News & Views Monday, October 07, 2024

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

A Peaceful Noel arr. Lloyd Larson
Masterfully crafted by the always creative and dependable Lloyd Larson, the arrangements in this collection are all peaceful in nature. They are intended to help create a spirit of calm and repose during a busy season, whether in corporate worship settings or in private times of devotion. But most importantly they remind us that the Prince of Peace, the One born of God, has come to dwell among us; to bring hope and tranquility into our world of chaos and turmoil. Titles include: “Come, Thou Long-Expected Jesus,” “Let All Mortal Flesh Keep Silence,” “How Far Is It to Bethlehem,” “O Little Town of Bethlehem,” “Angels We Have Heard on High,” “Gentle Mary Laid Her Child (with Infant Holy, Infant Lowly),” “Sing We Now of Christmas (with The First Noel),” “Away in a Manger,” “I Wonder as I Wander,” and “We Three Kings.”

Heavenly Peace arr. Mary McDonald
We are pleased to present our first solo collection for pianists from one of our most valued and trusted composers, Mary McDonald. Here are ten settings ingeniously crafted for the church musician who desires music that can be easily mastered with minimal practice. These quiet, meditative settings are ideal for worship as well as personal renewal. Each setting is designed for personal expression and will accommodate intermediate to advanced pianists. Titles include: “Away in a Manger,” “Coventry Carol,” “Heavenly Peace,” “In the Bleak Midwinter,” “Jesus, Jesus, Rest Your Head,” “O Come to My Heart,” “Once in Royal David’s City,” “See, Amid the Winter’s Snow,” “The Babe, the Son of Mary,” and “Good People All, This Christmas Time.”

10 Christmas Songs for Solo Piano Volume 2 arr. Mark Hayes
Due to overwhelming demand, here’s Volume Two from The Mark Hayes Piano Library Series! For this follow-up release, Mark has put his special touch on classic carols. Exquisite! Titles include: “O Come, O Come, Emmanuel,” “Lo! How a Rose E’er Blooming,” “Sussex Carol,” “A La Nanita Nana,” “Wexford Carol,” “Jesus, Oh What a Wonderful Child,” “Away in a Manger,” “Bring a Torch, Jeanette, Isabella,” “Silent Night,” and “Gesù Bambino.”

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About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Chan Chan (The Lost City) by William Owens, Grade 2.5
Beauty and raw power collide in this contemporary work that pays homage to an ancient city in the desert of northern Peru. Engaging melodies and primal harmonies reveal both spectacle and mystery as the work unfolds. Surprisingly accessible despite its complex sound!

Fiesta! by Jorge L. Vargas, Grade 2.5
Capture the spirit of a joyful celebration in Mexico with this original work. Latin rhythms depict the excitement as people are surrounded by laughter, joy, food, and music. Elements of mariachi music provide opportunities to explore Mexican culture.

A Song of Courage by William Owens, Grade 1
Combining the folk song “Arirang” with original material, this thoughtful work contrasts calm passages with bold statements. It is a spectacular and highly achievable work that offers a message of courage in the face of hardship.

Mariachi Suite by Jorge L. Vargas, Grade 2
Explore the wonderful traditions of Mariachi with this wonderful new suite by Jorge Vargas! The work starts with an exciting Ranchero, before slowing the pace into a beautiful Bolero. A lively Son Jalisciense rounds out this collection of dances by a master composer of music for young band. Syncopated rhythms, intricate articulations, and melodic moments for all players make this an excellent choice for education and entertainment. Sure to be a favorite of performers and audiences alike!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Sacred Choral Music Specialist

Angels Are Singing, Heaven Is Ringing arr. Lloyd Larson, Unison/2-part with piano and optional flute
Two traditional melodies come together for this joyful offering! Upper elementary singers will enjoy the option of partnering the two melodies to create a pleasing part-singing experience. This is a children’s adaptation of a piece from the Christmas cantata “Love Is Born!” by Lloyd Larson. If your adults are presenting the cantata, have your children’s choir sing this version a week or so before the presentation. You can then have the children join with the adults on the anthem in the cantata. This offers multi use of this multi-generational gem.

