News & Views Friday, January 16, 2026

recommended by Ken Tilger and Austin Swack, Band Education Specialists

All of Me arr. Paul Murtha, Grade 2
Scored for 1 Alto, 1 Tenor, 1 Bari (opt. Trombone), 2 Trumpets (opt. Alto double w/Trumpet 2), 1 Trombone (opt. double w/Tenor) and rhythm section and easily accessible to young players, this arrangement of the timeless standard is perfect for select ensembles or ensembles with limited instrumentation. Written solo for Trumpet 2.

Things Ain’t What They Used to Be arr. Mark Taylor, Grade 3
A fantastic small ensemble arrangement of the immortal Mercer Ellington standard scored for 1 Alto, 2 Tenors, 2 Trumpets, 1 Trombone and rhythm section. Solos for Tenor sax, Trumpet and drums. Lead Trumpet plays up to high C and Lead Bone plays up to high Ab.

Blue Train by John Coltrane/arr. John Wasson, Grade 2
The classic John Coltrane standard is arranged marvelously for small jazz ensembles (1 Alto, 1 Tenor, Bari, 2 Trumpets, 1 Trombone and rhythm section). Lead trumpet plays an Ab. Written solo for Tenor Sax.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral Music Specialist

for MIXED Choirs
The Gift to Sing by Brian Jones, SATB divisi a cappella
This piece is written for high school, university, and adult advanced ensembles, and is appropriate for both sacred and secular concerts. With this breathtaking setting, your singers will truly feel the meaning of the text they are singing: unbridled joy, of the power of music, and the beauty of singing to overcome life’s trials and tribulations.

To the Road by Tom Shelton, SSATTB with piano
Set to poetry by Paul Laurence Dunbar, the text and music evoke energy and adventure. Set for SSATTB Choir with a sparkling piano part, this could be a great concert opener or closer for high school, university and community choirs.

Benedicite by Paul David Thomas, SATB with piano
Paul David Thomas is known for writing music that sounds complex and impressive while remaining intuitive for singers. This energetic work, with its driving piano part and thoughtful vocal writing, is a perfect concert opener. A lyrical middle section offers a lovely contrast before building to a thrilling finale.

Dies Irae by Roger Emerson, SATB with piano
Roger Emerson’s intense and foreboding setting of “Dies Irae” ultimately ends with a message of hope and light represented in the composition’s triumphant ending. Gradually stacking musical ideas on top of one another, this composition exposes singers to part independence in an accessible way that will sound impressive to audiences.

for TREBLE Choirs
Swifter Than Flame by Elaine Hagenberg, SSAA with piano
“Swifter Than Flame” invites singers to explore the vast unknown in exhilarating ascent! Rapidly layered vocal entrances and racing sixteenth notes in the piano propel the journey, while text painting lends itself to expressive phrasing. With a brief reflective section of awe and wonder, this dramatic concert selection concludes with a final adventurous launch into “timeless flight!”

Mangisondele Nkosi Yam arr. Michael Barrett, SSAA a cappella
Now available for treble choirs, this traditional Zulu praise and worship song is written in the isicathamiya style – an a cappella form featuring close harmonies that originated among Zulu mine workers during the apartheid era. The piece opens with two soloists calling out, followed by a choral response. Dramatic and powerful, it builds in intensity, with a vibrant rhythmic section at its heart. The title translates to “Let Me Be Nearer, My Lord.” A pronunciation and translation guide is included for ease of learning.

Celtic Jubilate by Daniel Brinsmead, SSAA a cappella with bodhrán (or djembe)
“Celtic Jubilate” is a vibrant unaccompanied piece that weaves together traditional Celtic melodies and harmonies with uplifting rhythms. The work captures the essence of joy and celebration.

Wind in the Pines by Bruce W. Tippette, SSA with piano
This expressive poetic setting opens with a piano motif reminiscent of rushing wind. Three legato voice parts unfold and intertwine. Staggered entrances in the middle assemble and grow until we “hear sonorous lines soaring through the pines.” Encourage singers to soften and slow to a dreamy, relaxed ending. Ideal for contest and festival use.

for TENOR/BASS Choirs
Soon I Will Be Done arr. Marques L.A. Garrett, TTBB a cappella
A spiritual about life after death and seeing loved ones on the other side. An energetic arrangement for TTBB choirs with ever-present joy.

