News & Views Thursday, July 17, 2025

Make music from around the world without ever leaving your classroom!

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recommended by Megan W., Orchestra Specialist

Angeline the Baker arr. Jim Palmer, Grade 0.5
“Angeline the Baker” arranged by Jim Palmer is a well-known American fiddle tune that is perfect for your beginning string orchestra. Students will enjoy the beginning shuffle technique, the interesting bass line, and sharing melodies with all the instruments. Your students and audience will be dancing in the aisles! A perfect selection for the first-year orchestra.
TEACH: shuffle technique
ORCHESTRATION: shared melodies and unique bass line
PERFORMANCE: American fiddle style

Zira! Zira! arr. Kathryn Griesinger, Grade 2.5
This traditional Ethiopian folk song is an ancient warrior cry. The pounding of the drums stirs up a sense of anticipation and bravery – a call to war heard in the driving percussion. In addition to playing double-stops and heavy accented rhythms, players will get to practice reading music in cut time. Powerful!
TEACH: cut time, B-flat-C-sharp augmentation, double stops
ORCHESTRATION: simple notation, rhythmic and dynamic challenge
PERFORMANCE: put on your war paint!

Baile De Lila by Chris Thomas, Grade 3
This authentic and vibrant work brings the sound and spirit of Mariachi to the string orchestra! Complete with strumming passages, catchy syncopated figures, and energetic melodies, the piece also includes parts for an optional guitar ensemble to really add some flavor! Many principal players have solo opportunities in this passionate, colorful salute to traditional Mexican music. Unique and a ton of fun!
TEACH: mariachi, syncopation, strumming
ORCHESTRATION: solo parts, guitar ensemble
PERFORMANCE: Mexican traditional themed

Celtic Impressions (Folk Song Suite No. 2) by Steven L. Rosenhaus, Grade 3
This short suite is a wonderfully fresh addition to the folk song repertoire. All original folk-like melodies provide ample opportunity to explore not only the form of a suite but the idiomatic style of Celtic music. Steven L. Rosenhaus has crafted a delightful new three-movement work for your next concert.
TEACH: shifting, triplets, “backwards” rhythms, movements Jig, Air, Reel
ORCHESTRATION: fast and slow, lyrical and fiddle
PERFORMANCE: movements with different tones

No matter what your in-person or remote teaching requires, shop Stanton’s for all your sheet music needs!

About the Author:
Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.

recommended by Ken T., Band Education Specialist

Dances of a Shimmering Spirit by Robert Sheldon, Grade 3.5
This piece has an attitude! A bit jazzy, a little sassy, and a touch of glitz and glam certainly sets this piece apart. Fast-paced rhythmic riffs in a minor key alternate with soaring melodies in a major key. A thoughtful and expressive lyrical section provides contrast.

Celtic Ritual and Dance by Mekel Rogers, Grade 0.5
Journey back to the time of the ancient Celtic Druids through the use of modal harmonies and a variety of percussion timbres. Conveying both mysticism and strength, the melodic ideas weave throughout the ensemble before coming to a powerful conclusion. Using only six notes and simple eighth-note rhythms, this is a great piece for young musicians.

Firecracker by Peter Sciaino, Grade 2.5
Drawing inspiration from the Lunar New Year Firecracker Ceremony in New York City’s Chinatown, “Firecracker” is an exhilarating celebration at a sizzling tempo that’s sure to please. Images of crackling explosives, dazzling colors, and joyful dance fuel this annual event that honors Chinese culture. A contagious drumbeat played on traditional drums by musicians traveling from business to business wishes good fortune and prosperity in the coming year. This is emulated with flexible numbers of percussionists who can all join in on the fun. Meanwhile, wind players will love the opportunity to nimbly play soaring melodic lines over the invigorating rhythmic figures found throughout. You’ll love “Firecracker” and its vigorous, jubilant spirit! Unique!

Luna y Fuego by Jorge Vargas, Grade 2
“Luna y Fuego” (Moon and Fire) is a Pasodoble (double step), a march form that originated as a Spanish military march that allowed troops to march at double the pace of regular troops. This particular Pasodoble is playable by younger musicians, and is full of memorable melodies, countermelodies, and stirring rhythmic figures, all creating an authentic-sounding Spanish March that your students and audience will thoroughly enjoy!

