News & Views Monday, December 15, 2025

recommended by Jen Sper, School Choral Music Specialist

A Wreath of Holiday Chorals by Greg Gilpin
This musically diverse collection contains seven reproducible selections for Christmas, Hanukkah and December holidays, carefully arranged to be sung as unison or optionally as 2-part.

“A Wreath of Holiday Chorals” works as a bridge to teaching harmony, giving less experienced choirs and younger singers quality literature with many performance options. As you rehearse, you will discover the many ways to incorporate the optional Part Two; perhaps by adding a simple harmony or selecting a section where both parts are sung instead of just unison.

In addition to the physical book, it is also completely digital, granting you permission to print the entire book or singer-only PDF parts. Included are full performance and accompaniment MP3s as well as part-dominant recordings to help with individual learning, all downloadable for immediate use.

Whether you incorporate one of or all the selections, you will love the versatility, quality, and budget-stretching punch for your music program.

Titles include: “Adeste Fideles,” “Bethlehem Lullaby,” “Hear the Sleigh Bells Ring!,” “The Holiday Tango!,” “Over the River and Through the Wood,” “S’vivon,” and “A Wreath of Carols.”

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

SingCircle Voiceworks: 111 Rounds for Singing by Heart by Edward Caswell & Peter Hunt
Suitable for groups of all ages and experience levels, “SingCircle” provides choral leaders with everything they need to facilitate inclusive and satisfying group singing. This unique collection of rounds spans centuries of accessible material from the medieval period to the present day, drawing from a range of musical traditions and offering the chance to explore singing in different languages. The progressive structure allows confidence to grow with the repertoire, which stretches from unison songs and rounds to rich extended part-singing, and singers are encouraged to learn by rote. There is music from diverse voices and communities – with well-established classics sitting alongside new compositions – and to suit a variety of settings.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

Jack Frost by Savannah Zielinski, T(T)B with piano
With a flurry of excitement and a touch of theatrics, “Jack Frost” is a playful, high-energy choral piece perfect for young choirs. Rhythmic drive, vivid storytelling, and dramatic flair bring this wintry tale to life, making your next performance an engaging and spirited event. From creeping cold to swirling blizzards, the music builds with suspense and whimsy, inviting singers to embrace its theatrical energy. Whether staged with full dramatics or performed as a lively concert piece, Jack Frost is a wickedly fun addition to any winter program. Beware the bitter winds – Jack Frost is here!

Hanerot Halalu by Sarah Riskind, 3-part flexible canon a cappella
This canon offers a beautiful, reverent, and flexible musical addition to any worship service or concert performance celebrating Hanukkah. The format provided can work with just three solo voices to a full choir. The ranges of the voice parts are mid-range and all the same, so SSA, TBB, SAB, or any derivation therein is appropriate. Listed as a cappella, instruments can easily be added. It encourages flexibility and creativity.

I Saw Three Ships arr. Garrett Breeze, SSAA a cappella
This upbeat, energetic arrangement is a delightful new choral take on the familiar 18th century English carol. The substantive a cappella work arranged for SSAA voices explores a variety of textures and rhythms making it a significant addition to treble-choir literature for the holidays.

Yuki Ya Kon Kon (Falling Snow) by Mary Donnelly & George L.O. Strid, 2-part with piano and optional flute
This gentle piece, inspired by a Japanese folk song and featuring lyrics by Robert Louis Stevenson, beautifully captures the serene imagery of winter’s snowfall. As snow softly blankets the trees, it creates the illusion of ‘little snow flowers’ blooming in the quiet of the season. An optional flute part adds a delicate, airy quality, enhancing the piece’s light, wintry feel.

Chiquirriquitin arr. Vicki Tucker Courtney, SSA with piano
“Chiquirriquitin,” a rhythmic play on “chiquitin” (little children), is one of the most famous Christmas carols from the region of Andalusia, Spain. Consider using accompanying instruments such as a lightly strummed guitar and a small drum and triangle for rhythm. The lilting vocal arrangement dances perfectly with treble voices!

Personent Hodie arr. Earlene Rentz, TBB with piano
Composed in the 14th century, this well-known Latin carol based on the Piae Cantiones text is presented in an easily learned arrangement that offers both the original Latin text and a singable English version. Ideal for both concerts and services, it can serve as a processional or opening selection that offers a strong pulse and dynamic character. Accessible and rewarding!

Some Children See Him by Alfred Burt/arr. Joseph M. Martin, TTB with piano
One of the great carols of our last century is carefully arranged by Joseph Martin and brilliantly orchestrated by Brant Adams. A true classic in every sense of the word, this carol has an important message for all of us in these troubled times. Includes an optional part for children or solo.

We Three Kings arr. Noah Reese, TTB with piano
“We Three Kings” is the first Christmas carol written in the United States to gain widespread popularity. Composed for a Christmas pageant by John Henry Hopkins, Jr. in 1857, the piece tells the Biblical story of the Three Magi who traveled a great distance with gifts of gold, frankincense, and myrrh for Jesus. The piece is great for teaching the time signature 3/4 and helping students recognize the difference between the minor-key verse and the major-key chorus.

