News & Views Friday, February 07, 2025

Category: New Publications

ACES OF THE SKY: Best New Marches for Band 06 February, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Aces of the Sky by Christina Huss, Grade 2
This new, accessible march from up and coming composer Christina Huss is the perfect introduction to march style. In a traditional style, this piece has everything you need to teach march style and put on a great show at the same time. A worthwhile chart for any concert band library.

The Attorney General by Karl L. King/arr. Andrew Glover, Grade 4
Here’s a Karl King march that is a guaranteed crowd-pleaser! “The Attorney General” has all the hallmarks of great King marches – tuneful melodies, exciting countermelodies, and that unique sound you’ll only find in a “Kingtune!” Exciting parts for all sections of the band make this a sure favorite for performers as well as audiences.

The Crosley March by Henry Fillmore/arr. Loras John Schissel, Grade 4
Written for Powell Crosley of the Crosley Radio Corporation, “The Crosley March” arranged by Loras John Schissel resounds with the zest of Fillmore at his best. It’s not easy, but it’s worth any time needed to work it up.

Trouping Days by Karl L. King/arr. Gene Milford, Grade 3
“Trouping Days” is a popular “band wagon” march, played fast and loud as the band rode through towns to attract customers. This arrangement by Gene Milford exhibits Karl King’s wonderful gift for melody and is scored for the current concert band from his original edition.

Heartland March by Randall D. Standridge, Grade 2
Take a trip down home in this dazzling work that mixes bluegrass music with the traditional march structure. Fiddle and folk harmonies inspire the catchy melodies, with engaging parts for all instrumentalists. With optional parts for authentic bluegrass instruments, this march will be sure to leave your audience’s toes tapping at your next concert or festival performance!

Blackthorn March by Randall D. Standridge, Grade 1.5
Return to the Darklands with this exciting Grade 1 march. Dark harmonies and precise articulations combine to paint a portrait of Lady Blackthorn, the mysterious figure who rules the outer edges of the kingdom. Mixing elements of traditional march structure with a cinematic flair, this work will be an excellent introduction to the genre for younger and developing musicians and will be a perfect choice for your next festival or concert performance!

March of the Hobgoblins by Randall D. Standridge, Grade 1.5
Dance rhythms and creepy melodies combine in this new 6/8 concert march for young band! Inspired by the mischievous spirits of the British Isles, it paints a portrait of imps dancing and cavorting in a dark forest. Scored carefully to serve as an approachable introduction to compound meter, your performers and audiences will enjoy the catchy melodies, dark harmonies, and colorful scoring as every player gets the chance to shine!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Crown Him Lord of All! Anthems for Easter 2025 05 February, 2025

recommended by Jennifer F., Sacred Choral Music Specialist

Crown Him Lord of All arr. Mary McDonald, SATB with piano and optional brass, organ & timpani
This rousing resurrection anthem blends the familiar hymn with Sharon Damazio’s popular Easter praise song, “Crown Him King of Kings.” To enhance your Easter celebration, there are options to add organ, brass, and timpani.

Risen Indeed! by Victor C. Johnson, SATB a cappella
Victor Johnson showcases his artistic brilliance in this original a cappella spiritual. The call-and-response section between choir and soloist, the rollicking ostinato featured in the final pages, and the irresistible rhythmic vitality of the choral writing all contribute to a winning anthem that expresses the joy believers share on Easter morning.

Alleluia! He Lives! arr. Dennis Allen, SATB with piano and optional praise team & congregation
This arrangement is from the new and bestselling Choir + Praise Series featuring choral anthems with optional praise team. The pairing of Beethoven’s classic HYMN TO JOY with Bill and Gloria Gaither’s universally loved “Because He Lives” results in a joyful celebration of praise!

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

Spirituals Dialect 04 February, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Spirituals Dialect: A Practical Guide for Singers, Voice Teachers, and Choral Conductors by Rosephanye Powell
Rosephanye Powell’s brilliant guide helps singers sing, interpret, and express the meaning and beauty of the spiritual. While it is written as a quick reference for the independent singer, vocal instructor, or choral director, it can be a valuable resource for private voice lessons, diction courses, studio classes, choral classes, and any setting where spirituals are studied and performed – a brilliant resource provided by a world-class singer, composer, arranger, teacher, and scholar.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Blessed Assurance: Handbell Music for General Worship 03 February, 2025

recommended by Jennifer F., Handbell Music Specialist

Blessed Assurance arr. Sondra K. Tucker, 3-5 (6) octaves handbells & handchimes, Level 3
With an easy lilt that feels like a stroll on a Sunday afternoon, this creative arrangement of the familiar hymn ASSURANCE is sure to bring comfort and a sense of peace to your worship service. Written in 9/8, the piece flows along with melody first in treble bells, then with chimes in the battery, and ending with a fuller statement of the opening. A charming piece that all will enjoy.

All Hail the Power of Jesus’ Name arr. Sandra Eithun, 3-6 octaves, Level 2+
Suitable for Easter, Christ the King, or general worship, this setting is a solid piece of handbell literature that will make your ensemble shine. The use of LV against thick chords conveys the strength of the hymn.