Slavic Festival by Mekel Rogers, Grade 1
Fast, light, and fun to play, this energetic dance captures the spirit of the Slavic culture. Everyone gets a crack at the main themes and solid scoring makes even the smallest groups sound full. Active percussion parts and celebratory rhythms keep the entire ensemble engaged throughout. A really fun way to explore world music!

No matter what your in-person or remote teaching requires, shop Stanton’s for all your sheet music needs!

About the Author:
A former band director, Ken taught grade 5-12 band and music appreciation in both public and parochial schools in central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, the Muppets, and hockey (especially the Penguins).

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

We Can Plant a Forest by Jim Papoulis, SATB with piano and optional percussion
Now available for SATB, the inspiration for this song grew from the need to continually plant new trees for our future, and to appreciate the parallel between a healthy forest and a healthy society. The text reminds us that entire forests as well as communities are actually formed by individual components, all of which need to be nurtured.

The Blue Ridge by Elaine Hagenberg, SATB with piano
Elaine Hagenberg captures the hushed majesty of an evening in the Blue Ridge Mountains, with crystal clear melodies and fervent harmonies illuminating the poem of Harriet Monroe. The ascent and descent of the opening lines trace the mountains’ silhouette against the sky, followed by the treble and bass voices that draw us by turn to view each detail of the scene and listen for the wisdom of the mountains. Accomplished high school choirs and beyond will find beauty and meaning as they explore this piece.

O Earth, Loving Mother by Mark Sirett, SATB a cappella
This work, using adapted words by one of Canada’s most treasured poets, Archibald Lampman, underscores the urgent need for us all to be respectful and mindful of the fragility of mother earth, which gives us life and sustains us. This is a beautiful work for any concert lifting up Earth Day, the environment, socially conscious themes, or plant and animal life.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper has been with Stanton’s since 2006. A former middle school and high school choral director, she holds a Bachelor of Music Education degree from Baldwin Wallace College Conservatory of Music. An active choral singer and accompanist throughout the Central Ohio area, she also enjoys good food, running (to counteract the good food…) and the Muppets.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. Currently she is a church choir director, operates a private voice/piano studio and is active as a clinician and accompanist. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Caryn G. and Judy S., Sacred Piano Music Specialists

Six Toccatas Quoting Hymn Tunes by Franklin D. Ashdown, for Moderately Advanced Organ
For this unique volume, Franklin Ashdown took his inspiration from the genre of the “choral concertato:” a standard choral anthem that ends with the singing of a hymn by choir and congregation. These organ solos are developed as free-style toccatas into which short hymn tune phrases are inserted. Finally, a triumphant statement of the complete hymn ends each work. Hymn tunes include: “Azmon,” “Nicaea,” “Terra Beata,” “Grosser Gott,” “Salzburg,” and “Divinum Mysterium.”

More from Franklin D. Ashdown
Come, Love Divine: Nine Pentecost Organ Settings
Composer Franklin D. Ashdown adds to his impressive catalogue of music for organ with this new volume for the season of Pentecost. Featuring new settings of beloved hymn tunes as well as free-compositions, this volume will be a great addition to any library. Titles include: “Come Down, O Love Divine,” “Come, Gracious Spirit, Heavenly Dove,” “God of Tempest, God of Whirlwind,” “Holy Spirit, Truth Divine,” “Lux Aeterna,” “O Day Full of Grace,” “O Living Breath of God,” “O Spirit of Life,” and “The Dove Descending.”

