To Sail the Majestic Seas by William Owens, Grade 2.5 Resolute and highly spirited, “To Sail the Majestic Seas” vividly portrays humankind’s valorous endeavors to traverse the world’s great waters. Moments of vigor give way to beauty and serenity before a bold ending portrays the sea at the height of its power and majesty. A seaworthy adventure by William Owens!
Jubilate! by William Owens, Grade 2.5 Quite simply, “Jubilate” is a Latin word meaning rejoice or feel great joy! Like its namesake and definition thereof, the piece overall endeavors to convey feelings of joy and excitement. At the beginning, a joyful mood is quickly established by way of percussion and brass and soon augmented by the woodwinds. As the music progresses, changes in mood, style and volume are easily heard as the piece comes to a rousing conclusion.
Tatonka (Spirit of the Bison) by William Owens, Grade 2 “Tatonka” is a musical depiction of North America’s most formidable land mammal, the bison. The music is quite representative of the beast itself; it is a song of survival. Beginning with trumpet fanfare, the piece quickly settles into a steady “marching” beat. While brief moments of tenderness are heard, boldness and fortitude are at the heart of the piece.
Tirelessly Through the Night… by William Owens, Grade 3 This dramatic, programmatic work depicts the explosion that devastated a Texas community. From the haunting “Foreboding” to the chaotic “Crisis,” and ultimately the hopeful “Aftermath” and “Regenesis,” it delivers a powerful narrative. A profound addition to any serious program.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jennifer F., Sacred Choral Music Specialist
Love’s Comfort and Joy arr. Lloyd Larson, SATB with piano This warm setting of the classic GREENSLEEVES tune soon transitions to a familiar Christmas melody coupled with a festive text to “spread the news that to all that Love is born today.” Lloyd Larson’s careful craftsmanship results in this singable, creative anthem perfect for use during the Christmas season.
Come Near to the Manger arr. Mark Hayes, SATB with piano and optional orchestra You can almost see the dimly lit stable as this anthem gently begins. With the rich and warm arranging talents of Mark Hayes, the familiar carols heard in this manger medley take on a new sheen. Add (optional) children’s voices and/or the exquisite orchestration for a delicate and beautiful moment.
Sing We Noel by Mary McDonald, SATB with piano From the delicate beginning to its ascendant and uplifting conclusion, “Sing We Noel” offers a heartfelt and heroic response to the birth of Christ. With a verse telling of the coming of kings to worship the Christ, this anthem is also quite appropriate for Epiphany. Regardless of where this anthem is utilized, it will move and inspire.
This Child Shall Be Our Peace by Molly Ijames, SATB with piano “…An echo in her memory of ancient prophecies: this Child of Mary’s labor, this Child shall be our peace.” Eileen Berry’s poignant text, based on Micah 5, is exquisitely set for choir and piano by Molly Ijames. A meaningful addition to the Christmas repertoire.
Celebrate the Child arr. Stan Pethel, 2-part mixed (optional SATB) with piano This Michael Card song has become a modern classic. In the capable hands of seasoned composer/arranger Stan Pethel, the song shines with its singable Two-Part (opt. SATB) voicing and interpolation of the festive “O Come, All Ye Faithful” with a touch of syncopation. Driving and truly celebrative!
Sleep, Child of Light arr. Mary McDonald, SATB with piano Taking familiar tunes and pairing them anew and creatively with beloved texts is a hallmark of the creative genius of Mary McDonald. Here, she has created a satisfying and warm manger medley using familiar carol threads to weave a tapestry that is both tender and triumphant.
O Holy Light by Mary McDonald, SATB with piano Beginning intimately, yet expansively to match the majesty of the Holy Night of Christ’s birth, this offering then soars. Mary McDonald’s amazing and natural talents as a composer, arranger, and lyricist are on full display in service to the powerful message she proclaims. Stunning!
In Bethlehem by Erik Dewar, SATB with piano and optional string quartet & percussion An original Christmas hymn by Erik Dewar (co-arranged with Dan Forrest), “In Bethlehem” is a vivid and heartfelt picture of the Christmas story. Fresh takes on the Christmas narrative combine with angels’ Alleluias in an anthem that is both modern and timeless in its text and setting.
See Amid the Winter’s Snow arr. Mary McDonald, SATB with piano and optional orchestra Mary McDonald’s impressive craftsmanship shines in this elegant setting of the traditional carol. Beginning with a delicate, expressive opening, the arrangement gradually builds through harmonic and rhythmic variations into a symphonic spectacle, culminating in a powerful conclusion.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
recommended by Caryn G., Sacred Piano Music Specialist
The Snow Lay on the Ground: Piano Music for Advent and Christmas arr. Thomas Keesecker A very usable collection of piano works that are particularly appropriate for the Advent and Christmas seasons. The composer is noted for his creative treatment of familiar melodies and his piano works have quickly become popular for their universal appeal.
Titles include: “Angels, from the Realms of Glory,” “Away in a Manger,” “Come, Thou Long-Expected Jesus,” “Four Variations on Tempus adest floridum,” “Joseph Dearest, Joseph Mine,” “Joy to the World,” “Lost in the Night,” “Prepare the Royal Highway,” “Savior of the Nations, Come,” and “The Snow Lay on the Ground.”
About the Author: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Ahead of the Curve by Steve Briody, Grade 3 “Ahead Of The Curve” is a fast-paced, hard-swinging opener that sets an exciting tone for any concert or festival performance. This Steve Briody original features a catchy melody, strong ensemble writing, and engaging interplay between sections. Despite its brisk tempo and moments of harmonic variety, the chart remains highly accessible for developing bands. The solo section offers a slight departure from the main changes and includes clear, suggested solos to support young improvisers. Bold, vibrant, and uplifting, “Ahead Of The Curve” is an impressive addition to any jazz program!