Blessed By the Spirit arr. Karen Buckwalter, 3-5 octaves with optional handchimes, Level 2+
This lush, flowing medley of two gorgeous hymntunes provides a moment of calm assurance. Intricate harmonies abound, and the addition of melody lines on handchimes enhances the beauty of this setting.

A Blessing by Michael Helman, 3-5 octaves with optional handchimes, Level 2+
Written in honor of his grandsons, this delicate original from Michael Helman is perfect for the intermediate choir looking to focus on their musicality. Flowing accompaniment lines and a heartfelt melody combine to make this a truly gorgeous experience.

He’s Got the Whole World in His Hands arr. Benjamin A. Tucker, 3-5 (6) octaves handbells & handchimes, Level 3
Enjoy this swing setting of the cherished spiritual – the stopped techniques make it sing! A walking bass, an ethereal B section for “He’s got the wind and the rain,” and some jazz chords along the way make this a fun piece for worship or concert.

In Christ Alone arr. Lloyd Larson, 3-5 octaves with optional piano, Level 2
The popular contemporary Christian hymn is set here for Level 2 handbells and optional piano. Beautiful and accessible.

It Is Well with My Soul arr. Karen Buckwalter, 3-5 octaves with optional piano, Level 2+
Enveloping listeners in an atmosphere of peace and serenity, this setting captures the essence of the beloved hymn’s message of faith and resilience. While it can be performed with handbells only, the piano accompaniment fills in harmonies and adds rhythmic interest, deepening the emotional resonance of the piece.

Jerusalem, My Happy Home arr. Anna Laura Page, 3-5 octaves, Level 2+
Simple and lush, this setting of the hymntune LAND OF REST is perfect for use throghout the church year. With minimal technical challenges, ensembles can instead focus on growing in their musicality and performance.

The King of Love My Shepherd Is arr. Jantz A. Black, 3-5 octaves, Level 2
Simplistic beauty is the best way to describe this lovely arrangement. Accessible at Level 2, ringers and listeners will be enchanted by its charming beauty.

Praise to the Lord, the Almighty arr. Sondra K. Tucker, 2-5 octaves, Level 2
Accessible to most groups, yet energetic and exciting, this setting of Lobe den Herren is written for two to five octave handbells, making it an excellent festival selection or worship selection for groups large or small.

Praise to the Lord, the Almighty arr. Lloyd Larson, 3-5 octaves, Level 2+
This approachable setting of the hymntune LOBE DEN HERREN is perfect for use throughout the church year. The melody moves throughout the ensemble, giving all parts a chance to shine, and there are just enough harmonic twists to keep each verse fresh and exciting!

Prelude on Abbott’s Leigh arr. Sandra Eithun, 3-5 octaves with optional handchimes, Level 2
Enchanting and expansive, here is a new arrangement of the historic tune commonly paired with Fred Pratt Green’s “God Is Here!” and Jeffery Rowthorn’s “Lord, You Give the Great Commission.” Sweeping harmonies in the beginning give way to crisp mallets in the middle section, then return to create a glorious finish.

Rejoice, the Lord Is King arr. Ron Mallory, 3-5 octaves, Level 3
This sparkling arrangement of Darwell’s 148th features Mallory’s trademark rhythmic accompaniment and uses stopped techniques to add interest and excitement right up to the end!

Rejoice, the Lord Is King arr. Linda Scholes, 2-3 or 3-6 octaves, Level 2+
This powerful setting of DARWALL’S 148TH is a perfect choice for the Easter season or any time something bold and celebratory is called for. Available in compatible 2-3 and 3-6 octave settings, its bold harmonies and driving rhythms are equally at home in church as in concert or festival settings.

When In Our Music God Is Glorified arr. Sondra K. Tucker, 3-5 octaves with optional keyboard, brass & congregation, Level 2
This flexible setting of the beloved hymn tune, ENGLEBERG, stands alone as a handbell piece, and features optional parts for keyboard, brass, and a soprano descant. Any combination of the instruments can also serve as the accompaniment to congregational singing. Additional texts set to ENGELBERG include, “We Know That Christ Is Raised,” and “All Praise to Thee, For Thou, O King Divine.”

Shop Stanton’s for all your sheet music needs!

About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

Unleashing the Potential of the Musician’s Body 31 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Unleashing the Potential of the Musician’s Body (Timani: Anatomy and Exercises for Healthy Playing and Singing) by Tina Margareta Nilssen
“Unleashing the Potential of the Musician’s Body” offers clear and practical tools for music professionals, students, educators, movement specialists, and therapists working with musicians. You’ll learn about relevant anatomy – in particular, joints, muscles, and fascia – and get information on how the brain and movement are linked together. You’ll find dozens of illustrated performance-targeted exercises for all parts of the body, with specific instructions for different types of instruments as well as for singers. The exercises are designed to optimize movement and make playing or singing more effortless and expressive – and through this, access more musical potential. This book also touches on subjects such as warm-ups, pain, healthy living, and self-care tips.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Calvary’s Lamb: A Song, A Sacrifice, A Savior 29 January, 2025

recommended by Jennifer F., Sacred Choral Music Specialist

Calvary’s Lamb: A Song, A Sacrifice, A Savior by Mary McDonald, SATB with piano and optional orchestra
The Passion story is told with consummate skill through words and music. Walk the streets of Jerusalem in the spirited Palm Sunday opening, visit the Upper Room, the Garden of Gethsemane, and finally the hill of Golgotha. The closing soars with the hope of the resurrection. Each anthem can be performed separately during Lent and Holy Week or together as a 30-minute cantata with narration. Easily prepared and presented.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

CURTAIN RAISERS: New Concert Openers for Band 27 January, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Capriccio by James Barnes, Grade 3
“Capriccio” is the third composition by James Barnes that resulted from a commission by the Zushi High School Alumni Band in Kanagawa Prefecture, Japan. It is a light-hearted, happy piece in rondo form, full of bell tones in the brass, accompanied by jazzy harmony, long melodic lines and lots of counterpoint in the woodwinds.

