News & Views Thursday, September 18, 2025

Best Songs of 2010 31 December, 2010

The new year is always a good time for retrospection. As we look back on 2010 in terms of popular music, everyone seems to have an opinion on the ”hits” and “misses.” Following are the top 10 songs of the year as named by MSN Entertainment, many of which are available for immediate purchase in piano/vocal/guitar format through Stanton’s Digital Delivery:

1. Cee-Lo Green: “F— You” (or “Forget You“)
2. Miranda Lambert: “The House That Built Me
3. Eminem (Featuring Rihanna): “Love the Way You Lie
4. Die Antwoord: “Enter the Ninja”
5. Tom Petty and the Heartbreakers: “I Should Have Known It
6. LCD Soundsystem: “Drunk Girls”
7. Robyn: “Dancing on My Own
8. Broken Bells: “The High Road
9. Far East Movement: “Like a G6″
10. Lady Antebellum: “Need You Now

So what do you think? Listen to, or better yet, PLAY these songs yourself, and let us know if any of them made your top 10 list this year!

Wedding Pop Music for Strings 30 December, 2010

STRING QUARTETS – PLAN AHEAD FOR THE WEDDING SEASON!

More and more couples seem to be requesting popular titles along with classical repertoire for their weddings these days.  Stanton’s naturally stocks all the standard classical wedding repertoire for string quartet. We are now able to get many fun, popular options for your quartet as well.  Arranged to be playable by adult string players or even proficient high school students, they will give your string quartet more flexibility and saleability for more gigs!  Check these out!

And So It Goes – Billy Joel/Larry Moore
Can’t Help Falling in Love/Love Me Tender – Elvis Presley/Eric Gorfain
I Will Always Love You – Whitney Houston/Robert Longfield
Lord of the Dance – Ronan Hardiman/Larry Moore
The Ludlows – Legends of the Fall/Larry Moore
Music of the Night – Andrew Lloyd Webber/Larry Moore
My Heart Will Go On – Titanic/Larry Moore
New Slang & Yellow – Shins & Coldplay/Eric Gorfain
Paranoid Android & House of Cards – Radiohead/Eric Gorfain
Pirates of the Caribbean – Arr. Larry Moore
Pop Songs from the Twilight Saga – Arr. Eric Gorfain
Pretty Woman – Roy Orbison/Robert Longfield
Smoke on the Water – Deep Purple/Larry Moore
Viva la Vida – Coldplay/Larry Moore
You Raise Me Up – Josh Grobin/Larry Moore

For more great quartet recommendations, contact Dan in Stanton’s instrumental department!

Chen Yi - American Masterpieces: Choral Music 29 December, 2010

The National Endowment for the Arts' American Masterpieces: Choral Music initiative is designed to celebrate our national musical heritage by highlighting significant American choral composers and their works of the past 250 years.  Stanton's Sheet Music is proud to present this series highlighting the composers and their works featured in this groundbreaking project.

(from NEA.gov)
Chen Yi (born 1953) is one of today's most cosmopolitan composers. Born in China in 1953 to a family of classical music lovers, she began studying violin and piano at the age of three. As a young woman she studied theory and composition in both hemispheres: at the Beijing Central Conservatory, and later at Columbia University in New York City.

In her works she has endeavored to blend elements of Eastern and Western music in a way that appeals to listeners from all cultures. She has produced an enormous body of work with remarkable speed and facility, resulting in countless honors and fellowships, commissions from major artists and orchestras, worldwide performances, and award-winning recordings.

In 1986 she became the first woman in China ever to receive a master's degree in composition. Dr. Chen has taught composition at the Peabody Conservatory and the University of Missouri-Kansas City Conservatory of Music. She served as Composer-in-Residence with the Women's Philharmonic, Chanticleer, and the Aptos Creative Arts Center in San Francisco. She received the prestigious Charles Ives Living Award from the American Academy of Arts and Letters, and in 2005 was elected to the American Academy of Arts and Sciences.