Communion Canticles: Eight Pieces for Organ
Franklin D. Ashdown based this collection around the sacrament of the Lord’s Supper. Two of the pieces are freely composed and are intended to evoke the spirit of remembrance, renewal, and devotion to the Savior and His atoning sacrifice. The additional six pieces are settings of well-known Communion hymns. Most are quiet, introspective pieces that are useful as preludes, offertories, and voluntaries, while the more energetic and celebratory compositions work well as recessionals and postludes. Titles include: “Adagio on Let Us Break Bread Together,” “Chorale Prelude on O Bread of Life from Heaven,” “Trumpet Postlude on Lord Enthroned in Lovely Splendor,” “Pastorale on My God, Thy Table Now Is Spread,” “Communion Canticle,” “Toccata on All Who Hunger, Gather Gladly,” “Elevation,” and “Chorale Variations on Soul, Adorn Yourself with Gladness.”

Echoes of Praise: Organ Settings of Favorite Hymns
“Expressions of Praise” can range from a quiet utterance of awe to an assertive declaration of grandeur and majesty, which Ashdown captures in this delightful collection. These dynamic organ settings are based on hymns associated with texts of praise to God and take full advantage of the organ’s broad dynamic range and impressive array of tonal colors – the perfect instrument to give divine acclamation. Seven of the works are intended as celebratory postludes, with two quieter pieces for prelude or offertory use. Titles include: “Festival Prelude on Duke Street,” “Meditation on Lauda Anima,” “Acclamations,” “Trumpet Variations on Laudate Dominum,” “Variations on Ebenezer,” “Paean,” “Aubade on Royal Oak,” “Festal Voluntary on Ellacombe,” and “Trumpet Recessional on Hanover.”

Glory of the Easter Feast: Organ Settings for the Season
“Glory of the Easter Feast” is a collection of eight organ pieces, representing a mix of hymn-based settings and original, free-style compositions. The general spirit of these compositions is joyful exuberance as expressed in ceremonial trumpet tunes (often to a familiar Easter melody), colorful partitas, or spirited processionals. The diverse sources range from a German chorale to a French folk carol, to a Tanzanian hymn tune. Titles include: “An Easter Triptych (quoting Easter Hymn),” “Christ Has Risen, Alleluia (A Tazmanian Alleluia),” “Christ Is Arisen,” “Christ Is Risen! Shout Hosanna!,” “Glory of the Easter Feast,” “Hail Thee, Festival Day (Sortie),” “Partita on Noel Nouvelet (Now the Green Blade Rises),” and “The Risen Christ (Postlude Voluntary).”

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About the Authors:
Caryn G. has over 21 years of experience working at Stanton’s in both the Piano and Choral departments. During her career, she has been a church pianist/accompanist and a piano teacher. Her experience makes her a valuable connection for anybody who calls the piano department.

Judy S. has 30 years of private piano teaching experience and 40 years as a church pianist. Her experience makes her a valuable connection for anybody who calls the piano department.

recommended by Jennifer F., Sacred Choral Music Specialist

A Mighty Wind Blows Over the Land by John Carter, SATB with piano
The driving energy of this John Carter anthem, along with its uniquely creative text by Mary Kay Beall make it a perfect complement for Pentecost, or anytime when the work of the Spirit is the focus of worship. Your congregation will surely receive a strong sense of God’s energizing Spirit as they experience this anthem.

I Have Felt the Hand of God by Craig Courtney, SATB with piano
There are many occasions when we wish to express gratitude for those people in our lives who have embodied the love of Christ. You will find this simple, sincere octavo suitable for Mother’s Day or Father’s Day.

Spirit, Come Down by Mark Hayes, SATB with piano
Mark Hayes’s spirited adaptation of Acts 2:1-4 is sure to be a treat for your choir in its lively retelling of the Pentecost story. It’s full of syncopation and excitement and will have your congregation clapping along until the dramatic, soulful ending.

Come, Holy Spirit, Come by Don Besig & Nancy Price, SATB a cappella
Refreshing, unaccompanied writing characterizes this anthem for Pentecost. From the freely flowing opening to the joyful strains of the main theme, this sacred choral anthem by Don Besig and Nancy Price is bound to please. The text invites the Spirit of God to dwell within us and to work through us.

A Home of Grace by Joseph M. Martin, SATB with piano
Ideal for Mother’s Day or Father’s Day, this tender ballad by Joseph Martin is an earnest prayer of thanks for “family.” Recognizing that today’s families come in all varieties, with no two the same, and sometimes with imperfections, this poignant text beautifully captures the need for the church to honor and recognize the care of all families and to “build a home of grace.”