Christmas Cradlesong by Terry Taylor, Unison with piano and optional 8 handbells
This story-song presents a gentle retelling of the nativity of Jesus wrapped in a beautiful unison melody. It will live in the hearts and minds of young singers (and listeners) long after the performance. There is a simple handbell part to add a bit of harmonic interest to the unison line. This will work as a stand-alone anthem or could be incorporated into a Christmas pageant, service of lessons and carols, or any worship service of the Christmas season.

Rise Up, Shepherd, and Follow arr. Audrey Snyder, Unison/2-part with piano
This energetic arrangement of the popular Christmas spiritual highlights the invitation to follow the star and find the newborn King. The familiar melody comes alive with a supportive piano accompaniment and jubilant hand claps that enhance the celebratory mood. Optional solos give young singers a chance to shine!

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Austin Swack, Instrumental Education Specialist

Led by orchestra division editor, Katie O’Hara LaBrie, Randall Standridge Music Publishing‘s mission is to publish creative music of high quality by a broad range of compositional voices and backgrounds at all grade levels.

Ready the Castle by JaRod Hall, Grade 1
“Ready the Castle” tells the story of a castle under siege. Carefully introducing 6/8 meter with only the most basic rhythm patterns and a friendly range, this piece with its catchy melodies is a perfect choice for young string orchestras looking to make a bold statement.

Sunlight by Randall Standridge, Grade 1
Energetic and uplifting! From start to finish the melodies and rhythms in this original work by Randall Standridge convey a sense of optimism and energy, hopefully leaving the listener and player with a sense that all will be well. Written primarily using the notes of the D scale, with lot of opportunities for dynamic contrast, this piece is packed with great teaching moments.

Blue Sky Horizon by Randall Standridge, Grade 3
Uplifting and bursting with energy, this wonderful work combines driving motives, catchy rhythms, introductory shifting, and a pops-inspired feel to celebrate the moments when we can all find joy in our lives. Part of the “unBroken project” – a series of pieces pertaining to mental health.

Voyage of Odysseus by Katie O’Hara LaBrie, Grade 2
Embark on a musical odyssey as we take to the seas in the “Voyage of Odysseus!” This engaging theme and variations brings to life the epic adventures of Odysseus and his crew by seamlessly weaving Greek mythology and music together through different modes, time signatures and styles.

Acadian Solstice by Perry Holbrook, Grade 3
This pastoral composition joyously captures the summer splendor of Acadia National Park in Maine. Embrace lyrical playing through tone, vibrato, phrasing, and bow control. Highlight one of your violinists with sweet solo moments. “Acadian Solstice” stands out as an exquisitely beautiful work, versatile enough to shine as a lyrical festival piece or as a delightful addition to a lighter concert.

Imminent Danger by Jennifer E. Rose, Grade 3
Alert! Alert! This new work for string orchestra and electroacoustic accompaniment by Jennifer E. Rose combines rhythmic interest and dramatic dynamic changes with the textures provided by the electronic backing track. Your students are sure to be intrigued and invigorated by the sense of danger and daring that this piece evokes!

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About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Sacred Choral Music Specialist

This Is Christmas (Celebrating the Heart of Christmas) by Mary McDonald
Every Christmas, we celebrate the birth of a Child. With this breathtaking work, legendary composer Mary McDonald invites us to truly remember what is at the heart of Christmas: this Child, this King, this Savior who was sent to earth to redeem the world. THIS is Christmas.

In this cantata, Mary tells the story of Christmas through familiar carols, inspired original melodies, and thoughtful narration. This year, may we all take a few moments to reflect on the reason we celebrate, for this is great news: This Is Christmas!