She has written choral music for the Kansas City Chorale, Chicago a cappella, the San Francisco Girls Chorus, and the Singapore Youth Choir, among others. “Know You How Many Petals Falling?” was premiered by the Elmer Iseler Singers at the Sixth World Symposium on Choral Music in 2002. Among her many other choral pieces that might be singled out for special mention are “To the New Millennium,” “Spring Dreams,” the Chinese Myths Cantata, Chinese Poems, and her Set of Chinese Folk Songs in three volumes.

Selected Works:
A Set of Chinese Folk Songs
Chinese Mountain Songs
Know You How Many Petals Falling?
Landscape
Spring Dreams
The West Lake

For more distinguished choral repertoire suggestions, please contact us.

Check this one off of my “life list”! 28 December, 2010

Wow! It is COLD here in Columbus, OH!!! As I was chipping ice from my windshield this morning, I was thinking about a momentus upcoming happening for me this summer. In July I’m going to attend Jamey Aebersold’s Summer Jazz Workshop at the University of Kentucky in Louisville, Kentucky! After over 30 years as a professional musician and educator, I’m finally going to experience what I’ve recommended to students and friends year in and year out. Although I like to think I know which end of my instrument to blow into, I’ll be learning right beside student musicians from their early teens all the way into their elder years… HEY, THAT’S ME!!!

To get ready for the weeklong jazz bootcamp I’ll be working out on some of the following materials to get ready.

Patterns for Jazz by Jerry Coker
Patterns for Jazz stands as a monument among jazz educational materials. Condensed charts and pertinent explanations are conveniently inserted throughout the book to give greater clarity to the application of more than 400 patterns built on chords and scales — from simple (major) to complex (lydian augmented scales).

How to Play Bebop by David Baker
Volume 1 of a three volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today’s music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles.

Jamey Aebersold, Volume 54 – Maiden Voyage
Standards and workouts for making the transition from playing scales & chords. An excellent resource for beginning improv. Features slower tempos, easier changes, and specific tips on approaching soloing. Scales written for every chord change. Perfect for High School and College music directors!

Jamey Aebersold, Volume 70 – Killer Joe
Similar to the popular Volume 54 “Maiden Voyage,” this volume again meets the needs of the up-and-coming jazz player who is ready to make the transition from scales and chords to improvising on real standard chord changes. The selections feature slower tempos and easier changes and each has a great feel that makes improvising easier.

Jamey Aebersold, Volume 34 – Jam Session
These are tunes everyone has heard and every musician should know. The names of the composers and lyricists read like a musical Hall of Fame. 19 tunes from the cream of the golden age of songwriting in America. Lyrics included.

So… it might be 10 degrees outside right now but in my practice room I’m imagining a balmy 90 degree day in July!

The Jazz Guy

 
 
 
 
 
 
 

 

It's NOT Too Early to Get Ready for Contest! 27 December, 2010

As you wrap up your holiday performances and have some time off from school, now is a great time to be looking forward and planning for upcoming adjudicated event performances in the spring.  Here in Ohio, large group events for high school ensembles begin in March, and for junior high groups in May. 

Take a few minutes to reflect on what your students have learned and accomplished so far this fall, and think about what you want them to achieve by the end of the year - Stanton's is equipped to help you find the right repertoire for the job!  Whether you're exploring titles new to the required list for 2011, rediscovering old teaching gems or searching for the perfect select piece to showcase your ensemble, we're armed with the information and advice you need.

We're well-stocked with contest literature here in the store if you're able to come in and browse, or click the links below to search the current required lists for OMEA on our website.

Choral Music for High School
Choral Music for Junior High
Concert Band Music for High School & Junior High
Orchestra Music for High School & Junior High

Merry Christmas! 24 December, 2010

We can’t imagine a more “classic” way to set the mood for Christmas. Stanton’s is open today for your last-minute purchasing, but we will be closed tomorrow. We wish you a happy, joy-filled holiday!

World of Warcraft Instrumental Play-Along Now Available! 23 December, 2010

The creativity and complexity of contemporary video games makes them modern works of art.  Equally impressive and essential to the gaming experience are the wonderfully effective musical scores underpinning the action and stunning visuals, and requests for print versions of ”video game music” are not uncommon.  To that end, Alfred Publishing has just released a solo instrumental play-along series of music from the ground-breaking and immensely popular “World of Warcraft” video game series.  Titles include: Lion’s Pride, The Shaping of the World, Slaughtered Lamb, Pig and Whistle, Invincible, A Call to Arms, Wrath of the Lich King, Gates of the Black Temple, Salty Sailor, and Garden of Life.  A fingering chart is also included in each book.

