Advent Majesty arr. Karen Buckwalter, 3-5 octaves, Level 3 Karen Buckwalter’s bold medley of the hymntunes CONSOLATION, KINGSFOLD, and VENI EMMANUEL highlights the birth of Jesus as that of the King of Kings. The tunes are masterfully woven together, building in power and majesty throughout until the final, triumphant ending. Perfect for any time during Advent.
Celebrations for the Handbell Ensemble arr. Martha Lynn Thompson, 3 octaves, Level 2 This creative REPRODUCIBLE collection is playable by six or seven ringers. Titles include: “Come, Christians, Join to Sing,” “Come, Come Ye Saints,” “Come, Thou Fount of Every Blessing (Warrenton tune),” “Fanfare,” “Gaudeamus Igitur,” “A King in His Glory,” “O God, Beyond All Praising,” “Praise the Lord, Ye Heavens Adore Him,” “See Amid the Winter Snow,” and “Tuoro-Luoro- Luoro.”
Fantasy on French Carols arr. Michael Helman, 3-5 octaves, Level 2+ Three beloved French carols (Angels We Have Heard on High, He Is Born, and Ding Dong Merrily on High) are woven together in this festive medley suitable for church or concert use. Compatible editions for 2-3 and 3-5 octave ensembles give this setting greater use in festival settings, as well.
Lo, How a Rose E’er Blooming arr. Jason W. Krug, 2-3 octaves, Level 1+ This traditional Christmas carol with origins in 16th century Germany is designed for 2-3 octaves of handbells and is perfect for the developing ringer. The arrangement captures the hymn’s reflective and celebratory spirit, and is suitable for worship services, school and special events.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
recommended by Jennifer F., Handbell Music Specialist
Classic Rings II for Church & School arr. Martha Lynn Thompson This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.
Ring with Less for Beginners arr. Martha Lynn Thompson The twenty-three pieces in this collection take the beginning ringer from simplistic, straight-forward ringing on journey to gradually introduce the basic techniques used in ringing handbells. Each exercise includes one new thing for the developing ringers to learn and master. Titles include: “Jacob’s Ladder,” “Jesus Loves Me,” “Holy, Holy, Holy,” “Good King Wenceslas,” “Kum Ba Yah,” “Faith of Our Fathers,” “Praise the Lord, Ye Heavens Adore Him,” “The Friendly Beasts,” “Fairest Lord Jesus,” “For the Beauty of the Earth,” “O Come, All Ye Faithful,” “Joy to the World,” “Come, Christians, Join to Sing,” “Sleep of the Child Jesus,” “Hymn of Promise,” “Holy Manna,” “Jesus Christ Is Risen Today,” “The Angelus,” “Swing Low, Sweet Chariot,” “Saints Bound for Heaven,” and “The Snow Lay on the Ground.”
Ringing with Keys Volume 3 arr. Lloyd Larson Here is a collection of eight arrangements for smaller ensembles of handbell ringers and piano. It may be run with 1 ½ or 2 octaves of handbells, D5 to G6 or G4 to G6. The contents include a mixture of hymns useful for Christmas, Palm Sunday, Easter, Thanksgiving, and general occasions. The piano accompaniment fills out the harmonies, keeping the handbell parts accessible while adding beautiful texture and color to the arrangements. Titles include: “Come, Christians, Join to Sing,” “My Faith Looks Up to Thee,” “All Glory, Laud, and Honor,” “Still, Still, Still,” “We Gather Together,” “Give Me Jesus,” “O Love That Will Not Let Me Go,” and “Crown Him with Many Crowns.”
Simply Reproducible Hymns Volume 2 arr. Jason Krug This reproducible collection features eight well-known hymn tunes arranged for beginner to intermediate handbell ensembles. Each arrangement is designed to capture the hymn’s essence while being accessible to developing ringers. These arrangements will bring a sense of reverence and joy to any performance or worship service. Titles include: “Come, Christians, Join to Sing,” “Praise to the Lord, the Almighty,” “O for a Thousand Tongues to Sing,” “Come, Thou Almighty King,” “For the Beauty of the Earth,” “Immortal, Invisible, God Only Wise,” “Jesus Shall Reign,” and “I Sing the Almighty Power of God.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
Come Thou Fount of Every Blessing arr. Lloyd Larson, 3-5 octaves with piano, Level 2+ Using imagery of Christ as the giver of living water and the shepherd gathering his sheep back into the fold, this hymn reminds us of the ever-bountiful grace of God. This accessible, Level 2 setting for bells and piano captures the hymn’s devotional and uplifting spirit, making it suitable for worship services, concerts, and special events.