Ain’t Misbehavin’ arr. Dallas C. Burke, Medium Easy This laid back swing treatment of the jazz standard has so many dynamic moments that your band will love! The band goes from a lazy feel to blowing the roof off the auditorium with some big ensemble hits that reach out and grab the audience throughout the chart. This features written or ad-lib solos from the Alto Sax and Trumpet.
Another One for Ray by Ryan Fraley, Grade 2.5 Let the bass take the spotlight in this straight-ahead swing chart with a classic jazz feel. Written to showcase the upright bass, it keeps the groove locked in while the band provides solid support with a brass interlude and a sax soli. This chart swings hard and gives your bassist a well-deserved moment to shine. (Top trumpet note: G5)
Danger Island! by Rich Woolworth, Medium Easy Get ready for fun with this unusual chart. Just like your favorite adventure movie, it’s brimming with action and excitement! Drums and auxiliary percussion set the mood as the Saxophones take the melody. After a bold statement from the ensemble there’s an extended Tenor solo, which leads into a call-and-response between the Drums and the horns. The Trumpets take the melody into a big finish, with a large terrifying chord from the entire band.
In Your Own Sweet Way by Dave Brubeck/arr. Annie Booth, Grade 3 Check out this gorgeous Brubeck melody set in an easy swing groove around 120 BPM. Featuring your lead alto player on the melody with suggested written-out solo space. Lead trumpet range is to A above the staff, and all the usual optional parts, including flute and vibes.
The Jody Grind by Horace Silver/arr. Mark Taylor, Grade 3 Enrich your jazz musicians with the music of Horace Silver with this arrangement of one of his most soulful blues tunes. Tenor Sax 1 and Trumpet 2 play the first statement of the head creating the original sound before the Alto 1 joins in. Expert scoring wraps the melody in hip figures and great ensemble hits. Solo changes for Trumpet 2.
Wise Up by Gordon Goodwin, Grade 3.5 A terrific swing-shuffle grove around 150 BPM. This chart is simply fun and hip. Solo space is provided for alto, tenor, bari, trumpet, and trombone with sample solos provided for E-flat, B-flat, trombone, and C instruments, and very flexible. Each section gets to shine in this superb chart and optional parts include flute, vibes, and percussion. The lead trumpet range is to high D.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jen Sper, School Choral Music Specialist
Above the Weary Waiting World by Kim André Arnesen, SATB divisi with piano Written for the University of South Carolina, this new carol from Norwegian composer Kim André Arnesen sets a beautiful poem by Bliss William Carman (1861-1929). The poem describes a wintery world, with singing bells, a dancing star and expectant hearts, awaiting the arrival of the Christ child. The mystery, anticipation and joy is captured in Arnesen’s music; its striking, soaring melodies and warming harmonies underpinned by flowing piano paint a sublime picture, sure to be a highlight of your Christmas concert.
Stopping by Woods on a Snowy Evening by Eric Whitacre, SATB divisi a cappella One of Eric Whitacre’s most well-known compositions, “Sleep,” is available now as it was originally composed in 2000, using the Robert Frost poem “Stopping By Woods on a Snowy Evening.” While the circumstances of Frost’s text led to the creation of Whitacre and Silvestri’s first beloved collaboration, this new version offers the chance to hear the music in a completely different light.
The Christmas Life by Lucy Walker, SATB divisi a cappella The poet, Wendy Cope, conjures a heartwarming image of Christmas in the home. This setting of her comforting poem translates this imagery into a classic Christmas choral sound – a simple, memorable tune, accompanied by mellow, warm harmonies, and a natural lilt as the meter alternates between triple and quadruple time. In the second verse, which is filled with references to light, each voice part expands, up to a blooming chord on ‘shine’, and this section features more exploratory harmonic inflection while retaining the original melody. The final verse begins with a return to the opening music in the lower voices, before growing into a richly scored ending.
I Wonder as I Wander arr. Jennaya Robison, SATB with harp and oboe Already a haunting melody, this setting is even more captivating with the addition of the oboe obbligato. Although piano can always accompany adequately, the use of harp furthers the mystic sonorities. This is a stunning Christmas concert selection of medium difficulty.
Ríu Ríu Chíu arr. Bryan Sable, SATB with piano Bryan Sable’s setting of the Spanish Renaissance carol invites choirs to explore vibrant rhythms and intricate harmonies. Sable’s arrangement infuses a fresh energy into this traditional piece, highlighting its playful melodies and rich textures. A festive, dance-like selection ideal for choirs looking to showcase vocal agility, this arrangement balances challenging moments with moments of lighthearted fun, making it an engaging choice for both singers and audiences.
Coventry Carol arr. Garrett Breeze, SATB a cappella The 16th century English carol gets a gripping, a cappella treatment, full of dissonance and tension that is sure to leave a lasting impression on audiences. Text painting is at its finest in this dark setting, creating a dramatic performance of musical color.
Dreidel Song arr. Christine Helferich Guter, SATB divisi a cappella This joyful Hanukkah song is always as playful as the toy, but this vocal jazz arrangement bumps it up to classy and elegant. That is exactly why Jonathan Talberg selected it for his series. At last, a Hanukkah song that is as impressive as it is delightful.
Peace, My Soul by Ellen Gilson Voth, SATB with piano and horn This setting weaves in fragments of the carol “In the Bleak Midwinter” and its references to “snow upon snow.” The music is designed to reflect our ongoing desire for peace, not only during the holidays but beyond.
