emerson for upper elementary, middle school, and beginning high school ensembles. With a timeless message of perseverance, the song is certain to be a favorite of singers and audiences alike.

A Million Dreams (from The Greatest Showman) arr. Mac Huff, TBB with piano and optional rhythm
Now available for TTB! Dreams are the fuel that motivates our young people, and “a million dreams” moved PT Barnum to create a never-before-seen art form. This is the sort of inspirational song that can move singers and listeners alike to dream, dream big, and dream of ways they can bring new and exciting creations to the world.

Born to Hand Jive (from Grease) arr. Kirby Shaw, TBB with piano
Now available for SSA and TBB choirs, this pop favorite from the musical Grease kicks into high gear and never lets up! Great fun for choirs of all ages!

Candle on the Water (from Pete’s Dragon) arr. Mac Huff, 2-part with piano
This classic song featured in Disney’s 2016 remake of “Pete’s Dragon” introduced a new generation to this wonderful story and song. The setting features uplifting lyrics and legato vocal lines that build into an expansive concert work with full harmonies and dynamic range. This song offers a sweet and nostalgic message that will resonate with choirs of all ages. A perfect selection for concert, pop and show choirs!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Spark of Light: Creative Programming for Tenor/Bass Choir 12 January, 2024

spark of light andrew steffen

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Spark of Light by Andrew Steffen, TBB with piano
Steffan’s writing crackles with energy and interest! The pulsating piano accompaniment enhances the interesting and varied vocal lines set to lyrics from a compelling text, sure to be a favorite at any concert or festival performance. Highly recommend!

We Sing the Mighty Power of God arr. Brent Wells, TTBB with 4-hand piano and percussion
Brent Wells’ triumphant arrangement of the well-known hymn is a wonderful selection for TTBB choir. With alternate secular lyrics by author Toni Thomas, this work can also be a celebration of brotherhood and singing. Percussion and four-hand piano add to the grandeur.

Prairie Lullaby (Home on the Range) arr. Jacob Narverud, TBB with piano
This classic American folk song has been reimagined as a gentle, peaceful lullaby for choir with piano. Narverud incorporates American pastoral sounds with fresh, contemporary harmonies, a new verse, and an optional descant. Beautiful and accessible, this tender ballad will be a lovely addition to any program.

Bonnie Hielan Laddie arr. Tom Schreck, TTBB a cappella
“Bonnie Hielan Laddie” is a traditional sea shanty originating in Scotland. The text is a message from a veteran seafarer to a young new recruit. Singable and fun in the style of the beloved Parker and Shaw arrangements.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

What Every Musician Needs to Know About the Body 08 January, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

What Every Musician Needs to Know About the Body (Revised Edition) by Bridget Jankowski
This primer for all musicians provides a reliable base for a lifetime of playing and singing. The principles in these pages are the elemental foundation of music education, and will protect a musician from injury, promote the physical freedom and sensitivity needed for technical mastery, and secure the embodied intelligence that grounds musical power and subtlety. Musicians teaching from these principles will see their students thrive. Students studying and restudying these pages will delight in their enhanced performance. This book also serves as the text of a six-hour course on Body Mapping for musicians developed by Barbara Conable.

What’s New in the Revised Edition? Created with the input of experienced Licensed Body Mapping Educators, and led by Body Mapping expert Bridget Jankowski, this revision includes:
• Updated and enlarged images – big enough for coloring.
• Streamlined and clarified content based on new science.
• An updated format that follows the associated Body Mapping course more closely.
• Additional room for notes at the end of each section.

Knowledge from the scientific community continues to inform the work of the Association for Body Mapping Education. The book’s associated Body Mapping course of the same name has evolved over the past two decades, and an updated text for the course will be a valuable resource for novice and seasoned Body Mapping Educators alike.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

NEW Titles for Choral Adjudication and Festival Performances 05 January, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

for MIXED Choirs
Domine Deus by David Caldarella, SATB divisi a cappella
Premiered by the University of Miami Frost School of Music’s Chamber Singers in 2022, “Domine Deus” is a fast-paced work with a unique meter. While short, it is rich with modal inflections modulations, and is well-suited for intermediate high school and college choirs.

Im Wald (Gartenlieder, Op. 3, No. 6) by Fanny Hensel/ed. Michelle Jensen, SATB a cappella
“Im Wald” (“In the Forest”) is number six of the “Gartenlieder” by Fanny (Mendelssohn) Hensel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about spring, nature, or singing itself. This lovely work reminds us that, although and reminds us that, although they have often been overlooked, there were many fine women composers active in the 19th century.

Baciai per aver vita by Vittoria Aleotti/ed. Jami Lercher, SATB a cappella
The Amanda Quist Choral Series features this new edition of Vittoria Aleotti’s a cappella setting of “Baciai per aver vita” skillfully edited by Jami Lercher. Clarity of line and a firm harmonic base make this Renaissance madrigal accessible for your school or festival choirs – in addition, where else can you find a piece featuring the impact of three women?

Cecílíada by Marcin Wawruk, SATB a cappella with percussion
The patron saint of music, St. Cecilia, receives an energetic tribute with this delightful piece. It is one of those pieces that dances and sounds more complicated than it really is. No one will deny its joy. For high school to college and community choirs.

for TREBLE Choirs
There Will Be Rest by Frank Ticheli, SSAA a cappella
An SSAA revoicing of the original SATB Frank Tichelli work, this handsome setting of Sara Teasdale’s lyric poem looks to the stars for serenity and promise. Tasteful harmonic suspensions and rich choral textures bring the work to life with a delicate beauty that perfectly expresses the spirit of the poem. Appropriate for more advanced choirs, “There Will Be Rest” is an excellent choice for concerts of all types.

Sea Fever (from Five Sea Songs) by Daniel Brinsmead, SSA with piano
“Sea Fever” is the first of Five Sea Songs by Daniel Brinsmead. The poem speaks of a sailor being mysteriously drawn to the sea, and the composer’s delightful treatment brings all of the imagery to life. With adjustable vocal lines, this work is appropriate for a variety of ages and levels.

Averte Faciem Tuam by Tommaso Traetta/ed. Martin Banner, SSA with piano
This 18th-century Italian piece is part of a larger work, “Miserere in F Minor.” This edition is based on a handwritten copy by Johann Simon Mayr and is scored for treble choir with piano or optional orchestral accompaniment.

Blow the Wind Southerly arr. Douglas E. Wagner, SSA with piano
Peace and tranquility is truly experienced in this beautiful arrangement of the traditional Northumbrian Folk Song. Warm choral sonorities and an accompaniment that ebbs and flows are the hallmarks of this impressive setting for treble voices. This is certain to become a favorite of singers for many seasons to come.

for TENOR/BASS Choirs
Jägerlied by Joachim Raff/arr. Jeremy Wiggins, TTBB a cappella
Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze’s text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make this an accessible part-song for low-voice choirs. Suitable for many concert occasions, this piece is a perfect fit for directors interested in teaching about Romantic textual themes and performance practice.

Exsultate Justi in Domino by Ludovico Viadana/arr. Christopher Aspaas, TTBB a cappella
Viadana’s brilliant motet is a great exercise for your tenors and basses with each line of text receiving special treatment and startling contrasts of articulation and melodic contour. This arrangement differs from others with its strong harmonic opening and closing sections.

Spark of Light by Andrew Steffen, TBB with piano
Steffan’s writing crackles with energy and interest! The pulsating piano accompaniment enhances the interesting and varied vocal lines set to lyrics from a compelling text, sure to be a favorite at any concert or festival performance.

Ubi Caritas by Greg Gilpin, TTB with piano
Gilpin’s vocal lines weave exquisitely in this simplistically beautiful song about love. Well-crafted in form, opportunities for teaching and learning musical skills abound in this song sure to touch the hearts of singers of varying ages and abilities.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

“Contemporary Voices” from Donald Nally and The Crossing 28 December, 2023

Donald Nally is the conductor of the Grammy winning choir The Crossing. He has commissioned over 120 works and is also the director of choral organizations at Northwestern University.

Donald’s new series “Contemporary Voices” features publications from a diverse group of composers that reflect contemporary societal themes and are also within the skill level of many choral organizations. Most of these publications have been recorded on releases from The Crossing choir and this series makes them available for the first time on a wider basis.

Exodus by Alex Berko, SATB a cappella
Inspired by the Exodus text, “Who is like you, O God?,” this challenging work is rewards the performers and listeners with an exploration into the possibilities and reflections of God. Commissioned by Donald Nally and The Crossing, it is included in a longer cycle entitled “Carols After the Plague.”

Jerusalem by Kile Smith, SATB divisi a cappella
This work comes from a larger work entitled “The Arc in the Sky.” The compositional style, while musically challenging, is very singable and balances consonance and dissonance.

Shining Still by Vanessa Lann, SATB a cappella
This challenging work, from the project “Carols After a Plague,” offers the performers and listeners an opportunity to reflect on the light left behind from those lost to COVID.

She Took His Hands by Nicholas Cline, SATB a cappella
This contemplative work effectively highlights activism for immigration. A challenging and rewarding work for advanced ensembles.

Colouring-In Book by Leila Adu-Gilmore, SATB a cappella
A work that explores vocal techniques and offers a significant challenge for singers. It is a whimsical text with depth of meaning that is rewarding to the performers and listeners.

What It Might Say by Ted Hearne, SATB a cappella
The haunting setting from the Donald Nally Contemporary Voices series challenges the singers. A great piece for a resonant performance space.

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Sicut Cervus and More Classics from the Choral Canon 27 December, 2023

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Sicut Cervus by G.P. da Palestrina/ed. Thomas Dunn. SATB a cappella
A pristine example of Italian Renaissance sacred literature for mixed choir. The Latin text is based on Psalm 42.

Daniel, Daniel, Servant of the Lord arr. Undine S. Moore, SSAATTBB a cappella
One of the great a cappella spiritual arrangements of all time, “Daniel, Daniel, Servant of the Lord” is a very popular selection in a variety of situations, and deservedly so!

Shenandoah arr. James Erb, SSAATTBB a cappella
James Erb’s classic eight-part (SSAATTBB) arrangement of the American folk song “Shenandoah” has taken its rightful place in our contemporary choral literature. It’s a winner!

The May Night by Johannes Brahms/arr. Arthur Frackenpohl, SATB with piano
With short sections for men only and women only, this is a popular contest/festival selection.

Set Me as a Seal by René Clausen, SATB a cappella
Quiet and relatively short in duration, this a cappella work is pensive and wonderfully expressive. Often selected for performance in contests and festivals, it has earned its reputation as a 20th century choral classic.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

NOBODY LIKE U and More for Contemporary A Cappella 15 December, 2023

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Nobody Like U (from Turning Red) arr. Deke Sharon, SATB a cappella
Pixar’s “Turning Red” was a cheeky (and retro) look at adolescence and power dynamics between a mother and daughter that harbored surprisingly deep themes. FINNEAS (and other pop power players) penned the early-2000s-era soundtrack spins, and boy did they hit the nail on the head!

Price Tag arr. Bryan Sharpe, SSA a cappella
Jessie J’s most recognizable hit was featured in the fan-favorite movie “Pitch Perfect.” This contemporary a cappella treatment is just right for developing groups. Three conservative voice parts, a moderate-range solo (or small group), and notated vocal percussion pave the way for teens to successfully perform this popular style.

Dance! by Robert T. Gibson, SATB a cappella with body percussion/step routine
An outside-of-the-box rhythmic explosion that culminates with a notated step routine! Lyrics encourage listeners to “dance to the rhythm of your own drum,” embracing individuality and celebrating differences. The vocal percussion and satisfying parallel harmonies are a breeze to learn. Step instructions are included in the octavo, and an instructional video by composer Robert T. Gibson is available at alfred.com.

You’ll Be In My Heart arr. Kirby Shaw, SATB a cappella
Based on Phil Collins’ studio version from Disney’s “Tarzan,” this tender and loving arrangement will make a fine addition to your choral oeuvre.

Rock This Town arr. Kirby Shaw, SATB a cappella
The 1990s saw a popular revival of big band swing, and no one did it better than the Brian Setzer Orchestra. From the landmark album “Dirty Boogie,” the a cappella setting of the 16-bar blues classic will be an outstanding feature for your jazz choir!

What a Wonderful World arr. Tripp Carter, SATB a cappella
First recorded by Louis Armstrong, “What a Wonderful World” was inducted into the Grammy Hall of Fame in 1999. This arrangement captures the joyful spirit of the song while using limited ranges making it a great choice for any mixed ensemble.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

What Was I Made For: Choral Music from BARBIE 11 December, 2023

what was i made for jennifer lucy cook

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

What Was I Made For? arr. Jennifer Lucy Cook, SATB with piano
The “Barbie” movie deepened connections to the iconic toy doll with a sophisticated story and compelling soundtrack. Billie Eilish’s rumination on purpose and identify is given a towering choral arrangement courtesy of Jennifer Lucy Cook, with rich harmonies and diverse textures infusing the work, all while keeping the music’s message simple and clear.

What Was I Made For? arr. Andy Beck, SATB with piano
Here’s a melancholy Billie Eilish ballad from the “Barbie” soundtrack. Introspective lyrics reflect on finding your place in the world. A poignant opening solo, expressive choral parts, and an ethereal piano accompaniment make this heartfelt arrangement equally appropriate for concert and show choirs. In the end, singers convey the assurance that happiness is “something I’m made for.”

Dance the Night arr. Alan Billingsley, SATB with piano
Dua Lipa rocked movie theaters around the world with her thrilling contribution to the “Barbie” soundtrack! Destined to become an icon of disco-pop style, the catchy, rhythmic hook and good-time lyrics make you want to move and groove. Your choir will have a blast, and your audience is sure to be on their feet! Don’t miss Alan’s soundalike SoundTrax accompaniment.

Dance the Night arr. Rob Dietz, SSATB a cappella
Here’s the smash hit from “Barbie” in a contemporary a cappella setting by popular aca-pop arranger Rob Dietz. The driving adaptation gives every section of the choir a chance to shine, with no soloists required. For even more fun, simple body percussion kicks it up a notch, and optional vocal percussion may be improvised. “Dance the night away!”

I’m Just Ken arr. Mac Huff, T(T)B with piano and optional rhythm
From the movie, “Barbie,” this 80s’-styled ballad has a fun and lighthearted lyric, all from Ken’s “in Barbie’s shadow” point of view. It’s the perfect novelty song for your Tenor/Bass groups!

Closer to Fine arr. Roger Emerson, SATB with piano and optional rhythm
Join Barbie on her road trip with this classic folk-rock hit covered by Brandi and Catherine Carlile in the hit film “Barbie.” Originally written by Indigo Girls, this song still resonates with young people seeking answers to life’s big questions. Fun but slightly enigmatic lyrics are paired with an upbeat melody and catchy chorus. The arrangement keeps the harmonies fresh and simple, with syncopation and countermelodies hearkening back to the original version.

Choose Your Fighter arr. Jack Zaino, SATB with piano
Ava Max’s exhilarating “Barbie” hit embraces individuality and encourages us to design our own paths. A caffeinated a cappella opening gives way to a dance-pop hook that really packs a punch! It’s a high-energy anthem that will have your audience singing along: “Wings of a butterfly, eyes of a tiger…choose your fighter!”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Take a Look at Us Now! New Pops for Middle School Choir 04 December, 2023

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Take a Look at Us Now (from Lyle, Lyle, Crocodile) arr. Mac Huff, SAB with piano and optional combo
Based on the best-selling children’s book series, “Lyle, Lyle, Crocodile” was released to positive reviews and even better word-of-mouth. Composers Pasek and Paul infuse every square inch of this song with energy and spirit!

Price Tag arr. Bryan Sharpe, 3-part mixed/SAB a cappella
Jessie J’s most recognizable hit was featured in the fan-favorite movie “Pitch Perfect.” This contemporary a cappella treatment is just right for developing groups. Three conservative voice parts, a moderate-range solo (or small group), and notated vocal percussion pave the way for teens to successfully perform this popular style.

Sing arr. Audrey Snyder, 3-part mixed with piano
This blazing, energetic hit from the vocal group, Pentatonix, is carefully crafted to be easily accessible for younger singers. Perform it at the tempo you wish, or take it up to full speed with the exciting audio accompaniment!

go the distance roger emerson

Go the Distance (from Hercules) arr. Roger Emerson, 3-part mixed with piano
This exciting song from the Walt Disney animated feature, “Hercules,” has been skillfully arranged by Roger Emerson for upper elementary, middle school, and beginning high school ensembles. With a timeless message of perseverance, the song is certain to be a favorite of singers and audiences alike.

September arr. Roger Emerson, 3-part mixed with piano
“September,” performed by Earth, Wind & Fire, holds the honor of being one of the most popular songs of all time. With a limited range and many unison passages, this arrangement is easy to sing and makes a great opener or closer for your ensemble.

We’re Going to Be Friends arr. Mac Huff, 2-part with piano and optional rhythm
Mac Huff’s spirited 2-part arrangement is a bright new take on the nostalgic original by The White Stripes, notably featured in the film “Napoleon Dynamite.” With an unpretentious, easy-to-learn melody and catchy rhythms, this is the perfect back-to-school morale-booster for your young choir.

Ain’t No Mountain High Enough arr. Roger Emerson, 2-part with piano and optional combo
“Ain’t no mountain high enough, ain’t no valley low enough, ain’t no river wide enough to keep me from gettin’ to you, babe.” This #1 hit from 1970 by Diana Ross still has super appeal, and Roger Emerson’s arrangement has all the drive of the original, building to a powerful finish. A fantastic closer!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Yes You Can! 01 December, 2023

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Yes, You Can! (The Band Director’s Guide to Teaching Choirs) by Derrick Fox
“Yes, You Can! The Band Teacher’s Guide to Teaching Choirs” deals directly with the challenges faced by a teacher transitioning from conducting band to chorus. The handbook pairs pedagogical theory with concrete examples of exercises, techniques, and detailed solutions to common challenges, including dealing with changing voices in a young SATB choir. Fox pulls on his firsthand experience to create a handbook which is essential for the library of any band teacher hoping to teach choirs.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Little Jazz Madrigals by Bob Chilcott 29 November, 2023

Little Jazz Madrigals by Bob Chilcott, SATB with piano and optional bass & drum kit
This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The first, “Sing we and Chant it,” is a relaxed jazz waltz with a compelling melody, and singers will especially revel in the rich harmonies of the expressive “Weep, O mine eyes” setting that follows. “Learned Poets” has a bossa nova feel with a strong rhythmic groove and characterful syncopations, and the urgent rolling tempo of movement four captures the text’s calamity and titular call of “Fire, fire!,” also expressed by a walking bass line that continually drives towards the work’s emphatic conclusion. The stylistic piano part may be played as written or serve as a guide, and a bass and drum kit part is available separately for trio accompaniment.

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Light, My Light: Creative Programming for Treble Choir 15 November, 2023

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Light, My Light by Scott AuCoin, SSAA with piano
This is a piece that focuses on hope and joy through the imagery of light. Rhythmic and uptempo with an exciting piano accompaniment, “Light, my light” is a rich offering for treble choirs.

Las Gaviotas (The Seagulls) by Eduardo Cota, 2-part with piano
“Las gaviotas (The seagulls)” is a happy and rhythmic song that paints the picture seen in a child’s imagination as she looks at a sea bird. The piano acts as a harmonic soloist, participating in the plot while providing vocal support.

Orion by Susan LaBarr, SSAA with piano
A lyrical and moving work that empowers singers to find their inner worth. The text by Faith Zimmer compares the constellation Orion to the strength that we can find in times of trial.

Sea Fever (from Five Sea Songs) by Daniel Brinsmead, SSA with piano
“Sea Fever” is the first of Five Sea Songs by Daniel Brinsmead. The poem speaks of a sailor being mysteriously drawn to the sea, and the composer’s delightful treatment brings all of the imagery to life. With adjustable vocal lines, this work is appropriate for a variety of ages and levels.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Adeste Fideles! Treble & Tenor/Bass Titles for Winter 2023 13 November, 2023

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Adeste Fideles by Greg Gilpin, TTB with piano, flute, bells, high drum and low drum
Exuding a fanfare-like feel, this exuberant original is absolutely joyful, no matter where it is programmed on a concert! The call-and-response style is easily learned and lends itself to antiphonal performance. The addition of flute, bells, and percussion imparts a celebratory and robust touch to this dynamic work, equally effective in school or church settings.

Ea la Nana arr. Michael Ryan, 2-part with piano and optional flute
Introduce your young choirs to Spanish texts with this simple and accessible Spanish Lullaby arranged by Michael Ryan. Optional English text is also included in the score. Short and sweet, this arrangement is a wonderful learning opportunity for young singers. The optional flute enhances the lullaby to create a beautiful musical moment for your concert.

Dormi, Dormi, bel Bambin arr. Cristi Cary Miller, SSA with piano
Here is a perfect selection for your developing SSA choir. This traditional Italian carol sets the tone for a lovely shift in your concert programming. Your singers and audience will fall in love with this beautiful melody.

Rise Up, Shepherd and Follow arr. Greg Gilpin, SSA with piano
Gilpin’s original holiday song, based on a well-known text, is full of syncopated rhythms, interesting and accessible harmonies, and is supported by a pulsating piano accompaniment. Treble choirs will sound fantastic at holiday time and will find this song fun to learn and perform.

The Cold Winds Blow by Paul David Thomas, TB with piano
For the burgeoning Tenor-Bass choir, “The Cold Winds Blow” is sure to be a great addition to any holiday or festival program. Unique, accessible, and appropriate for small ensemble to large chorus, Thomas does not disappoint with his vocal writing and interesting piano accompaniment.

Eight Days of Lights by Judith Clurman & David Chase, TTBB with piano and optional orchestra
In a flowing 3/4, this piece combines Hebrew and English text in celebration of the festival of “eight sacred lights.” Lyrical vocal lines with touches of polyphony create lovely harmonic progressions supported by an elegant piano accompaniment or full orchestration. Really beautiful!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.