Elevation by Chandler L. Wilson, Grade 3
Inspiring from the onset, this work has all the trappings of a modern fanfare – while still being perfectly suited to any concert program. Chandler’s harmonic and rhythmic choices are infectious and will leave both musicians and audiences grinning from ear to ear! A great teaching piece with a lot to focus on, Elevation is a must for your concert repertoire this season!

Excursion! by Lisa Galvin, Grade 3.5
Lisa Galvin’s latest programmatic work, “Excursion!” takes us for a ride on the Erie Canal. Drawing on themes from the well-known “Erie Canal” folk song, this frolicking work transforms that theme into a celebration of the famous stretch of waterway and those who built it. A piccolo soloist gives a nod to the Irish heritage of the workers, and a challenging clarinet solo harkens a raucous German polka that has this work driving to a fun and exhilarating ending!

A New Day Breaking by Travis J. Weller, Grade 3
Written as a celebratory fanfare or concert opener, this work for band is an opportunity to explore the excitement of new day breaking and the possibilities it holds. The work is dedicated to a particular director, but also all who welcome the opportunities and challenges of the new day.

Skyward Spirits (A Micro-Symphony) by JaRod Hall, Grade 3.5
Journey through a tale of flight and fervor. Brass fanfares and woodwind flourishes ignite the sky before drifting into a soulful reflection with expansive melodies. The tempestuous scherzo of storm and spirit leads into a final jubilant dance.

A Tale So Tall by Anthony O’Toole, Grade 3.5
Bursting forth from the first downbeat, this tour-de-force maintains endless momentum and zeal until it reaches its triumphant and ultimately peaceful conclusion.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

BELLA CIAO: New Choral Music from Around the World 24 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Bella Ciao arr. Christi Jones, 3-part mixed with piano (optional a cappella)
Jones has masterfully created an Italian song for emerging mixed choirs that affords an introduction to limited Italian text in a fun, accessible setting. Well worth the effort, whether performed with piano or optional a cappella.

La Llorona arr. Ricardo Soto, SATB with piano
Welcoming composer Ricardo Soto to the Heritage Music Press catalog, this exquisite piece, expressing the sentiments of profound sorrow and deep, inconsolable pain. “La Llorona” in Spanish refers to the one who weeps. This piece for mature high school or collegiate choirs is truly a standout with it’s expressive nature and musical challenges. With chordal dissonances that embody the feeling of sorrow, the craft of this work is truly magnificent!

Wild Mountain Thyme arr. Benjamin Knoedler, SATB with piano
Benjamin Knoedler’s setting of the popular Scottish folk tune fully displays Scottish musical character with contemporary flavor. A joy for choirs and audiences alike, this is a versatile programming option that celebrates the beauty of this lovely folk song.

La Martiniana arr. Dan Davison, SSA with piano
“La Martiniana” is closely associated with Dia de los Muertos (Day of the Dead). However, in Mexican culture, it can take on a joyful tone, rather than a somber one. Davison’s SSA arrangement is joyous! With a left hand imitative of guitar and accessible vocals, Davison captures the spirit of this cultural celebration to a tee. Highly recommend.

Aki to Fuyu (Two Songs of the Seasons) by Andrew Jacobson, SA with piano and violin
Commissioned for the Oregon MEA All-State Middle School Treble Choir, this unique set of two short pieces is a splendid addition to treble chorus repertoire. Featuring two texts by Secretary Shōtetsu, a Japanese poet and monk of the Rinzai Sect who lived during the mid-Heian period, and written in contrasting styles, the opening, deeply expressive “In the Coldness of the Night” is followed by the vibrant and lilting “Up Above the Winds.” The optional violin adds warmth and intriguing tone color to this innovative work for concert and festival appearances. A pronunciation guide and translation are provided for the Japanese lyrics.

Dúlamán arr. Cristi Cary Miller, 3-part mixed with piano
This traditional Irish Folk Song is an enjoyable tale of courtship. Set in a lively 6/8 tempo, the music expresses the cheerful optimism of a budding relationship. The Gaelic text is easy to learn and the melody will definitely remain in the hearts and minds of all who hear it.

Three Balinese Folk Songs arr. Matt Carlson, 2-part with piano
Three indigenous melodies from the island of Bali are presented in this charming suite for treble choirs. Drawing on a variety of primary sources based on extensive field research by Dr. Brent Talbot, each short song includes cultural background notes and a full pronunciation guide and translation. Arranger Matt Carlson adds simple vocal harmonies and counterlines sparingly, allowing the gorgeous melodies to shine. Piano accompaniments reflect compositional techniques of Balinese gamelan, the traditional instrumental music played across Indonesia. Titles include: “Juru Pencar,” “Jenggot Uban,” and “Putri Cening Ayu.”

