The Big Bang Theory (Main Title) arr. Dallas C. Burke, Easy This theme song from one of the most watched television shows of all time makes a fun tune for the stands or the field. There is an optional cut for bands that want to play the shorter TV version.
The Ecstasy of Gold by Ennio Morricone/arr. Mike Story, Grade 2 Here is a powerful offering from famed film composer Ennio Morricone. Scored for bands of any size, the arrangement features a short trumpet solo, exciting harmonies, and driving percussion. This chart would be terrific both on or off the field!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Calming Classical Piano Solos Sometimes you just need some soothing piano music to relax, unwind, and let go. This collection gathers nearly 40 beautiful classical favorites for the intermediate-level player. Works include: Air (from Water Music) (Händel) • Arietta, Op. 12, No. 1 (Grieg) • Bagatelle in G Major, Op. 126, No. 5 (Beethoven) • Canon in D (Pachelbel) • Clair De Lune (Debussy) • Gymnopedie No. 1 (Satie) • Lullaby (Cradle Song) (Brahms) • La Pastorale (Burgmüller) • Piano Sonata No. 8 “Pathetique” (Beethoven) • Prelude in A Major, Op. 28, No. 4 (Chopin) • Prelude in C Major (Bach)• Reverie (Debussy) • Slumber Song (Gurlitt) • The Swan (Le Cygne) (Saint-Säens) • Waltz in A-Flat Major, Op. 39, No. 15 (Brahms) • and more.
The Holy City: Hymn Settings with Jazz Spirit arr. Marianne Kim Marianne Kim’s signature jazz-tinged style pervades this new collection of hymn settings. Nearly all the hymn tunes are American in organ, including folk hymns, spirituals, and 19th century gospel songs. Varied characters provide music useful for preludes, offertories, or postludes throughout the church year. Titles include: “What a Friend We Have in Jesus,” “All the Way My Savior Leads Me,” “Battle Hymn of the Republic,” “Come, Thou Fount of Every Blessing,” “I’ve Got Peace Like a River,” “If Thou But Suffer God to Guide Thee,” “Jesus Loves the Little Children,” “Postlude on The Holy City,” and “We Shall Overcome.”
More Love to Thee: Hymn Settings with Jazz Spirit arr. Marianne Kim Marianne Kim’s jazz-influenced style is in full evidence in this collection of pieces based on familiar hymns. The works range in size from several shorter preludes and postludes to two extended sets of variations particularly suitable for concert. The setting of the spiritual “Do, Lord” also includes an optional part for trumpet. Titles include: “More Love to Thee, O Christ,” “America, the Beautiful,” “Do, Lord,” “Variations on The Church in the Wildwood,” “Lauda Anima,” “Variations on Handel’s Sarabande,” and “God Be with You Till We Meet Again.”
Spirituals for Organ: Vibrant Settings with Jazz Spirit arr. Marianne Kim The music and lyrics of African American spirituals form a rich tradition that has become an important part of Christian worship across the world. They were strong expressions of deep religious faith in the midst of tremendous adversity, and it is through that resonance that they speak powerfully to the hearts of Christians today. Marianne Kim’s organ music always draws on jazz, blues, and gospel elements-styles that (because of their shared African American roots) are especially effective when applied to spirituals. These pieces will be useful as preludes, offertories, and postludes. Titles include: “Every Time I Feel the Spirit,” “Down by the Riverside,” “Ain’t-a That Good News,” “Fix Me, Jesus,” “Jesus Walked This Lonesome Valley,” “Let Us Break Bread Together,” “My Lord, What a Morning,” “Steal Away,” and “Swing Low, Sweet Chariot.”
Lead, Kindly Light: Hymn Settings with Jazz Spirit arr. Marianne Kim Marianne Kim’s style blends both jazz and classical influences to create vibrant and expressive music for worship. In this volume, she has arranged a number of beloved hymns of the faith for use as preludes and postludes. Also included are three original meditations that can be played separately or as a suite of expandable length for Communion. Titles include: “Grace,” “Hail to the Brightness of Zion’s Glad Morning,” “I Want Jesus to Walk with Me,” “Lead, Kindly Light,” “Meditation Suite,” “Once to Every Man and Nation,” “Sweet Hour of Prayer,” “Were You There?,” and “Something for Thee.”