Instrumental solo books including CD accompaniments are available for flute, clarinet, alto sax, tenor sax, trumpet, f horn, and trombone with a seperate piano accompaniment book available as well.  String editions of the series are available for violin, viola, and cello and include both the CD and piano accompaniments.  Feel free to order via stantons.com, or give us a call.

 

Be Ready in January! 22 December, 2010

When your elementary general music classes resume after winter break, be ready to jump right back into learning!

For your early elementary students, we suggest Sound Stories. This creative collection is designed to reinforce your students’ reading and listening skills. Each of the 18 reproducible stories contains “special words” that are attached to sounds and rhythms. These instrumental inserts will enhance the story as your children become the “sound effects.” There are many choices for presentation; you could even act out the story for a final product!

Older elementary students will love A Wide World of WebVisits! These easy-to-use, multi-faceted lessons are based around music websites. A perfect resource for music appreciation classes, these lessons will enable your students to explore everything from African music and rare instruments like Benjamin Franklin's glass armonica to world-class orchestras and arts organizations without ever stepping out of the classroom. From ten-minute “excursions” to full-blown units, you will surely find a “WebVisit” suited to your particular needs and curricular goals.

If you are planning to produce an elementary musical this spring, Puttin’ on the Kidz is a great new resource for teachers! Designed to save you time and energy, you will find valuable techniques and a wealth of knowledge including: a history of the musical theater, memorization, resources for costumes and props, sample letters, standard forms to help expedite the audition process, stage and block your production, and engage parent volunteers. Each chapter is followed with powerful ideas and inspiring suggestions from music teachers across the country.

For more information about these or other classroom music products, please contact Stanton’s!

Vocal Repertoire for Intermediate & Advanced Singers - Tenor 21 December, 2010

Are you a college voice student or adult singer looking to expand your musical repertoire.  Here are Stanton's Sheet Music's top recommendations for vocal literature for tenor:

Arias for Tenor
American Aria Anthology
Britten: Winter Words
Donaudy: 36 Arie di Stile Antico

Faure: 30 Songs
Hahn: 12 Songs
Handel: 45 Arias from Operas and Oratorios

Poulenc: Tel Jour, Telle Nuit
Quilter: 55 Songs
Schubert: 200 Songs
Schumann: 85 Songs
Standard Vocal Literature
Vaughan Williams: On Wenlock Edge

Check out our other posts for suggested repertoire for beginning singers, for soprano and for mezzo-soprano, and check back soon for recommendations for bass/baritone.  Remember that Stanton's offers a 10% discount to college music majors, professional musicians and music teachers on most printed music items.  For more information, please contact classicalvocal@stantons.com.

“The Sing-Off” Finale Airs Tonight! 20 December, 2010

If you’ve been watching NBC’s “The Sing-Off,” then you know that it’s an exciting time for choral music in America! We have already been seeing a renewed interest and participation in choirs in the last few years–thanks in part to shows like “Glee“–but “The Sing-Off” really celebrates high-quality, a cappella singing and arranging. (Yes, America’s interest is still limited to “pop choral,” but we’ve got to take it one step at a time!)

There are already some arrangements available from season 1 of “The Sing-Off” which aired December, 2009. Under Pressure originally performed by David Bowie and Queen, Mr. Blue Sky by Electric Light Orchestra, and U2‘s I Still Haven’t Found What I’m Looking For are all available in the same a cappella choral versions used on the show and arranged by Deke Sharon.

Some of the hits from this season are already available in a cappella or accompanied versions, but they may not match the EXACT versions seen on the show: 21 Guns, Apologize, Every Breath You Take, Haven’t Met You Yet, Hey Soul Sister, Home Sweet Home, I Wish, I’ve Got the Music in Me, The Longest Time, Love Shack, Mercy, Save the Last Dance for Me, That’s Life, This Love.