No matter what your in-person or remote worship requires, shop Stanton’s for all your sheet music needs!

About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 15 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church and sings in the First Church Choir at First Congregational Church in Columbus Ohio, and is also the founder, Artistic Director and bass bell ringer for Handbells Columbus.

recommended by Caryn G. and Judy S., Sacred Piano Music Specialists

Playing the Psalms arr. Jeff Bennett, for Moderately Advanced Piano
Jeff Bennett brings the musical and poetic words of the Psalms to the keyboard in these beautiful hymn settings. Each arrangement is accompanied by a verse from the book of Psalms that inspired the original text of the hymn. Let the words of scripture ring out with this collection. Titles include: “All People That on Earth Do Dwell,” “Day by Day,” “He Leadeth Me,” “Jesus, the Very Thought of Thee,” “Be Thou My Vision,” “All the Way My Savior Leads Me,” “Wonderful, Wonderful Jesus,” “Hiding in Thee,” “Praise, My Soul, the King of Heaven,” and “Be Still and Know.”

The Faithfulness of God arr. Patti Drennan, for Moderately Advanced Piano
“The Faithfulness of God” by Patti Drennan includes 10 moderately advanced hymn arrangements centered on the steadfast presence of God on which we can rely. This collection includes beloved hymns as well as many creative, thematic medleys of hymns. Titles include: “A Foundation of Faith,” “We Walk by Faith and Not by Sight,” “Standing on the Rock,” “A Wondrous, New Name in Glory,” “All the Way My Savior Leads Me,” “My Savior Loves Even Me,” “Assurance, Faith, and Victory,” “I Am His and He Is Mine,” “Great Is Thy Faithfulness,” and “I Will Sing of the Mercies of the Lord.”

Praise to the King! arr. Jason W. Krug, for Moderately Advanced Piano
Jason Krug’s new book is an abundant source of hymn arrangements for joyful occasions. Majestic tunes, powerful rhythms, and a festive atmosphere fill this collection from start to finish. Titles include: “Joyful, Joyful We Adore Thee,” “When Morning Gilds the Skies,” “Come, Thou Almighty King,” “Standing on the Promises,” “Holy, Holy, Holy,” “Jesus Shall Reign,” “Come, Christians, Join to Sing,” “All Hail the Power of Jesus’ Name,” “Praise to the Lord, the Almighty,” “Guide Me, O Thou Great Jehovah,” and “Leaning on the Everlasting Arms.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. has over 21 years of experience working at Stanton’s in both the Piano and Choral departments. During her career, she has been a church pianist/accompanist and a piano teacher. Her experience makes her a valuable connection for anybody who calls the piano department.

Judy S. has 30 years of private piano teaching experience and 40 years as a church pianist. Her experience makes her a valuable connection for anybody who calls the piano department.

recommended by Megan W., Orchestra Specialist

Eight titles of fiddling fun for violins, violas, and cellos!

Barnyard Variations by Andrew H. Dabczynski, Grade 3.5
“Barnyard Variations” is a creative set of humorous variants on the familiar “Old MacDonald” folk song. Every orchestra section is featured in a variation, each musically imitating a different barnyard animal. Students explore contemporary techniques with a bluegrass flare. This piece makes an excellent opening or closing piece for concerts, or an introduction to the instruments in recruiting or educational programs.

Dance of the Dells by Janelle Zook Cunalata, Grade 1
Hop aboard the ferry and delight in the impressive rock formations along the Wisconsin River gorge known as the notorious Wisconsin Dells. The blazing sun, rollicking river, and the stunning rock formations on the towering cliffs put a spring in your step and a dance to your feet. Composed with the emerging musician in mind, “Dance of the Dells” is both fun to play and listen to, with contrasting dynamics, dance-inspired rhythms, and a climactic ending. Enjoy the scenery and join the fun in “Dance of the Dells!”