Jazz Hymns and Spiritual Songs: Soulful Organ Settings for Worship or Recital arr. Marianne Kim Deeply rooted, heartfelt harmonies and rhythmic nuance combine to produce a wealth of material to uplift and bless your congregation. Featuring a varied gathering of styles and moods, these amazing selections based on some of the best-loved melodies of the church are fun to play and a joy to hear. Titles include: “Savior, Like a Shepherd Lead Us,” “Deep River,” “Wonderful Words of Life,” “Nobody Knows the Trouble I’ve Seen,” “Pass Me Not, O Gentle Savior,” “Blessed Assurance,” “Sometimes I Feel Like a Motherless Child,” “Joshua Fit the Battle of Jericho,” “Beneath the Cross of Jesus,” and “In the Sweet By and By.”
Hymns of Faith: Organ Settings with Jazz Spirit arr. Marianne Kim In this organ collection, Marianne Kim arranged some of her favorite hymns with her signature jazz-influenced style. Included are eight familiar hymns of faith and assurance, most of which are drawn from the beloved American gospel tradition. Also included is one exciting original postlude. Titles include: “Blessed Assurance,” “I Need Thee Every Hour,” “Jesus Loves Me,” “Joy, Love, and Peace,” “My Jesus, I Love Thee,” “Nearer, My God, to Thee,” “Only a Step to Jesus,” “Softly and Tenderly,” and “Leaning on the Everlasting Arms.”
About the Author: Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
Come, Christians, Join to Play! Creative Hymn Settings for Piano Four-Handsarr. Mark Hayes The only thing better than playing a solo is sharing the joy with a partner on the bench. Mark Hayes said it, knows it, and proves it in this book of four-hand piano arrangements. Featuring favorite gospel songs, spirituals, and American folk hymns, this collection includes something for everyone. Titles include: “Come, Christians, Join to Sing,” “Joyful, Joyful, We Adore Thee,” “My Shepherd Will Supply My Need,” “Since Jesus Came Into My Heart,” “Battle Hymn of the Republic,” “Ding Dong! Merrily on High/O Sanctissima,” and “Oh, the Deep, Deep Love of Jesus.”
The Heavens Are Telling (12 Masterworks Arranged for Four-Hand Piano) arr. Stan Pethel & James Pethel Arrangers Stan and James Pethel present settings of 12 classical masterworks in this brilliant collection arranged for four-hand piano. From Brahms’ ever-popular “How Lovely Is Thy Dwelling Place” to Beethoven’s “The Heavens Are Telling,” intermediate-level pianists will find this volume a superb resource for worship services and recitals. Titles include: “The Heavens are Telling,” “Meditation based on The Well-Tempered Clavier, Vol. 1, No. 1,” “Achieved is the Glorious Work from The Creation,” “Lacrimosa from Requiem K. 626,” “The Shepherd’s Farewell to the Holy Family from L’enfance du Christ,” “Evening Prayer from the opera Hansel and Gretel,” “Thaxted from The Planets, Jupiter,” “Ave verum corpus K. 618,” “Sine Nomine,” “Largo from Symphony No. 9 (The New World Symphony),” “How Lovely is Thy Dwelling Place from A German Requiem, abridged,” and “Lift Thine Eyes from Elijah.”
Reflections for Worship for 4-Hand Piano arr. Mark Hayes Here are nine settings of popular new hymns and songs from Dan Schutte, Michael Joncas, Sebastian Temple, Marty Haugen and others. This collection is based upon liturgical songs from the mass that have transcended denominational lines and religious traditions. These beautiful and inspiring songs have made their way into Protestant circles and beyond, blessing countless congregations and parishes around the world. These tasteful settings for 4-hand piano from Mark Hayes give voice to the Psalmist’s words, “Let everything that has breath praise the Lord!” Titles include: “Ave Maria,” “Be Not Afraid,” “Here I Am, Lord,” “Lord of the Dance,” “Make Me a Channel of Your Peace,” “On Eagle’s Wings,” “One Bread, One Body,” “Rain Down,” and “Shepherd Me, O God.”