It Is Well with My Soul arr. Karen Buckwalter, 3-5 octaves with optional piano, Level 2+ Enveloping listeners in an atmosphere of peace and serenity, this setting captures the essence of the beloved hymn’s message of faith and resilience. While it can be performed with handbells only, the piano accompaniment fills in harmonies and adds rhythmic interest, deepening the emotional resonance of the piece.
Faithfulness arr. Bradley Anderson, 3-6 octaves with piano, Level 2+ This beloved hymn is celebrated for its powerful message of God’s unwavering faithfulness. Combining the resonant tones of handbells with the rich harmonies of the piano, you’ll find this beautiful setting perfect for worship services, concerts, and special events.
Marching to Zion arr. Jason Krug, 3-6 octaves, Level 3 This light, playful setting of the beloved hymn features pulsing rhythms and unexpected harmonies, bringing a fresh take on a traditional hymn. The melody moves throughout the ensemble, giving all parts a chance to shine.
Praise the Lord Who Reigns Above arr. Anna Laura Page, 3-5 octaves, Level 3- This setting of the hymntune AMSTERDAM has a marchlike feel, making this arrangement perfect for any upbeat or celebratory time in the life of the church. Numerous malleted sections appear, and a key change midway through adds an element of excitement to the piece.
Praise to the Lord, the Almighty arr. Lloyd Larson, 3-5 octaves, Level 2+ This approachable setting of the hymntune LOBE DEN HERREN is perfect for use throughout the church year. The melody moves throughout the ensemble, giving all parts a chance to shine, and there are just enough harmonic twists to keep each verse fresh and exciting!
Rejoice, the Lord Is King arr. Linda Scholes, 3-6 octaves, Level 2+ This powerful setting of DARWALL’S 148TH is a perfect choice for the Easter season or any time something bold and celebratory is called for. Available in compatible 2-3 and 3-6 octave settings, its bold harmonies and driving rhythms are equally at home in church as in concert or festival settings.
To God Be the Glory arr. Lloyd Larson, 3-5 octaves, Level 3 Lloyd Larson’s bold setting of this beloved favorite is sure to be a hit with your ringers and listeners alike. Fanfare-like figures open each verse, adding to the celebratory nature of the piece. Perfect for any joyous time throughout the year!
Total Praise arr. Joel Raney, 3-5 octaves, Level 2+ This contemporary gospel song has become widely known for its simple message and powerful impact. Joel Raney pairs it with “Holy, Holy, Holy” and provides an accessible, Quick Study version maintaining all the gospel harmonies that make this a worship sensation.
Thanksgiving (Simple Gifts) arr. John Ness Beck/adapt. Arnold Sherman, 3-5 octaves, Level 2+ “For seedtime and harvest and the good will of men, We give thanks to God the Father once again…” so begins the text of the anthem by John Ness Beck based on an early American tune. It is this anthem that the corresponding bell folio is set to, albeit one whole-step lower. It may stand alone or accompany the vocal octavo.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
Ringing with Keys Volume 3 arr. Lloyd Larson, 2 octave reproducible collection, Level 2 Here is a collection of eight arrangements for smaller ensembles of handbell ringers and piano. It may be run with 1 ½ or 2 octaves of handbells, D5 to G6 or G4 to G6. The contents include a mixture of hymns useful for Christmas, Palm Sunday, Easter, Thanksgiving, and general occasions. The piano accompaniment fills out the harmonies, keeping the handbell parts accessible while adding beautiful texture and color to the arrangements. Titles include: “Come, Christians, Join to Sing,” “My Faith Looks Up to Thee,” “All Glory, Laud, and Honor,” “Still, Still, Still,” “We Gather Together,” “Give Me Jesus,” “O Love That Will Not Let Me Go,” and “Crown Him with Many Crowns.”