Winter Moon by Jordan Ricks, SA with piano
Jordan Ricks’ “Winter Moon” is a lovely, lyrical work for young treble ensembles. The beautifully expressive and singable melody, set to a mysteriously evocative text, is paired with a rich accompaniment that supports the vocals with compelling harmonic character. This piece is a great choice for treble choirs who are getting started early in the school year to help teach ensemble singing, phrasing, and diction.

Children, Go Where I Send Thee arr. Kevin Phillip Johnson, TTBB with piano and percussion, optional rapper & bass guitar
An exciting, accessible new arrangement of this wonderful African American spiritual, rich in texture and vibrancy, written by Kevin Phillip Johnson as part of his Soulful Singing Series. With or without the rap section, it is sure to invigorate any holiday concert!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

Home for Christmas arr. Mac Huff, SATB with piano and optional rhythm
Relive the ’90s boy-band era with this Christmas power pop ballad from NSYNC. It opens with a chorale-style underscoring and featured solo, then slowly builds in intensity to a powerful vamp that declares, “I’m coming home.”

A Saint Nick Jazz Trio arr. Michele Weir, SATB a cappella
Jazz educator Michele Weir offers three approachable a cappella vocal jazz arrangements in this versatile publication. Whether programming for your winter concert, door-to-door caroling, or community run-outs, “Up on the Housetop,” “Toyland,” and “Jolly Old Saint Nicholas” may be performed individually or as a set. With no divisi required, these brief and charming selections work well for a small ensemble or the whole choir.

Merry Christmas arr. Paul Langford, SATB with piano
Inspired by Bette Midler’s expressive recording of this classic ballad, Paul Langford’s nostalgic arrangement uses warm vocal harmonies and a lush piano part to create a cozy Christmas soundscape. Lean into the storytelling, observing the rubato and dynamic nuances to shape a text-driven performance. Holiday programming at its best!

Santa Claus Is Comin’ to Town arr. Tim Hayden, SATB with piano and optional combo
The Queen of Christmas rocks this iconic holiday song! This high-powered arrangement captures all of the energy of Mariah Carey’s famous recording, complete with a bright rock shuffle feel, those signature piano triplets, and punchy, accented vocals. It’s an electrifying opener, closer, or Santa hat novelty, with or without the horns and rhythm SoundPax and SoundTrax.

We Need a Little Christmas (from Mame) arr. Ryan O’Connell, SATB with piano and optional rhythm
It was first a popular Christmas song originating from Jerry Herman’s Broadway musical “Mame.” Since then, it has found its way in many holiday recordings, television shows, movies, as well as the hearts of everyone who hears it. This arrangement is in a festive swing and bounces along with harmonic fun!

One More Sleep ‘Til Christmas (from The Muppet Christmas Carol) arr. Cristi Cary Miller, 3-part mixed with piano
This charming song from “The Muppet Christmas Carol” captures a sentiment that resonates with everyone as the holiday approaches. Use the song as an opportunity to discover different traditions and festive occasions that people celebrate during this special time of year.

Rockin’ Down the Chimney Tonight! by Kirby Shaw, TTB with piano and optional combo
Santa will be rock and rolling down the chimney this Christmas! This original by Kirby Shaw will have your audience rocking and rolling in the aisles. Fun for all ages!

Believe (from The Polar Express) arr. Cristi Cary Miller, 3-part mixed with piano
“Believe,” from the 2004 film “The Polar Express,” taps into the universal feelings of hope, love, and joy that fill the holiday season. The song’s central theme of “believing” resonates with children and adults alike.

Jolly Old St. Nicholas arr. John Maclane Schirard, SATB a cappella
“Jolly Old St. Nicholas” arranged by John Maclane Schirard brings a playful, a cappella jazz twist to this classic Christmas carol. With dynamic harmonies and a fun, upbeat style, it’s perfect for festive holiday performances.

An A Cappella Christmas Volume 2 arr. Kirby Shaw, SATB a cappella
Celebrate the season with these tasty vocal jazz settings of your holiday favorites. Titles include: “Count Your Blessings Instead of Sheep,” “Have Yourself a Merry Little Christmas,” “Here Comes Santa Claus (Right Down Santa Claus Lane),” “Jingle Bells,” “Merry Christmas, Darling,” and “We Wish You a Merry Christmas.”

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

Above the Weary Waiting World by Kim André Arnesen, SATB divisi with piano
Written for the University of South Carolina, this new carol from Norwegian composer Kim André Arnesen sets a beautiful poem by Bliss William Carman (1861-1929). The poem describes a wintery world, with singing bells, a dancing star and expectant hearts, awaiting the arrival of the Christ child. The mystery, anticipation and joy is captured in Arnesen’s music; its striking, soaring melodies and warming harmonies underpinned by flowing piano paint a sublime picture, sure to be a highlight of your Christmas concert.

