Alegría by Carol Brittin Chambers, Grade 3.5 Concert Band Carol Brittin Chambers’ latest concert band work, “Alegría,” is a joyous celebration of life and happiness. Drawing inspiration from the word’s meaning in several languages, Chambers’ music takes listeners on a journey of ups and downs, with moments of high energy and lightheartedness. With a nod to circus music and Latin fanfares, “Alegría” showcases Chambers’ skillful use of instrumentation, including the vibrant tambourine!
And the Lions Roared by Carol Brittin Chambers, Grade 1.5 Concert Band Carol Brittin Chambers opens with a roar (literally) in this new work for developing band. Fun, fast, and full of great teaching opportunities, “And the Lions Roared” will be a hit with both your musicians and audiences, but especially your percussion section!
Fanfare Esprit by Carol Brittin Chambers, Grade 3.5 Concert Band Looking for a thrilling and spirited musical experience? Look no further than “Fanfare Esprit” by Carol Brittin Chambers! This piece will transport you to a world of classic fanfares with a twist, featuring lush melodies and intricate rhythms. Don’t miss out on this exhilarating musical journey!
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About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jennifer F., Sacred Choral Music Specialist
Now Thank We All Our God arr. Marianne Forman, SATB with piano Marianne Forman once again finds a fresh way to present a familiar hymn, this time by using unexpected meter and rhythms to let phrases of NUN DANKET float in and gradually establish themselves. The ensuing stanzas continue to build in texture and strength to the very end. Suitable for Thanksgiving season or any time of thanks in general worship.
When at This Table by Allen Pote, SATB with piano This Communion text speaks to the many things we may seek and ask for in the sacrament, “the feast where God is making all things new.” The original music gently draws one into this thoughtful meditation on the peace, healing, and enrichment found at the table of the Lord.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
recommended by Austin Swack, Instrumental Education Specialist
Shiver by Randall Standridge, Grade 0.5 Whether you are shivering from cold or shivering from fright this work for very beginning orchestras is sure to set the mood of your next Winter or Fall Concert. Using only 6 notes Randall Standridge has creatively designed a piece that reaches students at their skill level while letting them experiment with the fun technique of tremolo!
Mysterious Shadows by Amy Barlowe, Grade 3 This haunted dance in G minor will capture the hearts and souls of your students and their audiences. From its hypnotic opening to its swaying sicilienne rhythms, “Mysterious Shadows” has the power to transport its performers and listeners to mystical realms, while encouraging the kind of communication among players that heightens musical awareness and strengthens ties between instrumental sections. Imagination, as a key component of musical interpretation, can give practice, rehearsals, and every performance a new life. “Mysterious Shadows” will encourage your students’ imaginations to thrive while enabling the shadows lurking within this enchanting piece to shapeshift with every performance.
The Ghost of Lady Howard arr. Morgan Denney, Grade 3 This haunting arrangement of the ghostly English folk song “My Lady’s Coach” weaves together elements of suspense, tension, and mystery. Arranger Morgan Denney uses layered effects, including harmonics, sul ponticello, tremolo, and glissando, to tell the story of Lady Mary Howard’s spirit, doomed to travel in her phantom carriage for eternity. Eerie and compelling, “The Ghost of Lady Howard” is ideal for fall concerts or any time of year!
Legend of Sleepy Hollow by Dennis Eveland, Grade 2.5 “Legend of Sleepy Hollow” is a wonderfully spooky piece that describes the haunting classic tale of the headless horseman. The legend of Ichabod Crane riding through Sleepy Hollow late at night has been told for centuries and remains a favorite ghost story for students to enjoy through literature or movie adaptations. Don’t be frightened, this piece is an excellent choice for your next concert!
Haunted Carnival by Jordan K. Hawkins, Grade 0.5 This spooky piece for beginning string orchestra uses just 5 notes! Explore the haunted shadows of a creepy carnival while introducing easy 3/4 time with your students. The celesta part adds a chilling effect, and can be played on piano as well. Perfect for Halloween and fall concerts, but fun to play any time of the year.
About the Authors: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
15 Step arr. Matt Harris, Grade 5 Radiohead performed “15 Step” in 5/4 on the 2007 CD In Rainbows, and arranger Matt Harris has transformed the original meter into a series of infectious grooves in 11, 3, 5, and 7. The piano, tenor, and trumpet solo sections are accessible repetitive vamps, and the multi-meter ensemble exchanges with drums create electrifying ensemble shouts.