Check back here for updates on more choral music from “The Sing-Off,” (we’re hoping for “With a Little Help from My Friends” as seen below) and remember to watch tonight at 8 on NBC!

Sacred Choral Clinic in less than ONE MONTH! 17 December, 2010

Plan to attend the next Stanton's Sacred Choral Clinic on Saturday, January 15th, 2011. We will be featuring the best new choral publications for Lent, Easter and beyond, as chosen by Stanton’s sacred choral staff. The clinic will be held in its usual place at the Battelle Fine Arts Center at Otterbein College in Westerville, OH. (There is still a construction detour at the Alum Creek Bridge on Main Street–you may need to alter your regular route.)

Attending this clinic is a fantastic way for you to choose new church anthems for your choir by hearing the music read live! This January's clinicians will be Stanton's own Judy Henry and president emeritus Jim Strouse. Please feel free to contact Stanton's at 1-800-42-MUSIC and speak with a choral staff member for the details of the event. We look forward to seeing you at 8:30 for registration, coffee and doughnuts followed by a wonderful morning of singing!

This Just In! - GLEE Season 2 Update 16 December, 2010

Extra, extra!  Read all about it!  We've reached the mid-point of “Glee's” second season, so here's the very latest on choral music available from the hit Fox TV show!

The first episode of season 2, “Audition,” opened with Jay-Z and Alicia Keys' Empire State of Mind as New Directions prepared for Nationals in New York City.  Also featured was the boys' performance of Billionaire by Travie McCoy, and Rachel and Sunshine's rendition of Telephone by Lady Gaga and Beyoncé.

Episode 2, “Britney/Brittany,” paid tribute to the music of pop artist Britney Spears.  Her hit song “Toxic” is featured in the new SSA medley Viva la Diva!, which also contains “Bad Romance” by Lady Gaga, “Express Yourself” by Madonna, “Single Ladies (Put a Ring on It)” by Beyoncé, and “Telephone” by Lady Gaga featuring Beyoncé.

“Duets,” episode 4 of the second season, featured a dynamic performance by Rachel and Kurt of Happy Days are Here Again/Get Happy, originally performed by the iconic Barbra Streisand and Judy Garland

The songs from episode 5, “The Rocky Horror Glee Show,” are available in the piano/vocal/guitar collection The Rocky Horror Glee Show.  “Damn It, Janet,” “Over at the Frankenstein Place,” “Science Fiction Double Feature,” “Sweet Transvestite,” “Touch-a Touch-a Touch-a Touch Me,” “Whatever Happened to Saturday Night,” and (of course) “Time Warp” are all contained in this fun vocal folio.

The ninth episode, “Special Education,” followed New Directions to sectionals, where we heard their competition's rendition of Hey, Soul Sister by Train

Other new titles now available since our previous post include: The Best of Glee (Season 1 Highlights), which contains “Don't Stop Believin',” “Jump,” “Shout It Out Loud,” “Physical,” “Like a Prayer,” “To Sir, with Love,” “Keep Holding On,” “Lean On Me,” “Somebody to Love,” “Any Way You Want It” and “Lovin' Touchin' Squeezin'”; The Road to Regionals medley, including “Any Way You Want It,” “Don't Stop Believin',” “Faithfully” and “Lovin' Touchin' Squeezin',” all as heard in New Directions' regionals competition performance; The Safety Dance; and To Sir, with Love.

(Please note that some of these titles are not yet off-the-press; please contact us for detailed availability information)

“Glee” returns to the air in February - and Stanton's will keep you “in the know” on all the latest releases!

The Little Drummer Boy/Peace on Earth 15 December, 2010

 By now, most people are aware of the duet “The Little Drummer Boy/Peace on Earth” sung by Bing Crosby and David Bowie. It was recorded on September 11, 1977 for “Bing Crosby’s Merrie Olde Christmas.” The video is on YouTube.
His Christmas show aired on November 30, 1977. There is finally a sheet for this! Newly published this year, the duet costs only $3.99. If you have been looking for this duet, you can now get it!  Contact Stanton’s popular music department for your copy.

