News & Views Thursday, November 21, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

A Very Patriotic Pageant! (Songs and Sketches to Celebrate America) by Andy Beck & Brian Fisher
Comical scenes and silly sendups alternate with a festive array of flag-waving songs to create the ultimate patriotic variety show! Highlights include Benjamin Franklin advocating for the turkey as our national bird, Betsy Ross’s five-pointed stars, several shoutouts to the Liberty Bell that’ll crack you up, plus a plethora of monumental dad jokes delivered by the four Mount Rushmore presidents. Cast up to 32 speaking roles and as many singers as your stage allows. The best part of all is a sincere tribute to active military and veterans in your audience. It’s 30 minutes of lighthearted fun and respectful ridiculousness all rolled into one. Program on any red-white-and-blue holiday or at any time of year! Production notes and choreography included. Recommended for grades three and up.

American Song: A Patriotic Celebration by John Jacobson & Walter Jack
Introducing “American Song: A Musical Revue” – a celebration of the American spirit that’ll ignite hearts and minds nationwide! Join us on a 40-minute journey through cherished patriotic melodies and captivating original compositions by John Jacobson and Walter Jack, specially crafted for elementary students. Whether you’re planning an awe-inspiring Veterans Day tribute or a heartwarming Memorial Day showcase, “American Song” is an essential addition to your musical repertoire.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jennifer F., Sacred Choral Music Specialist

Sing Praise to God, Who Reigns Above arr. Richard A. Williamson, 2-part mixed with piano
In a joyful, lilting 6/8 meter, Richard A. Williamson has set a well-loved hymn of praise to the tune MIT FREUDEN ZART, creating a singable and enjoyable anthem for 2-part mixed choir. The gracefully altered rhythm of the tune supports the text that sings of God’s healing balm and ever-present help and love. An easily learned anthem useful throughout the year.

Spirit Song (with Fill My Cup, Lord) arr. Joel Raney, SATB with piano
This medley of nostalgic classics pairs two songs that share a common theme. Two pleas for God to enfold us with his Spirit and his love, so we may enter into life in Jesus’ name.

Just a Closer Walk with Thee arr. Lloyd Larson, SATB with piano
Feet will be tapping as your choir presents this arrangement from Lloyd Larson! The accessible vocal writing is supported by a jazzy piano accompaniment, and a quiet, introspective section in the middle of the piece provides a perfect contrast. This joyous setting of a cherished hymn is not to be missed.

O Jesus, I Have Promised arr. Thomas Keesecker, SATB with piano
Thomas Keesecker creatively sets this familiar hymn text to the English folksong SALLY GARDENS. With lush and accessible writing, the anthem sings beautifully, and the use of a less familiar folk tune gives a freshness to the text. Appropriate for use with themes of commitment and discipleship.

Now I Belong to Jesus arr. Cindy Berry, SATB with piano
Cindy Berry has elegantly arranged this time-tested hymn for year-round use. Comfortable ranges, easy-to-learn part-writing, and a supportive accompaniment make this piece a joy to learn and sing. Allow this classic song to encourage your listeners for years to come!

God Be In My Head by Howard Helvey, SATB a cappella
This a cappella setting of the familiar sacred text from the Sarum Primer provides a quiet personal reflection in Howard Helvey’s elegant cathedral style. As always, careful attention to detail and voice leading are hallmarks of Howard’s work. May be sung with or without a soloist or keyboard doubling, and multiple length options are provided. Try surrounding your congregation or audience and singing in the round, or sing from the back of the room/hall as a benediction.

Come to Jesus (Rest In Him) arr. Lloyd Larson, SATB with piano and optional orchestra
The invitation given by Jesus in Matthew 11:28–30 is beautifully expressed in Lloyd Larson’s arrangement of this modern hymn. The warm vocal harmonies are gracefully supported in the piano accompaniment, and the optional orchestration from Ed Hogan brings the scripturally based lyric to life.

Great Is Thy Faithfulness arr. Maureen Howell, SATB with piano
This fresh arrangement of the well-known gospel hymn, set in a bluesy, laid-back style, offers a joyful way to sing your praise. The congregation joins in unison on the final verse to celebrate God’s unwavering love and faithfulness.