About the Author: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
recommended by Jen Sper, School Choral Music Specialist
The Blizzard by D. Farrell Smith, SAB with piano “The Blizzard” is an electrifying choral piece for SAB voices with a piano accompaniment that drives the energy forward like a relentless winter storm. The choral lines weave tension and drama, evoking the howling winds, swirling snow, and the raw power of nature. The piano part is both ferocious and riveting, filled with percussive rhythms and dramatic flourishes that mimic the storm’s chaotic fury. Together, the voices and accompaniment create an immersive experience that captures the awe and intensity of a blizzard, challenging performers to embody both its grandeur and ferocity.
Frosty Winter by Andrew Parr, 3-part mixed with piano and optional violin The night is dark and bitterly cold, yet there’s a lingering sense of awe and wonder. “Whispered wind, branches bare, a field of crystal everywhere.” This atmospheric and evocative piece is perfect for any winter program. Enhance your performance with an optional violin part that adds a touch of mystery – and frost.
Keresimesi Odun De Do arr. Andy Beck, SAB a cappella with percussion This Christmas song comes from the Yoruba-speaking region of Nigeria. Bright and joyful, this a cappella treatment features rich stacked harmonies, optional solos, and lively percussion parts, characteristic of traditional Yoruba music. Four smartly crafted voicings bring this festive choral staple to smaller groups. A pronunciation and translation guide for the text is included.
Fum, Fum, Fum arr. Audrey Snyder, 3-part mixed with piano This classic Catalonian Christmas carol arrangement is bright, quick, and fun to sing. New secular words along with vocal parts that are easy to learn and a piano accompaniment that sparkles with joy makes this choral a true holiday treat!
About the Author: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Climbing Quandary by Robert Sheldon, Grade 2 A day hiking Colorado’s Rocky Mountains, specifically Quandary Peak, inspires the lighthearted style of this piece. Its spirit of adventure makes it a versatile choice for concerts, contests, and festivals.
Fantoms by Firelight by David Shaffer, Grade 2 Combining David Shaffer’s masterful scoring with Ralph Venezia’s creative storytelling, “Fantoms By Firelight” paints a vivid musical portrait of the Fantoms among us. Venezia’s clever narrative will delight both audiences and musicians, offering a chance to feature a local celebrity, teacher, or administrator as the narrator. This engaging blend of words and music will be the perfect addition to any concert, guaranteed to be a hit!
Home by Katie O’Hara LaBrie, Grade 1.5 Tender and expressive, “Home” is a lyrical Grade 1.5 work by Katie O’Hara LaBrie that explores the many meanings of the word “home.” With rich harmonies, flowing lines, and emotionally sensitive writing, the piece reflects on home as a place, a feeling, and a journey – sometimes comforting, sometimes complex, but always deeply personal. Anchored by a constant, memorable melody, Home invites young musicians to connect with the music and consider where they find strength, safety, and belonging. A moving and meaningful addition to any concert or festival program.
Ritmo y Sabor by Jorge L. Vargas, Grade 2 “Ritmo y Sabor” (Rhythm and Flavor) by Jorge Vargas is based on the Cha Cha and Danzón styles of Latin music. These particular styles of music are characterized by syncopated rhythms and auxiliary percussion. Each style has its own corresponding dance moves, and both are extremely popular throughout the world. This piece has plenty of rhythm to engage your students and plenty of flavor to make you want to dance!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jennifer F., Sacred Choral Music Specialist
Joyfully Sing! by Allen Pote, Unison with piano and optional flute Seasoned composer Allen Pote has created a bright and lovely celebration of praise and thanksgiving to God for God’s gift of creation. The closing text reminds us that we are indeed all God’s children. It can be sung completely in unison, but the harmonized ending will be an exciting conclusion to the piece. Add the flute for an extra glow. Truly delightful!
Alleluia, Amen! arr. Vicki Hancock Wright, Unison/2-part with piano “Alleluia, Amen!” is an energetic setting of a familiar hymn appropriate for children’s voices. It is a call for all to praise God and can be used at various times throughout the church year. Though it can be done completely in unison, there is an optional descant/response part that will provide an extra challenge for your more experienced singers.
The Everlasting Light by Tina English, Unison with piano and optional flute Tina English has taken the immortal “O Little Town of Bethlehem” text and set it to a fresh new melody. Accordingly, the words can be heard anew as that first Christmas night is painted in rich new colors. Add the gentle (optional) flute obbligato for a lovely touch.
Give of Your Best by Vicki Hancock Wright, Unison with piano A classic hymn text takes on a new shine with captivating music and a flowing accompaniment. The lilting, seamless melody is tuneful and memorable, helping children internalize the message to truly give their best and live the fullness of God’s love in their lives.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
recommended by Jennifer F., Handbell Music Specialist
Classic Rings II for Church & School arr. Martha Lynn Thompson This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.
Ring with Less for Beginners arr. Martha Lynn Thompson The twenty-three pieces in this collection take the beginning ringer from simplistic, straight-forward ringing on journey to gradually introduce the basic techniques used in ringing handbells. Each exercise includes one new thing for the developing ringers to learn and master. Titles include: “Jacob’s Ladder,” “Jesus Loves Me,” “Holy, Holy, Holy,” “Good King Wenceslas,” “Kum Ba Yah,” “Faith of Our Fathers,” “Praise the Lord, Ye Heavens Adore Him,” “The Friendly Beasts,” “Fairest Lord Jesus,” “For the Beauty of the Earth,” “O Come, All Ye Faithful,” “Joy to the World,” “Come, Christians, Join to Sing,” “Sleep of the Child Jesus,” “Hymn of Promise,” “Holy Manna,” “Jesus Christ Is Risen Today,” “The Angelus,” “Swing Low, Sweet Chariot,” “Saints Bound for Heaven,” and “The Snow Lay on the Ground.”
