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News & Views Saturday, December 21, 2024

Category: Composers

Orchestra Composer Highlight on YUKIKO NISHIMURA 17 December, 2024

recommended by Austin Swack, Instrumental Education Specialist

Angelic Star by Yukiko Nishimura, Grade 1.5
This grade 1.5 piece uses staccato articulations to depict the celestial twinkling of stars in the night sky. In bright D major, players get to explore the dance-like feeling of 3/4 time with a few new notes on the violin E string. A contrasting lyrical section presents a legato theme with easy slurs and beautiful harmonies between the sections. The sparkling piece ends with a return to the light opening motif, ending softly like the fading stars at dawn.

Colorful Sunrise by Yukiko Nishimura, Grade 1.5
“Colorful Sunrise” is the latest addition to the repertoire of developing String Orchestra by composer Yukiko Nishimura. This piece offers young musicians a chance to explore the harmonic intrigue that Nishimura is known for, allowing them to grow musically while having fun. “Colorful Sunrise” will give your students an opportunity to showcase their skills and provide them with a sense of accomplishment that will inspire them to keep playing.

The Flow of the Tide by Yukiko Nishimura, Grade 3
“The Flow of the Tide” by Yukiko Nishimura captures the feel of a flowing tide, mainly represented through the melodic line. Layers of harmony give the feeling of the tide’s ebb and flow, the splashing spray, and the sea’s changing colors. In addition to the feel of the waves, there is also a contrasting brightness and tenderness. Your orchestra will fall in love with the many moods of this stunning work.

Orchid Fantasy by Yukiko Nishimura, Grade 4.5
Yukiko’s musical sensibility is on full display in this lovely new work for the String Orchestra. Wonderful scoring and beautiful lines make this an enjoyable work for both the musicians and a captivated audience. Stretch the musicianship of your ensemble with this one!

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About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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THE EVERLASTING SONG by Mary McDonald 05 December, 2024

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

The Everlasting Song (Fresh Hymn Arrangements for the Piano) arr. Mary McDonald
Adding her distinctive touch to these classic hymns, Mary McDonald has provided a rich resource for church pianists everywhere. Ideally suited for times of prelude, prayer, response, Communion, offertory, and so much more, particularly during the Spring season, this collection is also ideal for times of personal worship at home. Titles include: “All Hail the Power of Jesus’ Name,” “Be Thou My Vision,” “I Am Resolved,” “Jesus Walked This Lonesome Valley,” “Beneath the Cross of Jesus,” “Jesus, Keep Me Near the Cross,” “How Can I Keep from Singing?,” “I Love to Tell the Story,” “This Is My Father’s World,” and “Triumphant Resurrection.”

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About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

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Composer Highlight 2024: Soon Hee Newbold 03 December, 2024

recommended by Austin Swack, Instrumental Education Specialist

Alis Volat Propriis by Soon Hee Newbold, Grade 5
A unique work with an opportunity to showcase an optional harp with your strings, “Alis Volat Propriis” (She Flies With Her Own Wings) is a stunning new work by Soon Hee Newbold. Contrasting sections with a lyrical melody and a driving presto section highlight different techniques and interesting lines among all voices. This piece captures elements of contemporary with the classical. An incredible work!

Salut d’Amour by Edward Elgar/arr. Soon Hee Newbold, Grade 4
This well-known and beloved melody has been exquisitely set for strings with beautiful lyrical lines shared by all voices of the orchestra. Originally titled Liebesgruss (“Love’s Greeting”), “Salut d’Amour” is one of Edward Elgar’s most loved and known works. Well crafted with a mature depth of orchestration, this arrangement by Soon Hee Newbold will be extremely memorable to your performers and audience.

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Gravitas by Soon Hee Newbold, Grade 3
A grand opening or closing piece for your next concert, “Gravitas” is a powerful work celebrating strength, beauty, and the journey that shapes us. Highly cinematic and inspirational, Soon Hee Newbold’s music includes soaring lines that will take your group to the next level as the adrenaline rushes in. Optional harp and percussion add even more!