Rejoice, the Lord Is King arr. Linda Scholes, 3-6 octaves, Level 2+ This powerful setting of DARWALL’S 148TH is a perfect choice for the Easter season or any time something bold and celebratory is called for. Available in compatible 2-3 and 3-6 octave settings, its bold harmonies and driving rhythms are equally at home in church as in concert or festival settings.
Classic Rings II for Church & School arr. Martha Lynn Thompson, 3 octave reproducible collection, Level 1-2 This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
Beyond the Notes: Thoughts on Meaningful Music Making by Paula A. Crider After more than fifty years as a music educator and conductor, the legendary Paula Crider has experienced it all – the lows and the highs, the messes and the magnificence of teaching music at all levels. With love, wit, and sincerity, she now shares her hard-earned wisdom in this must-read for anyone who teaches music.
There is something here for educators on every leg of the teaching journey. Crider’s conversational narrative begins with her unconventional student-teaching experience and moves through the essentials for music educators – everything from score study, rehearsal strategies, and conducting technique to classroom culture and teacher self-care.
Not only does Crider touch on pedagogy, but she also discusses the often elusive “secret ingredients” that turn notes on the page into meaningful musical experiences.
“Beyond the Notes” proves Crider to be a role model of skill, artistry, passion, and purpose whose insight and experience will have readers returning to this book over and over.
In this volume, noted scholar Dennis Shrock argues that expressive performances which transcend mere technical precision – correct notes, rhythms, and articulations – will generate renewed interest in the musical masterpieces of the past.
Using primary source quotations and music excerpts from the Medieval through Modern eras, Shrock explains how to perform historic music authentically and artfully, revealing its innate nature as intended by the composer.
In this way, the music of past eras – like its counterparts in visual art and architecture – may be “restored” to its original state and appreciated by performers and audiences alike, ensuring its continued relevance and rightful place on concert programs for generations to come.
A balance of scholarship and practical performance tips, “Music Is More Than Technique” is a must-have reference for conductors of school, community, and professional ensembles.
Ride On, Ride On in Majesty arr. Lloyd Larson, 3-5 octaves with optional trumpet, Level 2 The triumphant entry of Jesus into Jerusalem is exemplified in this arrangement of the hymn tune TRURO. With optional trumpet, you can herald in the Messiah on Palm Sunday, or for that matter celebrate the resurrection as TRURO is also paired with the Easter text, “Christ Is Alive!” Not to mention the Advent text, “Lift Up Your Heads, Ye Mighty Gates.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
recommended by Jennifer F., Handbell Music Specialist
Blessed Assurance arr. Sondra K. Tucker, 3-5 (6) octaves handbells & handchimes, Level 3 With an easy lilt that feels like a stroll on a Sunday afternoon, this creative arrangement of the familiar hymn ASSURANCE is sure to bring comfort and a sense of peace to your worship service. Written in 9/8, the piece flows along with melody first in treble bells, then with chimes in the battery, and ending with a fuller statement of the opening. A charming piece that all will enjoy.
A Blessing by Michael Helman, 3-5 octaves with optional handchimes, Level 2+ Written in honor of his grandsons, this delicate original from Michael Helman is perfect for the intermediate choir looking to focus on their musicality. Flowing accompaniment lines and a heartfelt melody combine to make this a truly gorgeous experience.
It Is Well with My Soul arr. Karen Buckwalter, 3-5 octaves with optional piano, Level 2+ Enveloping listeners in an atmosphere of peace and serenity, this setting captures the essence of the beloved hymn’s message of faith and resilience. While it can be performed with handbells only, the piano accompaniment fills in harmonies and adds rhythmic interest, deepening the emotional resonance of the piece.
Jerusalem, My Happy Home arr. Anna Laura Page, 3-5 octaves, Level 2+ Simple and lush, this setting of the hymntune LAND OF REST is perfect for use throghout the church year. With minimal technical challenges, ensembles can instead focus on growing in their musicality and performance.
Praise to the Lord, the Almighty arr. Lloyd Larson, 3-5 octaves, Level 2+ This approachable setting of the hymntune LOBE DEN HERREN is perfect for use throughout the church year. The melody moves throughout the ensemble, giving all parts a chance to shine, and there are just enough harmonic twists to keep each verse fresh and exciting!