Feng Yang Song (Flower Drum Song) arr. Bob Phillips, Grade 2
One of the most enduring Chinese melodies dating back to the Ming Dynasty, this arrangement of “Feng Yang Song,” or “Flower Drum Song,” will provide technical development, listening skills, and is just beautiful. Arranged by Bob Phillips using the G and D major pentatonic scales, the sounds that might have been heard centuries ago are well-represented in the strings. All sections play the melody as well as accompaniment parts in pizzicato or as percussive taps on the top of their instruments using the finger pads of the left hand.

Fiddle Fury by Kathryn Griesinger, Grade 3
The fast and furious pace of this fiery work never slows down, bringing the energy and spirit of a hoedown that ventures into a few unconventional rhythms and syncopated accompaniments. Exciting!

Frost on the Plow by Samuel Gelfer, Grade 3.5
Frost on the Plow is an energetic composition perfect for introducing some fiddlin’ fun to your classroom. Written in the style of traditional fiddle-tunes, players will encounter authentic fiddle techniques such as shuffle-bowing, chops, and double-stops at a brisk tempo.

Hoedown Showdown by Neridah Oostenbroek, Grade 3
Get ready to have some fun with this energetic western-style romp! Showcasing a melody that weaves its way through every section, the piece also makes use of open string drones and syncopated rhythms, bringing the country-style flair to life. Outstanding and infectious!

Isle of Anglesey arr. Deborah Baker Monday, Grade 2.5
The Isle of Anglesey (Welsh: Ynys Mon) lies just off the coast of Wales. This island contains the largest seaport bringing passengers to and from Ireland. In this charming arrangement, two traditional Welsh and Irish airs are combined and woven throughout the orchestra, bridging the waters between these beautiful lands.

A Somerset Lament and Reel by William Camphouse, Grade 3.5
Cast from original melodic ideas in ABA form (slow-fast-slow) with modal tonality and a feel akin to the music native to the British Isles.

No matter what your in-person or remote teaching requires, shop Stanton’s for all your sheet music needs!

About the Author:
Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.

recommended by Ken T., Band Education Specialist

Choose your own adventure – six new works for concert band!

Arctic Wars (Rise of the Penguin Army) by Brian Balmages, Grade 1
Dark harmonies create a menacing atmosphere in the opening of this engaging work. As the pace quickens, powerful themes combine with aggressive rhythmic lines, layered with ominous motives throughout. An amazing combination of heroism, uncertainty, and uplifting peaks, this highly imaginative work has it all!

Carpe Diem by Danny Choi, Grade 3.5
“Carpe Diem” was written for the Argyle Secondary School in Vancouver and premiered at the final senior band concert of 2016, with the composer conducting his peers. The work is intended to have fun parts for all of the band to play. From loud, brassy trombone parts to a triumphant fanfare of trumpets; from wind runs to percussion swells, the piece is very satisfying to perform. With the triumphant nature of the piece, the school’s motto, “Carpe Diem,” was chosen as its title.

Dragon Dance by Ed Huckeby, Grade 2
Every young band musician wants to perform “real” music! “Dragon Dance” has tremendous appeal, and outstanding melodic and harmonic content. The driving rhythms will make your students want to play it during every rehearsal and on every concert! While very playable, the musical value is truly exceptional. Great for contest or concert…or any performance situation! Highly recommended!

Dragonrider by Steve Parsons, Grade 4
“Dragonrider” takes the listener on a twisting, soaring journey astride a powerful fire-breathing dragon as it flies over mountaintop castles and the roaring sea. Inspired by the imagery of popular fantasy works such as those by J.R.R. Tolkien, George R.R. Martin, and J.K. Rowling, the piece is filled with exciting percussion and wind effects that still sit well within the range and reach of most concert and symphonic bands.

Escape from Thunder Mountain by Scott Watson, Grade 1.5
The tropical island volcano, “Thunder Mountain,” has lain dormant for years. As a party of adventurous researchers work atop the legendary mountain, it begins to shake with pre-eruption tremors!

Escape Route by Todd Stalter, Grade 3
“Escape Route” contains musical explorations of the many different actions implied in its title, such as quickness, stealth, boldness, evasion, elusiveness, and the adrenaline rush that accompanies them.