Great Is Thy Faithfulness: A Four-Hand Collection of God’s Love and Care arr. Molly Ijames, Lloyd Larson & Larry Shackley Three prominent piano arrangers – Molly Ijames, Lloyd Larson, and Larry Shackley – joined forces to create a hymn celebration of God’s loving care and unbreakable promises. This collection of four-hand duets provides programming flexibility, offering a variety of moods and tempos to fit your church and concert needs. Titles include: “Standing on the Promises,” “O God, Our Help in Ages Past,” “Blessed Assurance,” “It Is Well with My Soul,” “How Firm a Foundation,” and “Great Is Thy Faithfulness.”
About the Authors: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
EXCELLENCE IN CHORAL LITERATURE Saturday August 24, 2024 9:00 a.m.-12:30 p.m. Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215 Presented by Jim Gallagher $25.00
Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.
Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.
Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.
Majoring in Music: All the Stuff You Need to Know by Rich Holly Highlights the major components for survival and success during the formative years in a college, university or conservatory and provides examples and strategies to greatly assist the student musician. With no-nonsense advice and practical tips, this guide will prepare music students (and their parents!) to meet the many challenges, and take advantage of the opportunities afforded them during the glorious college years.
Indiana Jones: Piano Solo Collection Get ready for adventurous travels on the keyboard with this great new collection of ten favorite themes from the Indiana Jones series of films. Each theme is transcribed for intermediate to advanced piano solo, and has been approved by John Williams!
Titles include works from Indiana Jones and the Raiders of the Lost Ark (“Raiders March,” “Marion’s Theme”) • Indiana Jones and the Temple of Doom (“Short Round’s Theme,” “Parade of the Slave Children”) • Indiana Jones and the Last Crusade (“Scherzo for Motorcycle and Orchestra,” “The Keeper of the Grail”) • Indiana Jones and the Kingdom of the Crystal Skull (“The Adentures of Mutt,” “Irina’s Theme”) • Indiana Jones and the Dial of Destiny (“Helena’s Theme,” “Archimedes’ Tomb”).
Greedy arr. Brian Scott, Grade 3 Singer/songwriter Tate McRae had a number 1 hit with this dance-pop tune in late 2023. Brian Scott’s full-sounding arrangement features lots of great sounds, and is perfect for the stands or pep band, as well as for dance and drill teams.
Houdini arr. Matt Conaway & Matt Finger, Grade 3 Here’s another stunning hit from pop sensation Dua Lipa! With a moderate rock pulse and powerful riffs, this exciting chart uses lots of scoring variety in an effective setting for the stands.
Lil Boo Thang arr. Jay Bocook, Grade 3 Initially popular as a TikTok sensation, Paul Russell’s “Lil Boo Thang” samples the 70s hit “Best of My Love” by The Emotions. This viral hit features a catchy tune and infectious dance groove.
ME! arr. Matt Conaway & Matt Finger, Grade 2-3 Taylor Swift’s original recording of this hit from 2019 was driven by a marching style drumline, making it a natural choice for the stands or on the field. Featuring a strong pulse and catchy melody, it’s sure to be a hit with all audiences.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
This captivating collection features texts by renowned poets, including Emily Dickinson, Robert Frost, Sara Teasdale, Edgar Allan Poe, and more, set to music by contemporary composers Mary Donnelly & George L.O. Strid, Greg Gilpin, Ruth Morris Gray, Victor C. Johnson, Penny Rodriguez, Michael John Trotta, and Douglas E. Wagner. “Poems for Two” provides the opportunity for duet singers in any combination to develop musicianship, hone vocal skills, elevate artistry, and connect with timeless literature. Audio tracks of the expressive piano accompaniments are available for download. Unlock the magic of poetry with “Poems for Two!”
Titles include: “A Dream Within a Dream,” “For the Beauty of the Earth,” “Hope Is the Thing with Feathers,” “Life Has Loveliness,” “O Wind,” “On Yonder Hill,” “The Rainbow,” “The Road Not Taken,” “The Stars Are with the Voyager,” and “Wind on the Hill.”
Really Easy Piano: 40 ABBA Songs 40 of ABBA’s most popular hits in easy-to-play arrangements for piano, presented with background notes and performance tips for every song. These arrangements have been abridged and simplified for the beginner player, so structure and key signature may vary from the original recordings.
Titles include: Chiquitita • Dancing Queen • Don’t Shut Me Down • Honey, Honey • I Have a Dream • Mamma Mia • The Name of the Game • Our Last Summer • Super Trouper • Thank You for the Music • Voulez-Vous • Waterloo • and many more.
recommended by Austin Swack, Instrumental Education Specialist
Habits of a Successful String Musician, 2nd Edition by Christopher Selby & Scott Rush “Habits of a Successful String Musician, Second Edition” is a complete method of over 400 musical exercises for teaching upper-level string students the technical skills needed to play advanced orchestral music. Perfect for an entire string orchestra or solo player, this series contains carefully sequenced warm-ups, sight-reading etudes, rhythm vocabulary studies, chorales, tuning canons, and much more. It includes everything an aspiring string musician needs to build musicianship skills and then transfer those skills into the performance of great literature.
What’s NEW in the Second Edition? • Part I. Tone and Articulation: The open-string exercises and bowing variations remain invaluable tools for teaching articulation skills. The Second Edition now includes a rhythm canon for combining various articulations and new melodic exercises for developing tone, blend, vibrato, spiccato, and sautillé. • Part II. Left Hand Patterns, Positions, and Shifting: Left-hand exercises are now organized into a sequence of musical exercises and etudes that review middle level skills, extend up to the highest registers, and teach alternate clefs and thumb position. A new Intermediate Positions curriculum teaches young cellists the shifting skills required for keys with more than three sharps or flats. A new sequence of two-octave arpeggios in ten keys improves students’ range and fluency across the instrument. The Advanced Positions pages contain new etudes for teaching the chromatic scale, diminished arpeggios, harmonics, thumb position, alternate clefs, and other challenging skills seen in advanced orchestral repertoire. • Part III. Scales, Arpeggios, and Thirds: This section still has the much-loved tuning canons and chords, dominant arpeggios, and thirds, as well as one-, two-, and three-octave scales and arpeggios in all twelve major and minor keys. The Second Edition has improved cello and bass fingerings and includes bass scales with C-extensions. • Part IV. Chorales: There are now 50 percent more chorales in a greater variety of keys and from more diverse cultural backgrounds. • Parts V. Rhythm Study in a Musical Context and VI. Sight-Reading: These sections contain 185 completely new rhythm charts and sight-reading exercises with tempo markings for each exercise. This well-sequenced curriculum teaches students how to count and decipher rhythms and then transfer rhythmic literacy to melodic sight-reading in a musical context. • Part VII. Orchestral Excerpts: This brand-new section includes three pages of excerpts from frequently performed school and all-state repertoire. Sequenced from moderately difficult to expert, these excerpts are the perfect culmination of skills taught in this method and are ideal for auditions or final exams. • Additional Sectional Pages in each student book focus on technique and alternate clef lessons unique to each instrument.
Habits of a Successful Young String Musician by Sarah Ball, Margaret Selby, Christopher Selby & Scott Rush “Habits of a Successful Young String Musician” is a field-tested and musical collection of 220 sequenced exercises for the beginning string student. The companion website (www.habitsstrings.com) features supplemental resources including accompaniment tracks, start-up clinic videos, and full performance videos for each exercise in the book. These cutting-edge online components are on MusicFirst (PracticeFirst) and MakeMusic Cloud (SmartMusic).
What makes “Habits of a Successful Young String Musician” unique?
Tone is at the heart of this method. • Students begin using the bow earlier than other resources. • The familiar melodies enable students to use their ears to develop good pitch and tone. • Online videos allow students to see and hear professional string players modeling good tone and technique for each exercise.
Tonal literacy is a key focus of this book. • All four open strings are introduced early. • New notes are introduced with clear fingerboard diagrams and pictures next to the staff. • New keys are taught by highlighting notes affected by the new key signature.
Rhythmic literacy exercises will have your students counting and reading independently. • Long notes and rests are introduced early so students learn to count and subdivide. • Melodies in 3/4 appear early and often. • Nine pages of sight-reading exercises develop stronger tonal and rhythmic literacy skills.
Quality content includes: • High-quality photos of excellent hand positions to help students develop great technique. • A diverse repertoire of classical and folk melodies from around the world. • Warm-up pages with scales, arpeggios, tuning canons, bowing variations, and other great tools for introducing, teaching, and reinforcing skills.
Online resources (www.habitsstrings.com) include instructional videos by professional string coaches to reinforce instrument position, left-hand set-up, bow hand technique, hooked bows, slurs, developing good tone, as well as shifting and positions in the lower strings.
About the Author: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
SACRED CHORAL READING SESSION Saturday August 10, 2024 9:00 a.m.-12:30 p.m. Church of the Messiah, 51 N. State Street, Westerville OH 43081 Presented by Lloyd Larson $25.00
Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.
Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.
Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.
SACRED PIANO READING SESSION Saturday August 10, 2024 2:00 p.m.-4:30 p.m. Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215 Presented by Lloyd Larson $5.00
Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.
The Wedding Organist arr. Jane Holstein This massive collection of organ settings contains 50 settings from 15 composers and is designed to provide the wedding organist with a wealth of timeless favorites from the Hope catalog along with some newer contemporary classics for the complete wedding ceremony.
Standard Wedding Music for Organ arr. David Sarandon The dictionary describes standard as “something used as a measure, a norm, or an agreed level of attainment.” This collection, then, is aptly titled, as each of the pieces included have certainly earned the status of standard. Nevertheless, they have achieved an eminent rank within the repertoire for wedding services. The compilation is divided into two sections for ease of use: Section One serves as a resource for the prelude and Section Two provides a variety of processional and recessional options. Where possible, logical cuts and/or stopping points are indicated, along with durations for each to facilitate the planning of the music or to assist when an emergency arises! For convenience, ease of use, assistance in planning, and as a resource of worthy wedding repertoire, “Standard Wedding Music” promises to become the new standard for wedding music collections for years to come.
The Parish Organist: Wedding Music ed. Thomas Gieschen Compositions designed by the German and American Lutheran masters for practical integration into worship. The registrations are designed for two manuals and pedal. However, they may also be played on one manual with or without pedal.
Something Old, Something New A compilation of previously-published stand-alone pieces for use as preludes, processionals, and recessionals. Some you might know and some will be brand new to you. A useful volume to keep by the console when consulting with brides or playing weddings!
The Oxford Book of Wedding Music “The Oxford Book of Wedding Music” is the definitive collection of the most frequently requested organ music for weddings. All organists have their own particular favorites, but this volume brings together the small and select group of pieces that couples choose again and again: music that has stood the test of time, in practical arrangements that are designed to last.
About the Author: Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
Zombie arr. Dallas C. Burke, Easy This classic rock tune from the alternative band The Cranberries starts out dark and somber before it quickly builds to an intense hard hitting finish.