Love Is Born (Celebrating the Mystery and Wonder of Christmas) by Lloyd Larson
“Love is Born!” draws a correlation between the Old Testament prophecies of anticipating and preparing for the promised Messiah and the New Testament fulfillment of those prophecies that still found the people of God amazed and surprised when Emmanuel did arrive. The fact that He arrived in such an unexpected manner merely enhances the mystery and wonder of Christ’s birth. The cantata presents the four traditional themes of Advent to tell the Christmas story: Hope, Peace, Joy, and Love. The work can be presented in different segments during Advent and Christmas, or as an entire cantata with narration. From the brisk, exciting instrumental prelude to the powerful conclusion, here is a work that is as beautiful as it is unforgettable. 35 minutes.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Alien Invasion from the Dark Planet by Brian Monroe, Grade 1.5
Colorful percussion and unusual instrumental effects will bring a true sense of amazement to your audience as the narrator tells the story of an alien invasion and its aftermath. The narration can be customized to make the setting local.

Pranks of the Pesky Poltergeist by Timothy Loest, Grade 1
Experience the paranormal in this spine-tingling work, complete with spooky sound effects. Unexplained noises interrupt frightful melodies, including a snippet from Mussorgsky’s “Night on Bald Mountain.” This one will be the hit of your fall or spring concert.

The Skeleton Crawl by Jason K. Nitsch, Grade 2
Add a touch of both creepy and cool to your next concert. Reminiscent of New Orleans jazz, this catchy piece for young band is a superb introduction to jazz for your developing musicians. A grooving bass line and vocalizations from the winds add to the fun! An excellent choice for your next concert, Halloween performance, or pop celebration.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

Gnome for the Holidays! by John Jacobson & Walter Jack
Gnomes to the rescue in a spectacular holiday musical! When Christmas is in jeopardy, John Jacobson’s fun-filled cast of funny gnomes comes to the rescue while telling silly jokes and causing a ruckus. Captivate your audience with a magical story of believing in the unseen and the power of music! Ideal for your winter season, this new musical is sure to bring a smile to every audience!

Star Bucks! The Musical by John Jacobson & Walter Jack
Santa is preparing for his annual trip around the world, led by Rudolph and the other reindeer. But wait – Rudolph is so stressed out that his nose will not shine. He needs a sabbatical! But who can take his place? Santa hosts a musical competition (aka “Dancing with the Stars”) to find out who will have the chance to be the next Star Buck and lead the sleigh. This wonderful holiday feature will be a hit with your audience. 40 minutes.

Santa Songs (9 Jolly Jingles for Unison or 2-part Voices) by Andy Beck, Kirby Shaw, Lois Brownsey & Marti Lunn Lantz, Alan Billingsley, Jay Althouse, & Chuck Bridwell
Grab your Santa hats, tune up those festive singing voices, and let’s celebrate the man with the bag! “Santa Songs” is a collection of showstoppers featuring Santa Claus at the center of it all. Perfect for young choristers and developing carolers, this delightful songbook is packed with holiday cheer. Whether you’re performing in the classroom, at a school assembly, a holiday concert, or spreading joy throughout your community, “Santa Songs” delivers a gift of musical merriment that’ll make the North Pole proud! Choose just your favorites or sing ’em all. Easily adapts into a staged musical or complete program. Titles include: “Be a Santa Medley,” “Here Comes Santa Claus,” “Jolly Old Saint Nick!,” “S.A.N.T.A. (Disco Santa),” “Santa, Bring Me Snow,” “Santa Claus Is Comin’ to Town,” “Santa Mash-Up,” “There Is a Santa Claus (from Elf),” and “’Zat You, Santa Claus?”

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Too Cool for Yule arr. Larry Clark, Grade 1
Everything you need for your holiday concert is here in this creative medley of carols…all wrapped up with a bow! Titles include: “Jingle Bells,” “Deck the Halls,” and “Hark! the Herald Angels Sing.”