“Gravitas” was commissioned by the Columbus Symphony Chamber Strings for their 40th anniversary. The title pays tribute to the organization’s impact and the area, and the larger than life presence of their founder, Dr. Robert Gillespie. Also available in an edition for Full Orchestra.

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About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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COMPOSER HIGHLIGHT: William Owens 27 November, 2024

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Champions Victorious by William Owens, Grade 2
Optimism and excitement are used to great effect in this thrilling concert opener by William Owens! “Champions Victorious” encourages players and audiences to know that anything is possible. Mr. Owens’ masterful use of careful orchestration, memorable melodies, and engaging percussion writing combine to create a work that will challenge and delight your students! A perfect selection to bring out the best in your ensemble for your next concert or festival performance!

Chan Chan (The Lost City) by William Owens, Grade 2.5
Beauty and raw power collide in this contemporary work that pays homage to an ancient city in the desert of northern Peru. Engaging melodies and primal harmonies reveal both spectacle and mystery as the work unfolds. Surprisingly accessible despite its complex sound!

Hi! by William Owens, Grade 2.5-3
In honor of a student’s signature enthusiastic greeting that extended to everyone they met, this spirited and joyful composition unfolds with engaging melodies, energetic rhythms, and a fun percussion groove. The music ultimately arrives at a tranquil yet cheerful conclusion.

A Song of Courage by William Owens, Grade 1
Combining the folk song “Arirang” with original material, this thoughtful work contrasts calm passages with bold statements. It is a spectacular and highly achievable work that offers a message of courage in the face of hardship.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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Orchestra Recommendations by DEBORAH BAKER MONDAY 25 November, 2024

recommended by Austin Swack, Instrumental Education Specialist

Bow Hunters by Deborah Baker Monday, Grade 1.5
Young musicians playing Bow Hunters are on a quest to play in the best part the bow! Whether slurring easy quarter notes, sustaining half notes and whole notes, or digging into the exciting eighth-note melody, players will get to effectively use every inch of bow hair, from the frog to the tip. The E minor melody gets passed around the orchestra, with opportunities to practice C-natural finger patterns in every part. A winner for building bow skills, and fun to play as well!

Salvation Is Created by Pavel Tschesnokoff/arr. Deborah Baker Monday, Grade 2
Based on the stunning choral work by Pavel Tschesnokoff, “Salvation Is Created” is a powerful yet approachable lyrical arrangement. Arranger Deborah Baker Monday’s orchestration works exceptionally well for younger groups yet is quite appropriate for advanced ensembles, as well. An optional timpani part takes this to the next level.

Wintersongs arr. Deborah Baker Monday, Grade 2
Set the stage for your holiday or winter concert with this easy yet enchanting arrangement from Deborah Baker Monday. “Wintersongs” will be a heartwarming addition to your holiday repertoire that you will use year after year.

Minuet and Bourrée (from Good Luck at Last) by Henry Purcell/arr. Deborah Baker Monday, Grade 2
Minuet and Bourrée are two of nine dances, written for the stage, from Purcell’s 1679 stage work, “Good Luck at Last,” and have been delightfully arranged for your string orchestra by Deborah Baker Monday. Both movements are tuneful and offer each student exciting and engaging parts. A terrific selection for reinforcing 3/4 time and cut time. Minuet is in D major, and Bourrée is in E minor. Combined, they make a resonant and exciting selection for concerts or festivals.

Folksong Sketches by Ralph Vaughan Williams/arr. Deborah Baker Monday, Grade 3
Deborah Baker Monday has created a delightful arrangement of two of the sections from the Ralph Vaughan Williams “Six Studies in English Folksong.” Originally composed for Cello and Piano, over the course of time the composer transcribed the music for a variety of instruments, so many people will be familiar with the melodies. Included are the flowing “Spurn Point” and the energetic “As I Walked Over London Bridge.”

Sonata in Trio No. 3 (Movements II, III, and VII) by Elisabeth Jacquet de la Guerre/arr. Deborah Baker Monday, Grade 3.5
Monday’s stellar arrangement of “Sonata in Trio No. 3” showcases three of the seven movements of Guerre’s trio sonata in a seamless single movement. Rhythmically charged with syncopation and dotted rhythms, it’s an energetic work which gives all sections engaging parts. Cello and bass parts are written in octaves. A superb choice for festival performances.

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About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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Stay: Composer Highlight on RANDALL STANDRIDGE 21 November, 2024

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Stay by Randall Standridge, Grade 2
Part of the unBroken Project, this piece is intended to be an anthem of hope, love, and understanding for those who find it challenging to go on in the face of adversity and for those who sometimes feel that the weight of the world is too much to bear. The piece carries a paraphrase of that message at the top of the score and on all of the parts: “Hey you. The one playing this. The world is better with you in it.”

Blackthorn March by Randall Standridge, Grade 1.5
Return to the Darklands with this exciting Grade 1 march. Dark harmonies and precise articulations combine to paint a portrait of Lady Blackthorn, the mysterious figure who rules the outer edges of the kingdom. Mixing elements of traditional march structure with a cinematic flair, this work will be an excellent introduction to the genre for younger and developing musicians and will be a perfect choice for your next festival or concert performance!

Heartland March by Randall Standridge, Grade 2
Take a trip down home in this dazzling work that mixes bluegrass music with the traditional march structure. Fiddle and folk harmonies inspire the catchy melodies, with engaging parts for all instrumentalists. With optional parts for authentic bluegrass instruments, this march will be sure to leave your audience’s toes tapping at your next concert or festival performance!

March of the Hobgoblins by Randall Standridge, Grade 1.5
Dance rhythms and creepy melodies combine in this new 6/8 concert march for young band! Inspired by the mischievous spirits of the British Isles, it paints a portrait of imps dancing and cavorting in a dark forest. Scored carefully to serve as an approachable introduction to compound meter, your performers and audiences will enjoy the catchy melodies, dark harmonies, and colorful scoring as every player gets the chance to shine!

Scream by Randall Standridge, Grade 1.5
“Scream” is a bombastic work for concert band that utilizes three main components to create its soundscape: a 12-tone row, an octatonic scale (created by alternating whole and half steps), and the sounds of screaming (both from our human performers and from a nifty little instrument with the best name ever: The Aztec Death Whistle!). The three elements combine to make a highly dissonant, energetic piece of music whose main purpose is to channel the negative emotions of the performers into something exciting for themselves and the audience.

Sirens by Randall Standridge, Grade 2.5
The mysterious and haunting voices of the sea serve as the inspiration for this next chapter in the “A Pirate’s Adventure” series. Having escaped Shadow Cove, Captain Fangg and his crew are lured to a mysterious isle by a siren’s song, where they are hypnotized until attacked by fiends and demons! Featuring singing moments for instrumental musicians, this programmatic work provides contrasting tempi and style to help develop your young musicians while telling an exciting pirate’s tale. Sure to be a favorite of audiences and players alike at your next concert or festival performance.

Son of Santa the Barbarian by Randall Standridge, Grade 2.5
After the “Snowpocalypse,” Santa the Barbarian is at odds with his son, Nicholas, who wants Christmas to be merry. Unwilling to relinquish his wintery hold on the holiday, the not-so-jolly old elf refuses. War breaks out between the two, represented by major and minor modes, combining elements of “Mars, the Bringer of War,” “Jolly Old St. Nicholas,” “Jingle Bells,” “Deck the Halls,” “Fum, Fum, Fum,” and more! Equal parts holiday cheer and epic movie battle music, this stirring climax to the “Santa the Barbarian” series is sure to bring a smile to performers, audiences, and lovers of Christmas carnage everywhere. “Ho! Ho! Who will win?”

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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A Vision Unfolding by Kyle Pederson 29 October, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

A Vision Unfolding by Kyle Pederson, SATB with piano and optional violin, trumpet & snare drum
An exciting extended work by Kyle Pederson, exploring themes of justice, community, and inclusivity. This five-movement, genre-bending work is for SATB chorus, with piano, spoken word, and optional violin, snare drum, and trumpet.

Individual movements are available separately:

Reach Down, Lord (#1 from A Vision Unfolding)
This gospel style-inspired piece, appropriate for both sacred and secular settings, provides a powerful introduction to themes of justice and trial/tribulation.

Beat! Drums! (#2 from A Vision Unfolding)
The music mirrors Walt Whitman’s impactful war poem – the beat of the drum, blow of the bugle, and meter/rhythm changes highlighting the incessancy of the text and the call to justice.

All of Me (#3 from A Vision Unfolding)
This beautiful piece explores aspects of identity and inclusion and invites us to lay down our judgments of others. Musically, the piece reads as a blend of styles – pop ballad meets lovely choral, and will immediately resonate with choirs and listeners.

Light Transforms the Darkness (#4 from A Vision Unfolding)
This blues/pop-inspired piece is a call to action – to live our light and love out into the world.

I Dream a World (#5 from A Vision Unfolding)
There are many choral settings of this vision-casting, iconic Langston Hughes poem, but Pederson’s treatment deserves serious consideration. Soaring melody lines, lush harmonies, and a thunderous conclusion that invites us all to say, “yes… that’s a vision I want to help make real.”

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

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Strings Highlight on BRIAN BALMAGES 04 October, 2024

recommended by Austin Swack, Instrumental Education Specialist

Brian Balmages is known worldwide as a composer and conductor who equally spans the worlds of orchestral, band, and chamber music. His music has been performed by groups ranging from professional symphony orchestras to elementary schools in venues such as Carnegie Hall, the Kennedy Center, Sydney Opera House, Toronto Centre for the Arts, and many more.

The Golden Gateway by Brian Balmages, Grade 3.5
Celebrate music and its ability to connect with communities around us! This joyful work by Brian Balmages is a powerful reminder of the many ways music inspires and invigorates. Beginning with a beautiful, heartfelt introduction, “The Golden Gateway” soon takes off in exuberant twists and turns before coming to a heroic conclusion.

Radiant Joy by Brian Balmages, Grade 4
A musical celebration of the human spirit, “Radiant Joy” is uplifting from the very first note. Brian Balmages includes subtle elements of fiddle music throughout as the work develops, moving through various styles with several twists and turns along the way. Inspiring!

Into the Shadows by Brian Balmages, Grade 2.5
Journey into a place where shapes constantly shift as the light moves, and nothing is quite as it seems. While very approachable for intermediate orchestras, “Into the Shadows” pushes harmonic boundaries and colors, ushering in a new realm of sonic possibilities. Creative, eerie, and exciting, this is Brian Balmages as you have never heard him!

Five Note Fiddler by Brian Balmages, Grade 0.5
Based entirely on just five notes (D through A), “Five Note Fiddler” is an ideal way to reinforce the D tetrachord while having a ton of fun in a fiddle-inspired setting. Brian Balmages playfully weaves the melody throughout the ensemble as the music unfolds. Surprisingly sophisticated in sound, yet highly approachable!

Dragon Pearl by Brian Balmages, Grade 1.5
Journey to a fantastical world where dragons defend a flaming pearl, representing everything from wisdom and power to prosperity and immortality. “Dragon Pearl” includes a stunning opening that reflects the gorgeous surface of the pearl. Soon after, the battle begins, highlighted by powerful rhythms, heavy accents, and aggressive harmonies. Incredibly playable yet stunning to hear, this work by Brian Balmages is sure to captivate students and audiences!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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Composer Highlight 2024: Carol Brittin Chambers 19 September, 2024

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Alegría by Carol Brittin Chambers, Grade 3.5 Concert Band
Carol Brittin Chambers’ latest concert band work, “Alegría,” is a joyous celebration of life and happiness. Drawing inspiration from the word’s meaning in several languages, Chambers’ music takes listeners on a journey of ups and downs, with moments of high energy and lightheartedness. With a nod to circus music and Latin fanfares, “Alegría” showcases Chambers’ skillful use of instrumentation, including the vibrant tambourine!