The King of Love My Shepherd Is by Ryan Murphy, SAB with organ
As a paraphrase of Psalm 23, the beloved text by Henry Williams Baker was chosen by Ryan Murphy because of its broad appeal across religious traditions. This piece is versatile and appropriate as an anthem during any time of the liturgical year. The new SAB voicing makes this bestselling piece now available to a wide range of choirs.

At the Name by Mary McDonald, SATB with piano and optional orchestra
Mary McDonald’s triumphant setting of Philippians 2:6–11 features a dynamic melody that gracefully moves through each verse and peaks in the powerful chorus: “At the name of Jesus, every knee will bow, every tongue confess that Jesus Christ is Lord.” Enrich your presentation with an optional orchestration by Michael Lawrence.

God Is Our Refuge by Allen Pote, TTBB with piano and optional 2 trumpets
An Allen Pote classic, characterized by a memorable, easy to sing melody, a beautiful text from Psalm 46, and a driving rhythmic accompaniment that enthralls. For keyboard with optional C or B-flat trumpet duet, this is first-rate material without being difficult and one of the most requested pieces in the Hope catalog.

Total Praise arr. Joel Raney, SSA with piano
This contemporary gospel song has become widely known for its simple message and powerful impact. Joel Raney pairs it with “Holy, Holy, Holy” and provides an accessible, Quick Study version maintaining all the gospel harmonies that make this a worship sensation.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Austin Swack, Instrumental Education Specialist

Agent Arco: Licensed to Trill by Vince Gassi, Grade 2.5
Chills, spills, and trills! Agent Arco faces her most dangerous assignment yet. Being licensed to trill is one of many skills she must use judiciously. Up bow, down bow, you name it, she’s on the case. Rhythmic and pulsating, tuneful and harmonically interesting. Why not add a touch of suspense to your next program with Vince Gassi’s “Agent Arco: Licensed to Trill”?

Chasing Dreams by Chris M. Bernotas, Grade 1.5
With its energetic rhythms and soaring melodies, “Chasing Dreams” by Chris M. Bernotas brings your string players into a world of imagination and wonder. This uplifting work empowers students to embrace their passions and discover the joy of following their dreams. All sections have melodic features. This is an exciting opener or closer and perfect for concert and contest.

Incredible Voyage by Michael Hopkins, Grade 3
“Incredible Voyage” by Michael Hopkins is a lively and energetic piece for intermediate orchestra that depicts an epic journey through the galaxy to visit new worlds. All the parts have interesting melodic material. The music features changing time signatures and modulations. It is an excellent piece for teaching a variety of bow speeds and articulations. Violin 1 shifts to 3rd and 4th position. Cello shifts to 4th position and bass to 3rd position. Violin 2 and viola parts are playable in 1st position.

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About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

An American In Paris Part 1 by George Gershwin/arr. Dave Henning, Medium
Competitive bands will love this powerful and epic treatment of Gershwin’s masterpiece “An American in Paris.”

An American In Paris Part 2 by George Gershwin/arr. Dave Henning, Medium Easy
Part 2 of Gershwin’s iconic “An American In Paris” starts somber before quicly building into a frantic pace. The chart crescendo’s to a majestic finish that will have the judges and audience on their feet!

Bolero by Maurice Ravel/arr. Allen Gray, Medium Easy
This classical gem from Maurice Ravel translates into a marching band arrangement that starts out soft with a beautiful elegant flute solo followed by a trumpet and mellophone duet. The arrangement keeps building every measure with the full band entering on the main theme followed by a truly epic crescendo to finish off this tune with a powerful statement.

Nessun Dorma (from Turandot) by Giacomo Puccini/arr. Chris Sharp & Carl Major, Medium Easy
This gorgeous classical masterpiece by Puccini from “Turandot” makes a truly epic vehicle for marching bands to both stir the crowd and blow down the pressbox!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Christopher B., Organ Music Specialist

Toccata on NICEA (Holy, Holy, Holy) arr. Page Long
Page C. Long has set one of the most well-known hymn tunes as a grand toccata for organ. He has also included a powerful choral section in the middle of the work that leads into a fanfare conclusion that will stir any audience or congregation. It will be a joy to perform. A sure winner!