The Sounds of the Season at Stanton's! 14 December, 2010

This past Saturday, Stanton’s Sheet Music was honored to host “The Obobo Trio,” which provided some wonderful holiday music for our staff and customers!

The trio is comprised of Jennifer Day-Haeger, oboe, Vicky Capper, violin and Dan Clark, cello. The musicians played for about an hour amid the bustle of our regular holiday shoppers; everyone enjoyed the quality of their performance as well as the festive feeling it brought to our store.

If you know of a group that would like to perform at Stanton’s this holiday season (or even next year), contact Judy in our keyboard department. Join us this Saturday for some caroling in the store beginning at 1 pm!

Ukulele Popularity 13 December, 2010

If the band “Train” can use a ukulele to produce the song “Hey Soul Sister,” it must not be your granddaddy’s uke anymore!  Stanton’s is now stocking a ukulele kit that includes a good quality uke, a pick, and a beginner’s book with an instructional  CD.  It costs only $49.95.

The ukulele has been enjoying renewed popularity over the last few years.  Check out YouTube to see what folks are doing with the uke these days.  You may just want to get started with one of these handy kits!

 Jumpin’ Jim Beloff, ukulele player and collector, has many books for ukulele published by Hal Leonard. He has instructional videos, “The Joy of Uke” volumes 1 and 2.

Mel Bay Publications has many books for ukulele, as well.
The range of difficulty is wide, from beginning books to “The Cat’s Meow,” a book of 1920′s songs from Mel Bay that will work your fingers hard.

Prepare for College Auditions! 10 December, 2010

ATTENTION:  HIGH SCHOOL INSTRUMENTAL STUDENTS WHO ARE AUDITIONING AT COLLEGES AND UNIVERSITIES – ARE YOU PREPARED?

A unique series of books has just become available that will help you prepare for this important event which could determine how the rest of your life and your music career evolve. Protocol: A Guide to the Collegiate Audition Process provides high school students with or without a private teacher with a comprehensive collection of materials that will satisfy the needs of most college/university music auditions.

Many schools have specific requirements that can usually be obtained from their respective websites.  This text includes the most frequently requested audition requirements from online websites at many universities, and if it is the only guide that you purchase, you will be able to present a representative, well balanced audition.  It not only includes instrument specific scales and arpeggios, orchestral excerpts, etudes and solos, it also has suggestions on how to take an audition – what to bring, how to dress and how to present a professional manner.

The editors of this collection have drawn from experiences as college/university professors and from experience supervising entrance auditions for large and small university programs.  This collection will aid students by exposing them to the expectations of the audition process, assisting their preparation for this process, and creating a comfort level that allows students to present themselves in the best light possible.  This book is an indispensable guide for every student considering auditioning for any collegiate music program!

PROTOCOL: A GUIDE TO THE COLLEGIATE AUDITION PROCESS
FLUTE – WF58 – $19.95
CLARINET – WF59 – $19.95
ALTO SAXOPHONE – WF86 – $19.95
TRUMPET – WF60 – $19.95
TROMBONE – WF81 – $19.95
VIOLIN – BF55 – $19.95
VIOLA – BF56 – $19.95
CELLO – BF57 – $19.95
STRING BASS – BF58 – $19.95

The Perfect Gift for Musicians! 09 December, 2010

“‘Tis the Season” for gift-giving and gift certificates at Stanton’s!
If you don’t know what to buy for that musical person in your life–consider buying a gift certificate from Stanton’s. You’ll be glad to know that when you purchase a gift certificate at Stanton’s, it will never expire. People always love to receive gift certificates and your teacher, director or student will be able to put it to good use! Contact us at 1-800-42-MUSIC to discuss payment and shipping options.

Introducing: Progressive Trios for Strings! 08 December, 2010

STRING TEACHERS AND PLAYERS – Stanton’s hopes that over the last few years you have become familiar with the excellent, flexible string duet series PROGRESSIVE DUETS, including MY FIRST PROGRESSIVE DUETS (Beginning) and PROGRESSIVE DUETS Volume 1 (Easy to Intermediate) and PROGRESSIVE DUETS Volume 2 (Intermediate to Advanced) that are playable by any two stringed instruments and progress in difficulty throughout each book as players gain facility and expertise as they practice.

