recommended by Austin Swack, Instrumental Education Specialist
All Is Calm, All Is Bright arr. Peter Blair, Grade 3 Peter Blair has drawn on his jazz experience to craft a unique and memorable treatment of “Silent Night.” Lush chords and expressive lines combine to create a beautiful backdrop for the simple and elegant melody.
Christmas Overture by Samuel Coleridge-Taylor/arr. Robert Longfield, Grade 3-4 The composer Samuel Coleridge-Taylor achieved such success in his life that he was called “the African Mahler” by his contemporaries. This arrangement for string orchestra by Robert Longfield uses music from the opening and coda of Coleridge-Taylor’s 1925 Christmas Overture (based on “Good King Wenceslas” and “Hark, the Herald Angels Sing”) to provide an appropriately festive piece for any holiday concert!
Frosty the Snowman arr. Carrie Lane Gruselle, Grade 2 This light-hearted arrangement of “Frosty the Snowman” is very approachable and includes melodic material that weaves its way throughout the ensemble. Carrie Lane Gruselle has also added optional easy percussion, which is quite effective, especially in the fun, jazzy swing finale that students and audiences will love.
Nightmare on the Housetop by John Pasternak, Grade 0.5 This clever arrangement takes the beloved carol “Up on the Housetop” and turns it upside down with a spooky twist. Perfect for introducing your very early players to the minor scale and a fresh new work for those first concerts!
Deck the Halls with Bows and Rosin arr. Katie O’Hara LaBrie, Grade 0.5 The perfect first winter concert piece for your beginners, “Deck the Halls with Bows and Rosin” is incredibly fun and hits all major beginning skills, including pizzicato, arco, and even rosining the bow! Katie O’Hara LaBrie uses only three-part writing, limited ranges, and simple rhythms to ensure this piece is accessible to new musicians and fun for all!
About the Authors: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Circles by Brian Balmages, Grade 3 This impressionistic work portrays a dark void with various colored circles spinning and gently colliding with each other. The vivid colors are incredibly unique for this level. Combine that with an extraordinary ending, and your audience is in for an amazing experience!
Gullah Ring Shout by Robert W. Smith, Grade 2.5 Explore and experience the rhythmic reverence of “Gullah Ring Shout!” Tradition meets innovation, and the pulse of ethnic rhythms intertwines with the melodies of today in Robert W. Smith’s mesmerizing homage to the Gullah Ring Shout – a cherished cultural heritage of resilience and celebration.
Insurgence by Rossano Galante, Grade 3 In a dystopian world of food inequality, the impoverished unite. The composition’s gripping narrative unfolds with powerful rhythms, fierce horns, and a lyrical interlude, conveying the relentless fight for equality in a post-apocalyptic society. Engaging and intense!
Rondo from Third Suite by Robert E. Jager/arr. Chris M. Bernotas, Grade 3 This arrangement from Jager’s timeless Third Suite is thoughtfully scored for intermediate-level bands. Memorable main themes and countermelodies, coupled with rhythmic drive, propel the music forward with momentum and excitement straight through to the end.
Scenes from Citizen 13660 by Yukiko Nishimura, Grade 3 This programmatic, short-movemented suite by Yukiko Nishimura is based on drawings and text of Miné Okubo from the memoir CITIZEN 13660. As well as this wonderful expression of art from the composer, educationally this work offers a wide opportunity for teachable moments, critical conversation, and cross-curricular opportunities.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Reach Down, Lord (#1 from A Vision Unfolding) This gospel style-inspired piece, appropriate for both sacred and secular settings, provides a powerful introduction to themes of justice and trial/tribulation.
Beat! Drums! (#2 from A Vision Unfolding) The music mirrors Walt Whitman’s impactful war poem – the beat of the drum, blow of the bugle, and meter/rhythm changes highlighting the incessancy of the text and the call to justice.
All of Me (#3 from A Vision Unfolding) This beautiful piece explores aspects of identity and inclusion and invites us to lay down our judgments of others. Musically, the piece reads as a blend of styles – pop ballad meets lovely choral, and will immediately resonate with choirs and listeners.
I Dream a World (#5 from A Vision Unfolding) There are many choral settings of this vision-casting, iconic Langston Hughes poem, but Pederson’s treatment deserves serious consideration. Soaring melody lines, lush harmonies, and a thunderous conclusion that invites us all to say, “yes… that’s a vision I want to help make real.”
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
I Got You (I Feel Good) arr. Paul Murtha, Grade 2 Here is the signature hit by the “Godfather of Soul” in a solidly scored version perfect for young players. With a funky groove that captures the style of the original this chart also features solo opportunities for any combination of alto sax, trumpet, and trombone.
September arr. Paul Murtha, Grade 3 Still one of the funkiest tunes ever written, here is Earth, Wind & Fire’s “September” in a version for younger bands. Paul Murtha expertly captures the infectious groove of the original. You simply can’t go wrong with this one!
Dance the Night arr. Paul Murtha, Grade 3 One of the most popular hits to come from the movie blockbuster “Barbie” is this driving dance tune recorded by pop star Dua Lipa. This hot chart starts with a brief tenor sax solo before giving way to the entire ensemble. No solos required.
Midnight Creeper arr. Terry White, Grade 1.5 A funky-rock groove on a great jazz tune played around 112 BPM. Suggested solos provided for trumpets 1 and alto 1 with trumpet 1 range to written top line F. An excellent blues chart that is fun to play and easy to assemble.
Thriller arr. Mike Story, Grade 1 Yes, the Michael Jackson rock hit arranged for your young jazz band. Played around 114 BPM with modest ranges, nice voicings, and a written-out easy to play bass solo (cued for trombone or bari sax). This is an easy to play yet fun crowd pleaser for sure.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
In Dulci Jubilo arr. Mark Burrows, SATB with piano and optional trumpet Uniquely combining German and Latin in this joyful holiday text, Burrows arrangement for SATB choir, Piano and Opt Trumpet is sure to set your holiday concert on fire! With canonic duets and joyful interplay between SA and TB, it is accessible and appropriate for both school and church alike.
O Come, O Come, Emmanuel arr. Matthew Culloton, SATB divisi a cappella This rhythmic and energetic setting of the Advent classic expresses longing and the promise of Christmas. The music captures the excitement of the text. Your choir will enjoy singing this unusual and effective treatment of the plainsong melody.
The Angel’s Message (Angelus ad Virginem) arr. Philip Lawson, SSATB a cappella This 13th century melody is arranged for high school choirs looking to expand into polyphony for the Christmas season. Smooth melodic lines give way to smart challenges in range, while the B section dabbles in counterpoint – a perfect opportunity for study of Medieval forms.
Noël Nouvelet arr. Ruth Dwyer, SATB a cappella with optional percussion The joyful traditional French carol, translated long ago into English as “Sing We Now of Christmas,” is set a cappella with simple optional percussion. The limited French along with English text makes it a quick learn, and the percussive “rum pum pum” is shared by all the voices, building to a buoyant “Noel” at the finale. An excellent and mature work for the holidays.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Winterscape by Gavin Lendt, Grade 3.5 Holiday melodies and winter wonder combine in this dazzling new work by Gavin Lendt. Several Christmas melodies are used in whole and in part to create a work that will sound both familiar and new to your concert audience. Colorful orchestration, dance rhythms, and masterful harmony are used to great effect in a piece that is sure to become a favorite at your next winter or festival concert.
Housetop Fantasy arr. Richard L. Saucedo, Grade 3 Using the holiday classic “Up on the Housetop” as a point of departure, Richard Saucedo spins a masterful contemporary setting filled with clever scoring devices and unexpected dramatic moments. This unique and appealing arrangement is sure to become a favorite for winter concerts.
Jingle Bells arr. Morton Gould/ed. R. Mark Rogers, Grade 4 Morton Gould’s setting of JINGLE BELLS calls to mind the quiet sounds of a horse-drawn sleigh passing through newly fallen snow. Beginning softly, as if the sleigh is approaching the listener from a distance and ending softly as the sleigh disappears in the distance, Gould’s setting will challenge players and delight audiences.
Walkin’ Down Christmas Lane arr. JaRod Hall, Grade 3 Experience this merry journey through a spirited soundscape! This captivating medley brilliantly interlaces holiday classics with funk and hip-hop rhythms, soulful gospel, and an emotive ballad. Every note will lift your spirit as you deck the halls with joyful jams!
The Magic of Hanukkah arr. Rob Romeyn, Grade 2.5 The rich “Festival of Lights” celebrated at Hanukkah has been celebrated around the world for generations, and with it comes wonderful music. Rob Romeyn’s “The Magic of Hanukkah” is a wonderfully upbeat arrangement for developing band that will be a highlight of any holiday concert program. Opening with a lyrical setting of “Maoz Tzur” that features changing textures and fresh, contemporary harmonies, we transition to the delightful “Dreidel Song” with creative musical development and a fun and engaging tempo change. The celebration then comes to a close with a rousing and exciting ending audiences will love.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Gloria in Excelsis Deo! arr. Lloyd Larson, SATB with piano This joyous Christmas anthem is based upon the carol tune BRING A TORCH paired with wonderful new lyrics. After two verses, the hymn tune HYFRYDOL enters to provide contrast and a key change before the carol returns as the finale. The choral texture nicely alternates unison with four-part vocals, and the optional orchestration adds to the celebration.
Away in a Manger (Forever Amen) arr. Molly Ijames, SATB with piano and optional 2 C instruments Phil Wickham’s tender setting of this carol is arranged here for choir by Molly Ijames. A gentle instrumental motif unifies the steady growth between stanzas, and optional alternate lyrics for stanzas 2-3 provide opportunity for an even richer worship moment. Add optional 1-2 C instruments for even more color and impact.
Calypso Gloria arr. Mary McDonald, SATB with piano and optional percussion Incorporating the Traditional West Indian Spiritual, “The Virgin Mary Had a Baby Boy,” and the Traditional French Carol, GLORIA, this lively, Christmas calypso is sure be a highlight of many a holiday program. An optional percussion part is provided and can be played throughout.
The Christmas Gift arr. Mary McDonald, SATB with piano Brightly dancing, “The Christmas Gift” shines with joy! Celebrating God’s Greatest Gift through the creative use of the beloved Shaker Tune “Simple Gifts” blended with the chorus of a familiar carol, here’s an arrangement that is not only highly creative and delightful, but easily prepared. The optional children’s choir will enrich the moment.
Child of Hope, Child of Peace by Lloyd Larson, SATB with piano This gentle lullaby sings of the coming of Christ in a lowly manger with appropriate awe, hope, and love. With the addition of the beloved carol “Infant Holy, Infant Lowly” (sung by an optional children’s choir), this anthem is a warm and inviting offering perfect of Christmas Eve or any time during the Christmas season.
Angels from the Realms of Glory arr. Bernard Sexton, SATB with piano This exuberant original musical setting of the Christmas poem by James Montgomery is inspired by the flight of heavenly angels and their joyous proclamation of the Savior’s birth. The spirited 7/8 meter matches the joyous text. Treble voices open, followed by men’s voices on verse two, and full choir to close the final two verses – all flying above the energetic accompaniment.
Sing Your Praise to God on High! arr. Lloyd Larson, SATB with piano and optional orchestra This thrilling medley arrangement by master composer Lloyd Larson will be a welcome addition to any Christmas worship service or concert. Beginning and ending with an expansive fanfare, the anthem deftly takes us through “While Shepherds Watched Their Flocks,” “On Christmas Night All Christians Sing,” and “Hark! the Herald Angels Sing.” The congregation is given an opportunity to join the choir in the final carol, and an exciting orchestration by Ed Hogan rounds out the offering.
Good Christian Men, Rejoice arr. Molly Ijames, SATB with piano Molly Ijames’s adaptation of this beloved carol for SATB choirs features creative vocal layering, traditional four-part sonorities, and an energetic piano accompaniment that is a joy to play. This addition to your ensemble’s repertoire will find a welcome place in worship services and concerts alike.
How Quietly arr. Joel Raney, SSA with piano and optional orchestra & handbells This pairing of an original composition with a Christmas classic affords a unique way to present “Away in a Manger” during the holiday season. The flowing piano accompaniment provides a lush underpinning for this re-telling of the night Christ was born.
Jesus, Oh What a Wonderful Child arr. Lloyd Larson, SSA with piano This spirited gospel celebration of the birth of Jesus from Lloyd Larson is a top-seller in the Hope choral catalog. The rhythm track is sensational and highly recommended. Bursting with energy, this makes an ideal seasonal selection for worship services and concerts in both churches and schools.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
The Merry Organ arr. Matthew H. Corl A line from the English carol “The Holly and the Ivy” serves as the inspiration and title for this delightful work. The “Merry Organ” presents the carol in styles idiomatic to the organ including fugue and toccata. Sure to be a wonderful addition to a holiday service or concert.
O Come, All Ye Faithful (5 Organ Settings for Advent and Christmas) arr. Clay Christiansen Five carol settings representative of the composer’s performances as organist of the Mormon Tabernacle. Wonderful additions to worship services or special programs. Titles include: “Away in a Manger,” “O Come, All Ye Faithful,” “O Come, O Come, Emmanuel,” “Once in Royal David’s City,” and “Silent Night.”
Christmas Joy (Two Festive Carol Settings for Organ) arr. Janise White “Fantasy on How Great Our Joy” received its premiere at the London Winter Festival of Sound 2022 in London, England at the Croydon SDA Church by composer and organist, Professor Janise White. This organ work represents an exhilarating work of joy and adoration to our Saviour, Lord and King. As a clarion call for Christmas, soft flutes carry the melody over a dreamy pentatonic configuration with a drone in the pedals. Staccato trumpets exhibit the “joy” chordal motif, repeating and swelling to a joyous cadenza on the pedals in toccata style. This jubilant moment continues to intensify as syncopated harmonies join the final verse in elongation on 32′ pedals to its majestic close.
“Toccata on In Dulci Jubilo” is designed as a short Organ Postlude performed during the Advent/Christmas Season. The work opens with a medley of Carols including Joy To The World, Angels We Have Heard On High, and Silent Night, before leading to the exuberant “In Dulci Jubilo” (Good Christian Men Rejoice)! White’s arrangement of “In Dulci Jubilo,” a 1328 German Chorale theme is combined with the magnificent accompaniment of Charles-Marie Widor’s famous Toccata from Symphony No. 5 (1879). It appears in 6/8 meter as opposed to the original 4/2 meter. Tritonic interludes intercept the flow of the German Carol alternately, propelling the music to its rousing end.
Variations on “O du Fröhliche” (Sicilian Mariners) arr. Nicholas Schmelter These variations are based on the familiar European melody given many names: O du fröhliche; O Sanctissima; and The Sicilian Mariners Hymn. Inspired by the compositional flavor of Robert Hebble and Leo Sowerby, “Variations on O du fröhliche” provides listenable, fun-to-play perspectives among a modern-day polyphonic treatment.
About the Author: Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
recommended by Jennifer F., Sacred Choral Music Specialist
Alleluia, Amen! arr. Vicki Hancock Wright, Unison/2-part with piano “Alleluia, Amen!” is an energetic setting of a familiar hymn appropriate for children’s voices. It is a call for all to praise God and can be used at various times throughout the church year. Though it can be done completely in unison, there is an optional descant/response part that will provide an extra challenge for your more experienced singers.
If We Knew When by Ruth Elaine Schram, Unison/2-part with piano and optional flute This offering presents a humble and beautiful message of preparation for the coming of the Christ Child. “If we knew when, if we knew where…we would be ready, we would be prepared!” The Advent themes of preparation and anticipation are clearly present in the lovely text. Add the optional flute obbligato to enrich the moment.
Let Us Give Thanks to the Lord by Brad Nix, Unison/2-part with piano Joy and energy abound in this irresistible thanksgiving anthem that includes a brief portion of the hymn, “For the Beauty of the Earth.” Repetition in both text and melody make the piece a snap to learn. And an easy, optional descant gives budding two-part choirs a chance to shine as the anthem comes to a close.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
Scenes of Winter arr. Glenda E. Franklin, 3-part mixed with piano This traditional English carol, “God Rest Ye Merry, Gentlemen,” breathes new life with original lyrics in this gentle choral for winter. Vocal echoing and simple harmonies beautifully paint the text, creating a lovely holiday selection that is unique yet familiar.
Where the North Wind Blows arr. Cristi Cary Miller, 3-part mixed with piano The beautiful, haunting melody in this piece comes from a traditional Irish tune. Its slow and lyrical tempo gives choirs a chance to develop breath control when singing long phrases. The wintry lyrics make the selection a perfect choice for concert and festival events.
December Canon by Mark Burrows, 3-part mixed with piano “The wind is cold, the branches bare, but hearts are warm and bright.” Despite the chill of December, it” all about hope, peace, and kindling kindness. As you’d expect from a round, a simple melody easily stacks into a complete choral texture. Even better, the conservative-range tune ensures a good fit for all voices. Groups of any age will master the canonic form and enjoy delivering the heartfelt, non-holiday message.
Here We Come A-Caroling arr. Becki Slagle Mayo, 3-part mixed with piano From the rollicking piano and vocal introduction until the final “fa-la-la-la!” mixed ensembles will experience the joy of the season while learning this well-known carol, also known as “Here We Come A-Wassailing.” What a wonderful expression of the happiness and prosperity we all hope to find during the holidays!
Together in Song at Christmas, Volume 2 by Greg Gilpin, Cynthia Gray, Victor C. Johnson, Ruth Elaine Schram & Bruce W. Tippette, 3-part mixed with piano These fully reproducible collections are both unique in value and a great resource for exceptional concert pieces for Three-part Mixed choirs. This collection is fully reproducible and includes an Accompaniment MP3 for each title. Featuring the works of today’s leading educational choral composers, these collections offer a wide array of diverse musical styles while being a budget-friendly resource. Titles include: “A Yuletide Greeting,” “Pat-a-Pan Noel,” “Please Don’t Sing Another Fa La La!,” “Winter Reflections,” “Lullay, Infant Holy,” “A Calypso Noel,” “Tiny Little Baby Born in Bethlehem,” and “Ale Pun.”
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Jingle Jam arr. Evan VanDoren, Grade 2 If you want to get your audience clapping along, look no further! “Jingle Jam” is a feel-good holiday celebration that features many of your favorite classics, including “Up on the Housetop,” “Deck the Halls,” “The 12 Days of Christmas,” “O Tannenbaum,” “God Rest Ye Merry Gentlemen,” and of course, “Jingle Bells!” A host of percussion instruments ensures everyone feels the groove and prepares them to embrace the spirit of the season! “Jingle Jam” is the perfect way to conclude your holiday concert!
All Is NOT Calm arr. Katie O’Hara LaBrie, Grade 1 Imagine the sweet sounds of “Silent Night” lulling you to sleep when the neighbors start blasting holiday carols at full volume! This musical battle between woodwinds, brass, and percussion will engage your students as they explore dynamics in a fun and creative way.
The Magic of Hanukkah arr. Rob Romeyn, Grade 2.5 The rich “Festival of Lights” celebrated at Hanukkah has been celebrated around the world for generations, and with it comes wonderful music. Rob Romeyn’s “The Magic of Hanukkah” is a wonderfully upbeat arrangement for developing band that will be a highlight of any holiday concert program. Opening with a lyrical setting of “Maoz Tzur” that features changing textures and fresh, contemporary harmonies, we transition to the delightful “Dreidel Song” with creative musical development and a fun and engaging tempo change. The celebration then comes to a close with a rousing and exciting ending audiences will love.
Quest of the Magi by Brian Beck, Grade 2.5 Experience a treatment of John Henry Hopkins Jr.’s famous carol, “We Three Kings,” depicting the dangerous task of traveling with great treasures across perilous lands to honor a newly born king.
Son of Santa the Barbarian by Randall Standridge, Grade 2.5 After the Snowpocalypse, Santa the Barbarian is at odds with his son, Nicholas, who wants Christmas to be merry. Unwilling to relinquish his wintery hold on the holiday, the not-so-jolly old elf refuses. War breaks out between the two, represented by major and minor modes, combining elements of Mars, the Bringer of War; Jolly Old St. Nicholas; Jingle Bells; Deck the Halls; Fum, Fum, Fum, and more! Equal parts holiday cheer and epic movie battle music, this stirring climax to the “Santa the Barbarian” series is sure to bring a smile to performers, audiences, and lovers of Christmas carnage everywhere. “Ho! Ho! Who will win?”
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists
I Wish It Could Be Christmas Every Day arr. Jack Zaino, 2-part with piano With its irresistible groove and holiday spirit, it’s no wonder that this rock song has been covered by countless artists over the decades! Choirs of all ages will appreciate the full harmonies, tasteful key changes, and woven vocal lines that welcome the season. Add the lively SoundTrax complete with sleigh bells and horns to “let the bells ring out for Christmas!”
Winter’s Stillness by Andrew Parr, 2-part with piano Create a scene of ethereal beauty with this captivating composition crafted by the Andrew Parr. Seamlessly weaving original text and music with the beloved Austrian carol STILL, STILL, STILL, “Winter’s Stillness” paints a vivid picture of calmness of winter while creating a shimmering tapestry of peace and wonder.
Amid the Falling Snow arr. Cristi Cary Miller, 2-part with piano This beautiful song recorded by the Irish singer, songwriter, and musician, Enya, is a magical way to enhance your winter concert. Consider adding a media presentation or video of snow falling to enhance the performance.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
You Better Sleigh! by JaRod Hall, Grade 3 Bring some funk with a sassy attitude to your winter concert! This remarkably smooth and fun musical scavenger hunt includes a wealth of holiday tunes with an incredible groove! Influenced by jazz, R&B, soul, and dance music, this is guaranteed to be the hit of the season.
All I Want for Christmas Is You arr. Michael Brown, Grade 2 Originally recorded by Mariah Carey in 1994, this familiar tune has become a perennial holiday favorite. Scored for flexible instrumentation, this appealing arrangement features the moderate swing style of the original following the opening rubato section. Easy to learn, and sure to brighten up any concert.
As All the Angels Sing by Rob Romeyn, Grade 2.5 Rob Romeyn’s masterful medley, “As All The Angels Sing” has proven to be a “go to” work for holiday concerts. This flexible instrumentation “Build-A-Band” version ensures success for even the most awkward of instrumentations. Based on the traditional carol “Angels From The Realms of Glory,” this is the perfect opening or closing statement for your holiday concert! The sparkling introductory theme is creatively enhanced by quotations from other festive, well-known carols, leading to a heartfelt setting of “Still, Still, Still” that is simply beautiful. The music then ends as it began, festive and strong.
Fanfare for the Faithful arr. Michael Kamuf, Grade 1 Experience a fresh spin on the beloved hymn-tune “Adeste Fidelis” with an opening fanfare motif based upon melodic fragments of the familiar melody. This FLEX setting reinforces concepts of phrasing, dynamics, and style.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jennifer F., Sacred Choral Music Specialist
Prepare the Way, O Zion by Larry Shackley, SATB with piano and optional trumpet This historic Advent text is paired with a new musical setting featuring an optional trumpet. An original interlude proclaiming “we welcome you, Messiah” underscores the themes of preparation and anticipation associated with the advent of Christ and the fulfillment of God’s promises. An alternate text, “hosanna in excelsis” turns this into a Palm Sunday giving you two seasonal anthems for the price of one!
O Come, Emmanuel arr. Mary McDonald, SATB with piano Opening with an optional duet, this offering from the inimitable Mary McDonald presents a song of pure longing for Emmauel’s arrival. Building slowly and steadily, then tapering to a hushed conclusion, this anthem quietly soars. Pairing the gorgeous KINGSFOLD tune with a beloved Advent text is a creative and inspired pairing…resulting in an unforgettable Advent offering.
O Come, O Come, Emmanuel arr. Timothy Kile, SATB with piano and optional cello A newly composed stirring refrain unifies the stanzas of the traditional chant melody in this highly accessible and easily learned anthem. Worth a look as a new framing for a familiar hymn in your Advent season! Optional cello part included in choral score.
Lift Up Your Heads by Olaf C. Christiansen, SATB a cappella Written in the beloved choral hymn tradition, Olaf C. Christiansen’s uplifting and energetic arrangement of this well-loved Advent hymn nearly sings itself. Arranged for a St. Olaf Christmas Festival in the late 1960s, this new edition allows choirs to continue to enjoy the beauty of this rich tradition.
Tilt Your Candle (Welcome the Light!) by Brad Nix, SATB a cappella Pamela Stewart and Brad Nix join forces to bring you this joyous Advent spiritual. The idiomatic choral writing features tight vocal harmonies and limited ranges, as well as opportunities for several soloists. Your listeners will be blessed as the choir encourages them to “Tilt your candle and welcome the light!”
Advent’s Holy Light: A Candle Lighting Ceremony for Advent by Joel Raney, SATB with piano and optional congregation & 4 handbells Designed to support the lighting of the Advent candles, this includes a choral opening followed by a call and response litany with piano underscore, then a text to be read with the lighting of the candle. As it concludes, the choir comes back in with the option of adding the congregation for a final refrain. A concluding prayer is also provided. There are five readings, one for each candle. A reproducible part for the congregation is included.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
recommended by Austin Swack, Instrumental Education Specialist
The First Noel arr. Yukiko Nishimura, Grade 3 “The First Noel” is an exciting new arrangement for String Orchestra that will bring a fresh and jazzy twist to your holiday program. Featuring vibrant harmonies and accessible rhythms, this piece is perfect for intermediate-level musicians looking to challenge themselves while still having fun. With its festive spirit and engaging melody, “The First Noel” is sure to be a crowd-pleaser and a highlight of your upcoming concert.
The Christmas Tree Ship by Sarah Siegler, Grade 3 “The Christmas Tree Ship” was inspired by the fascinating historical account of a ship called the Rouse Simmons, nicknamed “The Christmas Tree Ship.” It sailed on Lake Michigan delivering Christmas trees from Michigan to families in Chicago in the early 1900s and its captain, Herman Schuenemann, was nicknamed “Captain Santa.” Enjoy this unique programmatic holiday piece!
Let the Bells Ring! arr. Robert Buckley, Grade 3-4 This up-tempo arrangement of the traditional “Ukrainian Bell Carol” adds new excitement to an audience favorite! In E minor, both the key and the range work well for young string players. This sparkling rendition brings satisfying challenges to young musicians, and will impress your audience!
A Silent Night in Scarborough arr. Tyler Arcari, Grade 1.5 “Scarborough Fair” and “Silent Night” are wonderfully beautiful works in minor keys. Who would have thought that mixing them together would work so well? Paired perfectly with the String Ensemble, arranger Tyler Arcari has woven these timeless classics together into a delicate and gorgeous new work.
Fantasia on Ukrainian Bell Carol arr. Susan H. Day, Grade 2 This popular holiday tune has had many iterations. In this unique Grade 2 version, its three main themes are arranged in a new and somewhat altered way, with the familiar melodic and rhythmic motifs passed around each section of the orchestra, resulting in a beautiful musical fantasy on the iconic carol. This piece has easy rhythms, 3/4 time throughout, keys of E minor and A minor, some accents, pizzicato, and 2 note slurs. Piano is optional.
About the Authors: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Austin Swack, Instrumental Education Specialist
Race to the River’s Edge by Alan Lee Silva, Grade 3.5 Alan Silva’s music transports you to nostalgic venues and brings with it feelings of freedom and a sense of home. “Race to the River’s Edge” has us imagining ourselves at a time of more simple joy! This new work has all the trappings of a Silva masterpiece!
Tessellations by Sean O’Loughlin, Grade 2.5 Sean O’Loughlin cobbles together a tapestry of sounds for this new work for the developing String Orchestra. Written in 3/4 with rhythmic accents, this is a great introduction to both 3/4 and triple meter feel. A cinematic and exciting addition to your next String concert program!
Emerald Sky by Larry Clark, Grade 1 This fun new ballad from composer Larry Clark is written perfectly for the young String Orchestra. Engaging parts and lines across the ensemble will make this one they ask to play over and over. Whether for contest/festival or regular performance, “Emerald Sky” has something for everyone.
Breaking Free by Tyler Arcari, Grade 0.5 Written to describe the feeling of waking up after an annoying dream, “Breaking Free” is an intense concert opener. With semi-lyrical writing in the middle of the work, students will have an opportunity to show off their musicianship as well as their strong, aggressive playing.
Base-six (A Senary Quest) by Laura Estes, Grade 0.5 A bold and dynamic piece for the beginning String Orchestra’s first concert from composer Laura Estes. Drawing from her many years of teaching beginners, Laura has crafted a piece that students will love and their parents will not believe how great they sound at their very first concert. The title is derived from the use of only the first six notes of the E minor scale, clever!
About the Authors: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
You’d Be So Nice to Come Home To by Cole Porter/arr. Scott Ragsdale, Grade 3.5 A superb vocal chart with big band on a great jazz standard. The cut-time tempo is around 92 BPM. The vocal range is from G below middle C to third space C, plus there’s some unison scat with the saxes, too. Lead trumpet range is to written A above the staff. An exciting and very effective chart for your featured vocalist.
Full House by Wes Montgomery/arr. Mike Kamuf, Grade 3.5 Tenor sax and trombone state the melody in this swinging jazz waltz before the arrangement moves into two solo sections for winds and a drum feature. An interlude builds into the reprise of the melody. An outstanding chart!
The Upsweep by Alan Baylock, Grade 3.5 This chart is a very hip funky rock with a driving groove. Played around 92 BPM. Solos are provided for trombone 1 and alto 1. Lead trumpet range is to written G on top of the staff. This chart will really work best with electric bass and piano. The band will dig it!
Midnight Creeper by Lou Donaldson/arr. Terry White, Grade 1.5 A funky-rock groove on a great jazz tune played around 112 BPM. Suggested solos provided for trumpets 1 and alto 1 with trumpet 1 range to written top line F. An excellent blues chart that is fun to play and easy to assemble.
Battle Hymn of the Republic arr. Mike Kamuf, Grade 2.5 Wow! This terrific chart is inspired by the iconic Clark Terry version featuring two trumpets with plungers. A swing chart played around 112 BPM with sample solos provided for tenor 1 and trumpet 2, a hot sax soli, a stop-time shout chorus with bari sax setting the groove. Check this fine chart out!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
On This Winter Night arr. Greg Gilpin, SATB with piano What a surprising idea using the Pierpont melody of “Jingle Bells” to create a beautifully warm setting for winter concerts. The text describes a scene of nature sleeping and dreaming beneath a blanket of snow set to simple yet rich harmonies with a touch of “sleep in heavenly peace” near the end. Exquisite.
Something Told the Wild Geese by Douglas E. Wagner, SATB with piano and optional cello This sensitive setting of the popular text by Rachel Field transports singers and listeners alike into a realm of serene beauty and introspection. This evocative composition features lush harmonies and expressive vocal lines that are complemented by an artistic piano accompaniment. The addition of the optional cello adds to the haunting mood of this work, inviting you to immerse yourself in a rich tapestry of sound.
Candleglow by Emily Crocker, SATB with piano This tender selection paints a picture of flickering candles on a cold winter’s night. The harmonies and scenes of this reflective original evoke the celebration of Hanukah, making it ideal for school and community performances.
A Festive Christmas Trilogy arr. Mark Hayes, SATB with piano and optional brass & percussion The first 45 seconds provide a collage overview of what’s to come, as arranger Mark Hayes sets the stage for this magnificent four-minute Christmas fanfare. Enjoy the glorious strains of “Ding Dong! Merrily on High,” the cheerful fa-la-la’s of “Deck the Hall,” and a rollicking rendition of “Jingle Bells.” Then just before the big finish, singers recap all three for an impressive finale! Assemble brass and percussion to perform with the superb SoundPax.
Light One Candle arr. Jack Zaino, SATB with piano This enduring Hanukkah song by folk trio Peter, Paul, and Mary urges us to uphold the legacies of those who fought for freedom by promoting social justice. Jack’s contemporary arrangement is tastefully updated in three accessible voicings. Perform with piano alone, the folk-inspired SoundTrax, or invite a guitarist to strum along. “Light one candle to bind us together with peace as the song in our hearts.”
Sweet Silent Night by Andy Beck, SATB with piano Paint a peaceful winter scene with the tender vocal lines and ethereal piano accompaniment of this striking original. A gentle ode to heavenly stars and falling snow, it is appropriate for any winter concert and features the kind of harmony you love to teach and sing. As a special touch, perform the final verse a cappella to heighten the quiet wonder. “Hearts take hold, dreams take flight, on this sweet silent night.”
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
recommended by Austin Swack, Instrumental Education Specialist
Brian Balmages is known worldwide as a composer and conductor who equally spans the worlds of orchestral, band, and chamber music. His music has been performed by groups ranging from professional symphony orchestras to elementary schools in venues such as Carnegie Hall, the Kennedy Center, Sydney Opera House, Toronto Centre for the Arts, and many more.
The Golden Gateway by Brian Balmages, Grade 3.5 Celebrate music and its ability to connect with communities around us! This joyful work by Brian Balmages is a powerful reminder of the many ways music inspires and invigorates. Beginning with a beautiful, heartfelt introduction, “The Golden Gateway” soon takes off in exuberant twists and turns before coming to a heroic conclusion.
Radiant Joy by Brian Balmages, Grade 4 A musical celebration of the human spirit, “Radiant Joy” is uplifting from the very first note. Brian Balmages includes subtle elements of fiddle music throughout as the work develops, moving through various styles with several twists and turns along the way. Inspiring!
Into the Shadows by Brian Balmages, Grade 2.5 Journey into a place where shapes constantly shift as the light moves, and nothing is quite as it seems. While very approachable for intermediate orchestras, “Into the Shadows” pushes harmonic boundaries and colors, ushering in a new realm of sonic possibilities. Creative, eerie, and exciting, this is Brian Balmages as you have never heard him!
Five Note Fiddler by Brian Balmages, Grade 0.5 Based entirely on just five notes (D through A), “Five Note Fiddler” is an ideal way to reinforce the D tetrachord while having a ton of fun in a fiddle-inspired setting. Brian Balmages playfully weaves the melody throughout the ensemble as the music unfolds. Surprisingly sophisticated in sound, yet highly approachable!
Dragon Pearl by Brian Balmages, Grade 1.5 Journey to a fantastical world where dragons defend a flaming pearl, representing everything from wisdom and power to prosperity and immortality. “Dragon Pearl” includes a stunning opening that reflects the gorgeous surface of the pearl. Soon after, the battle begins, highlighted by powerful rhythms, heavy accents, and aggressive harmonies. Incredibly playable yet stunning to hear, this work by Brian Balmages is sure to captivate students and audiences!
About the Authors: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
The Choral Playbook: Warm-Ups, Rounds, Rehearsal Strategies, and More to Spark Joy and Connection by Anna Wentlent Place student joy at the center of your curriculum with this practical resource for singers of all ages. With over 80 exercises that teach ensemble skills in an informal, playful manner, this thoughtful collection is filled with opportunities for movement, connection, student agency, and more. Includes physical and vocal warm-ups, solfège patterns, rounds, silly songs, and choir games, as well as effective rehearsal strategies to keep your singers active and engaged.
