News & Views Wednesday, October 23, 2024

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

Lloyd Larson: The Comprehensive Collection arr. Lloyd Larson
Lloyd Larson’s signature and beloved arrangements have graced us for decades. To celebrate his notable work, we invite you to explore his best compositions and artful arrangements in this comprehensive collection. With works suitable for every occasion in the church year, this is a valuable collection for any church musician!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Alien Invasion from the Dark Planet by Brian Monroe, Grade 1.5
Colorful percussion and unusual instrumental effects will bring a true sense of amazement to your audience as the narrator tells the story of an alien invasion and its aftermath. The narration can be customized to make the setting local.

The Attorney General by Karl L. King/arr. Andrew Glover, Grade 4
Here’s a Karl King march that is a guaranteed crowd-pleaser! “The Attorney General” has all the hallmarks of great King marches – tuneful melodies, exciting countermelodies, and that unique sound you’ll only find in a “Kingtune!” Exciting parts for all sections of the band make this a sure favorite for performers as well as audiences.

The Crosley March by Henry Fillmore/arr. Loras John Schissel, Grade 4
Written for Powell Crosley of the Crosley Radio Corporation, “The Crosley March” arranged by Loras John Schissel resounds with the zest of Fillmore at his best. It’s not easy, but it’s worth any time needed to work it up.

Excursion! by Lisa Galvin, Grade 3.5
Lisa Galvin’s latest programmatic work, “Excursion!” takes us for a ride on the Erie Canal. Drawing on themes from the well-known “Erie Canal” folk song, this frolicking work transforms that theme into a celebration of the famous stretch of waterway and those who built it. A piccolo soloist gives a nod to the Irish heritage of the workers, and a challenging clarinet solo harkens a raucous German polka that has this work driving to a fun and exhilarating ending!

Fanfare Gratiam by Ryan Nowlin, Grade 3
“Fanfare Gratiam” (meaning Fanfare of Thankfulness) is the perfect piece for your next concert. Use it to honor someone special in the audience. After the heroic and grandiose fanfare strains, the music calms for the statement of the community’s hymn-like expression of gratitude – still playful, always loving, but still quick and uplifting. The works concludes with a musical hug – where the band, starting with the lowest instruments, completely expands to its maximum range over an unchanging, E-flat pedal.

Song of Solace by Ryan Nowlin, Grade 4
“Song of Solace” was written in memory of a specific person, but its message of love and hope in the time of tragedy applies to all of us. A simple melody in the solo flute is expanded into a soaring melody in the horns at the climax. This emotional work allows the band to expand their technique and musicality.

Songs of the Seas by David Shaffer, Grade 2.5
David Shaffer’s “Songs of the Seas” is a beautiful-four movement musical narrative depicting colorful creatures of oceanic life. Each movement colorfully depicts a different inhabitant of maritime life: “The Jolly Goldfish,” “Whale Watching,” “Fish of Angels,” and “Crab Walk.” The charming and sardonic poems of humorist Ralph Venezia (included in the scores) can be read before each movement to introduce each sea creature.

Trouping Days by Karl L. King/arr. Gene Milford, Grade 3
“Trouping Days” is a popular “band wagon” march, played fast and loud as the band rode through towns to attract customers. This arrangement by Gene Milford exhibits Karl King’s wonderful gift for melody and is scored for the current concert band from his original edition.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

An American In Paris Part 1 by George Gershwin/arr. Dave Henning, Medium
Competitive bands will love this powerful and epic treatment of Gershwin’s masterpiece “An American in Paris.”

An American In Paris Part 2 by George Gershwin/arr. Dave Henning, Medium Easy
Part 2 of Gershwin’s iconic “An American In Paris” starts somber before quicly building into a frantic pace. The chart crescendo’s to a majestic finish that will have the judges and audience on their feet!

Bolero by Maurice Ravel/arr. Allen Gray, Medium Easy
This classical gem from Maurice Ravel translates into a marching band arrangement that starts out soft with a beautiful elegant flute solo followed by a trumpet and mellophone duet. The arrangement keeps building every measure with the full band entering on the main theme followed by a truly epic crescendo to finish off this tune with a powerful statement.

Nessun Dorma (from Turandot) by Giacomo Puccini/arr. Chris Sharp & Carl Major, Medium Easy
This gorgeous classical masterpiece by Puccini from “Turandot” makes a truly epic vehicle for marching bands to both stir the crowd and blow down the pressbox!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

EXCELLENCE IN CHORAL LITERATURE
Saturday August 24, 2024
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.

Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

SACRED CHORAL READING SESSION
Saturday August 10, 2024
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Lloyd Larson
$25.00

Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.

Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 10, 2024
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Lloyd Larson
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

Calming Classical Piano Solos
Sometimes you just need some soothing piano music to relax, unwind, and let go. This collection gathers nearly 40 beautiful classical favorites for the intermediate-level player. Works include: Air (from Water Music) (Händel) • Arietta, Op. 12, No. 1 (Grieg) • Bagatelle in G Major, Op. 126, No. 5 (Beethoven) • Canon in D (Pachelbel) • Clair De Lune (Debussy) • Gymnopedie No. 1 (Satie) • Lullaby (Cradle Song) (Brahms) • La Pastorale (Burgmüller) • Piano Sonata No. 8 “Pathetique” (Beethoven) • Prelude in A Major, Op. 28, No. 4 (Chopin) • Prelude in C Major (Bach)• Reverie (Debussy) • Slumber Song (Gurlitt) • The Swan (Le Cygne) (Saint-Säens) • Waltz in A-Flat Major, Op. 39, No. 15 (Brahms) • and more.

Shop Stanton’s for all your sheet music needs!

recommended by Christopher B., Organ Music Specialist

The Holy City: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s signature jazz-tinged style pervades this new collection of hymn settings. Nearly all the hymn tunes are American in organ, including folk hymns, spirituals, and 19th century gospel songs. Varied characters provide music useful for preludes, offertories, or postludes throughout the church year. Titles include: “What a Friend We Have in Jesus,” “All the Way My Savior Leads Me,” “Battle Hymn of the Republic,” “Come, Thou Fount of Every Blessing,” “I’ve Got Peace Like a River,” “If Thou But Suffer God to Guide Thee,” “Jesus Loves the Little Children,” “Postlude on The Holy City,” and “We Shall Overcome.”

More Love to Thee: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s jazz-influenced style is in full evidence in this collection of pieces based on familiar hymns. The works range in size from several shorter preludes and postludes to two extended sets of variations particularly suitable for concert. The setting of the spiritual “Do, Lord” also includes an optional part for trumpet. Titles include: “More Love to Thee, O Christ,” “America, the Beautiful,” “Do, Lord,” “Variations on The Church in the Wildwood,” “Lauda Anima,” “Variations on Handel’s Sarabande,” and “God Be with You Till We Meet Again.”

Spirituals for Organ: Vibrant Settings with Jazz Spirit arr. Marianne Kim
The music and lyrics of African American spirituals form a rich tradition that has become an important part of Christian worship across the world. They were strong expressions of deep religious faith in the midst of tremendous adversity, and it is through that resonance that they speak powerfully to the hearts of Christians today. Marianne Kim’s organ music always draws on jazz, blues, and gospel elements-styles that (because of their shared African American roots) are especially effective when applied to spirituals. These pieces will be useful as preludes, offertories, and postludes. Titles include: “Every Time I Feel the Spirit,” “Down by the Riverside,” “Ain’t-a That Good News,” “Fix Me, Jesus,” “Jesus Walked This Lonesome Valley,” “Let Us Break Bread Together,” “My Lord, What a Morning,” “Steal Away,” and “Swing Low, Sweet Chariot.”

Lead, Kindly Light: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s style blends both jazz and classical influences to create vibrant and expressive music for worship. In this volume, she has arranged a number of beloved hymns of the faith for use as preludes and postludes. Also included are three original meditations that can be played separately or as a suite of expandable length for Communion. Titles include: “Grace,” “Hail to the Brightness of Zion’s Glad Morning,” “I Want Jesus to Walk with Me,” “Lead, Kindly Light,” “Meditation Suite,” “Once to Every Man and Nation,” “Sweet Hour of Prayer,” “Were You There?,” and “Something for Thee.”

Jazz Hymns and Spiritual Songs: Soulful Organ Settings for Worship or Recital arr. Marianne Kim
Deeply rooted, heartfelt harmonies and rhythmic nuance combine to produce a wealth of material to uplift and bless your congregation. Featuring a varied gathering of styles and moods, these amazing selections based on some of the best-loved melodies of the church are fun to play and a joy to hear. Titles include: “Savior, Like a Shepherd Lead Us,” “Deep River,” “Wonderful Words of Life,” “Nobody Knows the Trouble I’ve Seen,” “Pass Me Not, O Gentle Savior,” “Blessed Assurance,” “Sometimes I Feel Like a Motherless Child,” “Joshua Fit the Battle of Jericho,” “Beneath the Cross of Jesus,” and “In the Sweet By and By.”

Hymns of Faith: Organ Settings with Jazz Spirit arr. Marianne Kim
In this organ collection, Marianne Kim arranged some of her favorite hymns with her signature jazz-influenced style. Included are eight familiar hymns of faith and assurance, most of which are drawn from the beloved American gospel tradition. Also included is one exciting original postlude. Titles include: “Blessed Assurance,” “I Need Thee Every Hour,” “Jesus Loves Me,” “Joy, Love, and Peace,” “My Jesus, I Love Thee,” “Nearer, My God, to Thee,” “Only a Step to Jesus,” “Softly and Tenderly,” and “Leaning on the Everlasting Arms.”

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

EXCELLENCE IN CHORAL LITERATURE
Saturday August 24, 2024
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.

Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

SACRED CHORAL READING SESSION
Saturday August 10, 2024
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Lloyd Larson
$25.00

Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.

Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 10, 2024
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Lloyd Larson
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

A Sea Symphony by Ralph Vaughan Williams
The vocal score of “A Sea Symphony” was first issued in 1918, and the orchestral score was published six years later. Reflecting the experience of performances following the 1910 Leeds Festival premiere, together they included Vaughan Williams’s revisions up to that time, and have remained the staple texts for performances and recordings of the work for over a century. However, with the preparation of a new edition of the full score to incorporate the evidence of the composer’s further thoughts over four decades, and to correct errors and inconsistencies that came to light after a thorough checking of the source materials, the need to create a fresh redaction of the vocal score proved a welcome opportunity.

The result, presented in a modern, accessible engraving style, is fully compatible with its predecessor, retaining rehearsal marks but also adding bar numbers to assist choirs using a mixture of both scores. Where appropriate, the layout of the piano part has been altered for greater consistency and ease of playing, and discrepancies of punctuation, word division and capitalization in the underlay, overlooked in the original setting, have been corrected according to contemporary best practice. The occasional archaic language of some footnotes has been revised. Walt Whitman’s text is reproduced diplomatically, as set by the composer. A complete account of the editorial procedure will be found in the preface and critical commentary of the new edition of the full score, published in 2023 along with newly originated performing material.

Shop Stanton’s for all your sheet music needs!

EXCELLENCE IN CHORAL LITERATURE
Saturday August 24, 2024
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.

Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

SACRED CHORAL READING SESSION
Saturday August 10, 2024
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Lloyd Larson
$25.00

Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.

Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 10, 2024
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Lloyd Larson
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

The Girl in Satin by Leroy Anderson/arr. R. Mark Rogers, Grade 3
This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts – as well as an alternate transposition in C to avoid some of the technical difficulties bands may encounter with the composer’s original key.

China Doll by Leroy Anderson/arr. R. Mark Rogers, Grade 3.5
The year 1951 was very productive for Leroy Anderson. For a recording project with Decca records in June of that year he composed a number of his most popular pieces, many of which were played for the first time in these sessions, including this delightful composition, “China Doll.” It’s a great choice for any time of year, but is also an ideal substitute to the perennial holiday favorite, “Sleigh Ride.” This publication is the first-ever to offer a full score, edited by Mark Rogers.

Horse and Buggy by Leroy Anderson/arr. R. Mark Rogers, Grade 4
Like Anderson’s signature piece “Sleigh Ride,” “Horse and Buggy” is another example of his extraordinary ability to sketch a nostalgic scene in sound on a small canvas without a wasted motion. Here, a different horse pulls a different vehicle through a vanished landscape of long ago. This exclusive Southern band edition by Mark Rogers reintroduces Anderson’s enchanting work to new generations of audiences.

Serenata by Leroy Anderson/arr. R. Mark Rogers, Grade 4
“Serenata” was first performed on May 10, 1947 as an encore at the Boston Pops, with Arthur Fiedler conducting. Fiedler would later praise the piece as among the conductor’s favorites. Lyrics were added by Mitchell Parish in 1950, which would lead to recordings by the likes of Sarah Vaughan and Nat King Cole. With a beguine rhythm as a background, Anderson’s inspiration from the Latin-American serenade would give the piece its title. This publication is the first-ever to offer a full score, edited by Mark Rogers, offering Anderson’s enchanting work to new generations of audiences.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

EXCELLENCE IN CHORAL LITERATURE
Saturday August 24, 2024
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.

Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

SACRED CHORAL READING SESSION
Saturday August 10, 2024
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Lloyd Larson
$25.00

Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.

Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 10, 2024
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Lloyd Larson
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Sound the Trumpet by Henry Purcell/arr. Alfred Moffa & Rollo Dilworth, SAB with piano
A fresh voicing of a classic favorite, this piece will help introduce mixed ensembles to the Baroque style.

À Chloris by Reynaldo Hahn/arr. Adam Burnette, SSA with piano
“À Chloris” is one of Reynaldo’s most successful songs, composed in 1916. Arranged here for SSA choir and piano, Hahn’s timeless melody is well-suited to choral groups.

Averte Faciem Tuam by Tommaso Traetta/ed. Martin Banner, SSA with piano or optional orchestra
This 18th-century Italian piece is part of a larger work, “Miserere in F Minor.” This edition is based on a handwritten copy by Johann Simon Mayr and is scored for treble choir with piano or optional orchestral accompaniment.

Baciai per aver vita by Vittoria Aleotti/ed. Jami Lercher, SATB a cappella
The Amanda Quist Choral Series features this new edition of Vittoria Aleotti’s a cappella setting of “Baciai per aver vita” skillfully edited by Jami Lercher. Clarity of line and a firm harmonic base make this Renaissance madrigal accessible for your school or festival choirs – in addition, where can you find a piece featuring the impact of three women?

Still Wie Die Nacht (Calm as the Night) by Carl Bohm/arr. John Leavitt, SSA with piano
Nineteenth century German composer, Carl Bohm wrote sturdy and dependable music for the voice. John Leavitt brings his scholarship to this beautiful piece full of word painting and packed with emotion.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.