Now there is a wonderful new companion book that is specifically for three players – PROGRESSIVE TRIOS Volume 1.

Chamber music is an essential part of learning to play an instrument, and these versatile trios are written so that they can be performed by any combination of three string instruments. These arrangements and compositions by prominent string pedagogue Doris Gazda will sound full and satisfying whether they are played by only three instruments or a full string orchestra. The selection of music in PROGRESSIVE TRIOS FOR STRINGS covers a wide variety of musical styles that will provide hours of enjoyment and performance options. For example, the collection includes an arrangement of the “Bridal Chorus” from the opera Lohengrin, a perfect piece to play at a wedding. The trios are progressively organized by level of difficulty as the performers advance in their skills. A welcome addition to the repertoire for all string players wishing to build their ensemble skills.

Eric Whitacre Collection 07 December, 2010

The Eric Whitacre Collection contains seven pieces for a cappella mixed choir by Eric Whitacre in the first available printed music compilation of its kind for the composer. The book includes pieces of varying difficulty, wide-ranging in theme, from the iconic “Sleep” and “Water Night” to the quietly angelic “Lux Aurumque (Light and Gold)” and the recent “Nox Aurumque (Night and Gold).” “A Boy and a Girl” and “This Marriage” are both wonderfully tender pieces and the inclusion of the early “Go, Lovely Rose” marks the beginning of a journey through Whitacre’s choral output from this first success to the present day.  Also included are notes from the composer on each piece, offering insight into the compositional process and inspiration for each work.

For more interesting choral resources, please contact us.

Dave Brubeck is 90! 06 December, 2010

Happy 90th birthday to Dave Brubeck!

Being the consummate educator and musician, it should come as no surprise that Mr. Brubeck is represented in the Stanton’s Sheet Music database by close to 70 listings across all genres of music.

Dave Brubeck, designated a “Living Legend” by the Library of Congress, continues to be one of the most active and popular musicians in both the jazz and classical worlds. With a career that spans over six decades, his experiments in odd time signatures, improvised counterpoint, polyrhythm and polytonality remain hallmarks of innovation.

Born into a musical family in Concord, California– his two older brothers were also professional musicians–he began piano lessons with his mother at age four. He was 12 when his father moved the family to a cattle ranch in the foothills of the Sierras. Dave's life changed dramatically. Piano lessons ended and cowboy life began.  He worked with his father on the 45,000 acre cattle ranch. When he was 14, he started playing in local dance bands on weekends. When he enrolled at the College of the Pacific, in Stockton, California, his intention was to study veterinary medicine and return to the ranch.  While working his way through school as a pianist in local nightclubs, the lure of jazz became irresistible and he changed his major to music.  Graduating in 1942, he enlisted in the Army, and shortly thereafter married Iola Whitlock, a fellow student at Pacific.  While serving in Patton's Army in Europe, he led a racially integrated band.  After his discharge from military service in 1946, he enrolled at Mills College in Oakland, California to study composition with French composer, Darius Milhaud.  Milhaud encouraged him to pursue a career in jazz and to incorporate jazz elements into his compositions. This cross-genre experimentation with like-minded Milhaud students led to the formation of the Dave Brubeck Octet in 1947.  In 1949, Brubeck with Cal Tjader and Ron Crotty, fellow Octet members, cut their first award-winning Dave Brubeck Trio recordings.  After suffering a near fatal diving accident in 1951, Dave formed the Dave Brubeck Quartet with alto saxophonist Paul Desmond, who was also a member of the Octet. The legendary Brubeck-Desmond collaboration lasted seventeen years and beyond.

The Dave Brubeck quartet's recordings and concert appearances on college campuses in the ‘50s and early ‘60s introduced jazz to thousands of young people. The quartet's audiences were not limited to students, however.  The group played in jazz clubs in every major city and toured in package shows with such artists as Duke Ellington, Ella Fitzerald, Charlie Parker, Dizzy Gillespie and Stan Getz.  The Dave Brubeck Quartet repeatedly won top honors in trade magazines and critic's and reader's polls.  In 1954 Dave Brubeck's portrait appeared on the cover of Time Magazine with a story about the jazz renaissance and Brubeck's phenomenal ascendancy.