Ye Banks and Braes arr. John Leavitt, TTB a cappella
A classic text combines with a Scottish tune in this accessible a cappella offering for tenor/bass choirs, making this arrangement a great choice for both the festival and concert stage.

Jumalo arr. Laura Jēkabsone, SATB divisi a cappella with bass drum or cajón
As recorded by the Latvian Voices, “Jumalo” arranged by Laura Jēkabsone is a fresh take on the Latvian folksong. With themes of power, strength, and luck, this tremendously fun setting sounds impressive, but is quite singable. Choirs and audiences will have a blast with this one!

Artza Alinu arr. Russell Robinson, SAB with piano
Robinson’s delightful setting of the traditional Hebrew folk song dances off of the page! Hand claps, opportunities for simple choreography, a pronunciation guide, and performance notes serve to enhance this energetic programming choice that is perfect for any time of the year.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Alleluia! A Praise Gathering for Believers 22 January, 2025

recommended by Caryn G., Sacred Piano Music Specialist

Alleluia! A Praise Gathering for Believers by Bill & Gloria Gaither and Ron Huff/arr. Mark Hayes
In the 1970s, “Alleluia” by Bill and Gloria Gaither and Ronn Huff was the top selling choral cantata in the US. To celebrate the 50th anniversary Mark Hayes has created a fabulous piano collection of eleven titles from the cantata, including “Let’s Just Praise the Lord,” “There’s Something About That Name,” “Because He Lives,” “Something Beautiful,” and “Get All Excited.” Plus, the book will contain a series of photos from the original debut.

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

At the Cross: New Anthems for Lent & Palm Sunday 20 January, 2025

recommended by Jennifer F., Sacred Choral Music Specialist

At the Cross (Love Ran Red) arr. Mary McDonald, SATB with piano and optional orchestra
Mary McDonald’s arrangement of this popular worship song is striking in its dramatic scope, making it an excellent choice for Holy Week or throughout the church year. Mary’s inclusion of the “I Surrender All” text, her well-crafted vocals, and the optional Michael Lawrence orchestration all work together to powerfully convey Christ’s sacrifice to the minds and hearts of your listeners.

God So Loved by Mary McDonald, SATB with piano
With reverence and awe, the immortal biblical passage John 3:16-18 is set sensitively and beautifully to stunning new music. Hear these poignant and deeply moving words anew through this sensitive and amazing offering. Gorgeous!

Hosanna to Our King! by Lloyd Larson, SATB with piano and optional percussion
A Hebrew folk melody at the beginning seems to invoke the image of Jesus riding into Jerusalem. The middle section is the hymn tune LEONI with a different text. Add tambourine and finger cymbals for extra zing!

Lift Up Your Voice (A Palm Sunday Celebration) arr. Mark Burrows, SATB with piano and optional trumpet & children’s choir
This anthem from Mark Burrows offers a vibrant start to your Palm Sunday worship service! Mark’s joyful lyric, set to the traditional French melody BESANÇON in a lively 6/8 meter, is enhanced by the optional inclusion of a children’s choir and B-flat trumpet. The piece begins simply, moves into a more contemplative middle section, and culminates in a glorious conclusion.

Ride On, King Jesus arr. Patti Drennan, SATB with piano
Arranger Patti Drennan brings us this vibrant spiritual, ideal for Ascension Sunday, Palm Sunday, or any general worship service. Beginning with a robust vocal fanfare, the music quickly settles into a rhythmic groove that will keep feet tapping throughout. The bluesy piano accompaniment and tight vocal harmonies make this an inspired selection that choirs will want to sing again and again!

Song of Golgotha (The Sacrificial Lamb) by Lloyd Larson, SATB with piano
Observe and remember Good Friday with this moving anthem that captures its somber mood. Blending new words and music with classic Lenten themes, this selection paints a vivid picture of Christ’s sacrifice. The scripture passage Isaiah 53:3-7 forms the basis for the moving text.

The Mercy Seat by James Barnard, SATB with piano and optional cello
Combining a profound John Newton text with a haunting original melody, this selection for Holy Week will surely linger in the minds and hearts of your listeners. The atmospheric piano accompaniment perfectly supports the beautifully flowing melody and a brief a cappella section highlights this stellar composition.

Arise, My Soul, Arise arr. Dan Forrest, TTBB with piano and optional violin
Now available for Tenor/Bass choirs, Charles Wesley’s text, set to CHODAN, is a tender, yet emphatic statement of faith and commitment. Scored for TTBB chorus with piano and optional violin (part included in the choral score) this anthem is suitable for Lent, communion or general worship during a time of confession and assurance of pardon.

Before the Cross of Christ We Stand by Lloyd Larson, SATB with piano
“Before the cross of Christ we stand, and gaze upon the nail-pierced hands of Him who died that we might live eternally.” This Larson setting provides an accessible but meaningful addition to your Lenten season, or as a reflection on Good Friday.