Ringing with Keys Volume 3 arr. Lloyd Larson Here is a collection of eight arrangements for smaller ensembles of handbell ringers and piano. It may be run with 1 ½ or 2 octaves of handbells, D5 to G6 or G4 to G6. The contents include a mixture of hymns useful for Christmas, Palm Sunday, Easter, Thanksgiving, and general occasions. The piano accompaniment fills out the harmonies, keeping the handbell parts accessible while adding beautiful texture and color to the arrangements. Titles include: “Come, Christians, Join to Sing,” “My Faith Looks Up to Thee,” “All Glory, Laud, and Honor,” “Still, Still, Still,” “We Gather Together,” “Give Me Jesus,” “O Love That Will Not Let Me Go,” and “Crown Him with Many Crowns.”
Simply Reproducible Hymns Volume 2 arr. Jason Krug This reproducible collection features eight well-known hymn tunes arranged for beginner to intermediate handbell ensembles. Each arrangement is designed to capture the hymn’s essence while being accessible to developing ringers. These arrangements will bring a sense of reverence and joy to any performance or worship service. Titles include: “Come, Christians, Join to Sing,” “Praise to the Lord, the Almighty,” “O for a Thousand Tongues to Sing,” “Come, Thou Almighty King,” “For the Beauty of the Earth,” “Immortal, Invisible, God Only Wise,” “Jesus Shall Reign,” and “I Sing the Almighty Power of God.”
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
recommended by Jen Sper, School Choral Music Specialist
Hear the Bells Ring! by Greg Gilpin, 2-part with piano This bright Christmas fanfare makes a great opener or closer. Brimming with buoyant vocal parts and playful “ding-a dings” to spare, it’s equal parts festive and fun.
Walking in the Air arr. John Leavitt, 2-part with piano and optional strings & percussion Raymond Briggs’ 1978 children’s picture book about a snowman coming to life was made into a celebrated half-hour animated film, “The Snowman.” This song sets the sequence in which the snowman flies with a boy to the North Pole, and the music suits the exciting journey through a winter wonderland. This beautiful winter feature with an optional orchestration for strings and percussion will be the highlight of your winter concert!
About the Author: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Advent Peace by Lloyd Larson, SATB with piano The promise of peace in the midst of the dark nights awaiting the coming of Christ is poetically and elegantly presented in this anthem. The contrasting section seamlessly weaves in VENI EMMANUEL as the anthem then crescendos and tapers to a satisfying and hushed conclusion.
Two Advent Introits arr. Hal Hopson, SATB with piano or organ From the brisk, crisp “Comfort, Comfort O My People” to the sublime “Lo How a Rose E’er Blooming” this gathering of two introits for Advent is indispensable. Easily learned yet highly effective when presented, Hal Hopson’s legendary and heartfelt craftsmanship shines in this offering.
O Come to Us, Emmanuel by Joseph M. Martin, SAB with piano and optional orchestra Joseph Martin expertly showcases the expectancy of the season in this captivating, original anthem – a perfect opener for your holiday programming. A compelling original tune raises the curtain for the anthem and leads to the middle section featuring a quote from the familiar Advent hymn tune, VENI EMMANUEL, as it builds in intensity.
O Come, O Come, Emmanuel arr. Brenda E. Austin, SAB with piano and optional handbells This Quick Study Choral, arranged by Hope’s handbell editor, Brenda Austin, is written for SATB choir and appropriately includes an optional 3 octave handbell part. Easily learned, with its familiar lyrical melody and harmonies, this Advent favorite calls for us to “Rejoice!” as we anticipate Emmanuel’s arrival.
Prepare the Way: A Candle Lighting Ceremony by Joel Raney, SATB with piano and optional congregation & 8 handbells Designed to support the lighting of the Advent candles, this includes a choral opening followed by a call and response litany with piano underscore, then a text to be read with the lighting of the candle. As it concludes, the choir comes back in with the option of adding the congregation for a final refrain. There are five readings, one for each candle. A reproducible part for the congregation is included.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
recommended by Austin Swack, Instrumental Education Specialist
Snow Dance by Erica Donahoe, Grade 1.5 Great for wintertime concerts or throughout the year, this beautifully written new work by composer Erica Donahoe evokes the joy of twirling about as the first few flecks of snow start to dot the horizon. A nostalgic and fun new work for the developing string ensemble!
A Chanukah Medley arr. David Bobrowitz, Grade 3 This new, delightful, and playable medley features three well known Chanukah songs – “The Dreydle Song,” “Chanukah Chanukah,” and “Rock of Ages.” The opening should be at a relaxed, but fast tempo, (about quarter equals 106). Arranger Bobrowitz likes to be sure that all the instruments get to share important melodic material, so the high strings have it at 9, and the low strings at 17. A smooth transition, staying in tempo, takes us to the second selection Chanukah, Chanukah. Here the melody is passed from the high strings to the low strings and at 55, the pizzicato technique is introduced, giving the melody a new quality. The celli set the return to the final song which is back to arco for all. A relaxed moderate tempo, (quarter equals 78) should help keep the style broad and dramatic. Bar 91, is a reminder of the Chanukah, Chanukah song and serves as a fitting ending for this wonderful new winter selection!
Cellos on the Rooftop by Katie O’Hara LaBrie, Grade 1.5-2 Get ready to rock the holidays with “Cellos on the Rooftop,” an exciting intermediate piece featuring your lower strings! All players will enjoy slurring from F to F# to create a bluesy rock vibe, making it both fun and educational. Perfect for energizing your holiday concert, this arrangement of “Up on the Housetop” will have your orchestra and audience tapping their feet from start to finish!
Fiddle Holiday arr. Tyler Arcari, Grade 1 This toe-tapping frolic into the festive world of fiddle music is going to be a hit at your next Christmas concert! Full of recognizable tunes and infused with accessible fiddle figures, “Fiddle Holiday” is pure joy for the holidays!