No matter what your in-person or remote teaching requires, shop Stanton’s for all your sheet music needs!

About the Author:
A former band director, Ken taught grade 5-12 band and music appreciation in both public and parochial schools in central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, the Muppets, and hockey (especially the Penguins).

recommended by Ben H., Jazz Specialist

Over the course of a six-decade career, Japanese-American pianist, bandleader, and composer-arranger Toshiko Akiyoshi has made a unique and vital contribution to the art of big band jazz. Born in Manchuria, she began playing the piano at age six. She has received fourteen Grammy Award nominations and was the first woman to win Best Arranger and Composer awards in Down Beat magazine’s annual Readers’ Poll. In 1984, she was the subject of the documentary “Jazz Is My Native Language.” In 1996, she published her autobiography, “Life with Jazz,” and in 2007 she was named an NEA Jazz Master by the U.S. National Endowment for the Arts.

After Mr. Teng by Toshiko Akiyoshi, Grade 5.5
As recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band in 1980 for their “Farewell To Mingus” album, this fast bebop outing for proficient players features a big full-band opening, sax and brass section solis, and solo space for piano, tenor (or alto), and bass. Directors also have the option of repeating one solo chorus to feature trumpet as well.

American Ballad by Toshiko Akiyoshi, Grade 5
As recorded by the Toshiko Akiyoshi/Lew Tabackin Big Band on the album “Kogun,” it features trombone or flugelhorn.

I Ain’t Gonna Ask No More by Toshiko Akiyoshi, Grade 6
Exactly as recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their “Tales Of A Courtesan” album, this slow, bluesy swing feature for bass trombone or tuba also boasts sax and brass solis, an ensemble shout, and strong finish.

Long Yellow Road by Toshiko Akiyoshi, Grade 5.5
As recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their Grammy-nominated album “Long Yellow Road,” this boppish classic offers solo space for tenor, alto, and trumpet. The even-8ths intro and finale in 5/4 time give this chart distinctive symmetry, and the roaring ensemble shout takes no prisoners!

Notorious Tourist from the East by Toshiko Akiyoshi, Grade 6
Recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on the album “March Of The Tadpoles,” this uptempo solo feature for tenor sax takes no prisoners! Playing with well-articulated, rhythmic precision in the soli and ensemble sections is essential. The dramatic conducted ending will be especially popular with audiences.

Song for the Harvest by Toshiko Akiyoshi, Grade 5.5
Recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their Grammy-nominated album “Farewell To Mingus,” highlights in this medium jazz waltz include solos for bari (or tenor) sax and trombone, brass plungers, and an optional cut for bands who’d rather avoid the woodwind doubles. A short drum solo and a dramatic build from mezzo-piano to fortissimo in the final bars gives it a strong finish.

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About the Author:
Ben Huntoon is the Jazz Education Consultant at Stanton’s Sheet Music. He received bachelors and masters degrees in music from Capital University and The Ohio State University respectively. As a professional trumpeter, Ben is accomplished in a wide variety of genres and has performed throughout the Midwest on many stages over the past 30 years. He also teaches trumpet, coaches brass ensembles and has served on the jazz faculty at Otterbein University in Westerville, Ohio.

recommended by Caryn G. and Judy S., Sacred Keyboard Music Specialists

Hymns & Spiritual Songs by James Pethel and Stan Pethel
This collection features four hymns from the rich hymn tradition and six much loved African American spirituals. Styles vary from the stately Church’s One Foundation to the reflective Give Me Jesus. The difficulty level is intermediate and accessible to most performers. Titles include: “The Church’s One Foundation,” “There Is a Balm in Gilead,” “For the Beauty of the Earth,” “Give Me Jesus,” “Steal Away,” “The First Noel,” “Rise Up, Shepherd, and Follow,” “Lord, I Want to Be a Christian,” “Morning Has Broken,” and “Were You There?”