Here Is Love, Vast As the Ocean arr. Tracey Craig McKibben, SATB with piano
This anthem from Tracey Craig McKibben paints a beautiful portrait of God’s great love through inspired music and lyrics. Robert Lowry’s well-known tune is handled with great care, and, in addition to the traditional lyrics associated with this melody, Tracey deftly incorporates a verse of “O the Deep, Deep Love of Jesus.” This is truly a moving expression of worship you won’t want to miss.

In the Cross of Christ I Glory arr. Sean Paul, SATB with piano
Suitable for Lent and Holy Week, the familiar text paired with BEACH SPRING is a lovely combination. The coda features an a cappella appearance of “Near the Cross” and concludes with a hushed return of the opening material to evocative effect.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

THE HIGH SEAS: New for Concert Band 17 January, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

A Ship in the Mist by Rossano Galante, Grade 4
Experience a dynamic ocean adventure with this engaging work composed in a sea shanty style. Solid and rhythmic elements complement gorgeous lyrical writing, soaring themes, and lush harmonies. A fast, rhythmic transition brings the main theme back for a thrilling conclusion.

Fortune and Glory by Jack Wilds, Grade 1
This evocative, exciting piece will transport your audience into a swashbuckling action movie. Filled with twists, turns, and jump cuts, the music feels much like a soundtrack that is sure to ignite your students’ imaginations. Highly energetic and highly approachable!

Sirens by Randall D. Standridge, Grade 2.5
The mysterious and haunting voices of the sea serve as the inspiration for this next chapter in the “A Pirate’s Adventure” series. Having escaped Shadow Cove, Captain Fangg and his crew are lured to a mysterious isle by a siren’s song, where they are hypnotized until attacked by fiends and demons! Featuring singing moments for instrumental musicians, this programmatic work provides contrasting tempi and style to help develop your young musicians while telling an exciting pirate’s tale. Sure to be a favorite of audiences and players alike at your next concert or festival performance.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Finding the Sunshine: New Titles for Beginning Choir 16 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Finding the Sunshine by Jim Papoulis, Unison/2-part with piano
A perfect introduction to syncopation and jazz, this sunny text reads and like a cross between Jim Papoulis and Mr. Rogers, setting the stage for a introductory number with easy vocal jazz flourishes and a even-keeled beat.

It’s a Brand-New Beautiful Day by Mary Donnelly & George L.O. Strid, 2-part with piano
Swing into happiness with a lively, up-tempo choral that’s guaranteed to put a skip in your step and a smile on your face! Crafted in a fun “swing” style with easily accessible vocal lines and a jazzy accompaniment, this infectious tune radiates with positivity and excitement, inviting singers to embrace the joy of each “brand-new beautiful day”!

Butterfly, Flutter By by Greg Gilpin, 2-part with piano
This delightfully fresh, creative original weaves together gentle harmonies, lighthearted lyrics, and a spirited accompaniment to paint a vivid picture exploring themes of growth, change, and the delicate balance of life. As the butterflies flutter by, so too will this enchanting melody flutter through your soul, leaving a sense of joy and wonder in its wake.

Now the Day Is Over by Jen Wagner, 2-part with piano
Here’s a traditional lullaby text set to original music in partner song style. At the heart of the piece, the flowing melody is paired with a descant-like counterline to create lovely harmony. The supportive piano accompaniment, moderate vocal ranges, and careful attention to voice leading make this a solid choice for developing choirs.

Au Pas, Camarades (Song of the Onion) arr. Emily Crocker, 2-part with piano
The French love their onions as you can hear in this French marching song from the 1800s. The verses tell the story (in compound meter) and the refrain helps the marchers stay in step (in duple meter). Impressive sounding and easily learned!

Dreams Were Made to Come True by Nathaniel Stine, 2-part with piano
This inspiring anthem reminds us that dreams create endless possibilities. An arpeggiated accompaniment, conservative vocal ranges, and a pop-style melody make this easy to learn and a joy to sing. Opens with an optional solo – “Dream a dream, plant a seed, hoping someday it will grow.”

There Will Be Stars by Andy Beck, 2-part with piano
“At the end of every day, there will be stars.” Stars are the inspiration for this stunning concert work that offers the reassurance only nature can bring. A lilting piano theme weaves its way through cascading vocal lines that seamlessly expand from pristine unisons into sumptuous sonorities. Your altos will especially love their “glimmering, glistening” interjections. Be sure to observe notated dynamics, which lean into several well-approached suspensions and taper to twinkling resolutions.

Little Voice arr. Audrey Snyder, 2-part with piano
“Sometimes a little voice can say the biggest things.” This beautiful Sara Bareilles ballad encourages us to find our authentic voice and courageously use it. This simplified, shortened arrangement makes an ideal piece for school choirs promising success and enjoyment.

You Are Light by Mark Burrows, 2-part with piano and optional djembe
“In the light I have found my family, I am safe to sing my song.” With a lightly syncopated, contemporary sound, this uplifting original expresses the need for a warm and welcoming community for all. Composer Mark Burrows reminds us that we can help others feel comfort and belonging simply by sharing our inner light. Perform with piano alone or with the addition of an optional djembe. Rich with opportunities for social-emotional learning.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

MERRILY WE ROLL ALONG: New Titles from Stage & Screen 15 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Merrily We Roll Along (from Merrily We Roll Along) arr. Jason Robert Brown, SATB divisi with piano
The stars are aligned for Stephen Sondheim’s 1981 Broadway “failure”, which, through the eyes of time (which the musical expertly navigates, to an astounding effect), has been re-appraised as a under appreciated masterpiece from the late composer. Jason Robert Brown takes the many permutations of the main theme and pares them down to this exquisite and genuine choral arrangement.