Swilo Yini arr. Michael Barrett, TTBB a cappella with improvised percussion
“Swilo Yini” is a traditional Tsonga song from South Africa that is linked to the sinking of a steamship which carried black South African troops to fight against the Germans during World War I. The story speaks of angry passengers on board blaming the boat keeper for the poor condition of the ship. The addition of improvised drum and dancing adds to the expression of this story.

Ten Thousand Miles Away arr. Steven Mark Kohn & Austin Echols, TTBB with piano
A flowing piano accompaniment supports expressive choral writing in this arrangement of a traditional Irish sea song, giving it energy and warmth. More advanced ensembles will appreciate its lyrical style and accessible yet rewarding textures.

In the Silence of the Night by Andrew Steffen, TBB with piano
Andrew Steffen’s setting of Christina Rosetti’s poem Echo is both contemplative, yet passionate. With lyricism at its heart, this piece moves between unison, canon, and homophonic harmony, guiding the listener through the emotional ebbs and flows of longing, nostalgia, and lost love.

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Austin Swack, Instrumental Education Specialist

Daybreak by Daniel Keeler, Grade 3
Written in a friendly D major, “Daybreak” by Daniel Keeler begins lyrical and tranquil, like the dawning of a new day. Throughout the opening, the focus can be on larger group phrasing and dynamic contrast. Moving on to an upbeat, articulate, and jovial section, focus moves to hooked bowings and rhythmic triplets that span all strings and give cellos and violas more time on the C string. Sections throughout provide moments of part independence. This is a great piece to practice multiple musical styles, bowings, dynamic contrast, and overall ensemble.

Echoes of Valor by Adrian Gordon, Grade 3
“Echoes of Valor” by Adrian Gordon is a musical homage to bravery, painting vivid portraits of heroism and resilience. Beginning with heralding notes of optimism and strength, it progresses into a contemplative soundscape balancing tiredness with hope, culminating in an optimistic refrain echoing unwavering resolve. Approachable 6/8 meter for all and one shift to third position for a solo violin. Fantastic in every way!

Spiders! by Christopher Alan Schmitz, Grade 2.5
Spiders have taken over the house! Tiptoe across the floor (pizzicato) so that you don’t disturb the skittering spiders (collegno). But watch out for that big one descending from the ceiling (glissando)! Spiders!, by Christopher Alan Schmitz, will provide a frightening touch to your fall concert.

The Gates of Janus by Richard Meyer, Grade 3
Explore the duality of music with “The Gates of Janus” by Richard Meyer, which was inspired by Janus, the Greek god of opposites. Featuring contrasting melodies – one slow and soft, the other fast and loud – students will uncover six musical opposites and enhance their skills and expressive performance. Perfect for sparking discussions on how music conveys emotions.

By a Stream by Susan H. Day, Grade 2.5
“By a Stream” was composed by Susan H. Day with the aim of transporting its listeners to a peaceful setting near a mountain stream. Unhurried, with a relaxed tempo, the sounds of the stream are represented by lyrical legato melodies in all parts, flowing cello arpeggios, pizzicato, countermelodies, crescendos, and dynamic contrasts. Written entirely in the key of D major and 4/4 time, techniques to be reinforced include hooked bowings, two note slurs, a few high third fingers in the upper strings, and some divisi. There is a short solo for first violin and cello at the end. Piano is optional.

Shop Stanton’s for all your sheet music needs!

About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Caryn G., Sacred Piano Music Specialist

A Baroque-Style Service: 10 Hymn Arrangements Inspired by Baroque Masterworks arr. Faye López
“A Baroque-Style Service” combines favorite hymns with excerpts from beloved masterworks by Baroque period composers – Bach, Handel, Pachelbel, Purcell, Scarlatti, Telemann, and Vivaldi. These medleys range from meditative to jubilant and can be used for various types of services.

Titles include: “Arise My Soul, Arise / Bach’s Prelude in E-flat Major,” “Brethren, We Have Met to Worship / Bach’s Musette in D Major,” “Come, Christians, Join to Sing / Scarlatti’s Sonata in E Major,” “Come, Thou Almighty King / Handel’s Water Music Suite No. 2,” “For the Beauty of the Earth / Vivaldi’s Spring from The Four Seasons,” “The God of Abraham Praise / Purcell’s Opera King Arthur,” “Jesus Paid It All / Pachelbel’s Canon in D,” “Savior, Like a Shepherd Lead Us / Telemann’s Trumpet Concerto in D Major,” “When I Survey the Wondrous Cross / Bach’s Air on the G String,” and “When the Roll Is Called Up Yonder / Bach’s Invention in B-flat Major.”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

recommended by Jen Sper, School Choral Music Specialist

Sight Reading Success for TB Choirs by Stan McGill & Morris Stevens
This choral sight reading resource is designed to help the secondary choir students improve their music literacy skills. With 150 TB exercises divided into 2, 4, 8, 16 and 32 measure sets, even beginning groups can develop advanced skills over a relatively short period of time. The exercises are also available as a download for projecting to a screen or distributing to students via print or tablet as well as reference audio played on a keyboard.

Also available for SATB, SSA and SA choirs.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

The Word Was God by Rosephanye Powell, SATB divisi a cappella
What an impact this august work will have on both choir and listeners! Compositionally, this is an excellent piece using impressive techniques that are truly captivating. The rhythmic structure develops from the superb interplay between the voices, and the layering of sound upon sound creates a musical tapestry. This will make a stunning choice for larger or festival choirs!

Trois Chansons de Charles d’Orléans by Claude Debussy, SATB a cappella
Here published as a set at an attractive price, these three miniatures are a staple of the a cappella choral repertoire. Claude Debussy (1862-1918) set the evocative, playful poems of Charles d’Orléans (1394-1465) in his accessible, immediately appealing style. Pristine new engravings feature, for the first time, a piano reduction for rehearsal. Translations for study are included.

Al Shlosha D’varim by Allan Naplan, 2-part with piano
The world is sustained by three things: by truth, by justice, and by peace. The elegant and timely message conveyed by this beautiful work is now available for SATB chorus and piano. The vocal lines are satisfying to sing and the piano accompaniment substantial without overpowering the voices.

Festival Sanctus by John Leavitt, SATB with piano and optional orchestra
A long-time favorite on the festival circuit. It is driving, rhythmic, and up-tempo – all the ingredients that create a sure winner. Dynamic and exciting, this joyous selection surpasses the ordinary!

How Lovely are the Messengers by Felix Mendelssohn, SATB with piano
A beautiful selection for sacred or concert settings from Mendelssohn’s “St. Paul.” The accompaniment is equally stunning whether played on piano or organ. This is a lovely example of early-Romantic choral expression.

Omnia Sol (Let Your Heart Be Staid) by Z. Randall Stroope, SATB with piano and optional brass & percussion
The text of this stunning original piece is macaronic (the mixing of two languages), in that the English poetry contains a brief verse of Latin found in the poetry of “Carmina Burana.” From a deeper perspective, this farewell or ‘song of parting’ is a reflection on the constant passage of events and people in life’s continuum, and the human need to anchor words of love and commitment in the hearts of those who have been pillars along life’s way. One’s life has an inseparable kinship with others. The metaphor for that kinship in this piece is ‘omnia sol’ (or ‘everywhere light’ sun ), and that kinship or light is perpetuated by our daily investing and leaving a bit of ourselves in every soul we encounter. Though we mature and ‘move on,’ part of us is ‘staid’ in the hearts and minds of those we chance to meet.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Austin Swack, Instrumental Education Specialist

Mariachi Suite for Strings by Jorge Vargas, Grade 2-2.5
Bring the vibrant energy of mariachi to your string orchestra with “Mariachi Suite,” an original three-movement work that explores the rich styles of Ranchera, Bolero, and Son Jalisciense. This suite captures the essence of traditional mariachi music, with its passionate melodies, heartfelt harmonies, and lively rhythms. Optional parts for trumpet, guitar, and vihuela allow students to experience the full mariachi ensemble. Whether performed as a string-only piece or with the optional instrumentation, “Mariachi Suite” is a show-stopping addition to any concert, celebrating the joy and spirit of this beloved musical tradition.

Chinese New Year by Xiaokang Deng, Grade 2
Experience the joy and spirit of reunion with family and friends. This string orchestra piece uses playful pizzicato and subtle syncopation to portray the cheerful mood and sparkling lights of Chinese New Year festivities. The happy melody is shared across the sections of the orchestra, like smiles at the traditional family dinner. Legato melodies with sustained chords shine like lanterns in the night, shimmering with warm memories and hope for a bright future to come.

Welcome to San Juan by Dión Morales, Grade 1
Step into the vibrant streets of Puerto Rico with “Welcome to San Juan,” a lively and engaging piece by a Puerto Rican composer Dión Morales inspired by the iconic sound of the claves. This piece introduces the traditional clave rhythm through fun and easy-to-learn mnemonics, making it accessible even for the youngest beginners. Come celebrate of the sounds of San Juan!

Dhyaana by Manjula Ramachandran & Cooper Ford, Grade 2.5
This is the perfect piece to introduce students to some of the unique sounds and basic techniques of Indian music. Authentically written and musically engaging, it features a strong melody and deliberate rhythmic drive.

A la Nanita Nana arr. Janelle Zook Cunalata, Grade 2.5
This classic carol has been carefully scored and beautifully arranged for the string orchestra by arranger Janelle Zook Cunalata. Perfect year-round or for Christmastime concerts, “A la Nanita Nana” will be a hit with musicians and audiences alike!

Shop Stanton’s for all your sheet music needs!

About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral Music Specialist

Singing Valentines: Eight A Cappella Greeting Cards for SATB Singers arr. Kirby Shaw
This fully reproducible a cappella collection features eight popular songs (about love, friendship, and romance) arranged as short-and-sweet singing telegrams. Ready-made for Valentine’s fundraisers, Kirby’s charming settings are the perfect way to surprise a crush, delight a friend, or show appreciation for a faculty member in February. And then…sing them again on your spring concert or pops program! With a variety of styles and a range of moods, these succinct selections are ideal for high school choirs or small groups looking to tug some heartstrings at any performance!

Titles include: “Count on Me,” “Embraceable You,” “Everything,” “(Your Love Keeps Lifting Me) Higher and Higher,” “I’ll Be There for You,” “Let Me Call You Sweetheart,” “One Call Away,” and “Sh-Boom (Life Could Be a Dream).”

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Caryn G., Sacred Piano Music Specialist

He Knows My Name: Praise Hits of the ‘90s arr. Jay Rouse
In this volume, Jay Rouse offers a heartfelt tribute to some of the classic worship choruses of the 1990s. With arrangements that range from rhythmic and driving to quiet and reflective, there’s something for everyone. One thing is certain, though: each selection showcases Jay’s inimitable style, guaranteed to surprise and delight pianists everywhere!

Titles include: “He Knows My Name,” “Open the Eyes of My Heart, Lord,” “Praise You,” “That’s Why We Praise Him,” “Come, Now Is the Time to Worship,” “The Heart of Worship,” “I Could Sing of Your Love Forever,” “Breathe,” “Shout to the North,” and “You Are My King (Amazing Love).”

Shop Stanton’s for all your sheet music needs!

About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Cantina Band arr. Johnnie Vinson, Grade 3
This classic and iconic theme from the cantina scene from “Star Wars Episode IV: A New Hope” is available here with this wonderful and accessible arrangement for flex band.

Suite from Old American Songs by Aaron Copland/arr. Robert Longfield, Grade 3
A collection of three of the most treasured American folk songs including “Simple Gifts,” “I Bought Me a Cat,” and “At the River” based on the arrangements by one of America’s most celebrated composers. Scored for flexible instrumentation, this arrangement can be performed by any size ensemble including orchestra. Perfect for any concert program!

Sweet Dreams by Tyler S. Grant, Grade 2.5
“Sweet Dreams” by Tyler S. Grant is a beautiful lullaby that uses lush melodies and textures to paint a picture of the innocence of a sleeping baby. The wide range of expression will stretch the boundaries of your ensemble’s musicianship.