Recessional on Hymn to Joy arr. Matthew H. Corl
Beethoven’s famous theme is used in a unique setting that varies from a 6/8 meter to more of a 3/4 feel. This arrangement is at the intermediate level, but sounds much more difficult. A rather simple pedal part supports bright, running patterns in the manuals, all leading to a grand conclusion. A large registration will make this piece most effective.

Three Preludes on Hymn Tunes by Leo Sowerby arr. Peter Stearns
A beautiful, contemporary-styled collection of hymn preludes such as this one, at intermediate level, will make a perfect addition to any organist. Titles include: Prelude on “Taylor Hall” (Peace in Our Time, O Lord); Prelude on “Rosedale” (Come, Risen Christ); and Prelude on “Palisades” (Strong Son of God, Immortal Love).

Fête by Jean Langlais
Long unavailable, this edition by the French master is back again by popular demand for a whole new generation of organists. This is sure to remain a mainstay in organ literature. On the AGO National Performance List.

Variations on Chester arr. David Stills
David Stills, a leading Atlanta organist, has concertized throughout the United States and Europe and was the organist for the funeral of Dr. Martin Luther King, Jr. Beginning with a straightforward introduction of the “Chester” theme, Mr. Stills has created five unique variations suitable for the church service or for concert performance.

Variations on Simple Gifts arr. James Pethel
James Pethel has created a beautiful, concise piece on the Shaker hymn tune better known as “Simple Gifts.” Opening with a bright solo flute, the piece moves to lush chords with a solo melody, then builds gradually to the melody on a solo reed before ending quietly. A truly touching and inspiring arrangement for organists. A must!

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

EXCELLENCE IN CHORAL LITERATURE
Saturday August 24, 2024
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.

Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

for MIXED CHOIRS
Sing Unto the Sky by Karen Marrolli, SATB a cappella with hand drum
This bold and exciting new piece by composer Karen Marrolli was inspired by the wild beauty of the High Desert of New Mexico. The delicate relationship between resources and inhabitants in this area of the world highlights our responsibility to be good stewards of the Earth. The music begins simply and builds throughout, illustrating both a growing urgency and a growing and varied chorus of voices coming together to give thanks. SATB a cappella, with a hand drum, this hearty new work makes for an excellent concert/festival opener or processional. The composer provides opportunities in the score for optional solos/small groups, hand claps, and stomps.

Ad Astra (To the Stars…) (Extended Version) by Jacob Narverud, SATB with piano and optional brass & percussion
This new extended edition of Narverud’s “Ad Astra” for SATB choir and instrumental ensemble radiates energy, and is impressive while still accessible. Filled with hope and empowerment, the text reads, “To the stars through difficulties, look upward, move forward, leave all cares behind.”

With a Spark by Katerina Gimon, SATB with piano
Exploring themes of self-discovery, growth, and change, this empowering work not only honors those who have helped us grow and discover our “spark, flicker, flame,” it encourages us to fan the flames that will change the world. An inspiring choice for graduation or any concert, this unique work employs a variety of textures and ostinatos to create an exciting and rhythmic concert piece with a youthful energy and flair.

I Am Out with Lanterns by Ayrian Norman, SATB a cappella with djembe
This poignant quote from Emily Dickinson has been set to original music by Ayrian Norman for SATB or SSA voices and djembe. The djembe part is integral to the composition as it underpins the rhythmic groove.

Autumn by Ola Gjeilo, SATB divisi a cappella
“Autumn” is the choral version of Ola Gjeilo’s solo piano track of the same name. Inspired by the tranquility of Norwegian nature, the work is a peaceful meditation on the wonder of the earth’s changing seasons.

There Will Be Stars by Andy Beck, SATB with piano
“At the end of every day, there will be stars.” Stars are the inspiration for this stunning concert work that offers the reassurance only nature can bring. A lilting piano theme weaves its way through cascading vocal lines that seamlessly expand from pristine unisons into sumptuous sonorities. Your altos will especially love their “glimmering, glistening” interjections. Be sure to observe notated dynamics, which lean into several well-approached suspensions and taper to twinkling resolutions.