Stopping by Woods on a Snowy Evening by Eric Whitacre, SATB divisi a cappella
One of Eric Whitacre’s most well-known compositions, “Sleep,” is available now as it was originally composed in 2000, using the Robert Frost poem “Stopping By Woods on a Snowy Evening.” While the circumstances of Frost’s text led to the creation of Whitacre and Silvestri’s first beloved collaboration, this new version offers the chance to hear the music in a completely different light.

The Christmas Life by Lucy Walker, SATB divisi a cappella
The poet, Wendy Cope, conjures a heartwarming image of Christmas in the home. This setting of her comforting poem translates this imagery into a classic Christmas choral sound – a simple, memorable tune, accompanied by mellow, warm harmonies, and a natural lilt as the meter alternates between triple and quadruple time. In the second verse, which is filled with references to light, each voice part expands, up to a blooming chord on ‘shine’, and this section features more exploratory harmonic inflection while retaining the original melody. The final verse begins with a return to the opening music in the lower voices, before growing into a richly scored ending.

Patapan (Guillô, pran ton tamborin) arr. Brent Wells, SATB divisi a cappella with percussion
Brent Wells’ setting of the French carol “Pat-a-pan” centers around the playing of the drums within the lyrics of the song. Lively, joyful, and rhythmic, this is a delightful and expertly-arranged addition to the choral repertoire.

I Wonder as I Wander arr. Jennaya Robison, SATB with harp and oboe
Already a haunting melody, this setting is even more captivating with the addition of the oboe obbligato. Although piano can always accompany adequately, the use of harp furthers the mystic sonorities. This is a stunning Christmas concert selection of medium difficulty.

Ríu Ríu Chíu arr. Bryan Sable, SATB with piano
Bryan Sable’s setting of the Spanish Renaissance carol invites choirs to explore vibrant rhythms and intricate harmonies. Sable’s arrangement infuses a fresh energy into this traditional piece, highlighting its playful melodies and rich textures. A festive, dance-like selection ideal for choirs looking to showcase vocal agility, this arrangement balances challenging moments with moments of lighthearted fun, making it an engaging choice for both singers and audiences.

Coventry Carol arr. Garrett Breeze, SATB a cappella
The 16th century English carol gets a gripping, a cappella treatment, full of dissonance and tension that is sure to leave a lasting impression on audiences. Text painting is at its finest in this dark setting, creating a dramatic performance of musical color.

It Came Upon the Midnight Clear (Carol for the Weary) arr. Jantz A. Black, SATB with piano and optional chamber orchestra
Opening gently with treble voices singing the first verse, this beloved carol moves into lovely harmonies that capture the beauty of Christmas. Your choir will love singing this arrangement filled with the spirit of joy and hope.

Dreidel Song arr. Christine Helferich Guter, SATB divisi a cappella
This joyful Hanukkah song is always as playful as the toy, but this vocal jazz arrangement bumps it up to classy and elegant. That is exactly why Jonathan Talberg selected it for his series. At last, a Hanukkah song that is as impressive as it is delightful.

Peace, My Soul by Ellen Gilson Voth, SATB with piano and horn
This setting weaves in fragments of the carol “In the Bleak Midwinter” and its references to “snow upon snow.” The music is designed to reflect our ongoing desire for peace, not only during the holidays but beyond.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

The Blizzard by D. Farrell Smith, SAB with piano
“The Blizzard” is an electrifying choral piece for SAB voices with a piano accompaniment that drives the energy forward like a relentless winter storm. The choral lines weave tension and drama, evoking the howling winds, swirling snow, and the raw power of nature. The piano part is both ferocious and riveting, filled with percussive rhythms and dramatic flourishes that mimic the storm’s chaotic fury. Together, the voices and accompaniment create an immersive experience that captures the awe and intensity of a blizzard, challenging performers to embody both its grandeur and ferocity.

Frosty Winter by Andrew Parr, 3-part mixed with piano and optional violin
The night is dark and bitterly cold, yet there’s a lingering sense of awe and wonder. “Whispered wind, branches bare, a field of crystal everywhere.” This atmospheric and evocative piece is perfect for any winter program. Enhance your performance with an optional violin part that adds a touch of mystery – and frost.

Keresimesi Odun De Do arr. Andy Beck, SAB a cappella with percussion
This Christmas song comes from the Yoruba-speaking region of Nigeria. Bright and joyful, this a cappella treatment features rich stacked harmonies, optional solos, and lively percussion parts, characteristic of traditional Yoruba music. Four smartly crafted voicings bring this festive choral staple to smaller groups. A pronunciation and translation guide for the text is included.

Fum, Fum, Fum arr. Audrey Snyder, 3-part mixed with piano
This classic Catalonian Christmas carol arrangement is bright, quick, and fun to sing. New secular words along with vocal parts that are easy to learn and a piano accompaniment that sparkles with joy makes this choral a true holiday treat!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

Hear the Bells Ring! by Greg Gilpin, 2-part with piano
This bright Christmas fanfare makes a great opener or closer. Brimming with buoyant vocal parts and playful “ding-a dings” to spare, it’s equal parts festive and fun.