A Brand New Day (Everybody Rejoice) (from The Wiz) arr. Connor Warren Smith, SATB with piano and optional rhythm
From the Motown-inspired musical “The Wiz,” this funky, feel-good song is a joyful celebration of fresh starts and endless possibilities. Optimistic lyrics, a funky groove, and an upbeat hook create the ultimate opener or closer for four-part show and concert choirs. Don’t miss our exuberant SoundTrax or perform with live guitar, bass, and drums.

Something About This Night (from Finding Neverland) arr. Roger Emerson, SATB with piano and optional rhythm
Sparkling with the spirit of Broadway magic, “Something About This Night” (from Finding Neverland) comes alive in this showstopping choral arrangement by Roger Emerson. Stellar vocal parts offer energetic harmonies and several opportunities for solo vocalists to shine. Easy to learn, yet instantly impressive.

Great Expectations (from The Outsiders) arr. Mac Huff, SATB with piano and optional rhythm
Coming-of-age is neither organized nor predictable. S.E. Hinton’s 1967 novel “The Outsiders,” brought first to the screen in 1983 and then to a Best Musical-winning stage production in 2024, highlights the parallels between art and life, as protagonist brothers read the Charles Dickens’ classic and muse about what life has in store for them.

Stay Gold (from The Outsiders) arr. Roger Emerson, SAB with piano and optional rhythm
Amidst the turmoil and angst the young protagonists endure in the Tony-winning musical “The Outsiders,” comes this guitar-based reprise championing a message of resilience. In the face of adversity, you can find beauty in the simple things in the world if one only remembers to look.

Corn (from Shucked) arr. Eric Van Cleave, SATB with piano and optional combo
Musical theater fans will be all “ears” for this barn-burner from Broadway’s “Shucked.” It’s a truncated version of the a-maize-ing opening number. Sing about the world’s most useful crop in a hilarious three-minute arrangement that hits all the highlights of the corny crowd-pleaser. Kicks off with a theatrical duet, breaks into a bouncy two-beat, includes a kernel of a kickline, plus some full gospel sangin’ at the end – wow!

What Was I Made For (from Barbie) arr. Jennifer Lucy Cook, SATB with piano
The “Barbie” movie deepened connections to the iconic toy doll with a sophisticated story and compelling soundtrack. Billie Eilish’s rumination on purpose and identify is given a towering choral arrangement courtesy of Jennifer Lucy Cook, with rich harmonies and diverse textures infusing the work, all while keeping the music’s message simple and clear.

When I Grow Up / Naughty (from Matilda) arr. Mac Huff, 3-part mixed with piano
From the musical “Matilda” come two songs that poignantly express the desire for independence and equality: “When I Grow Up” and “Naughty.” These songs capture the magic and whimsy found throughout the musical known for its fun, unconventional, and off-beat style.

You Will Be Found (from Dear Evan Hansen) arr. Mac Huff, TTBB with piano and optional combo
The powerful Act I closer from the Broadway hit musical “Dear Evan Hansen” explores the complexities of social connectivity and our need for respect and love. A perfect choral showcase for pop and concert choirs!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

NEW Jazz Titles from Doug Beach Music 13 January, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

A Little Orpheus Swing by Michele Fernández, Grade 2
This swing chart features an abundance of great ensemble work with solos spots for several members of the band. A perfect choice for grade 2.

Meet Me at the Taqueria by Doug Beach & George Shutack, Grade 2
A driving Latin feel is the foundation of this chart. With a strong melody, solid voicings and an open solo section, this piece will be not only a great concert choice, but also a wonderful vehicle for teaching young players this important style.

Circus Song by George Shutack, Grade 3
With a floating 3/4 feel as a foundation, the strong melody couples perfectly with the solid ensemble writing to create an abundance of teaching opportunities. A perfect change up for any program or festival.

Bring It On by Doug Beach, Grade 4
“Bring It On” is a straight-ahead swinger that burns from the opening notes to the final chord. With a strong melody, a sizzling unison ensemble line and lots of full ensemble, this one will have the audience asking for more. And there’s plenty of room to feature your soloists as well. A must have chart for any library.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

The Dawn’s Awake: Creative Programming for Tenor/Bass Choirs 10 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Dawn’s Awake by Nancy Hill Cobb, TTBB with piano
An exciting, rhythmic new concert opener for Tenor-Bass choirs with piano. With a fiery, optimistic text, this fanfare-like piece begins with stately unison lines, growing steadily to two parts, then three, then four, for a bright and bold conclusion.

Bring Me Back to My Heart by Jim Papoulis, T(T)B with piano and percussion
Like a sea shanty, “Bring My Back to My Heart” spirits along in a rollicking 6/8, waxing poetic about finding grace in one’s own self. When we are searching for meaning – come back home to your own heart.