Prelude on Abbott’s Leigh arr. Sandra Eithun, 3-5 octaves with optional handchimes, Level 2 Enchanting and expansive, here is a new arrangement of the historic tune commonly paired with Fred Pratt Green’s “God Is Here!” and Jeffery Rowthorn’s “Lord, You Give the Great Commission.” Sweeping harmonies in the beginning give way to crisp mallets in the middle section, then return to create a glorious finish.
Rejoice, the Lord Is King arr. Linda Scholes, 2-3 or 3-6 octaves, Level 2+ This powerful setting of DARWALL’S 148TH is a perfect choice for the Easter season or any time something bold and celebratory is called for. Available in compatible 2-3 and 3-6 octave settings, its bold harmonies and driving rhythms are equally at home in church as in concert or festival settings.
When In Our Music God Is Glorified arr. Sondra K. Tucker, 3-5 octaves with optional keyboard, brass & congregation, Level 2 This flexible setting of the beloved hymn tune, ENGLEBERG, stands alone as a handbell piece, and features optional parts for keyboard, brass, and a soprano descant. Any combination of the instruments can also serve as the accompaniment to congregational singing. Additional texts set to ENGELBERG include, “We Know That Christ Is Raised,” and “All Praise to Thee, For Thou, O King Divine.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
Unleashing the Potential of the Musician’s Body (Timani: Anatomy and Exercises for Healthy Playing and Singing) by Tina Margareta Nilssen “Unleashing the Potential of the Musician’s Body” offers clear and practical tools for music professionals, students, educators, movement specialists, and therapists working with musicians. You’ll learn about relevant anatomy – in particular, joints, muscles, and fascia – and get information on how the brain and movement are linked together. You’ll find dozens of illustrated performance-targeted exercises for all parts of the body, with specific instructions for different types of instruments as well as for singers. The exercises are designed to optimize movement and make playing or singing more effortless and expressive – and through this, access more musical potential. This book also touches on subjects such as warm-ups, pain, healthy living, and self-care tips.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Celebrations (All Occasion Settings for Handbell Ensemble) arr. Martha Lynn Thompson, 3 octaves, Level 2 This creative REPRODUCIBLE collection is playable by six or seven ringers. Titles include: Come, Christians, Join to Sing; Come, Come Ye Saints; Come, Thou Fount of Every Blessing (Warrenton tune); Fanfare; Gaudeamus Igitur; A King in His Glory; O God, Beyond All Praising; Praise the Lord, Ye Heavens Adore Him; See Amid the Winter Snow; and Tuoro-Luoro- Luoro.
Sans Day Carol arr. Anna Laura Page, 3-5 octaves, Level 2 Alternatively known as “Now the Holly Bears a Berry,” this carol radiates a bright and festive spirit evoking the joy and merriment of the holiday season. Whether performed in a concert hall or a worship service, this accessible setting is sure to delight audiences.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
recommended by Jennifer F., Handbell Music Specialist
Day by Day God’s Time Is Best arr. Karen L. Buckwalter, 3-5 octave handbells, Level 3- This heartfelt setting by Karen Buckwalter, written in memory of a treasured member of the handbell community, is perfect for any service of remembrance or other reflective setting. Combining a cantata tune from Bach with the hymn “Day by Day,” it is a beautiful memorial perfect for intermediate groups.
Classic Rings II for Church & School arr. Martha Lynn Thompson, reproducible collection for 3 octave handbells, Level 1/2 This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.
Come, Ye Thankful People, Come arr. Lloyd Larson, 3-5 octave handbells, Level 3+ This setting resonates with a festive spirit, infusing the timeless melody with vibrant energy and warmth. A fanfare motif introduces the piece, then moves throughout to decorate the melody. Dynamic contrasts and expressive phrasing create a captivating musical experience that uplifts the spirit.
It Is Well with My Soul arr. Karen Buckwalter, 3-5 octave handbells with optional piano, Level 2+ Enveloping listeners in an atmosphere of peace and serenity, this setting captures the essence of the beloved hymn’s message of faith and resilience. While it can be performed with handbells only, the piano accompaniment fills in harmonies and adds rhythmic interest, deepening the emotional resonance of the piece.
It Is Well with My Soul arr. Linda R. Lamb, 3-5 octave handbells & handchimes, Level 1 Linda’s skill in creating compelling yet accessible settings is on display with this cherished hymn. Available in compatible 3-5 octave and 2-3 octave settings, “It Is Well With My Soul” has many teachable moments and is a great choice for the developing handbell choir.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
Majoring in Music: All the Stuff You Need to Know by Rich Holly Highlights the major components for survival and success during the formative years in a college, university or conservatory and provides examples and strategies to greatly assist the student musician. With no-nonsense advice and practical tips, this guide will prepare music students (and their parents!) to meet the many challenges, and take advantage of the opportunities afforded them during the glorious college years.
recommended by Jennifer F., Handbell Music Specialist
Classic Rings II for Church & School arr. Martha Lynn Thompson, 3 octaves, Level 1-2 This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.
Learn to Ring Volume 2 arr. Martha Lynn Thompson, 2-3 octaves, Level 1+-2+ This collection has 30 pieces arranged separately for 2 octave and 3 octave bell or chime choirs. There are familiar and not-so-familiar pieces which include secular, sacred, patriotic, Christmas, and “classics.” They range in level from Level 1- to 2+. The entire collection is reproducible, making it a bargain for your choirs!
Ring with Less arr. Martha Lynn Thompson, for 4-8 ringers A collection of eight pieces for 4-8 ringers without tables, using 13-16 bells between D5 and C7. Each setting is only two pages long. Titles include: “Come, Let Us Anew Our Journey Pursue,” “Havah Nagila,” “He Is Born, the Divine Christ Child,” “The Holly and the Ivy,” “Holy, Holy, Holy,” “Holy Manna,” “Still, Still, Still,” and “To God Be the Glory.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
recommended by Jennifer F., Handbell Music Specialist
Hosannas, Laud, and Honor arr. Lloyd Larson, 3-5 octaves, Level 3- Start your Palm Sunday off in grand fashion with this medley of ELLACOMBE and ST. THEODULPH. Powerful chordal writing and careful use of unexpected harmonies make this piece approachable for intermediate ensembles and a perfect offering to celebrate Jesus’s entry to Jerusalem.
When I Survey the Wondrous Cross arr. Linda Scholes, 2-3 octaves, Level 1 Beginning ensembles will love this setting of the tune HAMBURG by Linda Scholes. Despite having no bell changes and no notes shorter than quarter notes, this arrangement still has a full, lush sound and gives careful treatment of the melody.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
Day by Day God’s Time Is Best arr. Karen Lakey Buckwalter, 3-5 octaves handbells, Level 3- This heartfelt setting by Karen Buckwalter, written in memory of a treasured member of the handbell community, is perfect for any service of remembrance or other reflective setting. Combining a cantata tune from Bach with the hymn “Day by Day,” it is a beautiful memorial perfect for intermediate groups.
Joyeuse by Karen Lakey Buckwalter, 3-5 octaves handbells, Level 3- This upbeat original tune from Karen Buckwalter is perfect for any celebratory moment in worship or concert, and would even make a nice alternative piece for Easter. Repeated rhythmic motives make this piece easy to learn, even as the shifting harmonies keep ringers on their toes!
A Blessing by Michael Helman, 3-5 octaves handbells and optional handchimes, Level 2+ Written in honor of his grandsons, this delicate original from Michael Helman is perfect for the intermediate choir looking to focus on their musicality. Flowing accompaniment lines and a heartfelt melody combine to make this a truly gorgeous experience.
Ring with Less arr. Martha Lynn Thompson, 13-16 bells (4-8 ringers) A reproducible collection of eight pieces for 4-8 ringers without tables, using 13-16 bells between D5 and C7. Each setting is only two pages long. Titles include: “Come, Let Us Anew Our Journey Pursue,” “Havah Nagila,” “He Is Born, the Divine Christ Child,” “The Holly and the Ivy,” “Holy, Holy, Holy (Schubert),” “Holy Manna,” “Still, Still, Still,” and “To God Be the Glory.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
What Every Musician Needs to Know About the Body (Revised Edition) by Bridget Jankowski This primer for all musicians provides a reliable base for a lifetime of playing and singing. The principles in these pages are the elemental foundation of music education, and will protect a musician from injury, promote the physical freedom and sensitivity needed for technical mastery, and secure the embodied intelligence that grounds musical power and subtlety. Musicians teaching from these principles will see their students thrive. Students studying and restudying these pages will delight in their enhanced performance. This book also serves as the text of a six-hour course on Body Mapping for musicians developed by Barbara Conable.
What’s New in the Revised Edition? Created with the input of experienced Licensed Body Mapping Educators, and led by Body Mapping expert Bridget Jankowski, this revision includes: • Updated and enlarged images – big enough for coloring. • Streamlined and clarified content based on new science. • An updated format that follows the associated Body Mapping course more closely. • Additional room for notes at the end of each section.
Knowledge from the scientific community continues to inform the work of the Association for Body Mapping Education. The book’s associated Body Mapping course of the same name has evolved over the past two decades, and an updated text for the course will be a valuable resource for novice and seasoned Body Mapping Educators alike.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
recommended by Jennifer F., Handbell Music Specialist
Gift in the Manger arr. Karen Lakey Buckwalter, 3-5 octaves, Level 2+ “Gift in the Manger” is a sweet and gentle 3-5 octave handbell arrangement of the beloved CRADLE SONG. The piece features a delicate setting that evokes the peacefulness and serenity of the Christmas story. The harmonies are simple yet expressive, creating a soothing and comforting atmosphere that is perfect for the holiday season.
Angels We Have Heard on High arr. Sondra Tucker, 3-5 octaves, Level 3 The cherished Christmas carol begins with fanfares and flourishes. The full, thick chords present a strong contrast to the flowing lines in the refrain. The full texture throughout makes this a compelling addition to your Christmas repertoire.
Come to Bethlehem arr. Mitchell & Sandra Eithun, 2 octaves, Level 1+-3- Mitchell and Sandra Eithun have written four approachable arrangements with options for 8, 10 or 12 handbells. This joyful collection of Christmas music for small handbell ensembles can be played with or without the piano accompaniment and does not require tables. Titles include: “Angels We Have Heard on High,” “O Come, O Come, Emmanuel,” “Joy to the World,” “Bring a Torch,” and “Away in a Manger.”
I Saw Three Ships arr. Joel Raney, 3-5 octaves, Level 3- This fun and boisterous arrangement includes mallets and many other stopped techniques. The lilting opening section gives way to a grandiose presentation of the melody and then returns to the swash-buckling melody of the beginning. Paired with piano, this would be a wonderful concert or Christmas selection.
In the Bleak Midwinter arr. Anna Laura Page, 3-5 octaves, Level 2+ This gentle 3-5 octave handbell arrangement of “In the Bleak Midwinter” is a beautiful and heartfelt tribute to the holiday season. The piece features delicate melodies that capture the tenderness of the Christmas story, including a sweet rendition of “Infant Holy, Infant Lowly.” The harmonies are simple yet expressive, creating a peaceful and calming atmosphere that is perfect for the winter months.
Infant Holy, Infant Lowly arr. Cathy Moklebust, 3-5 octaves, Level 2 This sweet and simple arrangement of the traditional Polish Christmas lullaby is complemented by an original melody, which serves as an introduction, interlude and closing. Either handbells or handchimes may be used throughout the entire piece, or in various sections at the director’s discretion. The melody takes its turn in both the treble and bass clefs, with LV accompaniments in the opposite clef.
Pat-a-Pan arr. Susan T. Nelson, 3-5 octaves, Level 2 This creative and fun arrangement of the familiar Burgundian carol captures the Renaissance feel of the original, especially with the addition of the optional C Instrument (use a recorder if you can!) and triangle and tambourine. A sure-fire winner for your Christmas worship or concert.
Prelude on Adeste Fideles arr. Mitchell Eithun, 3-5 octaves, Level 2 This festive 3-5 octave handbell arrangement of “Adeste Fideles” is a joyous and triumphant celebration of the holiday season. The piece features bold, soaring melodies that create a sense of excitement and anticipation, including a lively rendition of the hymntune “God Rest You Merry.” The piece builds to a thrilling climax that is sure to fill the listener with Christmas cheer.
Ring Out the Angel Chorus arr. Karen Lakey Buckwalter, 3 octaves, Level 2-3 Created for four to six ringers, these five carol arrangements will add meaningful, expressive music to your worship experience. Each piano accompaniment is creative and an equal partner in the arrangement. Fully reproducible. Titles include: “Come, Thou Long-Expected Jesus,” “In the Bleak Midwinter,” “People Look East,” “What Child Is This?,” and “Go, Tell It on the Mountain.”