All for a Merry Christmas by Mary Donnelly & George L.O. Strid, 2-part with piano and optional glockenspiel
Mistletoe, bells, and snowflakes celebrate the wonderful season of Christmas in this charming piece for two-part choirs. A delightful part for glockenspiel and a dancing meter in three add to the spirit of cheer and joy.

Walking in the Air arr. John Leavitt, 2-part with piano and optional strings & percussion
Raymond Briggs’ 1978 children’s picture book about a snowman coming to life was made into a celebrated half-hour animated film, “The Snowman.” This song sets the sequence in which the snowman flies with a boy to the North Pole, and the music suits the exciting journey through a winter wonderland. This beautiful winter feature with an optional orchestration for strings and percussion will be the highlight of your winter concert!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

Like the Falling Snow by Bryan Sharpe, SATB with piano
Delicate imagery of falling snow is beautifully reflected in this work by Bryan Sharpe. With metaphorical language, the music evokes the peaceful stillness of a quiet snowfall. The supportive piano accompaniment complements the choral lines, which have moments of independence that add depth and grace, much like the gentle descent of snowflakes.

Bring a Torch, Jeanette, Isabella arr. Earlene Rentz, SATB with piano and optional flute
This energized arrangement of the traditional French carol radiates excitement. Original material winds its way between the charming verses, encouraging Jeanette and Isabella to “run, run, run” to Bethlehem. Those familiar melodic “ah’s” garner anticipation, and a buoyant flute obbligato (available as a free download) amplifies the urgency.

A One-Horse Open Sleigh (In a Jingly Minor Way) by Greg Gilpin, SATB with piano and optional rhythm
A “jingly minor way” is exactly what this original work brings to a performance using the familiar lyrics of Pierpont’s “Jingle Bells.” Animated and rhythmic writing between vocal lines creates a vibrant setting with harmonies in a minor mode; all above a bouncing piano accompaniment suitable for the addition of sleigh bells and the optional available rhythmic parts. This enthusiastic work will bring down the house and be a favorite for years to come.

The Snow by Ruth Morris Gray, SATB with piano and optional sleigh bells
Crisp eighth-note figures and steady sleigh bells create the feeling of a jaunty sleigh ride while contrasting legato sections evoke the chill of blowing snow. Sopranos exclaim the title over and over as others interject with words from Emily Dickinson’s wintertime poem. Some repetition makes for ease of learning, but the unexpected harmonic progression keeps things fresh.

Lux Brumalis (Light of Winter) by Jerry Estes, SATB with piano
Evoke a reflective and tranquil atmosphere during your December concert with this exquisite winter ballad. The contemplative original text and breathtaking music by Jerry Estes will showcase the artistry and musicality of your ensemble.

Personent Hodie arr. Mark Burrows, SATB divisi a cappella with percussion
Mark Burrow’s imaginative arrangement of the ancient “Personent Hodie” creates a festive atmosphere that captures the joy of the holiday season. Featuring vibrant interplay between the choir and the percussionists.

Welcome In! by Daniel Brinsmead, SATB with 4-hand piano
“Welcome In!” is a lively original carol that seeks to capture the Christmas spirit while also sharing an important message of kindness and inclusion. The composer’s aptitude for writing dynamic piano accompaniments shines here. Uptempo and uplifting, this is a wonderful addition to a Christmas or winter program.

What Little, Tiny Child? arr. Ruth Elaine Schram, SATB with piano
Exquisite musical moments abound in this creative pairing of “What Child Is This (Greensleeves)” and “Coventry Carol.” This evocative work creates a mood of wonder, mystery, and anticipation of the birth of the tiny child on that first Christmas night. A fluid, supportive accompaniment graces this memorable piece that is equally suitable for school or church settings.

For Unto Us by Christi Jones, SATB a cappella
This energetic adaptation includes parts of this traditional movement along with the same text in a fun gospel style. The result is a powerful and uplifting interpretation that brings a fresh perspective to Handel’s classic work.

What Child Is This? arr. Bryan Sable, SAB with piano
This traditional carol receives a fresh twist with a modern, jazzy groove and a creative harmonic approach. Choirs and audiences alike will adore this unique take on a beloved classic. A great way to add some variety to your holiday concert!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

A Little Bit of Love arr. Roger Emerson, SATB with piano and optional rhythm
Pairing a bright, energetic pop-rock melody with heartfelt, uplifting lyrics, Weezer’s hit “A Little Bit of Love” offers a hearty dose of the positivity and encouragement we all need to help us overcome life’s challenges. Deftly translated to the choral idiom by Roger Emerson, this is one of those songs your choir just won’t be able to stop singing.

Belong Together arr. Andy Beck, SATB with piano
Singers will love the sunny vibes and breezy acoustic feel of this guitar-driven pop song, which went viral on TikTok even before its release! The carefree lyrics are suitable for all ages and express how the simple presence of a loved one or friend can make any day special. American singer-songwriter Mark Ambor delivers a catchy song that is sure to make everyone smile.