Santiana arr. Sean Barnette, TTBB a cappella with percussion
“Santiana” is a sea shanty dating back to the 1850s, and is most likely inspired by the events of the Mexican-American War. The shanty gained a newfound popularity recently with a rise in sea shanties on social media. This awesome new Tenor-Bass choir arrangement contains an opening duet and is accompanied by rocking percussion (Timbales and Congas). Sung in both English and French, an IPA pronunciation guide is included in the score. Great fun for any concert or honor choir festival!

Dance! by Robert T. Gibson, TTB a cappella with body percussion/step routine
An outside-the-box rhythmic explosion that culminates with a notated step routine! Lyrics encourage listeners to “dance to the rhythm of your own drum,” embracing individuality and celebrating differences. Vocal percussion and satisfying parallel harmonies all add to the soul of this piece. Step instructions are included in the octavo, and an instructional video by the composer is available.

The Times They Are A-Changin’ by Bob Dylan/arr. Adam Podd, TTBB with piano
Now available for tenor/bass voices. This re-imagined interpretation of the classic Bob Dylan song is perfect for any concert with a social justice theme. The re-harmonization and contrasting musical style will bring a new attention and poignancy to these well-known words.

Measure Me, Sky! by Jonathan Reid, TTBB with piano
Floating melodic lines and resonant harmonies combine, lending an ethereal quality to this artistic piece that allows the imagination to soar. Leonora Speyer’s evocative text explores our relationship to the universe, and the musical setting provides delicious cluster harmonies supported by undulating triplets in the piano accompaniment to create a sense of motion and mystique.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Service Starters 09 January, 2025

recommended by Caryn G., Sacred Piano Music Specialist

Service Starters: A Worship Resource for Congregational Music-Making arr. Lloyd Larson
Start your worship service in a distinct and creative fashion with this unique resource by longtime church musician Lloyd Larson. These hymn settings enable collaboration between the pianist, scripture reader, vocal soloist, and/or instrumentalist, all while promoting congregational singing. With standard chorale harmonizations for the initial verses and inspiring key changes leading to a freely harmonized final stanza, this resource adds depth to your worship experience.

Titles include: “Holy, Holy, Holy! Lord God Almighty!,” “I Need Thee Every Hour,” “Come, Thou Fount of Every Blessing,” “When Morning Gilds the Skies,” “O for a Thousand Tongues to Sing,” “O Worship the King,” “Near to the Heart of God,” and “Be Thou My Vision.”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Feature a Vocalist on Your Next Jazz Concert 08 January, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

When You Wish Upon a Star arr. Chuck Israels, Grade 3-4
Using a comfortable moderate swing style, this masterful setting opens with the full ensemble then giving way to solo space for tenor sax. A key change announces the entrance of the vocalist who takes us the rest of the way out. Tender and very effective! Key of C.

Autumn Leaves arr. Mark Taylor, Grade 3-4
This standard tune from 1945 has consistently remained a favorite with jazz musicians. Featuring a timeless melody, beautifully scored background parts, and a medium swing style, this standout chart for vocal soloist belongs in every library. Key C minor.

You’d Be So Nice to Come Home To arr. Scott Ragsdale, Grade 3.5
A superb vocal chart with big band on a great jazz standard. The cut-time tempo is around 92 BPM. The vocal range is from G below middle C to third space C, plus there’s some unison scat with the saxes, too. Lead trumpet range is to written A above the staff. An exciting and very effective chart for your featured vocalist. Key of E minor.

Crazy Little Thing Called Love arr. Roger Holmes, Grade 3-4
Recorded by Queen in 1979, this iconic hit adapts beautifully for vocal soloist with jazz ensemble with its rollicking shuffle style and infectious simplicity and charm. Definitely a “feel good” tune!

The Girl from Ipanema arr. Roger Holmes, Grade 3.5
Made famous by Astrud Gilberto and Stan Getz, this laid back Latin favorite features a great groove and tasty ensemble writing to back your singer, either male or female.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

THIS SATURDAY: Sacred Choral Reading Session for Spring & Easter 2025 07 January, 2025

Plan to attend Stanton’s Sacred Choral Clinic on Saturday, January 11th 2025, and you’ll be fully prepared for the next “holiday season.”

SACRED CHORAL READING SESSION
Saturday January 11th, 2025
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music
James E. Strouse Workshop Hall
330 S Fourth Street, Columbus OH 43215
Cost: $25.00 (there is no pre-registration for this session; you may register the day of the clinic beginning at 8:30)
email our Choral Department for more details

We will be featuring the best new choral publications for Spring, Lent, Easter, and beyond, as chosen by Stanton’s experienced Sacred Choral Music Specialists.

Attending this clinic is a fantastic way for you to choose new church anthems for your choir by hearing the music read live. This January’s clinicians will be Stanton’s own Jennifer Fry and president emeritus Jim Strouse. Please feel free to contact Stanton’s at 1-800-42-MUSIC and speak with a Choral Music Specialist for the details of the event. We look forward to seeing you on January 11th for a wonderful morning of singing!

ARISE, MY LOVE and More for Choral Festival and Adjudication 06 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

for MIXED CHOIRS
Arise, My Love by Stephen Dombek, SATB divisi a cappella
“Arise my love, my fair one, and come away!” A great way to sing in the spring season, and an ideal contest piece for high school concert choirs, select ensembles, and college/university choirs. SATB divisi, a cappella, with a flowing melody that is passed from section to section throughout.