In Your Wildest Dreams by Tyler S. Grant, Grade 3
Bring your students’ dreams to life in this explosion of colorful energy! “In Your Wildest Dreams” by Tyler S. Grant sends the message that “any dream is possible.” The themes will be memorable to both students and audiences alike, with plenty of opportunities for everyone to be in the spotlight. Suitable for any occasion and highly inspiring!

Agent Boombucket by Joseph Benjamin Earp, Grade 1.5
“Agent Boombucket” takes listeners on a mission with bold, playful sounds that capture the excitement and suspense of a covert operation. Its clever musical twists make it a showstopper, engaging both musicians and audiences. Perfect for adding excitement and intrigue to your concert repertoire, this piece will leave a lasting impression.

Elf-Con Five by Joseph Benjamin Earp, Grade 3.5
It’s time to recover from the chaos of Christmas by bringing the mood back to “merry” with ELF-CON FIVE – an energetic holiday work for band arranged for the Custom Concert Series. Santa and his elves have gone from the high stress of getting all the toys in the sleigh, to the “All Is Calm” of Christmas. Celebrate with some of the most well known winter holiday favorites in this high-speed medley that will be a winter concert hit!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral Music Specialist

Landslide arr. MaryAnne Muglia, SSAA a cappella
Written at a time when her life “felt truly like a landslide,” Stevie Nicks created a hit that continues to be popular and has sold well over 2 million copies. This arrangement is crafted to showcase treble ensembles with the melody skillfully passed between voice parts, giving each section the opportunity to shine. Thoughtfully restrained, it encourages your ensemble to focus on blend, vowel precision and emotional expression, creating a captivating performance.

Shower the People arr. Kirby Shaw, SATB a cappella
James Taylor’s meaningful ballad offers wise advice: “Shower the people you love with love!” Choral singers provide a warm backdrop to one or more featured soloists on the verses, then come to the forefront on the lovely refrain. Kirby’s sweet and simple arrangement captures the breezy folk-rock feel using only a cappella voices. An accessible and tasteful setting for pop or concert groups.

Never Gonna Give You Up arr. Bryan Sharpe, 3-part mixed a cappella
Rickroll your audience with this contemporary a cappella arrangement of Rick Astley’s 1980s hit and current pop culture meme! Any voice or combination of singers can be featured on the solo, with choral back-ups that are easy to sing and true to the original. Vocal percussion can be performed as written, or improvised by a more experienced beatboxer. Program as an encore or a special surprise on your set list!

Count on Me arr. Kirby Shaw, SATB a cappella
Perform this perky Bruno Mars song a cappella or with the optional piano accompaniment. The relaxed reggae feel pairs perfectly with a bright message about friendships made to last. No need for solos or vocal percussion – the lower voices hold down a laidback rhythmic groove while your sopranos take the lead. Ideal for the beginning and/or end of the year!

Unwritten (incorporating English Suite BWV 809 Prelude in F Major by J.S. Bach) arr. Vince Peterson, SATB divisi a cappella
A brilliant showcase of vocal textures, this contemporary a cappella arrangement infuses strains of a Bach prelude with Natasha Bedingfield’s biggest hit. Powerful divisi harmonies and an infectious groove make this feel-good selection a no-brainer for your concert program!

Rainbow Connection arr. Tripp Carter, SATB divisi a cappella
Paul Williams and Kenny Ascher received an Academy Award nomination for this top 40 hit from the 1979 film, “The Muppet Movie.” In 2020, it was deemed “culturally, historically, and aesthetically significant” by the Library of Congress. This exquisite a cappella arrangement is rich with detailed choral writing, elevating the original melody and lyric to new heights for today’s contemporary performances. In 2025, it was premiered by the Davidson Chorale for the National ACDA Conference.

Popular Song arr. Jack Zaino, SATB a cappella
Singer-songwriter Mika has performed this Wicked-inspired song alongside both Ariana Grande and Kristen Chenoweth. Using Glinda’s “Popular” as a hook, it explores how staying true to oneself is more important than any popularity contest. Feature one or more soloists on this contemporary a cappella arrangement, which gets everyone singing on the second verse and hand-clapping chorus. Notated vocal percussion takes out all the guesswork and completes a full-sounding voices-only accompaniment.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Austin Swack, Instrumental Education Specialist

High Velocity by Michael Story, Grade 2.5
“High Velocity” by Michael Story is an exciting original work full of contemporary sounds. This A-B-A form piece will be an audience and student favorite with its high-energy melodic lines, lyrical contrast, and colorful harmonies. Solidly scored for your intermediate string orchestra, it would be an excellent choice for any concert or contest.