Silent Nightfall by Caryn Neidhold Wiegand, Grade 2.5 Three Christmas classics are tenderly presented with an optional harp. “Silent Nightfall” by Caryn Wiegand Neidhold features “It Came Upon a Midnight Clear,” “Oh, Holy Night,” and ends with a tranquil rendition of “Silent Night,” allowing students to advance ensemble skills and perform in compound time.
About the Author: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Come, Ye Thankful People, Come arr. Phil Lehenbauer This collection comprises ten diverse and easy organ works, each rooted in a hymn commonly sung in worship services around the American holiday of Thanksgiving. These pieces vary in mood, style, and length, making them perfect choices for preludes, offertories, and postludes. And since there’s no reason to confine our thankfulness to one time of year, all are naturally suitable for general settings as well. Titles include: “A Thanksgiving Offertory,” “Come, Ye Thankful People, Come,” “Bicinium on Nun danket all und bringet Ehr,” “Let All Things Now Living,” “Epilogue on We Gather Together,” “Trio on Ash Grove,” “Now Thank We All Our God,” “Postlude on Now Thank We All Our God,” “Let All Give Thanks and Praise,” and “Reflection on Kremser.”
Thanksgiving Mosaics arr. Jacob B. Weber Give thanks to the Lord with these six settings of Thanksgiving-themed hymns by Jacob B. Weber. Designed for Thanksgiving observances, these settings are also useful for general praise throughout the Church Year. Weber’s Mosaics series features creative, seasonal settings for the church organist. Titles include: “All People That on Earth Do Dwell,” “Come, Ye Thankful People, Come,” “How Can I Thank You, lord,” “Now Thank We All Our God,” “O Jesus, Blessed Lord, to Thee,” “Praise God, from Whom All Blessings Flow,” “Praise to the Lord, the Almighty,” “The Lord, My God, Be Praised,” “We Gather Together,” and “We Praise You, O God.”
When Morning Gilds the Skies arr. Anna Laura Page We are pleased to welcome Anna Laura Page to our gallery of organ arrangers, as she presents a varied collection of hymns ranging from stately favorites to those based on British and American folk melodies. You’ll even find classical touches in tunes by English composers Gustav Holst and Charles Stanford. “When Morning Gilds the Skies” provides much-needed new repertoire for Thanksgiving and all year around in settings that are also easy to prepare. Titles include: “When Morning Gilds the Skies,” “O God Beyond All Praising,” “When, in Our Music, God Is Glorified,” “I Sing the Mighty Power of God,” “Praise the One Who Breaks the Darkness,” “If My People’s Hearts Are Humbled,” “All Things Bright and Beautiful,” and “Come, Ye Thankful People, Come.”
Thanksgiving Simplified arr. Jacob B. Weber The Simplified series by Jacob B. Weber seeks to provide attractive new settings that are accessible to novice organists but interesting for experienced organists. The settings are easily mastered while remaining artistic. This collection features 10 easy hymn preludes and includes settings of Thanksgiving favorites. Titles include: “Come, Ye Thankful People, Come,” “From All That Dwell Below the Skies,” “Give Thanks with a Grateful Heart,” “Gracious God, You Send Great Blessings,” “Great Is Thy Faithfulness,” “Now Thank We All Our God,” “Praise and Thanksgiving,” “Praise, My Soul, the King of Heaven,” “Sing to the Lord of Harvest,” “The Lord, My God, Be Praised,” and “We Plow the Fields and Scatter.”
Autumn Festivals ed. Rebecca Groom Te Velde With a host of accessible, quality new settings, and with pieces based on all the major hymn tunes, these volumes are a must for every church organist’s library.
The Last Verse for Thanksgiving and Patriotic Celebrations arr. Janet Linker 16 Free hymn accompaniments arranged by Janet Linker for Thanksgiving and Patriotic celebrations. Titles include: “America the Beautiful,” “Battle Hymn of the Republic,” “Come, Ye Thankful People, Come,” “For All the Saints,” “God of Our Fathers,” “Let All Things Now Living,” “Morning Has Broken,” “My Country, ‘Tis of Thee,” “My Hope Is Built on Nothing Less,” “Now Thank We All Our God,” “Rejoice, Ye Pure in Heart,” “Sing to the Lord of Harvest,” “The Star Spangled Banner,” “This Is My Father’s World,” “This Is My Song,” and “We Gather Together.”
Ocean Blue by Adrian B. Sims, Grade 2.5 Experience panoramic snapshots of marine life within the ocean through the cinematic lines of “Ocean Blue” by Adrian B. Sims. Oceanic melodies weave throughout deep harmonic structures to create a complex musical work that happens to be extremely playable. A unique way to bring your students out of the band room and into the ocean!
Thawing by Kazuki Shimoda, Grade 2.5 Kazuki Shimoda paints a vivid musical portrait of winter giving way to spring in “Thawing,” a Grade 2.5 work for concert band full of rhythmic vitality and textural nuance. Inspired by the snowy landscapes of northern Japan, this piece uses engaging orchestration, minimalist influences, and expressive percussion writing to reflect the quiet mystery and gradual awakening of the natural world. Winner of the 2024 Barbara Buehlman Prize for Composition, “Thawing” offers developing ensembles a unique opportunity to explore color, contrast, and emotional expression through a beautifully crafted musical narrative.
Capriccio Grande by Carol Brittin Chambers, Grade 2.5 Grande is certainly an appropriate term for this new work by Carol Brittin Chambers. Her infectious rhythmic verve is on full display in what is sure to be a new standard in the young band repertoire.
Biofeedback by JaRod Hall, Grade 2.5 This pulse-pounding work by JaRod Hall uses optional synthesizer to create dynamic and sonically versatile textures that will blow your audience away. Highly rhythmic with a subtle pop-inspired groove, “Biofeedback” is a contest-worthy work that breaks barriers and is sure to showcase your entire ensemble without excessive technical demands.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Austin Swack, Instrumental Education Specialist
The High Low Blues by Richard Meyer, Grade 1 This fun and cool-sounding piece is the perfect way to introduce the difference between F-sharp and F-natural as well as C-sharp and C-natural to your young orchestra. The melodies are passed around to all sections, keeping everyone on their toes deciding whether to play their F’s and C’s “high or low.” A simple ride cymbal part adds color and pizzazz. A great way to teach standard 12-bar blues form. For an extra challenge, have students “swing” the eighth notes.
The Wellerman arr. Bob Phillips, Grade 1 Rousing sea shanteys are a popular listening trend, and here is one, arranged by Bob Phillips, that students can soon play! Perfect for most second-year players or even those at the end of the first year of instruction, this catchy folk tune “The Wellerman” uses quarter notes, paired eighths, and dotted quarters. The cello and bass parts are doubled, everyone gets the melody, and everyone stays primarily in first position. Most likely originating in the 1830s in New Zealand, the lyrics describe waiting for supplies to be delivered by ship by the Wellerman brothers.
Climbing Scale Mountain by Jim Palmer, Grade 1 “Climbing Scale Mountain” by Jim Palmer is an energetic piece that teaches high 2 and low 2 as well as an introduction to the key of E minor. The main theme mimics a musical ascent up a mountain. Including a pizzicato section and a D.S. al Coda, all instruments get an opportunity to play both melody and harmony parts. This is a great teaching piece that is also lots of fun to play!
Strings of Fire by Chris M. Bernotas, Grade 1.5 Ignite the stage with “Strings of Fire” by Chris M. Bernotas! This exhilarating piece for string orchestra is a nonstop inferno, fueled by relentless eighth notes that propel the ensemble forward. A fiery main theme, all sharp angles and raw energy, clashes with sections of smooth legato, creating a captivating contrast. Every section gets its moment to blaze, with the low strings emerging from the depths to unleash their own powerful melodies in this thrilling piece. A guaranteed showstopper for your next concert!
Ghosts and Goblins by Chris M. Bernotas, Grade 0.5 Creepy, crawly, spooky, and scary – this fun piece has it all! “Ghosts and Goblins” by Chris M. Bernotas is based on the first 6 notes of the D major scale, but in the Dorian mode. Perfect for your students first concert. Violin 2 and viola are doubled, as are cello and string bass. Simple but engaging, with pizzicato, arco, and just a few dynamics so students can focus on getting the finger patterns and rhythms correct. This is a great addition to the very beginning string orchestra library.
About the Author: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Children will be swept up in the snowy fun as they sing along to this classic tune. Beautifully brought to life with Kian Sylvester’s vibrant illustrations of Civil War soldiers reuniting with their families for a Thanksgiving celebration, this retelling showcases America’s rich diversity and captures the joy of coming together.
Like the other folk song picture books in the series, “Over the River and Through the Woods” includes the song’s history, notation, and a link to a free MP3 download of the song. Another winner collected by John M. Feierabend!
The Nutcracker by Denae Konynenbelt When Clara receives a special Christmas gift, strange and wonderful things begin to happen. Join Clara’s journey through snow and candy canes to the Land of Sweets with her Nutcracker prince in this re-telling of the Nutcracker story!
This storybook is an adaptation of “The Nutcracker” story featured in Pyotr Ilyich Tchaikovsky’s ballet. Combining an entertaining story, illustrations, and Tchaikovsky’s music, this book encourages expressive reading and helps build vocabulary. This storybook may also be used as an introduction to “The Nutcracker” in your classroom. The digital download pack grants you access to the storybook read by the author.
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About the Author: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Come Thou Fount of Every Blessing arr. Lloyd Larson, 3-5 octaves with piano, Level 2+ Using imagery of Christ as the giver of living water and the shepherd gathering his sheep back into the fold, this hymn reminds us of the ever-bountiful grace of God. This accessible, Level 2 setting for bells and piano captures the hymn’s devotional and uplifting spirit, making it suitable for worship services, concerts, and special events.
It Is Well with My Soul arr. Karen Buckwalter, 3-5 octaves with optional piano, Level 2+ Enveloping listeners in an atmosphere of peace and serenity, this setting captures the essence of the beloved hymn’s message of faith and resilience. While it can be performed with handbells only, the piano accompaniment fills in harmonies and adds rhythmic interest, deepening the emotional resonance of the piece.
Faithfulness arr. Bradley Anderson, 3-6 octaves with piano, Level 2+ This beloved hymn is celebrated for its powerful message of God’s unwavering faithfulness. Combining the resonant tones of handbells with the rich harmonies of the piano, you’ll find this beautiful setting perfect for worship services, concerts, and special events.
Marching to Zion arr. Jason Krug, 3-6 octaves, Level 3 This light, playful setting of the beloved hymn features pulsing rhythms and unexpected harmonies, bringing a fresh take on a traditional hymn. The melody moves throughout the ensemble, giving all parts a chance to shine.
Praise the Lord Who Reigns Above arr. Anna Laura Page, 3-5 octaves, Level 3- This setting of the hymntune AMSTERDAM has a marchlike feel, making this arrangement perfect for any upbeat or celebratory time in the life of the church. Numerous malleted sections appear, and a key change midway through adds an element of excitement to the piece.
Praise to the Lord, the Almighty arr. Lloyd Larson, 3-5 octaves, Level 2+ This approachable setting of the hymntune LOBE DEN HERREN is perfect for use throughout the church year. The melody moves throughout the ensemble, giving all parts a chance to shine, and there are just enough harmonic twists to keep each verse fresh and exciting!