Wonderful World (What a) arr. Greg Gilpin, SATB with piano
“Don’t know much about history. Don’t know much biology.” Sam Cooke’s iconic ’60s single is built on the theme that love makes the world a better place. This straightforward arrangement is a snap to learn in any voicing and sounds just as soulful as the original. A brief crooner solo at the end solidifies the unmistakable R&B style of this romantic throwback. Cute and fun!

Espresso, Please (Medley) arr. Alan Billingsley, SSA with piano
Sabrina Carpenter has taken the music world by storm with songs that dominate both the airwaves and streaming charts. This 3.5-minute mashup of her disco-pop chart-topper “Please Please Please” and caffeinated funk-style hit “Espresso” is guaranteed to brew up plenty of applause.

Both Sides Now arr. Kirby Shaw, SATB a cappella
This intimate a cappella setting of Joni Mitchell’s “Both Sides Now” features rich harmonies and a beautiful message exploring multiple perspectives on life and love.

The Times They Are A-Changin’ arr. Kirby Shaw, SATB with piano and optional guitar
Capturing the youthful, restless passion of the original Dylan classic, Kirby Shaw’s powerful arrangement is both a tribute to yesterday’s progress and a fresh take relevant to times that just keep changin.’ An optional acoustic guitar part adds a touch of folk-rock authenticity to this smooth, harmony-rich setting.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

The Haunting by Meredith Tompkins, SSA with piano
“The Haunting” for SSA voices and piano is a spellbinding choral work that blends ethereal harmonies with hauntingly poetic text. Exploring themes of lingering spirits and echoes of the past, the piece features intricate vocal lines and a fluid piano accompaniment that enhance its eerie, atmospheric beauty. With dynamic contrasts, layered textures, and moments of delicate phrasing, it challenges singers to deliver emotive storytelling, making it a captivating choice for advanced treble choirs seeking dramatic and theatrical repertoire.

The Autumn Moon by Mary Donnelly & George L.O. Strid, 2-part with piano and optional flute
The established writing team of Mary Donnelly and George L.O. Strid brings us this serene and reflective work, capturing the quiet beauty of an autumn night. With a moderate tempo and optional flute accompaniment, the piece vividly portrays the glowing moon casting its silver light over rooftops and country lanes. The lyrics evoke a sense of peace as the moon’s light finally rests upon the windowpane, inviting a tranquil connection to nature’s stillness. This gentle composition is perfect for choirs seeking to convey the soothing elegance of the changing seasons.

The Ballad of the Witches’ Road (Sacred Chant Version) arr. Roger Emerson, SSA with piano and optional rhythm
From Marvel Television’s “Agatha All Along,” this epic setting by Roger Emerson is the perfect addition to any fall concert. Incorporating modal mixture, pedal tones, stepwise motion, and rounds this arrangement is a great device for teaching music literacy and blend.

Ghostbusters arr. Tom Anderson, 3-part mixed with piano
Grab your proton pack and join the ultimate ghost-busting adventure with Ray Parker, Jr.’s iconic 1980s hit. This action-packed novelty goes over the top with high-energy beats and a catchy chorus that instantly gives supernatural silliness. Whether you’re celebrating Halloween or just in need of a good time, this retro throwback will get everyone dancing.

Wind in the Pines by Bruce W. Tippette, SAB with piano
This expressive poetic setting opens with a piano motif reminiscent of rushing wind. Three legato voice parts unfold and intertwine. Staggered entrances in the middle assemble and grow until we “hear sonorous lines soaring through the pines.” Encourage singers to soften and slow to a dreamy, relaxed ending. Ideal for contest and festival use.

Living in the Seasons by Joel Snyder & Jane Kozhevnikova, SATB with piano
Songwriting duo Snyder & Kozhevnikova have created a fun and accessible piece for every season! Original lyrics, SATB (no divisi), and a joyful piano accompaniment make this a great concert and festival piece for high school mixed ensembles.

Four Seasonal Rounds by Alan A. Craig, 3-part treble with piano and optional orchestra
This tasteful set of brief canons is an elegant journey through the four seasons. Each movement presents a melody in unison before staggering entrances to assemble beautiful polyphony. Creative accompaniments provide harmonic and rhythmic variations that elevate the genre to a place of excellence. Program individually throughout the year or as a 6-minute feature. Perform with piano alone or the full orchestral accompaniment.

An Awful Tempest by Jeffrey Cobb, SA with piano
“An Awful Tempest” will cast its spell over your choir, turning your singers into a coven of plotting witches. This exciting setting of the Emily Dickinson text will thrill and delight singers and audiences alike. Complete with cackles, screeches and sound effects, the musical cauldron is stirred and heated until it bubbles over with excitement!