Scriptural Inspirations by Lyndell Leatherman
This volume of service music for piano and organ draws on verses from scripture to set the mood and character of each work. The composer suggests using them not only as service music but also possibly as background to dramatic readings. These sensitive duets are sure to emphasize and punctuate the liturgy in distinctive and powerful ways. Titles include: “Acclamation,” “A Solemn Interlude,” “On Wings of Song,” “O Magnify the Lord,” “The Path of the Righteous,” “Pastorale,” “Ascription,” and “Inhabitation.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. has over 21 years of experience working at Stanton’s in both the Piano and Choral departments. During her career, she has been a church pianist/accompanist and a piano teacher. Her experience makes her a valuable connection for anybody who calls the piano department.

Judy S. has 30 years of private piano teaching experience and 40 years as a church pianist. Her experience makes her a valuable connection for anybody who calls the piano department.

recommended by Ken T., Band Education Specialist

Themes from “The Crown” arr. Robert Buckley, Grade 3
From the masterful Netflix series on British royalty, here are two of the iconic musical themes skillfully set for concert band. Rich textures and haunting melodies.

No Time to Die arr. Michael Brown, Grade 3
Delayed by the pandemic but scheduled for release in 2021, the much anticipated James Bond film “No Time To Die” features a darkly beautiful and moody theme song recorded by Billie Eilish. With hints of the signature Bond harmonic flavor and stylish setting, this is already on its way to becoming a classic.

Shop Stanton’s for all your sheet music needs!

About the Author:
A former band director, Ken taught grade 5-12 band and music appreciation in both public and parochial schools in central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, the Muppets, and hockey (especially the Penguins).

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

After a school year filled with changes and uncertainty, celebrate the perseverance and accomplishments of your students with a special piece for graduation or end-of-year performances – whether virtual or in-person.

Give Peace In Our Time by Ethan McGrath, SATB with piano
A prayer text from The Book of Common Prayer, as timely today as when it was originally penned in 1662, is particularly engaging in this relaxed and soulful gospel setting. The composer offers contemporary alternatives to the ancient text without diminishing the impact of the original language. This setting for SATB voices and piano offers a beautiful opportunity for an optional solo voice. Don’t miss the impact of the heartfelt prayer for peace in this wonderful work.

Shalom by Dan Forrest, SATB with piano and optional violin
This tender and comforting work is a “passing of peace” as its simple yet elegant melody washes over the listener, gently unfolding its text with increasing texture: “Peace I leave with you, my peace I give to you, not as the world gives; do not be afraid.” The Hebrew word shalom forms the refrains, and whispers of the word “peace” further paint the spirit and promise of the text.

May the Road Rise to Meet You by Michael Higgins, SSA with piano
Michael Higgins’s gentle setting of the traditional Gaelic Blessing has a memorable melody, a flowing piano part, and a beautiful, soaring soprano descant in the second verse. Written for the National Children’s Choir of Great Britain, the piece would be particularly suitable for children’s choirs.

Beyond the Years by Mark Patterson, SATB with piano
A song of hope for the future, “Beyond the Years” is especially appropriate for a moving-on ceremony or as a ballad in a contest set. The musically embracing setting of American poet Paul Laurence Dunbar’s words features effective choral writing by Mark Patterson that will flatter younger and intermediate-level ensembles.

How Can I Keep from Singing arr. Matt and Adam Podd, SATB with piano and optional violin, cello, rhythm & percussion
This thrilling new arrangement by twin brothers Matt and Adam Podd was an internet sensation shortly after we were all quarantined due to the Corona Virus. Drawing on friendships in the New York City Broadway, church and opera worlds, more than 120 world class singers and players came together to create the virtual choir and orchestra. In the final chorus, the arrangers very cleverly turn the iconic phrase “How can I keep from singing?” into “Keep Singing.” A message we all need to hear and remember during these times of isolation and at all times.

There’s Gonna Be a Homecomin’ by Kyle Pederson, SSATB with piano
An original work with a real spiritual feel, this piece is full of joy, with a text that celebrates the unconditional love of family and home.