In 1958 the Quartet made their first of many international tours. The U.S. State Department sponsored the Quartet's performances in Poland, India, Turkey, Sri Lanka, Afghanistan, Pakistan, Iran and Iraq. Exposure to many different cultures was reflected in the group's repertoire that sometimes incorporated exotic elements.  The 1959 recording “Time Out” experimented in time signatures beyond the usual jazz 4/4. To everyone's surprise “Time Out” became the first jazz album to sell over a million copies and “Blue Rondo a la Turk” and “Take Five” (now in the Grammy Hall of Fame) began to appear on jukeboxes throughout the world.

Early in his career Brubeck wrote primarily for this Quartet, and some of those pieces, such as “In Your Own Sweet Way” and “The Duke” became part of standard jazz repertoire.  His first orchestral composition, “Elementals”, written for an improvising jazz combo and symphony orchestra was premiered and recorded in 1962. Choreographed by Lar Lubovitch,  “Elemental Brubeck” is currently in the repertoire of the San Francisco Ballet and several other dance companies.

Throughout his career Brubeck has experimented with integrating jazz into classical forms. In 1959 his Quartet premiered and recorded his brother Howard's “Dialogues for Jazz Combo and Orchestra” with the New York Philharmonic, Leonard Bernstein conducting. In 1960 he composed “Points on Jazz” for the American Ballet Theatre, and in later decades composed for and toured with the Murray Louis Dance Co. His musical theater piece “The Real Ambassadors” starring Louis Armstrong and Carmen McRae was recorded and performed to great acclaim at the 1962 Monterey Jazz Festival.

The “classic” Dave Brubeck Quartet (Paul Desmond, alto sax from 1951; Eugene Wright, bass from 1958; Joe Morello, drums from 1956) was dissolved December 1967. Baritone saxophonist Gerry Mulligan joined a newly formed Dave Brubeck Trio (with Jack Six, bass and Alan Dawson, drums) the following year. This group recorded and toured the world together for seven years.  In this period Brubeck also performed with three of his musical sons, Darius, Chris and Dan billed as “Two “Generations of Brubeck” frequently with Gerry Mulligan or Paul Desmond as guest artists.

In the ‘80s Brubeck led a quartet that featured clarinetist Bill Smith, a former Octet member, with his son Chris on electric bass and Randy Jones on drums. This group toured the Soviet Union in 1987 and along with former bassist, Eugene Wright, accompanied President Reagan to Moscow to perform at the Reagan-Gorbachev Summit in 1988. Since the Dave Brubeck Quartet's first appearance at a State Dinner for King Hussein of Jordan during the Johnson administration, Brubeck has performed at The White House on several occasions and for many different Presidents.

Shortly after the dissolution of the “classic” Quartet, the Cincinnati Symphony Orchestra, with Erich Kunzel conducting, premiered Brubeck's oratorio,” The Light in the Wilderness” (February 1968). The following year Brubeck's second major work “The Gates of Justice”, a cantata based on the words of Martin Luther King, Jr. and the Old Testament, was also premiered by Kunzel in Cincinnati.  It has since been re-recorded by the Baltimore Choral Arts Society, Cantor Abraham Mizrahi, tenor and Kevin Deas, bass-baritone, for the Milken Archive of American Jewish Music, Russell Gloyd conducting.

Throughout his career Brubeck has continued to experiment with interweaving jazz and classical music.  He has performed as composer-performer with most of the major orchestras in the United States and with prestigious choral groups and orchestras in Europe and America.  Dave cites as some of the highlights of his career the premier of his composition “Upon This Rock” for Pope John Paul II's visit to San Francisco and the performances of his mass “To Hope! A Celebration” in St. Stephan's Cathedral in Vienna and in Moscow with the Russian National Orchestra and Orloff choir.