Rock You Like a Hurricane arr. Matt Conaway & Matt Finger, Grade 3-4 Heard in stadiums around the world, this hard rockin’ 80s hit by the Scorpions is still as popular as ever. With the gritty opening riff and instantly recognizable melody, this is guaranteed to raise the energy level in the stands or on the field!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
The Tortured Poets Department: The Anthology You’ve memorized all the songs from the double album, now it’s time to play them for yourself! This matching folio to “The Tortured Poets Department: The Anthology” features all 31 tracks meticulously arranged for piano and voice with guitar chord frames. Dive into the emotional depth of Swift’s music and play along with your favorite tracks from “Fortnight” to “The Manuscript,” to “So Long, London” to “So High School,” and all the others. Immerse yourself in the storytelling prowess of Taylor Swift and bring her songs to life with your own unique voice and talent!
Songs include: The Albatross • The Alchemy • The Black Dog • The Bolter • But Daddy I Love Him • Cassandra • Chloe or Sam or Sophia or Marcus • Clara Bow • Down Bad • Florida!!! • Fortnight • Fresh Out the Slammer • Guilty as Sin? • How Did It End? • I Can Do It with a Broken Heart • I Can Fix Him (No Really I Can) • I Hate It Here • I Look in People’s Windows • Imgonnagetyouback • Loml • The Manuscript • My Boy Only Breaks His Favorite Toys • Peter • The Prophecy • Robin • The Smallest Man Who Ever Lived • So High School • So Long, London • thanK you aIMee • The Tortured Poets Department • Who’s Afraid of Little Old Me?
Also available for Easy Piano, as well as many Digital Delivery options!
Don’t miss these favorite selections featured on the Stanton’s Reading Session at the 2024 String Teacher Workshop at Ohio State University. The workshop runs from Sunday July 7-Saturday July 13 and is available in TWO formats: IN-PERSON or ONLINE ONLY. Find out more at music.osu.edu/outreach/osu-stw.
The Golden Gateway by Brian Balmages, Grade 3.5 Celebrate music and its ability to connect with communities around us! This joyful work by Brian Balmages is a powerful reminder of the many ways music inspires and invigorates. Beginning with a beautiful, heartfelt introduction, “The Golden Gateway” soon takes off in exuberant twists and turns before coming to a heroic conclusion.
Shiver by Randall Standridge, Grade 0.5 Whether you are shivering from cold or shivering from fright this work for very beginning orchestras is sure to set the mood of your next Winter or Fall Concert. Using only 6 notes Randall Standridge has creatively designed a piece that reaches students at their skill level while letting them experiment with the fun technique of tremolo!
The Flow of the Tide by Yukiko Nishimura, Grade 3 “The Flow of the Tide” by Yukiko Nishimura captures the feel of a flowing tide, mainly represented through the melodic line. Layers of harmony give the feeling of the tide’s ebb and flow, the splashing spray, and the sea’s changing colors. In addition to the feel of the waves, there is also a contrasting brightness and tenderness. Your orchestra will fall in love with the many moods of this stunning work.
(De)composition by Caryn Wiegand Neidhold, Grade 2 The music is falling apart! Or is it? This creepy-crawly composition starts deep underground in the cello and bass sections with an ominous theme, soon joined by the creaking, scratching, and screeching of unearthly noises from the rest of the zombie orchestra. Skittering fingertips, scratchy ponticello, and eerie glissandi are just a few of the fun extended techniques players will encounter in this scary venture into the dissonance of music – decomposingg!
Peaceful Pop Piano Solos (A Collection of 30 Pieces) Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. Some pieces have been transposed and simplified for ease of playing. 30 songs have been arranged for solo piano, in a relaxing style.
Titles include: “All of Me,” “As It Was,” “Blank Space,” “Bridge Over Troubled Water,” “Chandelier,” “Chasing Cars,” “Despacito,” “drivers license,” “Fields of Gold,” “Glimpse of Us,” “Hallelujah,” “If I Ain’t Got You,” “Imagine,” “I’m Yours,” “Just the Way You Are,” “Life on Mars?,” “Love Yourself,” “Lovely,” “One Last Time,” “Perfect,” “The Scientist,” “Shallow,” “Someone Like You,” “Someone You Loved,” “A Thousand Years,” “Unchained Melody,” “Wrecking Ball,” “Yesterday,” “Your Song,” and “You’re Beautiful.”