Exit Music (For a Film) arr. Mathew Montgomery, Medium Here is a ballad that your band will love to play. Originally performed by Radiohead for the end credits of “Romeo + Juliet,” this piece has been arranged as a duet to feature trumpet and alto sax. It captures the essence of the original with its subtle yet lyrical beginning and slow build to an intense climax. A great choice for the ballad portion of your concert or contest set.
High and Dry arr. Bob Washut, Grade 5 Released in 1995 on Radiohead’s second album The Bends, “High and Dry” remains one of the band’s most popular hits. Bob Washut’s artful and passionate big band arrangement incorporates a mesmerizing 7/8 groove, a multiplicity of textures, and a broad dramatic spectrum that will inspire the folks who hear it as much as the musicians who play it.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
You Belong with Me arr. Bryan Sharpe, SATB a cappella A Taylor Swift hit in three voicings! Bryan’s contemporary a cappella arrangement bubbles with youthful charm. There’s no divisi, but a full palette of choral colors is on display. A featured soloist is accompanied in a variety of ways by the other voices as they imitate instruments of a pop band. It’s a blast from start to finish.
Steppin’ Out with My Baby (with Puttin’ on the Ritz) arr. Mark Hayes, SATB with piano and optional combo Two of Irving Berlin’s most lively songs are married perfectly here in this fun swing, perfect for mixed voices of many ages as well as men’s choirs and ensembles. What fun to add simple choreography and some costume flair to your performance pulling inspiration from the many generations of artists that have performed and recorded these songs for radio, television, and movies. A wonderfully classy performance piece your singers and audience will love!
True Colors arr. Tim Brent, SATB with piano Now available for SATB voices, Tim Brent’s take on the quintessential ’80s message of individuality has opportunities for a soloist to shine while supported by well-written, jazzy harmonies and an inventive piano part!
Who Loves You arr. Alan Billingsley, SATB with piano and optional rhythm The instantly recognizable chorus of “Who Loves You” is a watershed moment in the hit making career of Frankie Valli, as this 1975 Disco hit reignited the Four Seasons popularity and reaffirmed them as vocal powerhouses. We invite your choir to participate in this absurdly fun arrangement!
Talking to the Moon arr. Cristi Cary Miller, SSA with piano A haunting pop ballad with poetic lyrics and a melody that will echo in your mind, Bruno Mars’ “Talking to the Moon” is given a stellar choral treatment by Cristi Cary Miller. Intricate vocals and a driving piano part combine in a sweeping, cinematic sound.
And So It Goes arr. Audrey Snyder, TTB with piano Billy Joel’s hauntingly beautiful ballad sings easily for concert choirs or pop ensembles in this simple, tasteful arrangement. “And so it goes, and so it goes, and you’re the only one who knows.” This is very sweet.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Gentle and Lowly (Songs from the Heart of Jesus) arr. Faye López Inspired by the bestselling book of the same name, Faye López brings her unmistakable creative touch to ten hymns focusing on the heart of Jesus. Whether you are playing or listening, these hymn settings will bring you into a better understanding of the tender heart of our Savior.
Titles include: “Jesus Loves Me,” “No Other Plea,” “O the Deep, Deep Love of Jesus,” “Depth of Mercy,” “My Savior’s Love,” “Jesus, the Very Thought of Thee,” “No, Not One,” “Jesus, What a Friend for Sinners,” “’Tis So Sweet to Trust in Jesus with Only Trust Him,” and “I Will Arise and Go to Jesus.”
About the Authors: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
recommended by Jennifer F., Sacred Choral Music Specialist
Praise the Lord of Love by Mary McDonald, SATB with piano and optional orchestra From composer Mary McDonald comes this anthem inspired by passages from the book of Psalms. The rich piano writing provides a sturdy foundation for Mary’s original melody, and the inclusion of the Doxology is a delightful surprise. The optional Michael Lawrence orchestration is sure to enhance your presentation of this remarkable work.
Psalm of Thanksgiving by Mary McDonald, SAB with piano For Thanksgiving, this anthem of praise and thanks is based on Psalm 118 and seamlessly segues into the Doxology in the middle section before returning to a joyful expression of “thanks for all our days, to the Lord sing praise!”
