New Arrangements from the Silver Screen Friday, June 01, 2018
recommended by Ken Tilger, Band Education Specialist
This Is Me (from The Greatest Showman) arr. Michael Brown, Grade 3
From the songwriting team who brought us “Dear Evan Hansen” and “La La Land,” the movie musical “The Greatest Showman” is based on the true story of P.T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful anthem from the film is a dynamic showcase for the concert stage.
Back to the Future arr. Michael Sweeney, Grade 1.5
Specifically arranged for second year players, here is a great-sounding version of this classic movie theme featuring limited ranges and easy rhythms.
The Best of James Bond arr. Paul Murtha, Grade 2
Featuring some of the best-known spy themes from the silver screen, here is a very playable medley of James Bond soundtrack favorites through the years. Includes: James Bond Theme, Goldfinger, Live and Let Die, and Skyfall.
Danny Elfman: Music in the Dark arr. Johnnie Vinson, Grade 2
The film music of Danny Elfman is often dark and sinister, but always unique and interesting. This entertaining medley for young players includes themes from “Beetlejuice,” “Edward Scissorhands,” “Spider-Man,” and “This is Halloween” from “The Nightmare Before Christmas.”
Selections from The Lego Ninjago Movie arr. Patrick Roszell, Grade 2
From the blockbuster film score, this electric medley features “Heroes,” “Found My Place,” and “Operation New Me.” Every member has a shot at the melody. Bring the excitement of the film to your stage!
Pirates of the Caribbean: Dead Men Tell No Tales arr. Michael Brown, Grade 3
From the 2017 installment of the “Pirates of the Caribbean” saga, the soundtrack by Geoff Zanelli features powerful themes that effectively capture the emotions of the film. Here’s a well-paced and dramatic medley for the concert stage.
Remember Me (from Coco) arr. Johnnie Vinson, Grade 2
Pixar Studios strikes gold again with their imaginative and original animated film “Coco.” With a story of Mexican folklore and with characteristic music, here is a wonderful setting of the Academy Award winning main song. The opening is in a ballad style, and then shifts to a faster tempo with a mariachi flavor.
About the Author:
Ken is a former band director, and has been with Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. Besides music, he geeks out on amusement parks, hockey (are 3 hockey podcasts too many?), and all things Pittsburgh. He spends his free time being dad to 2 young children and playing saxophone with Swing’s the Thing Big Band.