Rejoice! (Based on O Come, O Come, Emmanuel) arr. Anthony Susi, Grade 1.5
As a follow-up to his popular arrangement of “Coventry Carol,” arranger Tony Susi has taken “O Come, O Come, Emmanuel” and crafted it into a spirited Latin-rock arrangement called “Rejoice!” Great minor harmony surrounds the classic carol melody.

Santa Claus Is Coming to Town arr. Paul Murtha, Grade 3
The Jackson 5 put an entirely different spin on this Christmas classic with their popular hit recording from 1970. This chart for young bands features the energetic pop groove, plenty of scoring variety, and an optional vocal part just for fun.

Go, Swing It on the Mountain arr. Peter Blair, Grade 1.5
Opening with an eight measure brass chorale, the chart settles into a laid back swing groove that shows off all the sections of the band. Clever harmony surrounds the familiar melody that gives it a fresh sound. The brass chorale returns later in the chart and it sets up the imaginative modulation that takes the chart out.

Good King Wences-Swings! arr. Larry Neeck, Grade 3
Here’s an inventive and swinging take on a classic holiday carol! “Good King Wences-Swings!” opens with a bright, full-ensemble introduction, leading into a sparkling interplay of melody between solo piano and the full band. The varied use of instrumental colors and keys keeps the piece lively and interesting. The open solo section (suggested solos are included) with its full ensemble backgrounds will support and encourage your soloists. Swinging riffs, powerful ensemble scoring, and supportive backgrounds will have your band sounding at its finest by the final shout chorus, and your audience will be on their feet! Terrific!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Alegría by Carol Brittin Chambers, Grade 3.5 Concert Band
Carol Brittin Chambers’ latest concert band work, “Alegría,” is a joyous celebration of life and happiness. Drawing inspiration from the word’s meaning in several languages, Chambers’ music takes listeners on a journey of ups and downs, with moments of high energy and lightheartedness. With a nod to circus music and Latin fanfares, “Alegría” showcases Chambers’ skillful use of instrumentation, including the vibrant tambourine!

And the Lions Roared by Carol Brittin Chambers, Grade 1.5 Concert Band
Carol Brittin Chambers opens with a roar (literally) in this new work for developing band. Fun, fast, and full of great teaching opportunities, “And the Lions Roared” will be a hit with both your musicians and audiences, but especially your percussion section!

Fanfare Esprit by Carol Brittin Chambers, Grade 3.5 Concert Band
Looking for a thrilling and spirited musical experience? Look no further than “Fanfare Esprit” by Carol Brittin Chambers! This piece will transport you to a world of classic fanfares with a twist, featuring lush melodies and intricate rhythms. Don’t miss out on this exhilarating musical journey!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Sacred Choral Music Specialist

Now Thank We All Our God arr. Marianne Forman, SATB with piano
Marianne Forman once again finds a fresh way to present a familiar hymn, this time by using unexpected meter and rhythms to let phrases of NUN DANKET float in and gradually establish themselves. The ensuing stanzas continue to build in texture and strength to the very end. Suitable for Thanksgiving season or any time of thanks in general worship.

In Remembrance arr. Lloyd Larson, SATB with piano and optional instrumental ensemble
The words from The Last Supper are beautifully paraphrased in this timeless, communion anthem from Buryl Red and Ragan Courtney, arranged by Lloyd Larson. The melody is memorable and the text is thoughtful and relevant.

When at This Table by Allen Pote, SATB with piano
This Communion text speaks to the many things we may seek and ask for in the sacrament, “the feast where God is making all things new.” The original music gently draws one into this thoughtful meditation on the peace, healing, and enrichment found at the table of the Lord.