Our Hope Is In Jesus by Mary McDonald, SATB with piano and optional orchestra This sweeping, powerful, ballad pleads with us to be strong, and hold on, for there is hope in Jesus. The text, based on John 16:33, is God telling us that he has overcome the world for us, so we must take courage and be of good cheer!
I Want to Walk as a Child of the Light arr. Erik Dewar, SATB with piano and optional oboe & cello Beckenhorst’s Congregational Anthem series features choral anthems with easily-learned parts and significant congregational involvement, for accessible but powerful expressions of singing in worship. Erik Dewar and Dan Forrest have collaborated on this gorgeous setting of the well loved hymn for choir, optional congregation, and optional cello and oboe. Children’s choir can also join, picturing the child-like faith of the title and text.
10,000 Reasons to Worship the King arr. Dennis Allen, SATB with piano and optional praise team & congregation For those churches who have both a choir and praise team, the new Choir + Praise Series is a fresh new resource! The anthem can be performed with choir and praise team together, or separately. Blending a classic hymn with a Jonas Myrin/Matt Redman modern classic praise song, Dennis Allen’s arrangement is singable, playable, and outstanding!
There’s Room for More arr. Stan Pethel, SATB with piano Stan Pethel brings you this fun arrangement just in time for your next revival service! Written in an engaging Southern Gospel style, this piece is sure to bring a smile to every face. “There’s room for more, if you’re willing. Still room for more, don’t delay. There’s room for more, He is waiting. There’s room for more, trust and obey!”
God Is Our Refuge by Allen Pote, SATB with piano and optional 2 trumpets An Allen Pote classic, characterized by a memorable, easy to sing melody, a beautiful text from Psalm 46, and a driving rhythmic accompaniment that enthralls. For keyboard with optional C and B-flat trumpet duet, this is first-rate material without being difficult. This is one of the most requested pieces in the Hope catalog.
I Am Not My Own arr. Lloyd Larson, SATB with piano and optional orchestra This modern hymn by Skye Peterson, Ben Shive, Bryan Fowler, and Thomas Anderson has been arranged with breathtaking musicality by Lloyd Larson. Theologically rich metaphors abound throughout the lyric, and the memorable melody pairs well with Lloyd’s sensitive piano accompaniment.
Be Thou My Vision arr. Paul John Robinson, SATB divisi with piano Immerse your choir in the timeless beauty of “Be Thou My Vision,” elegantly arranged by Paul John Robinson. This rendition of the revered 8th-century Irish hymn is a masterful interpretation, gradually building from a gentle opening to an awe-inspiring finale. With skillful key changes and a captivating progression through stanzas, Robinson’s arrangement is a testament to exquisite simplicity and profound musicality.
God Almighty Is! by Mary McDonald, TTBB with piano and optional orchestra This original anthem powerfully proclaims that God is “the light, he’s the courage, he’s the strength. Holy, holy, God Almighty! He is power and the glory, God Almighty is!” Celebrating the many attributes of God, the riveting melody and harmonies will lift the congregation in praise to God.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
Prepare the Way arr. Howard Helvey Howard Helvey has created four exquisite settings of wonderful Advent selections for organ. Beautifully capturing the mystery and wonder of Advent, the book contains Intrada on “Conditor alme siderum’ (Creator of the Stars of Night); Prelude on “Nun komm, der Heiden Heiland” (Savior of the Nations, Come); Meditation on “Es ist ein Ros” (Lo, How a Rose E’er Blooming) and Flourish on an English Carol (Tomorrow Shall Be My Dancing Day). This will be a special treat for the player and all to experience during the holy season of Advent.
A Sleigh Ride for Three! by Leroy Anderson/arr. Robert Gower Saddle up your one-horse open sleigh for a Leroy Anderson organ joy ride! In this mini collection, accomplished arranger Robert Gower has put his masterful touch on three Anderson gems: “Song of the Bells,” “A Trumpeter’s Lullaby,” and “Sleigh Ride.” The result is an addition to your concert repertoire that will thrill player and listeners alike, while celebrating the genius of one of America’s most beloved composers.
About the Author: Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
Dolly Waits by Ryan Main, SATB with piano A bone-chilling waltz that will leave audiences looking over their shoulder… Singers will love the opportunity to lean into the eerie world of Dolly in this achievable and darkly entertaining work!
The Broomstick Flew All Around by Mark Burrows, 2-part with piano Mark Burrows’ creative spark is on full display in this Halloween adaptation of “The Green Grass Grew All Around.” A cumulative song, each verse incorporates a new element to the text such a witch, hats, cats, and rats each with an associated sound effect!