The Green-Eyed Dragon arr. Larry Shackley, TB with piano
“The Green-Eyed Dragon” is a lighthearted and delightfully whimsical song by Wolseley Charles and Greatrex Newman, now brilliantly adapted and arranged for tenor-bass choirs. Telling the quirky tale of a princess, her wicked father, and a fearsome (but charmingly mischievous) dragon, this piece is filled with humor and drama. Larry Shackley’s arrangement features robust vocal writing that gives TB singers plenty to wrap their voices around, supported by a substantive piano accompaniment that brings the story to life.

In Noctem (from Harry Potter and the Half-Blood Prince) by Nicholas Hooper/arr. Andy Beck, SATB with piano
This shadowy cinematic selection, whose title means “into the night,” was featured in “Harry Potter and the Half-Blood Prince.” With a secular text in both English and Latin, the haunting minor-key theme is harmonized in shimmering thirds, and floats above distant staccato chanting. A minimalist piano part mirrors the film score’s bell-like treble motive and pizzicato bass notes.

Eine Kleine Kazoo Musik by W.A. Mozart/arr. Tom Anderson, SAB with piano & kazoos
You’ve never heard Mozart like this before! “Eine Kleine Nachtmusik” is performed on neutral syllables with plenty of kazoo moments interspersed throughout. Get ready to switch back and forth between singing and kazoo-ing, but be sure to keep a straight face while performing the dramatic dynamic and tempo changes. It’s guaranteed to be the most fun you’ll ever have performing a masterwork!

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

Hola, Media Luna by Eddie Cavazos & Trevor Phillips, 2-part with piano
The most lovely selection you’ll program this year. Legato voices sing in both Spanish and English in this charming ode to the half-moon. Beginning harmonies shine brightly over a delicate piano part. A simple pronunciation guide is included in the publication, plus extension activities and reflection prompts are available to download.

Kaleidoscope Color by Andy Beck, 2-part with piano and optional percussion
This elevated partner song pairs two colorful melodies the third time around and includes an echo format refrain. Don’t be fooled by the beginning part-singing techniques, Andy’s eloquent original lyrics will inspire singers of any age, and the elegant harmonic palette (heard in the artful accompaniment) captivates the ear. Performance suggestions include two optional percussion instruments as well as colorful handheld lights.

It’s Alright by Sherry Blevins, 2-part with piano
Composer Sherry Blevins offers an uplifting contemporary original that teaches persistence. “Though you might fall down, you still must try.” The lightly syncopated melody is easy to learn and brings the meaningful text to life. Feature two optional soloists in the slower middle section before the catchy theme returns with distinct counterlines layered over an optional piano bass line. Add handclaps on two and four to lock in the groove!

Little River by Lisa Longe, 2-part with piano
The inspiring words of this nature-themed original are a metaphor for carving your pathway in life. Delicate voices come and go from unison, creating a satisfying harmonic tapestry that is easy to learn. A supportive piano part lies beautifully in the hands, and expressive dynamics highlight the ebb and flow of the river. Simply sweet.

Hope Is the Thing with Feathers by Victor C. Johnson, 2-part with piano and optional horn
Victor C. Johnson has masterfully crafted a breathtaking choral setting of Emily Dickinson’s text. This piece features warm choral sonorities, a lush piano accompaniment, and an elegant French horn obligato that adds a layer of richness and beauty to the overall sound. The combination of these elements brings Dickinson’s poignant words to life, creating a powerful musical experience.

Sail Away (with The Water Is Wide) by Emily Crocker, 2-part with piano
Younger and developing choirs can build important choral skills with this partner style arrangement of the beloved Scottish folk song, “The Water Is Wide,” paired with an original song that perfectly complements the gently flowing style of the folk melody.

The Ferris Wheel by Andy Beck, 2-part with piano
Step right up to experience this thrilling, action-packed original by Andy Beck! This innovative song recounts the invention of the towering amusement park staple from the perspective of its first World’s Fair riders. Adventurous melodies combine with captivating lyrics to create clever text painting, while the rollicking 3/4 piano part provides momentum throughout. “Come to Chicago, ride the Ferris wheel!”

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral & Classroom Music Specialist

Pirates + Zombies: A “Scare-ibbean” Cruisical by John Jacobson & Roger Emerson
“Pirates+Zombies” is a rollicking 45 minute musical with 6 original songs that brings together characters from two of Roger and John’s most popular shows! The Pirate captain books a cruise for his mates on a themed “costume cruise”, it turns out to be hosted by real Zombies! After fun laughter and an ultimate “Walk the Plank” it turns out they each learn “No One is a Monster” once you get to know them. Easy to stage and costume, fun for all ages from upper elementary through small high school.

This downloadable musical comes complete with a reproducible piano/conductor score, performance and accompaniment MP3s, reproducible script and singer songsheets, a demonstration video, video production rights, show logo art, and a license for one school to perform the show up to one year after purchase, with the option for a renewal fee if your school decides to perform the musical again. With options to combine or split parts, add or change songs, and add or change scenes, this musical is flexible to suit the needs of you and your students. Set, staging, and choreography suggestions are also included, with lots of ideas for making this a fun and successful show!