Omnes gentes, plaudite manibus by Tine Bec, SATB a cappella
Experience the brilliance of Slovenian composer Tine Bec’s “Omnes gentes, plaudite manibus,” an exceptional choice for your high school or festival chorus. This masterfully crafted piece revitalizes ancient text with distinctive harmonic progressions, rhythmic claps, stomps, and a captivating finale, making it an ideal concert opener. Your students will adore learning and performing this piece, designed to be highly accessible and engaging, ensuring a memorable musical journey.

Plaudite (Plaudite Omnis Terra) by Victor C. Johnson, SATB with piano
Victor Johnson delivers the ultimate festival opener with this joyful mixed-meter selection meaning “clap your hands, all the earth.” A strong minor-key motive, harmonized in sturdy open fifths, is punctuated by rhythmic handclaps. A contrasting section quiets the middle before a brief accelerando builds back to the triumphant return of opening material. Prominent dynamics and captivating rhythms create excitement.

The Starry Night by Ruth Morris Gray, SATB with piano
“The Starry Night” by Vincent Van Gogh is the composer’s inspiration for this choral, which is filled imagery from the painting. The text is created from a quote by Van Gogh, “For my part, I know nothing with any certainly, but the sight of the stars makes me dream.” The composer has included discussion points about the painting and choral that can be used in rehearsal or classroom. Incredible teaching opportunities abound!

for TREBLE CHOIRS
Ave Maris Stella by Eva Ugalde, SSAA a cappella
While the Ave Maris Stella text has been set for choirs in many ways, Eva Ugalde’s unique compositional voice shines through here. Highly melodic, lovely part-writing, and a joyful spirit come through in this setting. A fantastic and energetic selection for treble choirs.

Alleluia by Bryan Sharpe, SSAA a cappella
The ancient joy-filled word ‘Alleluia’ is paired with contemporary harmony and gently syncopated rhythms. Independent parts weave in and out to create a brilliant musical tapestry, and subtle variations of dynamics and tempi add to the overall fabric. For Christmas or general use, concert or contest, this work will admirably showcase the abilities of mature ensembles.

Arirang (Mother of Mine) by Byunghee Oh, SSA with piano
This Korean homage to mothers is both captivating and poignant. SSA, with a flowing piano accompaniment that supports the voices throughout. Treble choirs of all ages will love singing this gorgeous piece, which ends with the most powerful and important phrase “I love you.” The Korean text is written in a transliteration that makes it accessible to all treble choirs.

Carrickfergus arr. Ruth Elaine Schram, SSA with piano and optional flute
Capture the rich tapestry of Irish culture with this enchanting arrangement of the beloved folk ballad. Embodying the essence of Ireland’s musical heritage, this sensitive setting will transport singers and audiences to the shores of Carrickfergus with its haunting melody and warm harmonies. From the subtle lilt of the verses to the gently flowing accompaniment and flute obbligato, each note resonates with the beauty and charm of the Irish landscape.

for TENOR/BASS CHOIRS
Will There Really Be a Morning? by Patrick Vu, TTBB a cappella
A well-loved Emily Dickinson poem is skillfully set in this a cappella setting for tenor/bass voices. Harmonies blend seamlessly, creating the perfect underscore for this classic and meaningful text.

A Traveler’s Heart by Christi Jones, TTB with piano
The majesty and grandeur of nature not only has the ability to heal, but also to create a blank canvas for artistic expression and heartfelt emotion. Jones captures those moments of encounter with creation that can take your breath away and simultaneously propel you forward into song.

Bound for the Promised Land arr. Douglas E. Wagner, TBB with piano and optional snare drum
This hearty and rugged setting of the American tune “Bound for the Promised Land” features comfortable vocal ranges and a driving snare drum, evoking an early American march-like feel. The piece includes unison sections that transition into accessible harmonies, making them easy to learn and intuitive for performers. Perfect for your high school TB ensembles!

Au Pas Camarades (Song of the Onion) arr. Emily Crocker, TB with piano
The French love their onions as you can hear in this French marching song from the 1800s. The verses tell the story (in compound meter) and the refrain helps the marchers stay in step (in duple meter). Impressive sounding and easily learned!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Teaching Music in a New Age 03 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Teaching Music in a New Age: Our Time Is Now! by Milton Allen
A post-pandemic teaching environment, a new generation of students, stress, depression, anxiety and fear, and a world of pressures and still we’re supposed to teach and make beautiful music. But in all the discussion, programs, and plans, what happened to those who stand in front of the students: US? And does music even matter? It does. Most importantly, so do YOU. Through a combination of stories, parables, and research, Dr. Milt Allen weaves a Zen-like tapestry that covers a broad range of subjects, yet all coming back to those who stand in front. Whether you need to rethink, renew, recover, or rediscover, there’s sure to be something for you in this incredible journey into what really matters.

Topics include:
• Dealing with fear and anxiety
• How little things can pull the rug out from under big things
• Understanding generational demographics for better teaching
• Brain development, adolescence, music, and your students
• Getting rid of “excellence”
• Performance-based philosophies versus participatory ones
• Taking chances
• Being selfish and self-preservation
• Graduate study
• Persistence
• Handling challenges
• Plus mountains, bicycles, stuffed bears, cancer, Jeff Coffin, ANTs, hamster tales, and more

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.