Segalariak by Josu Elberdin, SATB divisi a cappella
The rhythm and joy of “Segalariak” tells the story of a harvesting competition between Basque farmer friends. The rapid alterations between 6/8 and 3/4 create a rambunctious and very enthusiastic musical challenge!

for TREBLE CHOIRS
Take This Gift by Tracy Wong, SSA with piano and hand drum
This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. Wong employs a variety of textures to bring the setting to life, including a particular light-hearted vocal play motif (‘la la li la lay’) that is usually heard in ‘Canggung’, a Malay folk song. The text was co-written by the composer and the Singaporean vocal percussionist Cherie Chai, and celebrates the life-long relationships created and nurtured within the choral community and the priceless gift of shared choral experiences.

The Open Hand by Susan LaBarr, SSA with piano
“The Open Hand” is inspired by the words and ideas of Bridget “Biddy” Mason, an enslaved woman in the 1800s who worked and fought her way to freedom and success. For SSA choir and piano, this song offers the opportunity for singers to learn the story of an important person in history, as Biddy’s words still resonate today.

The Echo by Andrea Ramsey, SSA with piano and cello
Commissioned to celebrate the Lexington Singers Children’s Choir 20th Anniversary, this three-part treble piece is set to a lovely text by Sara Teasdale. With moderate ranges, exciting articulations, and many teaching moments, this will be a joyful addition to any treble choir concert or choral festival. A gentle, supportive piano accompaniment and beautiful solo cello add warmth and contrast throughout. “Tho’ I shall walk in valley ways for long, I still shall hear the echo of the song!”

The Reborn Sun by Faith Zimmer, SSA with piano
“The Reborn Sun” is a setting of “Hymne au Soleil” by Casimir Delavigne, although using an English translation rather than the original French. Zimmer’s powerful and celebratory song is meant to bring choirs together to experience the joy of making music with one another.

for TENOR/BASS CHOIRS
Good Timber by Susan LaBarr, TBB with piano
This work for tenor-bass choir with its lovely text by poet Douglas Malloch explores the ways in which our life experiences can strengthen us.

Blow, Winds of Fall by Greg Gilpin, TTB with piano
Vivid imagery depicting the change of seasons is portrayed in this gorgeous piece, painted with beauty and simplicity. From its hushed opening, it builds to full choral sonorities, tapering to an ending of quiet splendor.

This Is Who We Are by Mark Burrows, TTBB with piano and djembe
Written as a commission for the New Mexico Peace Choir, “This Is Who We Are” encourages us to claim our better selves, to rise above struggle and fear, and to embrace the power we all have within us. When we stand up for peace and justice, when we sing out for hope and kindness, when we reach out to shine and share our light, we show the world that, together, we can do beautiful things. This is who we are!

Words on My Heart by Mark Patterson, TTB with piano
Every voice matters… and every voice in your choir matters! Patterson’s compelling text is bound to resonate with both performers and audience members. His harmonic material is ever-evolving, containing shifts in tonality paired with a lilting 6/8 time signature.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

1-800-Got-Funk by Vince Gassi, Grade 3
There will be no question that your band has a funk side once they dig into this tune. Filled with rhythmic vitality, the groove on this one is in the pocket and the dancing horn lines sparkle. This one will be a blast for your rhythm section!

Mind Over Matters by Kris Berg, Grade 2
This is a unique up-tempo swinger that has been made accessible to younger groups.

Tofu Cheesecake by Jamie Roth, Grade 4
From the brassy intro to the final flashy ending, this one is funk through and through. The main tune is presented in crunchy two part horn writing with Alto Saxophone and Trumpet leading the way.

Return of the Storm by Jeff Jarvis, Grade 5
Written as a sequel to his memorable chart “Category 4,” Jeff has left no stone unturned with his latest composition “Return of the Storm.” “Driving 12/8 groove” is an understatement for this daring excursion into Afro-Cuban funk. Perfect for festival programming this bold piece will wow the adjudicators and set your band apart.

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recommended by Austin Swack, Instrumental Education Specialist

In Winter by Antonio Vivaldi/arr. Todd Parrish, Grade 2.5
This creative arrangement develops the iconic rhythmic motif from first movement of Vivaldi’s Winter from his set of concerti, “The Four Seasons.” Arpeggiated patterns in the lower strings realize the implied harmonies from the original score, spreading this energetic rhythm throughout all the sections of the orchestra. Students will have the opportunity to refine staccato bow technique and play with balance between parts in the key of G minor, with just a few easy accidentals. This imaginative take on a classic winter theme is suitable for winter concerts, or any other time of year.

Zarabanda (Spanish Dance No. 3) by Enrique Granados/arr. Eric B. Davis, Grade 2.5
“Zarabanda” by Enrique Granados comes from his set of “12 Spanish Dances,” most often performed on guitar. This third dance, also called a fandango, is particularly well-suited for string orchestra with a beautifully elegant melody and upbeat dance feel, combining the style of flamenco with the classical tradition of the time period. Articulations, particularly the contrast of staccato and legato bow styles, offer a fun and light performance with many dynamic, melodic, and rhythmic variances.

March of the Marionette by Charles Gounod/arr. Caryn Wiegand Neidhold, Grade 3
This familiar sneaky theme was originally composed for solo piano by French composer Charles Gounod in 1872, as a bit of joke about a particular music critic. The mysterious and foreboding motif has since been used in film and TV, most notably as the theme for the show “Alfred Hitchcock Presents.” This string orchestra arrangement skillfully weaves the ominous melody into all sections, retaining the original D minor key with the traditional change to the parallel D major in the middle. Players will experience various accidentals in 6/8 meter, with minimal shifting in first violin and cello. With the ghostly whimsy of a danse macabre, this scary classic is perfect for your fall or Halloween concert!

Contredanse (from L’Amont Anonyme) by Joseph Bologne/arr. Cooper Ford, Grade 2
Composed in the late 1700’s, this delightful Contredanse comes from Joseph Bologne’s only surviving opera, “L’Amont Anonyme.” Originally for chamber orchestra, this arrangement is accessible to developing players while maintaining the spirit and integrity of the piece. A wonderful opportunity for young musicians to experience Bologne’s music!

Fossils and Finale (from Carnival of the Animals) by Camille Saint-Saëns/arr. Todd Parrish, Grade 2.5
“Fossils and Finale” combines two of the better-known movements from the humorous “Carnival of the Animals” by Camille Saint-Saëns. The quirky Fossils with optional xylophone is written to be more accessible for intermediate students, segueing seamlessly into the circus-like Finale. Both movements feature bright, fun melodies within playable ranges and keys for the developing ensemble and the original piano part integrated into the string parts.

Finale from Symphony #38 (Prague) by W.A. Mozart/arr. Robert Debbaut, Grade 4
Nicknamed “Prague” after the city of its premiere, Mozart’s Symphony No. 38 followed quickly after the resounding success of his opera “The Marriage of Figaro,” which also premiered in 1786. This arrangement functions much like a concerto grosso with string soloists performing the woodwind parts, accompanied by tutti string sections and timpani, just as Mozart penned them. As such, it is a great teaching tool for Classical style playing and an opportunity to feature your top players in a brilliant piece of timeless repertoire.

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About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Avalon arr. Dallas C. Burke, Medium Easy
This uptempo take on the jazz classic sits right in the pocket and swings hard while remaining playable.

Basin Street Blues arr. Dallas C. Burke, Medium Easy
This sultry, bluesy take on the iconic Dixieland standard offers a nice change of pace that’s perfect for a production number.

Mack the Knife arr. Allen Gray, Medium Easy
This version of the jazz standard gives everyone in the band a shot at the melody and swings hard from the opening measure until the dynamic finish!

Malaguena arr. Dallas C. Burke, Medium Easy
Dallas Burke delivers a take on the ultimate Latin opener that is truly fire from start to finish! There’s no better way to start a show!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Christopher B., Organ Music Specialist

Easy Piano-Organ Duets Volume 3 arr. Marianne Kim
Immerse yourself in a musical journey with Marianne Kim’s Volume III of “Easy Piano-Organ Duets.” Featuring her heartfelt arrangements, this collection infuses loving hymns, Christmas carols, and Easter, and Thanksgiving hymns, with a touch of jazz and fresh harmonies. Perfect for musicians of all levels, experience the harmonious convergence of tradition and creativity. Let these arrangements unlock a tapestry of emotion, creating moments of reflection and shared musical joy. Titles include: “Christ the Lord Is Risen Today,” “Fairest Lord Jesus,” “Go, Tell It on the Mountain,” “He’s Got the Whole World in His Hands,” “How Great Thou Art,” “Let Us Break Bread Together,” “O Come, O Come, Emmanuel,” “O Little Town of Bethlehem with It Came Upon the Midnight Clear,” “The Gift of Love,” and “We Gather Together.”