Haunted Houses by Clark William Lawlor, SATB with piano Elevate your next spooky concert experience with this instant classic! This original work for choir seamlessly transitions from musically creeping through the shadows to embarking on a quasi-ragtime adventure through Henry Wadsworth Longfellow’s “Haunted Houses.” Don’t miss out on this spine-chilling musical journey!
Two for Halloween arr. Mark Weston, 2-part with piano It’s a spooky twist on a couple of classical themes! Complete with swooping bats, snarling cats, and all kinds of ghostly imagery, this duo can be sung together or separately for any fall or Halloween performance. Listen for the screeching owl hiding within the spine-tingling SoundTrax accompaniment. Includes “When Halloween Returns (In the Hall of the Mountain King)” and “It Must Be Halloween (Toccata in D Minor and The Erl King).”
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists
When I Sing by Tom Shelton, Unison with piano and optional glockenspiel This enchanting choral invites singers to embrace the joy of music and the power of their own voice. A welcome addition to the repertoire for young and developing choirs, this work is full of dynamic contrasts and features accessible choral textures, opportunities for a soloist, as well as an optional descant and part for optional glockenspiel. Highly recommended!
Fall Leaves by Penny Rodriguez, 2-part with piano This playful piece is perfect for the beginning of the school year. Charming lyrics, penned by a 7-year-old student, capture the joy of autumn. A unison verse swirls into simple call-and-response punctuated by a bridge in beginning 2-part harmony. A cheerful key change tosses the leaves higher into the air before tapering to a quiet “I love fall leaves” ending.
Every Heart Sings a Song by Greg Gilpin, 2-part with piano “Music and rhythm find their way into the secret places of the soul. Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song.” These words by Plato serve as the inspiration for this engaging piece for young and developing choirs. Light and bright, with a creative bouncy accompaniment, parts for shaker, guiro, and low drum, and easily learned vocal lines all combine to create a creative programming gem.
I Met a Bird by Jim Papoulis, Unison/2-part with piano & percussion Nature not only inspires us but encourages us in this groovy tune. Plaintive text, directly from the imaginations of kids, is partnered with laid-back piano and drum parts in this cheerful and conversational work aimed at empowering the youthful nature inside of us. “Just spread your wings and believe it!”
Try, Try Again by Rollo Dilworth, 2-part with piano It’s a famous saying that bears repeating: “If at first you don’t succeed…” Rollo Dilworth and many of his contemporaries find it important that many young people hear the kinds of platitudes that lift up, without disregarding the difficulties that life presents.
If I Were a Fish arr. Roger Emerson, Unison/2-part with piano Bullying online – it’s a heartbreaking fact that most young people have to deal with (sometimes on a daily basis), and this song just posits, “what if we don’t need this anymore”? Why can’t we just accept others for who they really, truly are – and why can’t we just say it in a super-cute and indie folk rock kind of way View / Leave comments
recommended by Ken Tilger, Band Education Specialist
From the many new releases for band (just over 500 titles in 2024!), we typically select around 80 that stand out as the best-of-the-best. Within those are titles that stand out even more. These are my personal favorites for beginning and developing band this year. They include programmatic settings, jazz and internationally inspired styles, brilliant harmonies, and are just plan fun to play and listen to. I hope you and your students enjoy them as much as I do! Happy programming! – Ken
Across the Alaskan Snow by JaRod Hall, Grade 2.5-3 Unleash the spirit of adventure with music inspired by the legendary Iditarod Trail Sled Dog Race. This stirring musical journey will transport audiences across icy plains and beneath dazzling sunsets, leaving them with a deep appreciation for the relentless pursuit of dreams in the face of adversity.
Afro Blue by Mongo Santamaria/arr. Michael Sweeney, Grade 2 Composed in 1959 by Mongo Santamaria, “Afro Blue” became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, along with characteristic melodies and harmonies alternating between various sections of the band. It is a great vehicle for engaging your percussion section while introducing your students to an important and appealing musical genre.
And the Lions Roared by Carol Brittin Chambers, Grade 1.5 Carol Brittin Chambers opens with a roar (literally) in this new work for developing band. Fun, fast, and full of great teaching opportunities, And the Lions Roared will be a hit with both your musicians and audiences, but especially your percussion section!
