News & Views Saturday, December 21, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Here Comes the Sun arr. Matt & Adam Podd, 2-part (opt. 3-part) treble with piano
A fresh, artistic take is given to this Beatles hit, now available as an accessible arrangement for younger choirs. A reimagined harmonic structure makes way for text painting and a cinematic feeling that never loses the sunny and hopeful appeal of this iconic tune.

Rain, Rain! by Daniel Brinsmead, SSAA a cappella
This energetic four-part treble piece will add excitement and contrast to any program. With an original “rainy day” text by Australian composer Daniel Brinsmead, this piece is challenging to learn but great fun to perform. Sound effects, body percussion, and varied rhythmic articulations will keep your singers on their toes while enchanting the audience. Unique!

Ave Maria in Memoriam by Francisco Ibañez Irribarría, 2-part with piano
This beautiful and inspiring setting of the Ave Maria text was written in memory of Ibañez Irribarría’s colleague, José Rada, who died of AIDS in 1990. Rada studied music at the Conservatorio Superior de Música de Madrid, graduating with a degree in organ in 1968. Continuing his studies in Hamburg, Germany, he returned to Spain in 1983. He was organist and professor at the Jesús Guridi Conservatorio de Música in Vitoria-Gasteiz, and co-founded the early music group Capilla Peñaflorida in 1985. Rada became well-known for his musicological scholarship surrounding Spanish and specifically Basque music of the 17th and 18th-centuries.

Little Fishes, Don’t Cry! (from Five Sea Songs) by Daniel Brinsmead, SSA with piano
This tremendous piece steers a dramatic course away from the well-known lullaby in Australia. Using a jaunty sea-shanty style and new added text, choirs are encouraged to have fun with the storytelling and to create a lively atmosphere in performance.

Miserere by Eva Ugalde, SSA divisi a cappella
This sophisticated work for treble choirs by Spanish composer Eva Ugalde captures the feeling of a desperate need for mercy in our lives. A very singable work that sounds rich and dynamic in performance.

Apple Tree arr. Katerina Gimon, SSAA a cappella with percussion
This song is about the potential hidden in all of us. We can all save the world if we put our minds to it. The lyrics are the thoughts and dreams of young people, and young people will resonate with both the text and the music. This creative and form-breaking arrangement is by Canadian composer/arranger Katerina Gimon, and was premiered by the Vancouver Youth Choir at the World Music Symposium in Istanbul in 2023.

Home on the Range arr. Ben Kendall, SSA with piano
Kendall’s lovely and rhythmically interesting arrangement of Americana is highly suitable for treble choirs of all abilities. A pulsating accompaniment adds forward motion to this sparkling homophonic setting.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Stay by Randall Standridge, Grade 2
Part of the unBroken Project, this piece is intended to be an anthem of hope, love, and understanding for those who find it challenging to go on in the face of adversity and for those who sometimes feel that the weight of the world is too much to bear. The piece carries a paraphrase of that message at the top of the score and on all of the parts: “Hey you. The one playing this. The world is better with you in it.”

Blackthorn March by Randall Standridge, Grade 1.5
Return to the Darklands with this exciting Grade 1 march. Dark harmonies and precise articulations combine to paint a portrait of Lady Blackthorn, the mysterious figure who rules the outer edges of the kingdom. Mixing elements of traditional march structure with a cinematic flair, this work will be an excellent introduction to the genre for younger and developing musicians and will be a perfect choice for your next festival or concert performance!

Heartland March by Randall Standridge, Grade 2
Take a trip down home in this dazzling work that mixes bluegrass music with the traditional march structure. Fiddle and folk harmonies inspire the catchy melodies, with engaging parts for all instrumentalists. With optional parts for authentic bluegrass instruments, this march will be sure to leave your audience’s toes tapping at your next concert or festival performance!

March of the Hobgoblins by Randall Standridge, Grade 1.5
Dance rhythms and creepy melodies combine in this new 6/8 concert march for young band! Inspired by the mischievous spirits of the British Isles, it paints a portrait of imps dancing and cavorting in a dark forest. Scored carefully to serve as an approachable introduction to compound meter, your performers and audiences will enjoy the catchy melodies, dark harmonies, and colorful scoring as every player gets the chance to shine!

Scream by Randall Standridge, Grade 1.5
“Scream” is a bombastic work for concert band that utilizes three main components to create its soundscape: a 12-tone row, an octatonic scale (created by alternating whole and half steps), and the sounds of screaming (both from our human performers and from a nifty little instrument with the best name ever: The Aztec Death Whistle!). The three elements combine to make a highly dissonant, energetic piece of music whose main purpose is to channel the negative emotions of the performers into something exciting for themselves and the audience.

Sirens by Randall Standridge, Grade 2.5
The mysterious and haunting voices of the sea serve as the inspiration for this next chapter in the “A Pirate’s Adventure” series. Having escaped Shadow Cove, Captain Fangg and his crew are lured to a mysterious isle by a siren’s song, where they are hypnotized until attacked by fiends and demons! Featuring singing moments for instrumental musicians, this programmatic work provides contrasting tempi and style to help develop your young musicians while telling an exciting pirate’s tale. Sure to be a favorite of audiences and players alike at your next concert or festival performance.

Son of Santa the Barbarian by Randall Standridge, Grade 2.5
After the “Snowpocalypse,” Santa the Barbarian is at odds with his son, Nicholas, who wants Christmas to be merry. Unwilling to relinquish his wintery hold on the holiday, the not-so-jolly old elf refuses. War breaks out between the two, represented by major and minor modes, combining elements of “Mars, the Bringer of War,” “Jolly Old St. Nicholas,” “Jingle Bells,” “Deck the Halls,” “Fum, Fum, Fum,” and more! Equal parts holiday cheer and epic movie battle music, this stirring climax to the “Santa the Barbarian” series is sure to bring a smile to performers, audiences, and lovers of Christmas carnage everywhere. “Ho! Ho! Who will win?”

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

A New Light by Tyler S. Grant, Grade 1.5 Flex
A sequel to his best-selling work “At Twilight,” Tyler S. Grant once again contributes a captivating lyrical work for developing bands. Colorful orchestrations have a chance to shine through modest ranges and easy technical demands. Intriguing harmonic progressions surrounded by memorable melodies will build maturity in your ensemble’s listening skills. A gorgeous and colorful work!

One Final Mission by Adrian B. Sims, Grade 2 ColorFlex Young Band
Inspired by the sounds of epic film and video game scores, this work takes the listener from the safety of home base right into the center of the action. An extremely approachable work for developing bands with a deceivingly massive and sophisticated sound.

Crusade by Vince Gassi, Grade 1.5 Flex Debut
Set in the Dorian mode, this ominous work opens with a foreboding theme and develops with vibrant and dramatic energy. It continues to build, culminating with a powerful, climactic ending. This FLEX title will add intrigue to your next concert!

With Honor by PinkZebra, Grade 2 Flex
Evoking reverence and gratitude, “With Honor” is a piece that resonates with an uplifting spirit of profound respect. Intended to be suitable for tributes, patriotic holidays, honors ceremonies, graduations, memorials, and general concerts. Available both in full concert band instrumentation and flexible instrumentation versions.

Tale of the Sword by Tyler S. Grant, Grade 2 Flex
Introduce or reinforce 6/8 time while portraying the Viking conquests! Using minimal rhythmic motivic material, this work creates an epic and cinematic soundscape. Students get to create the sounds of ocean waves as driving ostinatos propel listeners to dramatic musical scenes. Supplemental Rhythm & Melody Sheets are included to make the most of your students’ journey into 6/8. Intense and extremely engaging!

Wild Blue by Tyler S. Grant, Grade 1.5 Flex
Suspense, mystery, and adventure converge in this new work by Tyler S. Grant! Inspired by classic thrillers, this work seeks to find truth in a world of deceit and conflict. Certain to keep audiences on the edge of their seat!

As Shadows Fall by Rob Romeyn, Grade 2.5 Build-a-Band
Beautiful and heartfelt, “As Shadows Fall” is an outstanding lyrical work for younger bands from the talented pen of Rob Romeyn. This flexible instrumentation arrangement for the Barnhouse “Build-A-Band” series makes this outstanding work accessible to smaller and awkwardly-instrumented ensembles. A beautiful and memorable melody gradually grows amid changing textures and harmonies ultimately leading to a soaring and dramatic final climax. Ending as it began, with a gentle breeze, quietly fading away amid the setting sun. Many opportunities for lyrical technique and expressive qualities make this a superlative choice for concert or festival use.

Beyond the Stars by Ed Huckeby, Grade 2 Build-a-Band
Ed Huckeby’s “Beyond The Stars” has become a standard for young bands, and this flexible instrumentation edition for the Barnhouse “Build-A-Band” series makes this classic work accessible to ensembles with instrumentation challenges. The use of a modal melodic and harmonic structure with a familiar key as the tonal center makes for an impressive sounding concert work. The contrasting slow section allows the ensemble to showcase its developing legato style. Your students will love “Beyond The Stars” and your audiences will be amazed at how the band is playing “such difficult music!”

Captain Courageous by Rob Romeyn, Grade 2 Build-a-Band
“Captain Courageous” by Rob Romeyn has become a favorite of young bands, and this flexible instrumentation version for the “Build-A-Band” series makes this selection within reach of groups with imbalanced instrumentation. This powerfully bold and regal fanfare will make any ensemble sound mature beyond their years. It starts with a commanding and declarative opening statement. Memorable and flowing melodic lines then follow, making this the perfect vehicle for contest and festival use. Solid scoring and creative countermelodies provide a wonderful musical experience.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

Boom! Whack! Pop! (Play-Along Pops for Boomwhackers or Barred Instruments) by Tom Anderson
Play along with your favorite pop tunes in this fun and engaging collection for tuned percussion tubes! Colorful Boomwhackers® are all you need to get started, and barred classroom instruments may be added to include even more students. This kickin’ collection features hit songs from a range of pop artists, including Aretha Franklin, Katy Perry, Journey, and more. Teaching suggestions, warm-up exercises, and full scores are provided. Access sound-alike accompaniment tracks online, as well as color-coded student parts. Warning: once they play one, they’ll beg to play ’em all!

Titles include: “Don’t Stop Believin’,” “Wipe Out,” “Ghostbusters,” “Firework,” “Funkytown,” “Think,” “Eye of the Tiger,” and “Mamma Mia.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Christopher B., Organ Music Specialist

Tidings of Joy arr. Benjamin M. Culli
These five Christmas preludes are unquestionably captivating. The opening prelude is based on a new hymn tune by the composer found in One and All Rejoice on the Slovak text “Come Rejoicing, Praises Voicing.” A propelling “God Rest You Merry, Gentlemen” drives with intensity and strength keeping listeners baited for every next note. “See amid the Winter’s Snow” is set among musically falling snow, light and calm and most enchanting. “Now Sing We, Now Rejoice” is thrilling, with a constant driving eighth note rhythm, pushing forward with the loud cantus firmus in the pedal. The final piece, “Hark! The Herald Angels Sing” can be registered in lightly, setting forth the hymn in a whimsically jubilant way or with the full intensity of a triumphal postlude.

Christmastide Fughettas arr. Donald Rotermund
Ornament your Christmas worship with delightful fughettas! This large collection of fourteen hymn-based fugal settings by Donald Rotermund is creative and inventive. Having optional repeats throughout and designed for flexibility, these pieces could be used as solo organ stanzas; as preludes, voluntaries, or postludes; and as introductions or interludes using excerpts.

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Eternal Flame by Brian Balmages, Grade 4.5
This thrilling and majestic overture pays homage to the eternal flame memorial dedicated to Medal of Honor recipients. Sweeping fanfares, stately themes, and nods to “America” remind the listener of the incredible sacrifices made by these brave individuals.

Lucid Dreams by Adrian B. Sims, Grade 4.5
Travel to the unknown in this exciting work based on a five-note melodic idea that can’t quite make up its harmonic mind. The piece takes the listener through haunting and breathtaking musical hallucinations, concluding with glorious, dreamy chords.

Luminosities by Evan VanDoren, Grade 5
“Luminosities” is an electrifying overture for a mature wind ensemble that masterfully encapsulates the mesmerizing vibrance and comforting warmth of light itself. Bursting with triumphant brass fanfares, lively rhythmic exchanges, and vivid color flourishes, this composition promises to set a riveting tone as the opening act of any concert. Echoing a powerful message of hope, this brilliant work is sure to inspire both listeners and musicians to radiate their unique light.

Piccolodia by Jerry Brubaker, Grade 4
A creative and exciting work for solo piccolo with concert band accompaniment, “Piccolodia” by veteran composer Jerry Brubaker is the ideal piece to feature your outstanding piccolo soloist! Written in three sections, the opening features a driving melodic theme with sweeping runs, demonstrating great soloist dexterity. The middle section is very ballad-like and depicts the soloist’s friendships through various duets with many other instruments. “Piccolodia” concludes with a festive samba which is sure to have your audience dancing in the aisles!

Tarantula (Introduction & Tarantella) by Andrew Boysen Jr., Grade 5
“Tarantula” explores the origins of the tarantella dance. Said to be caused by the bit of a poisonous spider, the dance becomes wilder and wilder leading to the dancer collapsing from exhaustion! Beginning with an optional (but highly preferred) classical guitar solo that introduces the two main themes for the work the tempo increases substantially as the victim begins to dance the tarantella. Although the basic structure of the piece is a traditional sonata form, there is a constant sense of increasing intensity and anxiety throughout the work, until the coda finally accelerates to a frenzied conclusion. A true showstopper!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Austin Swack, Instrumental Education Specialist

Flight of the Dynamic Drone by Jim Palmer, Grade 0.5
Now boarding: “Flight of the Dynamic Drone,” by Jim Palmer! Your first-year orchestra will soar with this exciting piece based on a D drone! Students get to practice intonation while experiencing a wide variety of dynamics. All instruments take flight with the melody and some pizzicato accompaniment. A perfect landing for your first concert.

Rise of the Bow-Bots by Richard Meyer, Grade 1
“Rise of the Bow-Bots” is a creative offering by Richard Meyer that will be as much fun to play as it will be to teach. The Bow-bots are alive and invading your orchestra room! This colorful selection is perfect for your students to work on their bow lifts, hooks, and slurs. Very simple note patterns (left hand) will allow young musicians to concentrate on their bowings (right hand), and the minor key and modal harmonies will set their imaginations wild as they picture the rise of “Megalift,” the “Hookinator,” and “Slurtron.”

Spotted Pony arr. Bob Phillips, Grade 1
This easy tune features all sections with clever rhythmic variations. Readily accessible and as easy to put together as any Bob Phillips fiddle tune arrangement, the traditional melody appears in all sections and may be taught aurally. Though its origin is unknown, “Spotted Pony” appears to have roots in the Ozarks in Missouri, Arkansas, or Texas. Fiddlers in the early 20th century claim to have learned it from their grandparents’ generation, so it most likely has been played since the late 19th century or earlier.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

All I Know of Love by Rob Dietz, SATB divisi a cappella
With words by Stephanie Dietz, this beautiful composition from Rob Dietz is a beautiful composition with a propulsive time signature mixed with lush and ever-present vocal textures. Perfect for choirs looking to expand their contemporary a cappella repertoire!

Vox Vibe by Greg Gilpin, SAB a cappella (optional piano)
The vibrant vocables of this extraordinary original have no literal meaning, but simply bubble with joy. A rhythmic vocal stack opening introduces three independent voice parts before unfolding into a complete rondo that grows to an action-packed ending. Pair this impressive follow-up with Greg’s original “Vox;” both can be performed a cappella or with optional piano.

Beethoven’s Fifth arr. Tom Anderson, 3-part mixed with piano
Beethoven’s “greatest hit” is reimagined with a funky twist that your singers won’t be able to resist! Its iconic short-short-short-long hook springboards into a rhythmic groove, complete with clapping, snapping, and vocal syllables that imitate a rock band. It’s a novelty nod to one of the greatest composers of all time!

Echo by Rob Dietz, SSAATTBB a cappella
“Echoes of peace. Echoes of love. Echoes of hope. We are echoes.” This is a truly dynamic piece written for the A Cappella Academy Choir, and works for a large choir or a smaller a cappella group.

Softest Rains by Rob Dietz, SSAATTBB a cappella
Clapping, shouting, and intricate rhythmic singing combine in this exciting new work from Rob Dietz. In the contemporary a cappella style, but also meant for larger choirs, this will be a stunning addition to any concert program.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Christopher B., Organ Music Specialist

A Gentle Advent: Organ Reflections of the Season arr. J. William Greene
The gentle anticipation of the Advent season often warrants a distinct and introspective style of music. Recognizing that the busy days of Christmas succeed Advent, these settings by J. William Greene are designed to be learned quickly. This collection features six gentle preludes and two vibrant postludes for the season of preparation for the Birth. Titles include: “Comfort, Comfort Now My People,” “Hark! a Thrilling Voice Is Sounding (Variation Prelude),” “Hark! a Thrilling Voice Is Sounding with Creator of the Stars of Night (Quodlibet),” “He Comes to Us as One Unknown,” “O Come, O Come, Emmanuel (Prelude),” “O Come, O Come, Emmanuel (Toccatina),” “Prepare the Royal Highway,” and “Wake, Awake, for Night Is Flying (Fanfare and Toccatina).”

The Tide Is Nigh: Advent and Christmas Music for Organ arr. Lynn Arthur Koch
Lynn Arthur Koch has chosen a mix of both familiar and lesser-known Advent and Christmas hymns for the settings in this book. Several tunes are folk melodies drawn from the famous Oxford Book of Carols. With a duration of two minutes or less per piece, they can be seamlessly combined into suites, providing an ideal solution for occasions when longer preludes are needed. Titles include: “A Virgin Most Pure,” “And Now the Tide Is Nigh at Hand,” “Bring a Torch, Jeanette, Isabella,” “Come, Thou Long-Expected Jesus,” “Creator of the Stars at Night,” “I Saw Three Ships,” “Let All Mortal Flesh Keep Silence,” “Watchman, Tell Us of the Night,” and ‘The Sussex Carol.”

Sing We Now of Christmas: Easy Carols for Organ arr. James Michael Stevens
James Michael Stevens presents a captivating collection of ten well-known Christmas carols arranged for organ. Featuring each melody prominently and with a mix of moods across the settings, these accessible pieces serve as ideal choices for preludes, offertories, and postludes during the Christmas season. Titles include: “Away in a Manger,” “Angels, from the Realms of Glory,” “Hark! the Herald Angels Sing with Angels We Have Heard on High,” “In the Bleak Midwinter,” “It Came Upon the Midnight Clear,” “O Come, All Ye Faithful,” “Silent Night, Holy Night,” “Sing We Now of Christmas,” “Still, Still, Still,” and “What Child Is This.”

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Magic of Winter by Sherry Blevins, Unison/2-part with piano
“The Magic of Winter” sparkles as it paints a winter wonderland in the listener’s mind. With a lilting 6/8 meter, easy modal mixture, and effortless key changes, this piece offers opportunities to expand singers’ theory knowledge while diversifying your program repertoire. If you are looking for a secular piece to celebrate the season that includes ALL of your singers, look no further.

Away in a Manger (Lejos en un Pesebre) arr. Bryan Sharpe, SSA with piano and optional string ensemble
This delicate setting incorporates and blends together two different tunes commonly associated with this carol text, Mueller and Cradle Song along with a verse in Spanish. The two tunes and languages are woven together seamlessly and creatively for a unique approach on this Christmas tradition. String ensemble parts are available to enhance this intimate and expressive offering.

In the Bleak Midwinter by Brady Weldon, S(S)A with piano
Written for the developing or advanced treble ensemble of any size, Weldon’s original setting of this beloved holiday text is lovely! This work contains undulating supportive chords, unisons, and range-appropriate opportunities to add harmony.

Good King Wenceslas arr. Ruth Elaine Schram, SSA with piano
During the telling of this classic carol about a king who gives to the poor, Ruth Schram uses solo sections and word painting to help the audience experience cold winds and conversations between the king and his loyal page. This is a wonderful, joyful holiday selection for SSA choir!

Gaudete! Gaudete! by Cristi Cary Miller, T(T)B with piano
The Latin text used in this selection comes from a sacred Christmas carol thought to have been composed in the 16th century. The words reflect a medieval song of praise. Consider using this song as a processional for holiday concerts to help create an atmosphere of celebration!

Natus est in Bethleem by Xabier Sarasola, SA with piano and flute
This is a lively and joyful work in Latin by Basque composer Xabier Sarasola that celebrates the Christmas story. With piano and flute, “Natus est in Bethleem” is a great choice for younger choirs.

God Rest Ye Merry, Gentlemen arr. Wesley D. Peters, TTBB with piano
With a delightfully playful rhythmic interplay between 3/4 and 6/8 meters, this joyous, fresh setting of the traditional English carol seizes one’s interest from its introduction to its exuberant conclusion. The mixed meter sections act as musical bookends to a sensitive a cappella centerpiece featuring the reassuring angelic presence at the Nativity – tidings of comfort and great joy indeed! Equally appropriate for both school and church use.

Long Ago (In the Bleak Midwinter) arr. Jacob Narverud, SSA(A) with piano and optional string quartet
A new twist on a timeless carol, this BEST SELLER is now available for treble choirs! Narverud’s setting of Christina Rossetti’s poem features Holst’s original melody and harmonization along with new connective material between the verses and beautiful cluster harmonies. Paired with an artistic piano accompaniment and optional string parts, it is a lovely statement for the season.

I See a Star by Greg Gilpin, TB with piano
This touching selection from Greg Gilpin offers a wish for the world to find hope, peace, and love. With memorable melodies and a bridge featuring hints of “Star Light, Star Bright,” this selection will make an especially effective addition to winter and holiday concerts.

O Christmas Tree arr. Jimmy Baas, TB with piano
Originally written in 3/4, this new arrangement by Jimmy Baas is given an uplifting twist in 9/8 with the use of triplets throughout. The pulsating piano propels the piece forward, adding an extra sense of joy surrounding one of the most special times of the year.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

Pandamonium! by John Jacobson & Walter Jack
Experience a “Pandamonium” of fun by John Jacobson and Walter Jack as a mischievous Panda unleashes all the world’s woes from a mysterious gift box. Featuring a playful retelling of the age-old story of Pandora’s Box, this musical will take your audience on an exciting journey from chaos to hope as the pandas’ discovery of hope saves the day! A perfect musical for Christmas or any special occasion!

Bunnies! A Hopping New Musical by John Jacobson & Walter Jack
Come join the hopping! “Bunnies! The Musical” is a fun, furry program for Kindergarten-Grade 3 singers. Featuring a heartwarming story of sharing and of course plenty of furry friends, this musical is sure to delight audiences. With speaking lines, solos, unison parts, a healthy message, and cutesy costumes, this 25-minute performance is a hippety hoppity good time! (Who can resist a fluffle of cute bunnies?)

Cookies! The Musical by John Jacobson & Walter Jack
Roll out the sweetest musical this side of the oven! “Cookies! The Musical” by John Jacobson and Walter Jack is a wonderful musical for Kindergarten-Grade 3, celebrating friendship, togetherness, and learning to accept everyone for their differences. Watch as these delightful cookie characters come to life for your audience and take part in a scrumptious bake sale. It’s an unforgettable 25 minutes of sugary fun, with speaking lines, 2 parts and unison, and tastefully inclusive messaging! Get ready to get your bake on!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Austin Swack, Instrumental Education Specialist

Led by Brian Balmages, MakeMusic Publications seeks to publish outstanding composers of compelling band and orchestra music at all levels. Furthermore, all of the titles in the catalog are also available digitally and on MakeMusic Cloud (formerly SmartMusic).

Wheels of Fury by Chris Thomas, Grade 2.5
Buckle up for a pulse-pounding, high-octane adventure with “Wheels of Fury” by Chris Thomas! This piece is a powerhouse of driving rhythms, razor-sharp articulations, and soaring cinematic melodies. Unleash the epic drum kit, live or pre-recorded, to elevate the experience. Prepare for turbocharged action in a world where speed reigns supreme and victory is the ultimate prize.

A Jolly Jingle by Chris Thomas, Grade 1
This whimsical and spirited original work by Chris Thomas is infused with snippets from various holiday favorites and includes optional percussion to bring even more cheer. “A Jolly Jingle” is a fantastic way to usher in the holiday season and bring a bit of sparkle to your winter-themed concert.

Perpetuoso by Katie O’Hara LaBrie, Grade 2.5
This high energy yet playful work by Katie O’Hara LaBrie utilizes driving, constant eighth notes passed around from section to section. Though it outlines common scale and arpeggio patterns, “Perpetuoso” is quite unique. Subito dynamics, roaring crescendi, and memorable melodies make this an ideal choice for any program!

Graveyard Shift by Chris Thomas, Grade 3.5-4
Step into the eerie world of “Graveyard Shift,” a composition by Chris Thomas that invites you to dance with the shadows and embrace the supernatural. This piece offers an opportunity to learn shifting techniques while incorporating various spine-tingling sound effects, additional (optional) instrumentation, and vintage Halloween audio effects. Answer the spectral summons and become part of the graveyard shift, when the macabre seizes the stage and sinister strings mesmerize your audience.

Prelude and Fiesta by Erik Morales, Grade 4.5
Exploring rhythms and chord changes emblematic of Afro-Cuban music, “Prelude and Fiesta” moves from a spicy ballad to a depiction of a fiery Latin street festival. Erik Morales includes a full percussion section but also includes condensed parts that only use two players. Consider opening it up for soloists to shine. Stunning!

Shop Stanton’s for all your sheet music needs!

About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Gettin’ in the Mood (for Christmas) arr. Roger Emerson, SATB with piano and optional combo
Swing into the season with this toe-tapping, big-band styled holiday song! A perfect concert opener for pop and show groups, complete with a rhythm and horn section.

A Winter Wish by MaryAnne Muglia, SATB a cappella
Warm year-end lyrics create an a cappella greeting card for the season, “wishing boundless love and lasting peace.” A plucked bass vocal line and some sweet sonorities from the inner voices form a beautiful accompaniment for the sopranos’ melody. The pleasing lilt of this stylish song will have everyone snapping along. Fresh and fun.

Christmas Dance arr. Mac Huff, SATB with piano and optional combo
Mac Huff’s joyful, toe-tapping arrangement of a new Christmas classic by Darren Criss furnishes a festive blend of novelty and nostalgia perfect for any holiday concert. A real earworm that’s easy to learn, yet packed with engaging rhythms and harmonies.

Jingle Bell Rock arr. Bryan Sharpe, SATB a cappella with optional sleigh bells
Everybody gets a chance to sing the melody in this lively a cappella arrangement of the rock’ ‘n’ roll classic. Perfect for holiday concerts or door to door caroling, this two-minute feature includes optional sleigh bells and clip-clop tongue clicks. Bryan’s creative approach offers a sleigh full of interesting vocal parts that singers are gonna love. “That’s the Jingle Bell Rock!”

It Feels Like Christmas (from The Muppet Christmas Carol) arr. Audrey Snyder, 3-part mixed with piano
The merriest song from the classic movie, “The Muppet Christmas Carol,” makes an ideal selection for middle school and upper elementary choirs. Accessible voice parts provide ease of learning and confidence in singing. Holiday concerts will glow with holiday cheer from start to finish!

The Christmas Waltz arr. Lisa DeSpain, SATB with piano
Kristin Chenoweth’s cover of the beloved “frosted windowpanes” waltz inspired this arrangement, which sparkles with holiday nostalgia. A music box-like accompaniment supports lyrical vocal lines and expressive tempo changes that make for an impressive concert performance. Originally written for Frank Sinatra, this is a Christmastime standard not to be missed!

Theme from Elf arr. Daniel Grassi, SATB with piano and optional kazoos & percussion
Here’s the festive main theme from the popular motion picture soundtrack sung almost entirely on nonsense syllables! If you don’t recognize it from the first few notes, the holiday lights will certainly come on by the time we play the sweeping tune on crazy kazoos.

A Christmas Carol (from Scrooge) arr. Mark Hayes, SATB with piano and optional chamber ensemble
From the 1970 movie “Scrooge,” this beloved song has been covered by many artists ever since: from gospel greats to contemporary stars. The arrangement captures the beauty, strength and scope of the original and may be accompanied by either piano or additional chamber instruments. What a glorious moment for any holiday concert!

It’s Beginning to Look Like Christmas arr. Mark Hayes, TTBB with piano and optional orchestra
Now in SSAA and TTBB voicings, Meredith Willson’s famous song is wonderfully arranged for choirs with a terrific piano accompaniment as well as orchestral parts. The introduction is captivating and paints the magic of the holidays while the heart of the song ends with a big and broad finish.

‘Twas the Night Before Christmas by Andy Beck, SATB with piano and optional orchestration
It’s the classic Chirstmas poem set with swingin’ jazz flair! A snazzy bass line and some backbeat finger snaps greet the opening lines, spoken stylistically in rhythm. When the singing begins, it’s non-stop fun from the first “out on the lawn” clatter to Santa’s final “and to all a good night” send-off. Guaranteed to bring the holiday house down, with or without the full theatrical orchestration.

The Christmas Song arr. Russell Robinson, SATB a cappella
Perhaps your ensemble has sung “The Christmas Song” many times, many ways … but this is a truly special treatment. Simple yet sophisticated, Russell Robinson’s heartwarming a cappella arrangement gives the holiday classic a hint of jazzy harmonic freshness, yet retains a cozy flavor reminiscent of Christmases gone by.

Toyland arr. John Maclane Schirard, SATB a cappella
This new a cappella arrangement of “Toyland” adds a charming and festive touch to any holiday concert. With lush harmonies, the arrangement captures the whimsical essence of the original tune, transporting the audience to a magical world of toys and holiday cheer. The a cappella aspect of this piece allows the pure vocal textures to shine, creating a delightful and heartwarming experience for both performers and listeners alike.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Walkin’ Down Christmas Lane arr. JaRod Hall, Grade 3
Experience this merry journey through a spirited soundscape! This captivating medley brilliantly interlaces holiday classics with funk and hip-hop rhythms, soulful gospel, and an emotive ballad. Every note will lift your spirit as you deck the halls with joyful jams!

Jingle Bells arr. Morton Gould/ed. R. Mark Rogers, Grade 4
Morton Gould’s setting of JINGLE BELLS calls to mind the quiet sounds of a horse-drawn sleigh passing through newly fallen snow. Beginning softly, as if the sleigh is approaching the listener from a distance and ending softly as the sleigh disappears in the distance, Gould’s setting will challenge players and delight audiences.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Handbell Music Specialist

Angels from the Realms of Glory arr. Jason Krug, 2-3 octaves, Level 1
Embrace the beauty, simplicity and joy of the holidays with this accessible Level 1 arrangement of the familiar Christmas carol.

Celebrations (All Occasion Settings for Handbell Ensemble) arr. Martha Lynn Thompson, 3 octaves, Level 2
This creative REPRODUCIBLE collection is playable by six or seven ringers. Titles include: Come, Christians, Join to Sing; Come, Come Ye Saints; Come, Thou Fount of Every Blessing (Warrenton tune); Fanfare; Gaudeamus Igitur; A King in His Glory; O God, Beyond All Praising; Praise the Lord, Ye Heavens Adore Him; See Amid the Winter Snow; and Tuoro-Luoro- Luoro.

Emmanuel, El Shaddai arr. Sondra K. Tucker, 3-6 octaves, Level 2
“O Come, O Come Emmanuel” is ingeniously paired with the Amy Grant standard “El Shaddai,” creating a mystical and compelling addition to worship and other occasions.

Let All Mortal Flesh Keep Silence arr. Fred Gramann, 3-5 octaves, Level 3
Immerse your listener in the rich tapestry of sound that only Fred Gramann can create with this hauntingly beautiful arrangement of the beloved 17th century hymn tune.

O Come, All Ye Faithful arr. Jason Krug, 3-5 octaves, Level 1
Perfect for the developing ringer, this arrangement of the classic carol uses fun techniques yet remains Level 1. Straightforward and pleasingly engaging.

On Christmas Night All Christians Sing arr. Lloyd Larson, 3-5 octaves with optional piano, Level 2+
Set for 3-5 octaves and piano, the lilting rhythm will keep all engaged as you celebrate the season.

Sans Day Carol arr. Anna Laura Page, 3-5 octaves, Level 2
Alternatively known as “Now the Holly Bears a Berry,” this carol radiates a bright and festive spirit evoking the joy and merriment of the holiday season. Whether performed in a concert hall or a worship service, this accessible setting is sure to delight audiences.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Carnival by David Samuel, Grade 3
Let the festivities begin! This bright Latin chart is the perfect change of pace chart for contest/festival or for your home stage. Intriguing harmony and rhythmic vitality make this chart shine!

Groove Chico by Christopher Artau, Grade 3
This funk tune just keeps coming at you! After the intense introduction the saxes jump in with the “A” section of the chart followed closely by big and punchy brass.

Back Porch Swing by Drew Zaremba, Grade 5
“Back Porch Swing” is a masterful tribute to Count Basie and Sammy Nestico. It swings like crazy!

Rejoice! arr. Anthony Susi, Grade 1.5
As a follow-up to his popular arrangement of “Coventry Carol,” arranger Tony Susi has taken “O Come, O Come, Emmanuel” and crafted it into a spirited Latin-rock arrangement called “Rejoice!” Great minor harmony surrounds the classic carol melody.

Nuvola by Peter Sciaino, Grade 1
If you have an outstanding young Alto Saxophone or Trumpet soloist, this is the perfect vehicle to showcase their talents. The relaxed even-eighth note tempo of the piece makes it easier for the soloist to navigate. All the solo lines are written out and chord changes are also included if the performer is a budding improviser.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!