Carpathian Castle by Michael Story, Grade 1
Based loosely on “The Castle of the Carpathians,” an 1893 novel by well-known French author Jules Verne, “Carpathian Castle” by Michael Story, tells the tale of a mysterious fortress in the Carpathian Mountains in Transylvania. Opening with a majestic fanfare-like statement, the piece incorporates flowing melodies, building to a dramatic conclusion.

Mysterious Forces by Michael Hopkins, Grade 3
“Mysterious Forces” by Michael Hopkins is a fast and rhythmically energetic piece in E minor for intermediate orchestra. All sections of the orchestra are featured on melodic material. Violin, viola, and cello parts are playable in first position. Double basses have a few shifts to half, 2nd, and 3rd positions. Cellos have a few extensions to B-flat on the A string, and violins and violas have a few spots with low 1st finger and high 3rd finger. This is a great piece to work on articulations and bow speed. The melody features the slur 2-separate 2 bowing. The music features both short staccato bow strokes and longer legato bow strokes, and it features lots of dynamic contrasts and opportunities for learning about phrasing and shaping musical lines.

From the Start arr. Michael Kamuf, Grade 2.5
Influenced by a wide range of musical artists ranging from Billie Holiday to Taylor Swift, singer/songwriter Laufey brings together catchy melodies, bossa nova rhythms, and jazz harmonies in her recent hit “From the Start.” This arrangement, by Michael Kamuf, reinforces syncopated rhythms and has transcribed Laufey’s scat-singing solo written for violin. Your students and audiences will be singing the melodies!

Dance of the Imps by Nathan Jacklin, Grade 3
“Dance of the Imps” is a showcase of what is possible with pizzicato. Written by Nathan Jacklin, the work’s quick melodic lines are supported by energetic, syncopated rhythms, making the music dance for everyone. The ever-changing dynamics and call-and-response sections provide interest for the players and audience. The real treat comes from the “à la gitarre” section, where the students play their instrument like a guitar, resulting in bright chords that add a little extra spice.

Shop Stanton’s for all your sheet music needs!

About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Every Day Anew by Naoya Wada, Grade 3
Fresh and lively, “Every Day Anew” is a vibrant celebration of new beginnings, filled with bright melodies, dynamic contrasts, and rhythmic energy. Bursting with vitality, this exhilarating composition inspires both performers and audiences to embrace each day with renewed spirit and enthusiasm. Truly engaging and full of optimism, “Every Day Anew” will leave everyone feeling energized and uplifted.

Balantro by Minoo Dixon, Grade 3
Energetic and intense, the piece takes students on a playful musical journey using the octatonic scale. Fluid tonal shifts anchored in concert Bb provide a balance of exploration and familiarity. Winner of the 2024 NBA Young Band Composition Contest, it’s a standout choice.

Exuberant Awakening by Jack Wilds, Grade 3
Soaring melodies and propulsive ostinati combine with orchestral flourishes to create an opener that brims with joy. An epic journey in less than three minutes!

Highland Hearts by Jack Wilds, Grade 3
Let the spirit of Scotland shine with “Highland Hearts!” This engaging work for grade 3-4 band combines evocative folk-inspired melodies and dynamic energy for an unforgettable performance.

Fantasy in Mischief by Jason K. Nitsch, Grade 3
Chromaticism and syncopation make this piece fresh and we dare say, a bit mischievous! Composer Jason K. Nitsch has a unique sense of humor, and that shines through with this cool new work for concert band. Your musicians are going to love this one!

Hill Country Festival by Clifton Jones, Grade 3
Reminiscent of the great overtures of old, “Hill Country Festival” is a wonderful new addition to the concert band repertoire. Scored in a full style, this work will “Sound!” A high consideration for music performance assessment or community groups, this work will make your ensemble shine and stretch their musicianship.