Glad Praises We Sing arr. Patti Drennan, SA(T)B with piano and optional flute or C instrument
Brimming with excitement from beginning to end, this Thanksgiving anthem from Patti Drennan will soon become a cherished favorite. Patti skillfully pairs Julia C. Cory’s time-honored lyrics with the famous Welsh folk melody ASH GROVE, and the result is stunning.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Austin Swack, Instrumental Education Specialist

Shiver by Randall Standridge, Grade 0.5
Whether you are shivering from cold or shivering from fright this work for very beginning orchestras is sure to set the mood of your next Winter or Fall Concert. Using only 6 notes Randall Standridge has creatively designed a piece that reaches students at their skill level while letting them experiment with the fun technique of tremolo!

Mysterious Shadows by Amy Barlowe, Grade 3
This haunted dance in G minor will capture the hearts and souls of your students and their audiences. From its hypnotic opening to its swaying sicilienne rhythms, “Mysterious Shadows” has the power to transport its performers and listeners to mystical realms, while encouraging the kind of communication among players that heightens musical awareness and strengthens ties between instrumental sections. Imagination, as a key component of musical interpretation, can give practice, rehearsals, and every performance a new life. “Mysterious Shadows” will encourage your students’ imaginations to thrive while enabling the shadows lurking within this enchanting piece to shapeshift with every performance.

The Ghost of Lady Howard arr. Morgan Denney, Grade 3
This haunting arrangement of the ghostly English folk song “My Lady’s Coach” weaves together elements of suspense, tension, and mystery. Arranger Morgan Denney uses layered effects, including harmonics, sul ponticello, tremolo, and glissando, to tell the story of Lady Mary Howard’s spirit, doomed to travel in her phantom carriage for eternity. Eerie and compelling, “The Ghost of Lady Howard” is ideal for fall concerts or any time of year!

Legend of Sleepy Hollow by Dennis Eveland, Grade 2.5
“Legend of Sleepy Hollow” is a wonderfully spooky piece that describes the haunting classic tale of the headless horseman. The legend of Ichabod Crane riding through Sleepy Hollow late at night has been told for centuries and remains a favorite ghost story for students to enjoy through literature or movie adaptations. Don’t be frightened, this piece is an excellent choice for your next concert!

Haunted Carnival by Jordan K. Hawkins, Grade 0.5
This spooky piece for beginning string orchestra uses just 5 notes! Explore the haunted shadows of a creepy carnival while introducing easy 3/4 time with your students. The celesta part adds a chilling effect, and can be played on piano as well. Perfect for Halloween and fall concerts, but fun to play any time of the year.

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About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

15 Step arr. Matt Harris, Grade 5
Radiohead performed “15 Step” in 5/4 on the 2007 CD In Rainbows, and arranger Matt Harris has transformed the original meter into a series of infectious grooves in 11, 3, 5, and 7. The piano, tenor, and trumpet solo sections are accessible repetitive vamps, and the multi-meter ensemble exchanges with drums create electrifying ensemble shouts.

Exit Music (For a Film) arr. Mathew Montgomery, Medium
Here is a ballad that your band will love to play. Originally performed by Radiohead for the end credits of “Romeo + Juliet,” this piece has been arranged as a duet to feature trumpet and alto sax. It captures the essence of the original with its subtle yet lyrical beginning and slow build to an intense climax. A great choice for the ballad portion of your concert or contest set.

High and Dry arr. Bob Washut, Grade 5
Released in 1995 on Radiohead’s second album The Bends, “High and Dry” remains one of the band’s most popular hits. Bob Washut’s artful and passionate big band arrangement incorporates a mesmerizing 7/8 groove, a multiplicity of textures, and a broad dramatic spectrum that will inspire the folks who hear it as much as the musicians who play it.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

You Belong with Me arr. Bryan Sharpe, SATB a cappella
A Taylor Swift hit in three voicings! Bryan’s contemporary a cappella arrangement bubbles with youthful charm. There’s no divisi, but a full palette of choral colors is on display. A featured soloist is accompanied in a variety of ways by the other voices as they imitate instruments of a pop band. It’s a blast from start to finish.