Watch the trailer below, and shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

Finding a Breeze by Matt Carlson, SA with piano
“Finding a Breeze” is about breaking free from the weight of negative thoughts and being lifted up by positive ones. Composer Matt Carlson uses flowing melodies and compelling harmonies, making this treble work suitable for all ages.

Journey the Night by Lisa Longe, 3-part mixed with piano
“In darkness, we see more than we know.” This haunting 6/8 original is carefully crafted for developing groups with moderate-range voice parts and a supportive, uncomplicated accompaniment. Poetic lyrics about the mystique and wonder of nighttime evoke sounds of singing shadows. Composed mostly in D minor, the final bars soften and slow with an uplifting shift to the relative major.

Cantate Gaudentes! (Sing Joyfully!) by Coleman Peterson, 3-part mixed with piano
“Sing joyfully! Lift your voices high, together as one. Seize the day with laugher and love!” This exuberant secular concert opener for developing mixed choirs is written in both Latin and English. Ideal ranges for all voice parts, with a modern and supportive piano accompaniment throughout. Teachable moments abound, making this excellent for middle level festivals and combining choirs to start any concert with a bang! A Latin phonetic pronunciation guide is included in the choral octavo.

The Owl, the Wind, and the Moon by Mark Burrows, 3-part mixed with piano
Three nighttime characters emerge one at a time to “weave their nocturnal tune” in this imaginative autumnal original. Singers become storytellers with a creative text, musical word painting, dramatic dynamics, and even sound effects – the song begins and ends by imitating the whispering wind. Program a mysterious, magical moment this fall or any time of year!

O Lux Beatissima by Mark Burrows, 3-part mixed with piano
Wonderful opportunities for teaching breathing, phrase-shaping, pure vowel sound, and dynamic control abound in this elegantly flowing setting of a traditional Latin text. Carefully scored for success with young voices, it is a simply-stated, finely-crafted addition to your library.

One Small Light by Karen Crane, 3-part mixed with piano
Karen Crane’s “One Small Light” is a heartfelt and inspiring piece for three-part mixed voices, perfect for concerts with themes of hope and perseverance. With a gentle yet uplifting melody, this song encourages singers and listeners to embrace their potential and recognize the powerful ripple effects of small acts of kindness and courage. “One Small Light” reminds us all that even the smallest spark can illuminate the darkest places.

Mixolydian Gloria by Remel Derrick, SAB with piano (optional a cappella)
Using the mixolydian scale rather than a conventional major scale, Remel Derrick’s rhythmically charged SAB setting of the Gloria text is written for the developing mixed choir. With the option to sing with or without piano, your choir will enjoy learning and performing this fun, cool, and accessible piece!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral Music Specialist

Because You Sang by Arianne Abela, SATB divisi a cappella
The music to carries a hymn-like quality, with a melody that is both easy to recognize and evocative of a protest march. The first verse begins with a solitary voice, gradually joined by an increasing forces.

Aura Lee arr. Bryan Sharpe, SA(T)B with piano
Flexibly set for either SAB or SATB developing choirs, this tender arrangement of the beloved American folk song has a gently flowing piano part that undergirds the harmonic structure throughout. Conservative ranges and sensitive part writing allow all singers to experience success, and the flexibility of the setting allows for smaller choirs with fewer tenors or basses to perform this beautifully.

Show Me the Way by Paul David Thomas, SATB with piano and optional flute & tenor drum
All voice parts have a chance to shine as the request to “show me the way” is passed among the choir, repeated, and transformed through a variety of imitative techniques and textures. Wilcox’s lines suggest that life’s journey is full of challenges and uncertainties, but through love, patience, and a commitment to good deeds, one can find purpose and fulfillment. This hopeful perspective is expressed musically through the driving compound meter rhythms provided by the piano (and optional drum and flute) and the use of accessible chromatic pitches in the vocal lines.

Ahlan Wa Sahlan (Welcome) by Kyle Pederson, SATB with piano and drum, optional guitar/oud, clarinet or violin
A perfect high-energy opener for mixed choirs of all levels! A lovely Arabic phrase, “Ahlan Wa Sahlan (Welcome),” greets the audience and sets the tone for all to feel included, welcomed, and energized. Born from a collaboration with a Middle East (Omani) high school choral festival, this piece features a rockin’ piano and drum part (along with optional guitar, clarinet, or violin), solo possibilities, and infectious pop harmonies and rhythms. Awesome!

Fly Away (from A Minor Bird) by Bruce W. Tippette, SATB with piano
Presenting a simple conflict between humanity and nature, Robert Frost’s poem, A Minor Bird, is musically set in 6/8 meter. With an agitated piano accompaniment under sweeping vocal lines, the composition mimics the person’s frustration and the fluttering of a bird’s wings as it is shooed away. There is a change of heart in the final lyric of “who would want to silence any song?” creating an engaging work for discussion, learning and performance.

Seasons by Ola Gjeilo, SATB with piano and optional flute
This work by Ola Gjeilo and Charles Anthony Silvestri explores the beauties of each of the four seasons. With a supportive piano part and optional flute part that soars above.