Horizons by Michael Olson, Grade 3
Bring a moment of beauty and reflection to your concert with Horizons, a breathtaking transcription for concert band. Originally the second movement of a string quartet, this evocative work paints a vivid picture of sunrise, symbolizing renewal and hope. With expressive sections that explore life’s emotional highs and lows, it offers your students a powerful opportunity to connect deeply with the music and captivate audiences with its inspiring message of resilience.

Hymn to the Great Spirit (Wendeyaho) arr. Matthew R. Putnam, Grade 3
Arranged by Matthew R. Putnam, this Native American folksong has been set with the intent to give all royalty proceeds back to the original people to inhabit the North American continent.

Mi Mexico by Jorge Vargas, Grade 3
“Mi Mexico” is a vibrant Grade 3 work by Jorge Vargas that celebrates the energy and diversity of Mexican folk music. Presented in three distinct sections, the piece highlights the Joropo, Huapango, and Son Jalisciense styles, showcasing rhythmic variety, colorful orchestration, and authentic Latin percussion. Accents and meter shifts create a lively sense of motion, offering performers a dynamic and stylistically rich experience. A compelling choice for concert or festival performance.

The Second Shaman by Roland Barrett, Grade 3
A commanding trumpet solo and emphatic percussion set the stage for this dynamic piece. A propulsive opening, lyrical middle section, and thrilling finale – with a climactic return of the powerful introduction – make it both a compelling performance and an excellent teaching tool.

A Thousand Inner Voices by Mat Campbell, Grade 3
A fantastic closer to any concert program, “A Thousand Inner Voices” is sure to challenge musicians and audiences with learning to live with the voices in our heads. This piece was created in collaboration with Dr. Kaitlin Bove and the …And We Were Heard organization for their 2022 Fundraiser Consortium.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral Music Specialist

Here Comes the Sun arr. Matt & Adam Podd, SAB with piano
A fresh, artistic take on this Beatles hit, now available as an accessible yet musically satisfying arrangement for developing choirs. A reimagined harmonic structure makes way for text painting and a cinematic feeling that never loses the sunny and hopeful appeal of this iconic tune.

Spread a Little Happiness arr. Mac Huff, 3-part mixed with piano
Ideal for beginning jazz choirs, this arrangement of the 1929 swing song encourages one and all to care for others even when days are difficult. The swing feel provides a happy-go-lucky style highlighting the song’s positive message.

Birds of a Feather arr. Mark Brymer, 3-part mixed with optional rhythm
This song by creative duo Billie Eilish and Finneas O’ Connell is about sticking with friends through thick and thin and will be a sentimental addition to any concert program. With catchy lyrics and melodies, singers of all ages will enjoy singing this earworm.

A Little Bit of Love arr. Roger Emerson, 3-part mixed with piano and optional rhythm
Pairing a bright, energetic pop-rock melody with heartfelt, uplifting lyrics, Weezer’s hit “A Little Bit of Love” offers a hearty dose of the positivity and encouragement we all need to help us overcome life’s challenges. Deftly translated to the choral idiom by Roger Emerson, this is one of those songs your choir just won’t be able to stop singing.

Go the Distance/Defying Gravity arr. Roger Emerson, SAB with piano and optional rhythm
This mashup of choral music powerhouse numbers from “Hercules” and “Wicked” will simply blow you away! A match made in heaven (or, Oz) pairs Hercules and Elphaba’s signature songs into one glorious, musical firework!

A Beautiful Noise arr. Audrey Snyder, 2-part with piano
Alicia Keys said, “Everyone has the power to make beautiful noise and to lift others up with their voice.” This heartfelt message speaks powerful truths in the ballad, “A Beautiful Noise,” performed by Alicia Keys and Brandi Carlile. This arrangement by Audrey Snyder has been specially crafted for with young singers in mind.

Hey, Good Lookin’ arr. Greg Gilpin, 2-part with piano and optional kitchen utensils and rhythm
Inducted into the Grammy Hall of Fame in 2001, this Hank Williams song from 1951 has been a favorite and covered by a variety of artists including Dolly Parton and Pee Wee Herman! The addition of playing kitchen utensils really sets off the text of “let’s get cookin’” and adds humor and fun to the idea of having found your perfect person. Adorable to learn, perform and even stage!

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Dos Amigos by George Shutack, Grade 4
New from the pen of George Shutack comes the exciting new feature for two Trumpets. The flowing melodic line is set over a strong Spanish groove. With a floating 3/4 feel as a foundation, the strong melody couples perfectly with the solid ensemble writing to create an abundance of teaching opportunities. A perfect change up for any program or festival.

Brincando Na Bossa by John La Barbera, Grade 4
Tenor (optional solo part), 4th Trumpet (double Flugel) and Lead Trombone (optional solo part) take the lead in this grooving bossa for medium to advanced jazz ensembles.

The Extra Mile by Lars Halle, Grade 4
Featuring a duet of Alto Sax and Flugelhorn on the melody, this bright samba moves effortlessly into a swing groove for the B section of the tune. The distinctive harmonic vocabulary of the chart helps make it a standout at this level. There is solo space for Tenor and Bari, followed by a soft and rhythmic ensemble section.

Gregory Is Here arr. Michael Phillip Mossman, Grade 5
Even though the sax section gets the bragging rights in this outstanding arrangement of this classic mambo chart by Horace Silver, the entire ensemble gets a chance to flex some muscle. Lead Trumpet plays to high D and Lead bone plays to high C.

Iluminada by Michele Fernández, Grade 4
Get ready to move! Opening with a warm and sultry flute solo (opt. Alto or Flugelhorn) this chart transitions into a burning Son Montuno with an infectious melody full of lots of syncopations. Meticulously marked percussion will teach your rhythm section authentic interpretations of the Cáscara, Campanéo and Songo grooves. Your bass player is also in for a treat. Open solo section. Lead Trumpet plays up to high Bb and lead Bone plays up to high Ab.

This Masquerade arr. Mark Taylor, Grade 4
This fresh bossa setting of the classic #1 hit by Leon Russell prominently features your lead trombone player as a soloist as well as the sax section. The solo section cleverly breaks into a double-time feel samba then transitions back for the ending. Lead trumpet plays high Bb and Lead Bone plays high G.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Austin Swack, Instrumental Education Specialist

Southland Sketches (Allegretto Grazioso, 3rd movement) by Harry T. Burleigh/arr. Deborah Baker Monday, Grade 3
With a skillful blend of graceful lyricism and rhythmic spirit, this work paints a musical portrait of Southern life and landscapes from the late 1800s. Arranged by Deborah Baker Monday and originally from the pen of Harry T. Burleigh, was one of the first Black Americans to be acclaimed for his talents as composer and arranger.

Élévation by Louise Farrenc/arr. Deborah Baker Monday, Grade 2
Feature the stunning music of Louise Dumont Farrenc, former professor at the Paris Conservatory. Taken from Farrenc’s collection of 20 etudes, this arrangement of “Élévation” is expertly orchestrated by Deborah Baker Monday, who has kept the endearing musical sophistication of the original despite its technical simplicity. A wonderful addition to any program regardless of grade level.

Hiawatha’s Wedding Feast by Samuel Coleridge-Taylor/arr. Deborah Baker Monday, Grade 3
This stunning arrangement of Hiawatha’s Wedding Feast by Deborah Baker Monday brings the music of Samuel Coleridge-Taylor to your string orchestra. Appropriately and brilliantly scored, your students will be challenged as they learn this wonderful work, based on Longfellow’s epic poem, “The Song of the Hiawatha.”

I’s the B’y arr. Deborah Baker Monday, Grade 2
Dating back to the 1800s, this folk song captures the spirit of Newfoundland’s fishing culture. Monday’s arrangement is fun and even includes a creative “Play Off” section which offers a teaching opportunity that can include call and response exercises, mini competitions between sections, a study in creating variations, and other fun exercises. Teachers will enjoy this added bonus material for classroom and performance.

Kingsfold arr. Deborah Baker Monday, Grade 1.5
Deborah Baker Monday presents this traditional English melody first in the low strings with ethereal tremolos in the upper voices. The modal tune is then shifted to the Violins and Violas with the dark harmony carried on by the Cellos and Basses.

Shop Stanton’s for all your sheet music needs!

About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!