Discover Titles from the St. Cecilia Series Tuesday, August 20, 2024
recommended by Christopher B., Organ Music Specialist
Toccata on NICEA (Holy, Holy, Holy) arr. Page Long
Page C. Long has set one of the most well-known hymn tunes as a grand toccata for organ. He has also included a powerful choral section in the middle of the work that leads into a fanfare conclusion that will stir any audience or congregation. It will be a joy to perform. A sure winner!
Recessional on Hymn to Joy arr. Matthew H. Corl
Beethoven’s famous theme is used in a unique setting that varies from a 6/8 meter to more of a 3/4 feel. This arrangement is at the intermediate level, but sounds much more difficult. A rather simple pedal part supports bright, running patterns in the manuals, all leading to a grand conclusion. A large registration will make this piece most effective.
Three Preludes on Hymn Tunes by Leo Sowerby arr. Peter Stearns
A beautiful, contemporary-styled collection of hymn preludes such as this one, at intermediate level, will make a perfect addition to any organist. Titles include: Prelude on “Taylor Hall” (Peace in Our Time, O Lord); Prelude on “Rosedale” (Come, Risen Christ); and Prelude on “Palisades” (Strong Son of God, Immortal Love).
Fête by Jean Langlais
Long unavailable, this edition by the French master is back again by popular demand for a whole new generation of organists. This is sure to remain a mainstay in organ literature. On the AGO National Performance List.
Variations on Chester arr. David Stills
David Stills, a leading Atlanta organist, has concertized throughout the United States and Europe and was the organist for the funeral of Dr. Martin Luther King, Jr. Beginning with a straightforward introduction of the “Chester” theme, Mr. Stills has created five unique variations suitable for the church service or for concert performance.
Variations on Simple Gifts arr. James Pethel
James Pethel has created a beautiful, concise piece on the Shaker hymn tune better known as “Simple Gifts.” Opening with a bright solo flute, the piece moves to lush chords with a solo melody, then builds gradually to the melody on a solo reed before ending quietly. A truly touching and inspiring arrangement for organists. A must!
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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.