Steppin’ Out with My Baby (with Puttin’ on the Ritz) arr. Mark Hayes, SATB with piano and optional combo
Two of Irving Berlin’s most lively songs are married perfectly here in this fun swing, perfect for mixed voices of many ages as well as men’s choirs and ensembles. What fun to add simple choreography and some costume flair to your performance pulling inspiration from the many generations of artists that have performed and recorded these songs for radio, television, and movies. A wonderfully classy performance piece your singers and audience will love!

True Colors arr. Tim Brent, SATB with piano
Now available for SATB voices, Tim Brent’s take on the quintessential ’80s message of individuality has opportunities for a soloist to shine while supported by well-written, jazzy harmonies and an inventive piano part!

Who Loves You arr. Alan Billingsley, SATB with piano and optional rhythm
The instantly recognizable chorus of “Who Loves You” is a watershed moment in the hit making career of Frankie Valli, as this 1975 Disco hit reignited the Four Seasons popularity and reaffirmed them as vocal powerhouses. We invite your choir to participate in this absurdly fun arrangement!

Talking to the Moon arr. Cristi Cary Miller, SSA with piano
A haunting pop ballad with poetic lyrics and a melody that will echo in your mind, Bruno Mars’ “Talking to the Moon” is given a stellar choral treatment by Cristi Cary Miller. Intricate vocals and a driving piano part combine in a sweeping, cinematic sound.

(They Long to Be) Close to You arr. Mac Huff, SSA with piano and optional rhythm
Program a sweet throwback moment in your concert with this seventies classic. The iconic harmonies and fun nostalgia will make your audience want to join in!

And So It Goes arr. Audrey Snyder, TTB with piano
Billy Joel’s hauntingly beautiful ballad sings easily for concert choirs or pop ensembles in this simple, tasteful arrangement. “And so it goes, and so it goes, and you’re the only one who knows.” This is very sweet.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

Gentle and Lowly (Songs from the Heart of Jesus) arr. Faye López
Inspired by the bestselling book of the same name, Faye López brings her unmistakable creative touch to ten hymns focusing on the heart of Jesus. Whether you are playing or listening, these hymn settings will bring you into a better understanding of the tender heart of our Savior.

Titles include: “Jesus Loves Me,” “No Other Plea,” “O the Deep, Deep Love of Jesus,” “Depth of Mercy,” “My Savior’s Love,” “Jesus, the Very Thought of Thee,” “No, Not One,” “Jesus, What a Friend for Sinners,” “’Tis So Sweet to Trust in Jesus with Only Trust Him,” and “I Will Arise and Go to Jesus.”

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About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Jennifer F., Sacred Choral Music Specialist

Praise the Lord of Love by Mary McDonald, SATB with piano and optional orchestra
From composer Mary McDonald comes this anthem inspired by passages from the book of Psalms. The rich piano writing provides a sturdy foundation for Mary’s original melody, and the inclusion of the Doxology is a delightful surprise. The optional Michael Lawrence orchestration is sure to enhance your presentation of this remarkable work.

Psalm of Thanksgiving by Mary McDonald, SAB with piano
For Thanksgiving, this anthem of praise and thanks is based on Psalm 118 and seamlessly segues into the Doxology in the middle section before returning to a joyful expression of “thanks for all our days, to the Lord sing praise!”

Our Hope Is In Jesus by Mary McDonald, SATB with piano and optional orchestra
This sweeping, powerful, ballad pleads with us to be strong, and hold on, for there is hope in Jesus. The text, based on John 16:33, is God telling us that he has overcome the world for us, so we must take courage and be of good cheer!

I Want to Walk as a Child of the Light arr. Erik Dewar, SATB with piano and optional oboe & cello
Beckenhorst’s Congregational Anthem series features choral anthems with easily-learned parts and significant congregational involvement, for accessible but powerful expressions of singing in worship. Erik Dewar and Dan Forrest have collaborated on this gorgeous setting of the well loved hymn for choir, optional congregation, and optional cello and oboe. Children’s choir can also join, picturing the child-like faith of the title and text.