Rejoice, the Lord Is King arr. Linda Scholes, 3-6 octaves, Level 2+ This powerful setting of DARWALL’S 148TH is a perfect choice for the Easter season or any time something bold and celebratory is called for. Available in compatible 2-3 and 3-6 octave settings, its bold harmonies and driving rhythms are equally at home in church as in concert or festival settings.
To God Be the Glory arr. Lloyd Larson, 3-5 octaves, Level 3 Lloyd Larson’s bold setting of this beloved favorite is sure to be a hit with your ringers and listeners alike. Fanfare-like figures open each verse, adding to the celebratory nature of the piece. Perfect for any joyous time throughout the year!
Total Praise arr. Joel Raney, 3-5 octaves, Level 2+ This contemporary gospel song has become widely known for its simple message and powerful impact. Joel Raney pairs it with “Holy, Holy, Holy” and provides an accessible, Quick Study version maintaining all the gospel harmonies that make this a worship sensation.
Thanksgiving (Simple Gifts) arr. John Ness Beck/adapt. Arnold Sherman, 3-5 octaves, Level 2+ “For seedtime and harvest and the good will of men, We give thanks to God the Father once again…” so begins the text of the anthem by John Ness Beck based on an early American tune. It is this anthem that the corresponding bell folio is set to, albeit one whole-step lower. It may stand alone or accompany the vocal octavo.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
Ho, Ho, Ho (Who Wouldn’t Go) arr. Steve Parsons, Grade 3 Arranger Steve Parsons scored a hit recently with his clever Christmas chart called “Sleighin’ It,” and this new arrangement picks up where that one left off. It is “Up on the Housetop” with a funky Motown groove. Wailing horn licks and a rockin’ rhythm section make this a surefire hit at your holiday concert.
Deck the Halls arr. PinkZebra, Grade 3 Unleash the holiday cheer with this exuberant and swinging jazz take on “Deck the Halls”! This playful arrangement is a quick-learn and bursts with joyful energy, featuring catchy riffs and a driving groove that will make it a sure-fire crowd pleaser at December concerts. A free jazz solo practice track is available for this arrangement and features the full band heard in the demo recording during the solo section minus the soloist.
St. Nick’s Island Vacation arr. Tim Waters, Medium Easy This Latin treatment of “Jolly Old St. Nicholas” conjures up visions of St. Nick the day after Christmas enjoying his favorite cold beverage on tropical beach. The Alto, Tenor and Trumpet made it on the nice list with a chance to improvise during the solo section. With its infectious groove in the rhythm section and plenty of ensemble hits, this chart is fun for all!
The Holly and the Ivy arr. Jeff Jarvis, Grade 3 Jeff Jarvis has transformed this simple eight-measure carol into a full-blown jazz waltz for a big band. Jeff created a clever introduction and several transitional passages with a ton of cool chords to make the chart sound interesting and fresh from beginning to end. This will add some sparkle to your holiday concert!
You Better Sleigh! by JaRod Hall, Grade 3 This is a winter holiday musical scavenger hunt to discover – how many tunes you can find in this chart? It’s a funky swing performed in cut time around 108 BPM. Lead trumpet range is to written G with optional high C. Solos are provided for tenor 1 and trumpet 2. Optional instruments include flute and vibes. You’re gonna LOVE this one!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jen Sper, School Choral Music Specialist
Like the Falling Snow by Bryan Sharpe, SATB with piano Delicate imagery of falling snow is beautifully reflected in this work by Bryan Sharpe. With metaphorical language, the music evokes the peaceful stillness of a quiet snowfall. The supportive piano accompaniment complements the choral lines, which have moments of independence that add depth and grace, much like the gentle descent of snowflakes.
Bring a Torch, Jeanette, Isabella arr. Earlene Rentz, SATB with piano and optional flute This energized arrangement of the traditional French carol radiates excitement. Original material winds its way between the charming verses, encouraging Jeanette and Isabella to “run, run, run” to Bethlehem. Those familiar melodic “ah’s” garner anticipation, and a buoyant flute obbligato (available as a free download) amplifies the urgency.
A One-Horse Open Sleigh (In a Jingly Minor Way) by Greg Gilpin, SATB with piano and optional rhythm A “jingly minor way” is exactly what this original work brings to a performance using the familiar lyrics of Pierpont’s “Jingle Bells.” Animated and rhythmic writing between vocal lines creates a vibrant setting with harmonies in a minor mode; all above a bouncing piano accompaniment suitable for the addition of sleigh bells and the optional available rhythmic parts. This enthusiastic work will bring down the house and be a favorite for years to come.
The Snow by Ruth Morris Gray, SATB with piano and optional sleigh bells Crisp eighth-note figures and steady sleigh bells create the feeling of a jaunty sleigh ride while contrasting legato sections evoke the chill of blowing snow. Sopranos exclaim the title over and over as others interject with words from Emily Dickinson’s wintertime poem. Some repetition makes for ease of learning, but the unexpected harmonic progression keeps things fresh.
Lux Brumalis (Light of Winter) by Jerry Estes, SATB with piano Evoke a reflective and tranquil atmosphere during your December concert with this exquisite winter ballad. The contemplative original text and breathtaking music by Jerry Estes will showcase the artistry and musicality of your ensemble.
Welcome In! by Daniel Brinsmead, SATB with 4-hand piano “Welcome In!” is a lively original carol that seeks to capture the Christmas spirit while also sharing an important message of kindness and inclusion. The composer’s aptitude for writing dynamic piano accompaniments shines here. Uptempo and uplifting, this is a wonderful addition to a Christmas or winter program.