Dave Brubeck's compositions include a popular Christmas choral pageant “La Fiesta de la Posada”, oratorios and cantatas, ballet suites, a string quartet, chamber ensembles, pieces for solo and duo-piano, violin solos and orchestral works. His mass “To Hope! A Celebration” has been performed throughout the English speaking world, Germany, Russia and Austria and was recorded in the National Cathedral in Washington, D.C. In 2002 the London Symphony Orchestra and London Voices recorded in “Classical Brubeck” his Easter oratorio “Beloved Son”, “Pange Lingua Variations”, “The Voice of the Holy Spirit” and a composition for string orchestra, “Regret”, all under the baton of Russell Gloyd, who since 1976 has been associated with Brubeck as conductor, producer and manager. A mini-opera based on Steinbeck's “Cannery Row” was presented at the Monterey Jazz Festival in 2006.

While increasingly active as a composer, Brubeck has remained a leading figure in jazz, recording for Telarc, appearing in festivals and touring internationally in concert halls with today's version of the Dave Brubeck Quartet– Bobby Militello, sax and flute, Randy Jones, drums, Michael Moore, bass. As in the Dave Brubeck Quartet decades ago, each is a master musician and their concert repertoire ranges from “hits” from the old Quartet “book” to cutting edge new material.

Throughout his long career Dave Brubeck has received national and international honors, including the National Medal of the Arts from President Clinton, a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences, the Smithsonian Medal, and a star on the Hollywood Walk of Fame. He holds numerous honorary doctorates from American, Canadian, English and German universities, including an honorary degree in Sacred Theology from Fribourg University, Switzerland. Recently, Brubeck received the Distinguished Arts Award from the Ford Honors program of the University of Michigan and in 2006 received from Notre Dame their highest honor, the Laetare Medal.  He is a Duke Ellington Fellow at Yale University, and was presented with the Sanford Medal by the Yale School of Music

In the year 2000 the National Endowment for the Arts declared Dave Brubeck a Jazz Master.  He was inducted into the American Classical Music Hall of Fame in 2003. In 2007 he received a Living Legacy Jazz Award from Kennedy Center and the Arison Award from the National Foundation for the Advancement of the Arts.

His international honors include Austria's highest award for the Arts, a citation from the French government, and the Bocconi Medal from Italy. The London Symphony Orchestra, acknowledging their long association, presented him with their prestigious Lifetime Achievement Award in 2007.

The most recent honor from his alma mater, the University of the Pacific, is the President's Medal of Achievement presented by Donald V. De Rosa.  Dave Brubeck serves as chairman of The Brubeck Institute that the University of the Pacific established in his honor.

Dave Brubeck's most recent recording is a highly praised solo piano album “Indian Summer” that was named 2007 Album of the Year by Douglas Lytle, of blomberg.com.

Selected Discography
Jazz at Oberlin (Fantasy)
Time Out (Columbia)
The Real Ambassadors (Columbia)
Time Signatures (Sony Music)
Classical Brubeck (Telarc)
London Flat, London Sharp (Telarc)
Indian Summer (Telarc)

(Biography of Dave Brubeck downloaded from davebrubeck.com)

CSO Presents “Holiday Pops!” 03 December, 2010

The annual “Holiday Pops” concerts presented by the Columbus Symphony Orchestra and Chorus has become a December tradition for many families.

In addition to a wide variety of holiday music, there will be dancers from BalletMet, a dramatic interpretation of “Twas the Night Before Christmas,” an audience sing-along of favorite carols, and even a visit from Santa.

Tickets are still available, so join the CSO this weekend and make some cherished Christmas memories with your family!

Stanton's <3's NY! 02 December, 2010

Stanton’s Sheet Music woke up in Rochester, NY this morning for the annual NYSSMA Winter Conference. We’ve loaded up our “Sheet Music Specialists,” along with some of the best materials for band, choir, classroom music, orchestra and more, and brought it directly to our many New York devotees.

If you’re at the convention today–please stop by our booth and say “hello.” You’ll find us under the big blue Stanton’s balloon in the exhibit hall!

Happy Hanukkah! 01 December, 2010

Tonight marks the lighting of the first candle of Hanukkah! We hope you’ll enjoy this lovely version of “Hanerot Hallalu” to set the reverant mood for the day: