Timeless Treasures: New Classic Repertoire Arrangements from Carl Fischer Monday, August 12, 2024
recommended by Austin Swack, Instrumental Education Specialist
In Winter by Antonio Vivaldi/arr. Todd Parrish, Grade 2.5
This creative arrangement develops the iconic rhythmic motif from first movement of Vivaldi’s Winter from his set of concerti, “The Four Seasons.” Arpeggiated patterns in the lower strings realize the implied harmonies from the original score, spreading this energetic rhythm throughout all the sections of the orchestra. Students will have the opportunity to refine staccato bow technique and play with balance between parts in the key of G minor, with just a few easy accidentals. This imaginative take on a classic winter theme is suitable for winter concerts, or any other time of year.
Zarabanda (Spanish Dance No. 3) by Enrique Granados/arr. Eric B. Davis, Grade 2.5
“Zarabanda” by Enrique Granados comes from his set of “12 Spanish Dances,” most often performed on guitar. This third dance, also called a fandango, is particularly well-suited for string orchestra with a beautifully elegant melody and upbeat dance feel, combining the style of flamenco with the classical tradition of the time period. Articulations, particularly the contrast of staccato and legato bow styles, offer a fun and light performance with many dynamic, melodic, and rhythmic variances.
March of the Marionette by Charles Gounod/arr. Caryn Wiegand Neidhold, Grade 3
This familiar sneaky theme was originally composed for solo piano by French composer Charles Gounod in 1872, as a bit of joke about a particular music critic. The mysterious and foreboding motif has since been used in film and TV, most notably as the theme for the show “Alfred Hitchcock Presents.” This string orchestra arrangement skillfully weaves the ominous melody into all sections, retaining the original D minor key with the traditional change to the parallel D major in the middle. Players will experience various accidentals in 6/8 meter, with minimal shifting in first violin and cello. With the ghostly whimsy of a danse macabre, this scary classic is perfect for your fall or Halloween concert!
Contredanse (from L’Amont Anonyme) by Joseph Bologne/arr. Cooper Ford, Grade 2
Composed in the late 1700’s, this delightful Contredanse comes from Joseph Bologne’s only surviving opera, “L’Amont Anonyme.” Originally for chamber orchestra, this arrangement is accessible to developing players while maintaining the spirit and integrity of the piece. A wonderful opportunity for young musicians to experience Bologne’s music!
Fossils and Finale (from Carnival of the Animals) by Camille Saint-Saëns/arr. Todd Parrish, Grade 2.5
“Fossils and Finale” combines two of the better-known movements from the humorous “Carnival of the Animals” by Camille Saint-Saëns. The quirky Fossils with optional xylophone is written to be more accessible for intermediate students, segueing seamlessly into the circus-like Finale. Both movements feature bright, fun melodies within playable ranges and keys for the developing ensemble and the original piano part integrated into the string parts.
Finale from Symphony #38 (Prague) by W.A. Mozart/arr. Robert Debbaut, Grade 4
Nicknamed “Prague” after the city of its premiere, Mozart’s Symphony No. 38 followed quickly after the resounding success of his opera “The Marriage of Figaro,” which also premiered in 1786. This arrangement functions much like a concerto grosso with string soloists performing the woodwind parts, accompanied by tutti string sections and timpani, just as Mozart penned them. As such, it is a great teaching tool for Classical style playing and an opportunity to feature your top players in a brilliant piece of timeless repertoire.
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About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!