What Little, Tiny Child? arr. Ruth Elaine Schram, SATB with piano Exquisite musical moments abound in this creative pairing of “What Child Is This (Greensleeves)” and “Coventry Carol.” This evocative work creates a mood of wonder, mystery, and anticipation of the birth of the tiny child on that first Christmas night. A fluid, supportive accompaniment graces this memorable piece that is equally suitable for school or church settings.
For Unto Us by Christi Jones, SATB a cappella This energetic adaptation includes parts of this traditional movement along with the same text in a fun gospel style. The result is a powerful and uplifting interpretation that brings a fresh perspective to Handel’s classic work.
What Child Is This? arr. Bryan Sable, SAB with piano This traditional carol receives a fresh twist with a modern, jazzy groove and a creative harmonic approach. Choirs and audiences alike will adore this unique take on a beloved classic. A great way to add some variety to your holiday concert!
About the Author: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
recommended by Jennifer F., Sacred Choral Music Specialist
Mystery at Christmas Manor by Michael and Jill Gallina Dr. Christmas loves Christmas! So, he’s invited some friends to his majestic manor to solve the mystery of Christmas. But to do so, those friends must search his manor for clues…all the while re-telling the story of Christmas. The amazingly creative Gallinas have once again created a singable, heartfelt, fun musical.
Join Professor Plum Pudding, Colonel Evergreen, Carol Clueless, Holly Garland, and Candy Cane for this “solve-it-yourself” musical in their quest to affirm and re-learn the true meaning of Christmas! Perform with as few as eight children or many more. Staging, costuming, teaching tips, activities, and more are included. 25 minutes.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.
Wings of Wonder by Tyler S. Grant, Grade 2 Hope and joy are at the center of this charming work, inspired by the whimsical behavior of hummingbirds! Beginning with a melody that explodes into a flurry of activity, “Wings of Wonder” by Tyler S. Grant pairs light-hearted moments with powerful declarations. While very approachable, the colorful orchestration gives this piece a uniquely sophisticated sound. Delightful!
Empire by Tyler S. Grant, Grade 0.5 Your beginning band will journey through time to a futuristic empire! “Empire” by Tyler S. Grant brings advanced-sounding concepts to the most accessible levels. Engaging rhythms and memorable melodies will keep every musician appropriately challenged and engaged to the very end. Dramatic! (Also included: Unison Rhythm & Melody Exercises, optional percussion parts, and more!)
Joy of Love and Life by Tyler S. Grant, Grade 4 Add some bluegrass to your next concert with this joyful celebration of love and life! Traditional bluegrass harmonies, paired with colorful orchestrations, will make “Joy of Love and Life” by Tyler S. Grant an instant hit with your students. An optional washboard part creates a unique visual experience that will be memorable for audiences. Simply exhilarating!
In Your Wildest Dreams by Tyler S. Grant, Grade 3 Bring your students’ dreams to life in this explosion of colorful energy! “In Your Wildest Dreams” by Tyler S. Grant sends the message that “any dream is possible.” The themes will be memorable to both students and audiences alike, with plenty of opportunities for everyone to be in the spotlight. Suitable for any occasion and highly inspiring!
Shadow Realm by Tyler S. Grant, Grade 1.5 Step into a world filled with shadows and mystery! Eerie melodies and distant textures in “Shadow Realm” by Tyler S. Grant create a soundscape unique to pieces at this level. Engaging percussion writing, paired with shifting tonal centers, gives everyone a glimpse of this dark, shadowy underworld. Equally appropriate for your fall concert and for contest/festival. Thrilling!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Austin Swack, Instrumental Education Specialist
Groove King Wenceslas arr. Aaron Fryklund, Grade 1 Get your groove on with the Good King to rock around the Christmas tree! This twist on the favorite holiday carol gets a fun beat from the optional drum set as the original festive melody is transformed in funky E minor. Players get to practice easy notes and finger patterns with lots of unison rhythms and doubling of sections for a big, full sound. Light up the concert hall with this toe-tapping winter concert feature.
In Dulci Jubilo arr. Larry Clark, Grade 1.5 A truly accessible 1.5 arrangement of this Christmastime classic, brought to life by arranger Larry Clark. Everyone in the orchestra gets a moment to shine, and the composed intro material is sure to be an earworm! This piece is a winner for their first concert of the year!
Gesu Bambino arr. Erik Morales, Grade 3 The melody of the beloved holiday carol “Gesu Bambino” flows effortlessly throughout the ensemble with this fresh adaptation of a timeless classic. This arrangement by Erik Morales is the perfect choice to set the mood at your next holiday concert and bring an enduring sense of peace to your audience.
Galician Carol arr. Joe Derhake, Grade 3 Situated in the northwest corner of modern Spain, Galicia is an autonomous region and distinct nationality under Spanish law. It was Celtic land for about 1000 years until it was incorporated into the Roman Empire in 19 BC. This carol reflects both the Celtic and Hispanic heritage of the Galician people. While the opening tune fairly resembles an Irish jig, the key change to minor and the accompaniment of castanets and tambourine displays the distinct Hispanic influence. Traditionally the tune is often played on the Galician gaita, the generic term for Spanish bagpipes, which has drone and chanter pipes like its Irish and Scottish cousins. This arrangement includes a part for optional tambourine and castanets which can be performed by a single percussionist. Careful consideration was taken in scoring interesting parts for all players and every instrument in the orchestra plays significant sections of the melody.
Jingle Through the Night by Mekel Rogers, Grade 1.5 What happens during the holidays after all the children go to sleep? The elves come out to party through the night. “Jingle Through the Night” takes several holiday favorites and reimagines them in minor modes, giving the usually jolly tunes a darker midnight feel. Pay close attention to the various changes of style and dynamics throughout the work for maximum effect. Be sure to bring out the low string melody beginning at measure 22. Consider adding sleigh bells or even haunting sound effects to enhance the ambiance.
About the Author: Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