Easy Piano-Organ Duets Volume 2 arr. Marianne Kim
50 years ago, Donald P. Hustad and Tedd Smith arranged “Easy Duets for Piano & Organ for the Church.” That collection continues to be one of the best-selling keyboard books in the Hope catalog. Creative arranger, Marianne Kim, now offers us a follow-up collection of ten accessible duets for piano and organ. Included are titles for Christmas, Lent, Easter and general occasions. Titles include: “Crown Him with Many Crowns,” “O Sacred Head, Now Wounded,” “Silent Night, Holy Night,” “Amazing Grace,” “Be Thou My Vision,” “Great Is Thy Faithfulness,” “How Firm a Foundation,” “It Is Well with My Soul,” “Joyful, Joyful, We Adore Thee,” and “Praise to the Lord, the Almighty.”

Easy Piano-Organ Duets for the Church arr. Tedd Smith & Don Hustad
Eleven popular arrangements taken from their Crusade repertoire and simplified for easy sight-reading. Titles include: “All Glory, Laud and Honor,” “Come, Thou Fount of Every Blessing,” “Come, Ye Sinners, Poor and Wretched,” “Faith of Our Fathers,” “For the Beauty of the Earth,” “Lead Me to Calvary,” “O Master, Let Me Walk with Thee,” “Onward, Christian Soldiers,” “Tell Me the Old, Old Story,” “We’re Marching to Zion,” and “When I Survey the Wondrous Cross.”

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

SACRED CHORAL READING SESSION
Saturday August 10, 2024
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Lloyd Larson
$25.00

Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.

Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 10, 2024
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Lloyd Larson
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

Journey Through the Classics: Complete arr. Jennifer Linn
“Journey Through the Classics Complete” is a convenient compilation of all 98 pieces from Books 1-4 of this popular series. The graded pieces are presented in a progressive order and feature a variety of classical favorites essential to any piano student’s educational foundation. The authentic repertoire is ideal for auditions and recitals, and each level includes a handy reference chart with the key, composer, stylistic period, and challenge elements listed for each piece. Quality and value make this volume a perfect classical companion for any method!

Journey Through the Classics: Romantic Collection
“Journey Through the Classics – Romantic Collection” is a piano repertoire collection of 50 original masterworks by Romantic era composers including Brahms, Burgmüller, Chopin, Grieg, Heller, Liszt, Mendelssohn, Schumann, Tchaikovsky, and many more. The graded pieces 1-50 are presented in a progressive order from early intermediate through late intermediate level. The authentic repertoire is ideal for auditions and recitals, and each level includes a handy reference chart with the key, composer, and challenge elements listed for each piece.

Journey Through the Classics: Piano Duets
Featuring 58 carefully curated classical duets from elementary to intermediate, this 1 piano, 4 hands collection is a must-have for every piano studio. Features comb-binding for easy page turns. Includes works by Brahms, Czerny, Gurlitt, Lully, Schubert, Tchaikovsky, and many more. The graded pieces are presented in a progressive order from elementary through to intermediate level. The authentic repertoire is ideal for lessons and recitals, and every level includes a reference chart with the key, composer, and challenge elements listed for each piece.

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recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

First We Sing: 101 Songs and Games for Singing, Playing and More! by Susan Brumfield
“101 Songs and Games for Singing, Playing and More!” is a companion volume to “Teaching Strategies: Rhythmic and Melodic Elements for Intermediate Grades.” A follow-up to “100 Little Songs and Rhymes for Primary Grades,” this book includes a variety of more advanced songs and games suggested for the preparation, presentation and practice of each element, suitable for reading and writing in grades 3, 4 and 5. Songs are written in staff notation, and include extensive background notes on historical and cultural context, game instructions and suggested activities for classroom use. This collection also includes digital access to recordings featuring a “teacher model” as a guide for performing and teaching the songs. Suggested for grades 3-5.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.