Champions Victorious by William Owens, Grade 2 Optimism and excitement are used to great effect in this thrilling concert opener by William Owens! “Champions Victorious” encourages players and audiences to know that anything is possible. Mr. Owens’ masterful use of careful orchestration, memorable melodies, and engaging percussion writing combine to create a work that will challenge and delight your students! A perfect selection to bring out the best in your ensemble for your next concert or festival performance!
Jingle Jam arr. Evan VanDoran, Grade 2 If you want to get your audience clapping along, look no further! “Jingle Jam” is a feel-good holiday celebration that features many of your favorite classics, including “Up on the Housetop,” “Deck the Halls,” “The 12 Days of Christmas,” “O Tannenbaum,” “God Rest Ye Merry Gentlemen,” and of course, “Jingle Bells!” A host of percussion instruments ensures everyone feels the groove and prepares them to embrace the spirit of the season! “Jingle Jam” is the perfect way to conclude your holiday concert!
A Song of Courage by William Owens, Grade 1 Combining the folk song “Arirang” with original material, this thoughtful work contrasts calm passages with bold statements. It is a spectacular and highly achievable work that offers a message of courage in the face of hardship.
Pranks of the Pesky Poltergeist by Timothy Loest, Grade 1 Experience the paranormal in this spine-tingling work, complete with spooky sound effects. Unexplained noises interrupt frightful melodies, including a snippet from Mussorgsky’s “Night on Bald Mountain.” This one will be the hit of your fall or spring concert.
Mariachi Suite by Jorge L. Vargas, Grade 2 Explore the wonderful traditions of Mariachi with this wonderful new suite by Jorge Vargas! The work starts with an exciting Ranchero, before slowing the pace into a beautiful Bolero. A lively Son Jalisciense rounds out this collection of dances by a master composer of music for young band. Syncopated rhythms, intricate articulations, and melodic moments for all players make this an excellent choice for education and entertainment. Sure to be a favorite of performers and audiences alike!
Ripple Effect by Jack Wilds, Grade 1.5-2 An exciting opener brimming with energy. Written to honor a teacher’s legacy, the piece uses colorful orchestration, active percussion writing, and creative motivic development to portray the endless ripple effect generated by a single master teacher.
The Skeleton Crawl by Jason K. Nitsch, Grade 2 Add a touch of both creepy and cool to your next concert. Reminiscent of New Orleans jazz, this catchy piece for young band is a superb introduction to jazz for your developing musicians. A grooving bass line and vocalizations from the winds add to the fun! An excellent choice for your next concert, Halloween performance, or pop celebration.
About the Author: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
recommended by Austin Swack, Instrumental Education Specialist
Moroccan Nights by Erica Donahoe, Grade 3.5 This piece brings to mind a fun and exciting walk down a city street. Music comes in and out in various styles all joyous and exhilarating. A fun work for musicians and audiences alike, this one is sure to be a hit at your next concert!
Emerald Spring arr. Erica Donahoe, Grade 1.5 “Emerald Spring” is perfect for a spring concert. Opening with a melodic air and finishing with a rollicking jig, students and audiences will enjoy the variety offered here. Students have the opportunity to work on lush harmonies and vibrato in the slower section and then explore 6/8 in the jig section of the piece.
Alpine Glory by Erica Donahoe, Grade 1 Capturing the picturesque beauty of the Swiss Alps, this lush, beautiful piece will help your young players develop a mature sound. With lots of opportunities to practice legato bowing and perhaps some early vibrato, cultivate a rich and warm sound with a piece that gives every player a moment to shine!
The Jolly Roger by Erica Donahoe, Grade 1.5 Argh! Walk the plank with this adventurous new work for the String Orchestra. Erica Donahoe takes us on a sea-faring adventure with great opportunities for each section to shine. This is a winner!
Pine Tree Polka by Erica Donahoe, Grade 2 This clever work uses Christmas carols as the motivic verve for this new arrangement by Erica Donahoe. Pocketed around the original Polka, carols peak out from behind the pine branches like ornaments. Your musicians and audiences will have a lot of fun with this one!
About the Author: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Lloyd Larson: The Comprehensive Collection arr. Lloyd Larson Lloyd Larson’s signature and beloved arrangements have graced us for decades. To celebrate his notable work, we invite you to explore his best compositions and artful arrangements in this comprehensive collection. With works suitable for every occasion in the church year, this is a valuable collection for any church musician!
About the Authors: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