10,000 Reasons to Worship the King arr. Dennis Allen, SATB with piano and optional praise team & congregation
For those churches who have both a choir and praise team, the new Choir + Praise Series is a fresh new resource! The anthem can be performed with choir and praise team together, or separately. Blending a classic hymn with a Jonas Myrin/Matt Redman modern classic praise song, Dennis Allen’s arrangement is singable, playable, and outstanding!

There’s Room for More arr. Stan Pethel, SATB with piano
Stan Pethel brings you this fun arrangement just in time for your next revival service! Written in an engaging Southern Gospel style, this piece is sure to bring a smile to every face. “There’s room for more, if you’re willing. Still room for more, don’t delay. There’s room for more, He is waiting. There’s room for more, trust and obey!”

God Is Our Refuge by Allen Pote, SATB with piano and optional 2 trumpets
An Allen Pote classic, characterized by a memorable, easy to sing melody, a beautiful text from Psalm 46, and a driving rhythmic accompaniment that enthralls. For keyboard with optional C and B-flat trumpet duet, this is first-rate material without being difficult. This is one of the most requested pieces in the Hope catalog.

I Am Not My Own arr. Lloyd Larson, SATB with piano and optional orchestra
This modern hymn by Skye Peterson, Ben Shive, Bryan Fowler, and Thomas Anderson has been arranged with breathtaking musicality by Lloyd Larson. Theologically rich metaphors abound throughout the lyric, and the memorable melody pairs well with Lloyd’s sensitive piano accompaniment.

Be Thou My Vision arr. Paul John Robinson, SATB divisi with piano
Immerse your choir in the timeless beauty of “Be Thou My Vision,” elegantly arranged by Paul John Robinson. This rendition of the revered 8th-century Irish hymn is a masterful interpretation, gradually building from a gentle opening to an awe-inspiring finale. With skillful key changes and a captivating progression through stanzas, Robinson’s arrangement is a testament to exquisite simplicity and profound musicality.

God Almighty Is! by Mary McDonald, TTBB with piano and optional orchestra
This original anthem powerfully proclaims that God is “the light, he’s the courage, he’s the strength. Holy, holy, God Almighty! He is power and the glory, God Almighty is!” Celebrating the many attributes of God, the riveting melody and harmonies will lift the congregation in praise to God.

How Great Thou Art arr. Lloyd Larson, SAB or 2-part mixed with piano
This classic hymn takes on new life in Lloyd Larson’s expressive NEW setting for SAB choir and piano accompaniment. Dramatic and inspiring are apt descriptions of this timeless hymn setting.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Christopher B., Organ Music Specialist

Prepare the Way arr. Howard Helvey
Howard Helvey has created four exquisite settings of wonderful Advent selections for organ. Beautifully capturing the mystery and wonder of Advent, the book contains Intrada on “Conditor alme siderum’ (Creator of the Stars of Night); Prelude on “Nun komm, der Heiden Heiland” (Savior of the Nations, Come); Meditation on “Es ist ein Ros” (Lo, How a Rose E’er Blooming) and Flourish on an English Carol (Tomorrow Shall Be My Dancing Day). This will be a special treat for the player and all to experience during the holy season of Advent.

A Sleigh Ride for Three! by Leroy Anderson/arr. Robert Gower
Saddle up your one-horse open sleigh for a Leroy Anderson organ joy ride! In this mini collection, accomplished arranger Robert Gower has put his masterful touch on three Anderson gems: “Song of the Bells,” “A Trumpeter’s Lullaby,” and “Sleigh Ride.” The result is an addition to your concert repertoire that will thrill player and listeners alike, while celebrating the genius of one of America’s most beloved composers.

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.