I Will Remember You (Medley) arr. Roger Emerson, SATB with piano and optional rhythm
Here is the perfect graduation medley. “I Will Remember You,” “I Hope You Dance,” and “I’ve Had the Time of My Life” reflect on all of the best memories. There are logical places to feature your best soloists or cover these moments with the ensemble. End of year concerts are also great places for these great pop songs.

Hero arr. Aaron Jensen & Bryan Sharpe, SATB a cappella
The beloved cast of “Schitt’s Creek” performed this incredible Mariah Carey hit for YouTube’s 2020 virtual commencement. This much-anticipated publication features rich harmonies by Aaron Jensen (music consultant for the Netflix series) as transcribed by a cappella master-arranger Bryan Sharpe. Perfect for honoring graduates, essential/frontline workers, teachers, or anyone who is an everyday hero.

Are You Proud of Me? by Mark Burrows, 2-part with piano
This sensitive choral ballad is sure to ignite “all the feels,” as your singers ask for validation from the influential adults in their lives. Lyrical lines and uncomplicated voice parts allow even the youngest performers to get right to the heart of the piece – the touching message, especially poignant in the final unaccompanied phrase. Parents and teachers should have tissues on hand!

Find more graduation recommendations on our website. No matter what your in-person or remote teaching requires, shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper has been with Stanton’s since 2006. A former middle school and high school choral director, she holds a Bachelor of Music Education degree from Baldwin Wallace College Conservatory of Music. An active choral singer and accompanist throughout the Central Ohio area, she also enjoys good food, running (to counteract the good food…) and the Muppets.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. Currently she is a church choir director, operates a private voice/piano studio and is active as a clinician and accompanist. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Ken T., Band Education Specialist

Bandology by Eric Osterling/arr. Justin Tokke, Grade 3
Using rich, full dance band chords and interesting rhythms, this standard of school and community bands for over 50 years, has been re-edited and corrected with the modern concert band in mind. A stop-time section for brass and percussion and a pleasingly lyrical trio have made this light concert march a perennial audience and performer favorite. This new edition will be a valuable addition to any band’s library.

The Caravan Club by Karl L. King/arr. Andrew Glover, Grade 4
The great Karl King wrote many wonderful marches and “The Caravan Club” is one of his most interesting and unusual works. Heavy and ponderous at times, light and frisky at others, this march was used often in the circus to accompany tiger acts. An ominous introduction leads to a lumbering first strain, followed by a delightful contrasting, almost ragtime-like second strain. The trio features a wonderful melody with euphonium countermelody, in the style made so famous by King. The weighty breakstrain returns to a minor key feel, and then concludes with an embellished version of the trio. One of the march “King’s” very best! Immense!

Hail to the 514th March by Gary Garner, Grade 4
“Hail to the 514th” is a lively march in a traditional style by West Texas A&M University Professor Emeritus and master band composer Gary Garner. The work is a salute to the 514th Air Force Band and was premiered at Reese AFB in Lubbock, Texas.

NEW in the John Philip Sousa Legacy Series
Ancient and Honorable Artillery Company March by John Philip Sousa/arr. Keith Brion, Grade 3.5
This rousing Sousa march from the March King’s late career is available for the first time in an authentic concert-sized edition, meticulously edited by Sousa expert Keith Brion. Complete with extensive performance information, full score, and modern instrumentation, this march gem features a stirring treatment of “Auld Lang Syne” in the trio. Perfect for any performance situation, and ideally suited for adult community bands, this march will live on for generations to come. Exceptional!

The Black Horse Troop by John Philip Sousa/arr. Keith Brion, Grade 3.5
John Philip Sousa’s love of horses is reflected in this delightful march composition, “The Black Horse Troop.” Composed in 1924 for Troop A of the Cleveland National Guard, this wonderful march has a character and swagger unlike any other. The 6/8 meter and Sousa’s melodic genius create an astonishing musical image of a horseback unit on the move. One of the March King’s most beloved and most frequently requested marches. Outstanding!

No matter what your in-person or remote teaching requires, shop Stanton’s for all your sheet music needs!

About the Author:
A former band director, Ken taught grade 5-12 band and music appreciation in both public and parochial schools in central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, the Muppets, and hockey (especially the Penguins).