News & Views Wednesday, February 11, 2026

Journey to the Cross 11 February, 2026

recommended by Caryn G., Sacred Piano Music Specialist

Journey to the Cross: Piano Solos for Lent through Easter arr. Lloyd Larson
Here are ten piano solos on well-known hymns that take us from Lent to Palm Sunday, Maundy Thursday, Good Friday, and Easter. A full range of emotions are expressed, from celebrating the triumphant events to evoking the sorrow and pain of the daunting challenges that are all a part of Christ’s journey to the cross.

Titles include: “Ride On, Ride On in Majesty!,” “O the Deep, Deep Love of Jesus,” “God So Loved the World,” “In the Garden,” “In the Cross of Christ I Glory,” “The Old Rugged Cross,” “At the Cross,” “He Never Said a Mumbalin’ Word,” “The Day of Resurrection,” and “Thine Is the Glory.”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

AMERICA 250: Moments in History 10 February, 2026

recommended by Ken Tilger and Austin Swack, Band Education Specialists

A House Divided by Brian Balmages, Grade 2.5
Based on Abraham Lincoln’s famous speech in 1858 about slavery, this contemplative work weaves original material with “America: to depict the tension in the House of Representatives. Often, the melody to “America” is altered melodically and harmonically as moments of anger, rage and fear dissolve into quirky moments of patriotism. The end of the work is magical, as the words let freedom ring are sung by the ensemble to leave the audience speechless.

Kitty Hawk 1903 by William Owens, Grade 2.5
Bring history to life with this stunning depiction of the Wright brothers’ monumental first flight. Beginning slow and majestically, the excitement builds to the euphoric feeling of flying. An introspective sense of accomplishment rounds out the work. Fantastic for developing ensemble musicianship and cross-curricular lesson planning!

One Giant Leap by Erik Morales, Grade 3
Relive the amazing moments when man first set foot on the moon in this musical legacy that uses audio clips from President Kennedy, Commander Neil Armstrong and others. A unique multimedia adventure that’s musically rich and historically entertaining for performers and audience alike.

Like a Mighty Stream by Johnnie Vinson, Grade 2.5
Composed in remembrance of Dr. Martin Luther King, Jr., the title of this dramatic setting is taken from a biblical passage and quoted by Dr. King in his celebrated “I Have a Dream speech” in 1963. After a fanfare-like introduction, the piece is comprised of three sections. “The Dream” reflects on Dr. King’s famous speech. This is followed by “Strife,” which recalls the violence of the civil rights movement, and finally “Hope,” which looks to a brighter future and is a setting of the hymn “We Shall Overcome.” Performed with or without the narration, this is a stirring work for young bands.

O’er the Land of the Free by Johnnie Vinson, Grade 3
Composed in 2014, this piece commemorates anniversaries of important events in American history: the writing of The Star Spangled Banner in 1814, the beginning of World War 1 in 1914, and the Allied invasion of Nazi-occupied France in 1944. The primary theme is original, with motives from “America, the Beautiful” and “The Star-Spangled Banner” interwoven throughout. A well-conceived and skillful lyric treatment for the young concert band.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

GOLDEN and More New Pops for Spring 2026 09 February, 2026

recommended by Jen Sper, School Choral Music Specialist

Golden (from KPop Demon Hunters) arr. Roger Emerson, SAB with piano and optional rhythm
Featured in the Netflix global sensation “KPop Demon Hunters,” this #1 HUNTR/X global anthem blends vibrant K-pop style with a powerful message of strength and unity. A perfect choice for choirs looking to connect with today’s worldwide pop culture movement.

The Best of Dolly Parton (Medley) arr. Roger Emerson, 2-part with piano
Dolly Parton’s popular hit songs “Jolene,” “Nine to Five,” and “I Will Always Love You” are featured in this classic medley blending country, pop, and bluegrass influences. The simple, well-crafted vocal parts promise to nurture enthusiastic, confident singers ready for performance!

Blue Moon arr. Kirby Shaw, SATB with piano and optional rhythm
Just in time for the movie of the same name, this Great American Songbook standard remains timeless as ever in a slick arrangement by Kirby Shaw. Tasteful vocal jazz harmonies and singable swing rhythms freshen up this beloved Rodgers and Hart classic.

What It Sounds Like (from KPop Demon Hunters) arr. Jack Zaino, SATB with piano
Here’s a high-power knockout from “KPop Demon Hunters.” Highlighting three soloists that combine for a brief triadic trio, this epic anthem explores themes of self-acceptance, authenticity, and perseverance. At a pivotal moment, the inspirational chorus unfolds into a powerful interlude that references another KPop hit, “Golden.” Memorable on its own or when programmed with other KPDH songs.

Defying Gravity (from Wicked) arr. Emily Crocker, 3-part mixed with piano
The Act I finale from the musical “Wicked” is one of the key moments of the show and this well-crafted setting captures all the appeal while providing plenty of support for younger and developing choirs. Audiences and singers will enjoy this powerful setting!

Hawaiian Roller Coaster Ride (from Lilo & Stitch) arr. Tom Anderson, 3-part mixed with piano
“Hawaiian Roller Coaster Ride,” the beloved song from Disney’s film “Lilo & Stitch,” has been a fan favorite since the movie’s release in 2002. With the live-action remake of the film in 2025, the song remains wildly popular as it captures the essence of Hawaii and the spirit of island life.

Songs from Stranger Things Volume 2 (Medley) arr. Alan Billingsley, SATB with piano and optional rhythm
Just in time for season five of Netflix’s hit series “Stranger Things” comes this second volume of era-appropriate hits from the 1980s. This five-minute fast-paced medley is brilliantly knit together and is begging to be sung for decade concerts or in celebration of the show. Titles include: “California Dreamin’,” “Running Up That Hill,” “Rock You Like a Hurricane,” “Separate Ways (Worlds Apart),” and “A Hazy Shade of Winter.”

Think arr. Tom Anderson & Jack Zaino, SATB with piano
“You better think!” Don’t miss this roof-raising arrangement of Aretha Franklin’s unstoppable R and B hit. The instantly recognizable melody is passed from section to section while others sing hip and harmonic backups. A handful of short, riff-like solos drive the arrangement to a powerful finish. It’s a sassy stand out, with a soulful 60s SoundTrax that really kicks!

It’s Still Rock and Roll to Me arr. Roger Emerson, 3-part mixed with piano
This easy to sing Billy Joel classic is perfect for developing choirs. The infectious “rock shuffle” and unforgettable melody have made this song a pop favorite for decades!

Send in the Clowns (from A Little Night Music) arr. John Leavitt, SATB with piano and optional oboe & string bass
This concert setting of the classic Sondheim song will feature both your singers and instrumentalists. A rhapsodic piano accompaniment, along with parts for oboe and string bass, makes this arrangement truly special.

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Our Musical World! 06 February, 2026

recommended by Jen Sper, School Choral & Classroom Music Specialist

Our Musical World Book 1 by John Jacobson & Walter Jack
Experience the unifying power of music with “Our Musical World Book 1.” This book by John Jacobson celebrates our shared humanity through songs, activities, and dances from all over the globe. Discover and appreciate different cultures, connect with others, and deepen your appreciation for the interconnected world through the universal language of music. No borders, just music.

This musical journey around the world features a digital download with travelogues, choreography, notation, and lyric videos, a passport mini-book, and student worksheets that correspond with the travelogue videos. The digital download also provides a script to tie it into a revue or program. With student worksheets and projectables, this is the ultimate resource for your World Music unit.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Amazing Love: New HANDBELL Titles for Worship 05 February, 2026

recommended by Jennifer F., Handbell Music Specialist

Amazing Love arr. Lloyd Larson, 3-5 octaves with piano, Level 2
This bold setting of “And Can It Be That I Should Gain?” reflects the powerful declaration of God’s amazing love. Arranged for piano and handbells, it offers an accessible and expressive option for Lent or any worship service centered on the theme of divine love.

All Night, All Day arr. Karen Buckwalter, 3-5 octaves with optional clarinet & percussion, Level 2+
“All night, all day, angels watching over me, my Lord!” This arrangement of the African American spiritual is creatively set by Karen L. Buckwalter with optional parts for Bb clarinet and percussion. Contrasting moods and creative harmonies help bring this tune to life in new ways.

Fantasia on Hymn to Joy arr. Michael Helman, 2-3 or 3-6 octaves, Level 2+
Michael Helman has crafted a colorful and flexible arrangement of Beethoven’s Ode to Joy. The piece is available in compatible editions for 2-3 and 3-6 octave ensembles and makes a great selection for mass ringing.

Gospel Grace arr. Joel Raney, 3-6 octaves with piano, Level 2
The king of Gospel brings fresh spirit to the cherished hymn, “Amazing Grace” scored for piano and handbells. Rocking gospel rhythms frame a soulful, minor-key middle section. Cleverly crafted to be accessible for handbell ringers, the piano carries the rhythmic complexity, allowing the ensemble to shine with confidence.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

ALL THAT WE ARE: Great New Works for Advancing Wind Band 04 February, 2026

recommended by Ken Tilger and Austin Swack, Band Education Specialists

All That We Are by Carol Brittin Chambers, Grade 4
An introspective lyrical work with a powerful message, “All that We Are” is as perfect for a concert performance as it is on the assessment stage. Carol Brittin Chambers pulls at our heartstrings and asks us to look inward for purpose and hope.

Alpine Flight by Stephen Lias, Grade 4
Inspired by an adventure trip into Lake Clark National Park, this work for grade 4 or 5 band was commissioned by Washington & Lee University and premiered in April of 2023. It captures the excitement and drama of a bush-plane flight through the stunning mountains of Alaska’s southern range.

Erin Go Bragh (Ireland Forever) arr. Brant Karrick, Grade 3.5
Opening with the lively “Kesh Jig,” transitioning to the haunting “Star of the County Down,” and concluding with an energetic reel mash-up, the suite blends traditional melodies with modern harmonies. Memorable tunes for all instruments make it a concert standout.

Hope Glowing in the Sky by Naoya Wada, Grade 4
Opening with an expressive theme shared by solo horn and flute, this captivating work weaves the melody through each instrument. Lively energy gives way to a serene conclusion, leaving a heartfelt impression. Beautiful melodies and harmonies will enchant both performers and audiences.

Icelandic Folk Song Suite No. 2 arr. Kenley Kristofferson, Grade 4
Bring the beauty and intrigue of Icelandic folk music to your audience with this award-winning suite. Two wonderful folk songs, “Krummavísur” and “Á Sprengisandi,” tell the vivid tales of challenges and dangers that you might experience in Iceland. Your performers will enjoy the captivating melodies and intriguing history surrounding Iceland and the lore of elves and wildlife.

Isabella Air by BJ Brooks, Grade 4
“Isabella Air” was inspired by a poignant moment in Dr. Gary Garner’s life. During a trip to his late wife’s (Mariellen Garner 1931-1994) hometown with his sons (their entire family, flautists), Gary paused to collect sand in a pill bottle. When he returned home, he found himself staring at the bottle, contemplating opening it. However, after a moment of reflection, a profound realization struck him – this wasn’t just sand; it held something far more precious to him. In a quiet, introspective moment, he whispered to himself, “No, I can’t open that. It has Isabella air in it.””Isabella Air” explores the themes of love, loss, and the profound significance of memory. As many have, I too have been transported in memory when listening to music. Sometimes it seems that the memories are so close, with just a little more effort, you can just touch them. This piece was written for just that, a collection of sounds that serves as a vehicle to transport the mind through space and time, to a place, a person, a moment. The interplay of sounds mirrors Gary’s internal dialogue, creating a reflective musical narrative that honors the sentiment encapsulated in that unopened pill bottle of Isabella air.

Olympia by Hayato Hirose, Grade 3.5
Inspired by the ancient Greek mural, “Olympia” is an energetic, exciting opening piece, which illustrated the naked athletes running, throwing, wrestling, etc. at the ancient Olympic games. With thick and dramatic orchestration, both the performers and audience can enjoy the stable rich band sound.

Red River Railroad by JaRod Hall, Grade 4
Drawing inspiration from both water and steel, “Red River Railroad” is a programmatic work by JaRod Hall that opens with a horn solo depicting the peaceful flow of the Red River. A lively, rhythmic section follows, capturing the bustling sounds of the railroad in contrast to the tranquil river theme. A fantastic and colorful work!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Starlit Night and More NEW Orchestra Titles from Carl Fischer 02 February, 2026

recommended by Austin Swack, Instrumental Education Specialist

Starlit Night by Lauren Bernofsky, Grade 1.5
This tranquil piece captures the serenity and wonder of the starry night sky. The legato melody uses both sustained and smooth detache bow strokes as the calm motif develops dynamically and harmonically.

Nautilus by Kathryn Griesinger, Grade 1
Set out on a daring voyage, facing the stormy seas with fearless courage. This dark adventure allows developing players to practice alternating detache and staccato bow strokes as the melody is passed from section to section. Hear the rising winds in the low strings section, where cello and bass are doubled for ominous strength. Feel the uneven rise and fall of waves in melodic lines that use only simple quarter, half, and eighth note rhythms. An exciting escapade that sounds much harder than it is.

The 13th Floor by Kevin Ray, Grade 1
A 13th floor often doesn’t exist in ships, hotels, and skyscrapers due to superstition – but you might find the unlucky level in haunted houses! This spooky piece for developing string orchestra explores the shadows of this phantom floor, if the elevator mysteriously took you there. Listen for whispers of the ghostly Dies Irae motif as players get to practice hooked bowing and easy slurs in E minor.

Allemande from Suite No. 2 by Élisabeth Jacquet de La Guerre/arr. Deborah Baker Monday, Grade 2.5
The daughter of a French harpsichord maker, Élisabeth Jacquet de La Guerre first learned to play under her father’s tutelage. At a young age, she was brought into the court of King Louis as a musician. Élisabeth taught, composed, and performed throughout Paris – a rare accomplishment for a woman at that time. This Allemande from her Suite No. 2 features the elegant style of the period. Originally highly ornamented, this arrangement has been simplified so that developing players may experience the music of this historically important composer.

Allegro from String Quartet No. 2 by Maddalena Lombardini Sirmen/arr. Zachary May, Grade 3
Italian composer, singer, and violinist Maddalena Lombardini Sirmen was born in poverty in 1745. She was able to learn violin at an orphanage for girls, even taking lessons from composer Giuseppe Tartini. As talented a composer as performer, Maddelena is thought to have been the first woman to compose string quartets. This charming Allegro from String Quartet No. 2 has been transposed to accessible G major, while retaining the spirit and energy of the original work.

Shop Stanton’s for all your sheet music needs!

About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!