Small-ER but Mighty Volume 6 arr. Joel Raney, 8 bells with piano This collection of 6 Advent and Christmas carols are set for 8 bells and piano. The handbell parts are accessible, and the piano fills out the harmonies and adds interest. The Ringer’s Edition part is reproducible. Titles include: “Angels We Have Heard on High,” “O Come, O Come, Emmanuel,” “Coventry Carol,” “The Manger Lullaby,” “Sing We Now of Christmas,” and “Silent Night.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
recommended by Jennifer F., Handbell Music Specialist
Jesus and His Love arr. Benjamin Tucker, 3-5 octaves, Level 2 Combining the beloved hymns “I Love to Tell the Story” and “Jesus Loves Me,” this sturdy arrangement is suitable any time during the church year, and is especially suited for mission Sundays. The skillful weaving of the two tunes makes this a most expressive piece.
Amazing Grace! arr. Lloyd Larson, 3-5 octaves, Level 2 The classic and beloved hymn is set here for 3-5 octave handbells and piano. The handbell part is accessible at Level 2, and the harmonies are expanded and filled with a rich and delightful piano accompaniment.
Come, Ye Thankful People, Come arr. Linda Scholes, 3-5 octaves, Level 3- The stalwart and stately hymn tune, ST. GEORGE’S WINDSOR, is any ideal choice for any Thanksgiving service or time of celebration. This engaging arrangement begins with a majestic introduction that returns as an interlude and also as a glorious ending. The melody moves throughout all octaves. A sprinkling of handbell techniques as well as a waltz-like middle section add interest for both ringers and listeners. This will be a welcome addition to your Thanksgiving library.
For All the Saints arr. Lloyd Larson, 3-5 octaves, Level 3- This 3-5 octave handbell arrangement of “For All the Saints” is a powerful and stirring tribute to the Christian faith. The piece begins with a strong and majestic theme that is gradually developed with intricate harmonies and thrilling rhythmic interplay. The dynamic contrasts and dramatic climax create a memorable and awe-inspiring musical experience.
Glad Adoration arr. Anna Laura Page, 2-3 octaves, Level 2/2+ “Glad Adoration” is a collection of 5 hymn arrangements for 8 or 12 handbells and piano. They are appropriate for Thanksgiving, Reformation, Communion and general ringing events. Written for 2 or 3 octaves handbells, they range from Level 2 to 2+. These accessible settings are easily prepared for groups that have a limited number or ringers. The creative piano accompaniments add to the fullness of each arrangement, making a delightful presentation for each given performance. Titles include: “’Tis a Gift to Be Simple,” “Let Us Break Bread Together,” “For All the Saints,” “A Mighty Fortress,” and “Let All Things Now Living.”
Let the Whole Creation Cry arr. Brenda Austin, 3-5 octaves, Level 2 The familiar hymn tune SALZBURG is set brilliantly by Brenda Austin. The full, expansive setting is straightforward yet effective, with peals that begin and end the piece, and a contrasting malleted section.
Simply Reproducible Hymns arr. Lloyd Larson, 2-3 octaves, Level 2 This reproducible collection of 8 well-known hymn tunes will be so useful to your handbell program. Purchase one book and make as many copies as you need for your ringers. All arrangements are accessible at Level 2. A great resource for the whole year. Titles include: “The Solid Rock,” “Christians, We Have Met to Worship,” “The God of Abraham Praise,” “I Need Thee Every Hour,” “My Faith Looks Up to Thee,” “Give Me Jesus,” “Lift High the Cross,” and “The Church’s One Foundation.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
God’s Peace arr. Brenda Austin, 3-6 octaves handbells and 3 octave handchimes, Level 2 This gentle ballad, with a text by Marva Dawn, centers on the theme of entering into worship where we may find stillness in God’s peace. The meditative hymn text draws from the 23rd Psalm, with references to the table of the Lord, where all are fed and thirsts are quenched, making it ideal for communion as well as a call and preparation for worship.
Lord of the Dance arr. Jason Krug, 3-5 octaves handbells, Level 2 Join the celebration with this fresh arrangement of Sydney Carter’s enchanting hymn based on “Simple Gifts.” Written for 3-5 octaves of handbells, this accessible setting is rich with fun rhythms and stopped techniques; a sure winner for the Easter season.