Sound Patterns for Mixed Voices by Emily Crocker Designed for SAB mixed voice choirs, “Sound Patterns for Mixed Voices” teaches sight reading skills quickly while singing “real music” from day one. This step-by-step method includes age and range appropriate songs with lyrics, dynamics, and accompaniment, along with preparatory exercises that are interesting, authentic, and flexible. This resource may be used with SAB beginners from approximately age 12 through 15 and for older singers with less singing experience. The sequential approach focuses on the keys C, G, and F, basic rhythms and simple intervals in the tonic, dominant and subdominant chords.
Alfred’s Sight-Singing Flashcards Supplement your sight-singing program with Alfred’s Sight-Singing Flashcards. Organized in four color-coded sets, these eye-catching educational manipulatives include solfège syllables, Curwen hands signs, common 4/4 rhythms, intervals (both ascending and descending), plus simple melodic pitch patterns. What an engaging way to introduce, practice, review, and even gamify your sight-singing curriculum. Designed to encourage active learning and student motivation. 40 double-sided cards included—that’s 80 dynamic drills in total!
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
recommended by Jennifer F., Handbell Music Specialist
Day by Day God’s Time Is Best arr. Karen L. Buckwalter, 3-5 octave handbells, Level 3- This heartfelt setting by Karen Buckwalter, written in memory of a treasured member of the handbell community, is perfect for any service of remembrance or other reflective setting. Combining a cantata tune from Bach with the hymn “Day by Day,” it is a beautiful memorial perfect for intermediate groups.
Classic Rings II for Church & School arr. Martha Lynn Thompson, reproducible collection for 3 octave handbells, Level 1/2 This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.
Come, Ye Thankful People, Come arr. Lloyd Larson, 3-5 octave handbells, Level 3+ This setting resonates with a festive spirit, infusing the timeless melody with vibrant energy and warmth. A fanfare motif introduces the piece, then moves throughout to decorate the melody. Dynamic contrasts and expressive phrasing create a captivating musical experience that uplifts the spirit.
It Is Well with My Soul arr. Karen Buckwalter, 3-5 octave handbells with optional piano, Level 2+ Enveloping listeners in an atmosphere of peace and serenity, this setting captures the essence of the beloved hymn’s message of faith and resilience. While it can be performed with handbells only, the piano accompaniment fills in harmonies and adds rhythmic interest, deepening the emotional resonance of the piece.
It Is Well with My Soul arr. Linda R. Lamb, 3-5 octave handbells & handchimes, Level 1 Linda’s skill in creating compelling yet accessible settings is on display with this cherished hymn. Available in compatible 3-5 octave and 2-3 octave settings, “It Is Well With My Soul” has many teachable moments and is a great choice for the developing handbell choir.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
A Peaceful Noel arr. Lloyd Larson Masterfully crafted by the always creative and dependable Lloyd Larson, the arrangements in this collection are all peaceful in nature. They are intended to help create a spirit of calm and repose during a busy season, whether in corporate worship settings or in private times of devotion. But most importantly they remind us that the Prince of Peace, the One born of God, has come to dwell among us; to bring hope and tranquility into our world of chaos and turmoil. Titles include: “Come, Thou Long-Expected Jesus,” “Let All Mortal Flesh Keep Silence,” “How Far Is It to Bethlehem,” “O Little Town of Bethlehem,” “Angels We Have Heard on High,” “Gentle Mary Laid Her Child (with Infant Holy, Infant Lowly),” “Sing We Now of Christmas (with The First Noel),” “Away in a Manger,” “I Wonder as I Wander,” and “We Three Kings.”
Heavenly Peace arr. Mary McDonald We are pleased to present our first solo collection for pianists from one of our most valued and trusted composers, Mary McDonald. Here are ten settings ingeniously crafted for the church musician who desires music that can be easily mastered with minimal practice. These quiet, meditative settings are ideal for worship as well as personal renewal. Each setting is designed for personal expression and will accommodate intermediate to advanced pianists. Titles include: “Away in a Manger,” “Coventry Carol,” “Heavenly Peace,” “In the Bleak Midwinter,” “Jesus, Jesus, Rest Your Head,” “O Come to My Heart,” “Once in Royal David’s City,” “See, Amid the Winter’s Snow,” “The Babe, the Son of Mary,” and “Good People All, This Christmas Time.”
10 Christmas Songs for Solo Piano Volume 2 arr. Mark Hayes Due to overwhelming demand, here’s Volume Two from The Mark Hayes Piano Library Series! For this follow-up release, Mark has put his special touch on classic carols. Exquisite! Titles include: “O Come, O Come, Emmanuel,” “Lo! How a Rose E’er Blooming,” “Sussex Carol,” “A La Nanita Nana,” “Wexford Carol,” “Jesus, Oh What a Wonderful Child,” “Away in a Manger,” “Bring a Torch, Jeanette, Isabella,” “Silent Night,” and “Gesù Bambino.”
About the Authors: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.