Lovely Chance by Jacob Narverud, SATB with piano and optional hand drum
A driving echoed verse bursts into a dancelike, mixed-meter refrain, brilliantly capturing the nature of Sara Teasdale’s vivid poetry. Narverud’s contrasting B section takes a more contemplative approach, gradually growing to a recapitulation of the spirited main chorus. Accompanied by a vibrant piano and an optional hand drum.

Love Will Remain by Mark Burrows, SATB with piano
Mark Burrows’ sensitively crafted choral work brings a deeper level of understanding to a poignant original text, offering an opportunity for profound emotional connection through music. With expressive harmonies, thoughtful vocal scoring, and a gentle unfolding of musical ideas, this piece invites choirs to engage with the text, creating a powerful shared experience between singers and the audience. Ideal for reflective moments in concert or festival settings, “Love Will Remain” is a journey of empathy, expression, and heartfelt artistry.

Run from the Silence by Roger Emerson, SATB with piano
This song of reflection was inspired by the stop motion film, “Gruff.” In the words of the movie director, Julian Curi, “I believe we all have individuals in our lives, related or not, that pride themselves as the ‘strong silent types.’ Through this short film, I hope all of us can learn to empathize, connect, and more deeply love those who have so much more to say than we think, and just need us to listen.”

Alleluia by Jake Runestad, SATB divisi a cappella
Through history, the singing of “alleluia” has served as an outward celebration as well as an introspective expression of praise. The work begins with a rhythmic declaration of joy and builds intensity through metric changes, tonal shifts, glissandi, and hand clapping. This lively exultation soon gives way to a reverent meditation with soaring melodic lines and lush harmonies. The dancing rhythms from the beginning return with a gradual build in intensity as one’s praises rise to the sky.

Wind of Night by Chris Maunu, SATB with piano
Your choir will transform any performance space into the sonic landscape of a windy night with Chris Maunu’s dynamic composition. Filled with driving rhythmic energy, unrelenting accompaniment, and even wind-like sounds created by the choir itself, “Wind of Night” brings the tempestuousness to life. With ample unison sections and accessible vocal ranges, this striking work is both rewarding and achievable for choirs of all levels.

O Nata Lux by Victor C. Johnson, SATB with piano
Victor C. Johnson’s radiant realization of the traditional Latin “light born of light” text is equally fitting for the concert hall, stage, or sanctuary. With plenty of room for expressive singing, this luminous setting gives every voice part a time to shine as it develops the glimmering opening motive into a stunning soundscape.

Laudate! by Christopher Alexander, SSAATTBB a cappella
“Laudate!” is a celebratory work of excitement and praise. After its boisterous opening, the energy of the song takes off with differing motifs and rhythmic figures in each voice before the chorus unites in large, harmonic textures. The anticipation builds again before returning to the polyphonic section from before. The work slightly slows down, while maintaining its energetic spirit, creating polychordal harmonies. The uptempo energy comes back once more and builds through the key change and rollicking finale (similar to the beginning). Each voice section gets featured in this work, and would be a great opener at your next concert. This work is suitable for advanced high school, collegiate, and community choruses.

Flight by Craig Carnelia/arr. Ryan Murphy, SATB with piano and optional string ensemble
“Flight” has long been an incredible and well-loved work by songwriter Craig Carnelia. This dynamic and empowering arrangement, now available for SATB choir, is a great choice for honor choirs, festivals, conferences, and concert performances.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Earth Symphony by Jake Runestad
“Earth Symphony,” the EMMY® award-winning, ground-breaking choral symphony from composer Jake Runestad and librettist Todd Boss, is a 5-part dramatic monologue from the voice of a post-anthropocene Mother Earth. The work imagines Earth’s hope for humanity, her discovery of its power, her ruination at its hands, her lament at its loss, and her recovery. By anthropomorphizing Earth herself, drawing on the familiar earth-mother trope,

“Earth Symphony” enables entry into our own ecological shame, guilt, responsibility, potential, and redemption, all from a wide-angled, time-telescoped lens, thereby asking our most immediately pressing environmental questions in an entirely new way.

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recommended by Jen Sper, School Choral Music Specialist

Concert Canons: Eight Performance-Worthy Rounds by Andy Beck, Mark Burrows, Ruth Morris Gray & Donald Moore
Canons to take from the classroom to the stage! Whether you’re introducing independent part singing in elementary and middle school or reinforcing that skill for high schoolers, rounds are an essential tool. This collection features concert-ready arrangements and originals that easily stack into two and three layers. Carefully edited to avoid any homophonic singing, but built with the flexibility of cued notes, if desired. Reproducible pages make it easy for singers to find and mark their individual parts. Full-performance and piano accompaniment audio is available.

Titles include: “Banaha,” “Candlelight Canon,” “Canon of Hope,” “Friendship Canon,” “Hashivenu,” “Simply Alleluia,” “Singing Peace Canon,” and “Winter Canon.”

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.