The Gift of Love arr. Brenda Austin, Solo handbells with piano and optional C instrument, Level 2- Hal Hopson’s classic, with its haunting tune, is arranged here in an accessible setting for solo handbells and optional C instrument, using only 9 bells. Useful year-round and especially ideal for services where “love” is the theme. The Performance/Accompaniment CD includes a performance demo, an accompaniment track and a “slower” accompaniment track for rehearsal.
Classic Rings II arr. Martha Lynn Thompson, 3 octaves handbells, Level 1-2 This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.
Smaller-ER but Mighty Volume 2 arr. Linda Lamb, 8 bells The eight titles contained in this collection are versatile, musical, and fun. Playable with two, three, or four ringers, these are ideal for “socially distant” ringing without tables. Perfect for the small ensemble looking for a diverting challenge, or for the larger choir on those Sundays when you’re missing members. All the arrangements have been written for the treble clef, F5-F6. Titles include: “All Creatures of Our God and King,” “Praise the Lord!,” “Stand Up, Stand Up for Jesus,” “He’s Got the Whole World in His Hands,” “O, How I Love Jesus,” “Everyone, Join to Sing,” “Brethren, We Have Met to Worship,” and “Blessings All Around.”
Sweet Hour of Prayer arr. Linda Lamb, 2-3 octaves handbells, Level 1 Beginning groups will enjoy playing this simple yet lovely arrangement of the Bradbury tune. LV and echo techniques are used effectively, and a verse of “O Master, Let Me Walk with Thee” appears in the middle for contrast. Be sure to bring out the melody that sometimes is surrounded by harmony notes. Use for prelude, offertory, or communion.
I Come with Joy arr. Anna Laura Page, 3-5 octaves handbells and optional handchimes, Level 3 Two tunes, DOVE OF PEACE and LAND OF REST are combined in this lovely setting for communion or general use. Mallets begin and add a percussive touch to the 6/8 rhythm throughout. Optional handchimes (three octaves) take the melody in the middle with bells providing harmony. The two tunes change places at times, ending with “I Come With Joy,” a fitting response to communion.
Morning Has Broken arr. Sondra K. Tucker, 3-5 octaves handbells and optional handchimes, Level 2 Singing bells with treble chords in quartal harmony evoke the feeling of dawn. The tune BUNESSAN is then presented with arpeggiated accompaniment, and some surprising harmonic twists lend new color to the traditional sound. Verses build into a final maestoso before the singing bells take over, then the piece ends as it began. This arrangement is a lovely offering for worship any time of year.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
recommended by Jennifer F., Handbell Music Specialist
At the Cross arr. Lloyd Larson, 3-5 octaves, Level 2 This arrangement is a medley of three familiar Lenten titles: “At the Cross,” “Beneath the Cross of Jesus,” and “When I Survey the Wondrous Cross.” The three tunes are cleverly intertwined, allowing your congregation to reflect on these familiar hymns, and contemplate the cross.
Resurrection Day arr. Lloyd Larson, 3-5 octaves, Level 2+ This arrangement by Lloyd Larson of the hymntunes LLANFAIR and LANCASHIRE creates the perfect atmosphere for your Eastertide service. While accessible as a level 2+, the setting is sure to be engaging for both performers and audience members alike.
Fantasy on Hosanna Loud Hosanna arr. Jantz A. Black, 3 octaves, Level 2 This energetic setting of the hymn tune ELLACOMB is perfect for Palm Sunday and useful for general worship as a setting of “I Sing the Almighty Power of God.” The Full Score, Reproducible Parts for Piano, and 3 octave Handbell Part are all included. It can be played with 6-7 ringers.
Small But Mighty: Settings for 12 Bells for Lent & Easter, Vol. 6 arr. Jason Krug Intended for the small ensemble, this collection includes eight versatile, musical, and fun arrangements for Lent, Holy Week and Easter. Each setting has been written for the treble clef, F5-C7. They can be used for 3 to 6 ringers. Titles include: “Christ the Lord Is Risen Today,” “Thine Be the Glory,” “Jesus Keep Me Near the Cross,” “And Can It Be that I Should Gain,” “Alas! and Did My Savior Bleed,” “O Sacred Head, Now Wounded,” “The Day of Resurrection,” and “Were You There.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