And the Lions Roared by Carol Brittin Chambers, Grade 1.5 Concert Band
Carol Brittin Chambers opens with a roar (literally) in this new work for developing band. Fun, fast, and full of great teaching opportunities, “And the Lions Roared” will be a hit with both your musicians and audiences, but especially your percussion section!

Fanfare Esprit by Carol Brittin Chambers, Grade 3.5 Concert Band
Looking for a thrilling and spirited musical experience? Look no further than “Fanfare Esprit” by Carol Brittin Chambers! This piece will transport you to a world of classic fanfares with a twist, featuring lush melodies and intricate rhythms. Don’t miss out on this exhilarating musical journey!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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Gentle and Lowly: Songs from the Heart of Jesus 12 September, 2024

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

Gentle and Lowly (Songs from the Heart of Jesus) arr. Faye López
Inspired by the bestselling book of the same name, Faye López brings her unmistakable creative touch to ten hymns focusing on the heart of Jesus. Whether you are playing or listening, these hymn settings will bring you into a better understanding of the tender heart of our Savior.

Titles include: “Jesus Loves Me,” “No Other Plea,” “O the Deep, Deep Love of Jesus,” “Depth of Mercy,” “My Savior’s Love,” “Jesus, the Very Thought of Thee,” “No, Not One,” “Jesus, What a Friend for Sinners,” “’Tis So Sweet to Trust in Jesus with Only Trust Him,” and “I Will Arise and Go to Jesus.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

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New Orchestra Picks from ERICA DONAHOE 04 September, 2024

recommended by Austin Swack, Instrumental Education Specialist

Moroccan Nights by Erica Donahoe, Grade 3.5
This piece brings to mind a fun and exciting walk down a city street. Music comes in and out in various styles all joyous and exhilarating. A fun work for musicians and audiences alike, this one is sure to be a hit at your next concert!

Emerald Spring arr. Erica Donahoe, Grade 1.5
“Emerald Spring” is perfect for a spring concert. Opening with a melodic air and finishing with a rollicking jig, students and audiences will enjoy the variety offered here. Students have the opportunity to work on lush harmonies and vibrato in the slower section and then explore 6/8 in the jig section of the piece.

Alpine Glory by Erica Donahoe, Grade 1
Capturing the picturesque beauty of the Swiss Alps, this lush, beautiful piece will help your young players develop a mature sound. With lots of opportunities to practice legato bowing and perhaps some early vibrato, cultivate a rich and warm sound with a piece that gives every player a moment to shine!

The Jolly Roger by Erica Donahoe, Grade 1.5
Argh! Walk the plank with this adventurous new work for the String Orchestra. Erica Donahoe takes us on a sea-faring adventure with great opportunities for each section to shine. This is a winner!

Pine Tree Polka by Erica Donahoe, Grade 2
This clever work uses Christmas carols as the motivic verve for this new arrangement by Erica Donahoe. Pocketed around the original Polka, carols peak out from behind the pine branches like ornaments. Your musicians and audiences will have a lot of fun with this one!

Shop Stanton’s for all your sheet music needs!

About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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LLOYD LARSON: The Comprehensive Collection 03 September, 2024

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

Lloyd Larson: The Comprehensive Collection arr. Lloyd Larson
Lloyd Larson’s signature and beloved arrangements have graced us for decades. To celebrate his notable work, we invite you to explore his best compositions and artful arrangements in this comprehensive collection. With works suitable for every occasion in the church year, this is a valuable collection for any church musician!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

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Five Star Features from OHIO’S OWN Composers & Arrangers 29 August, 2024

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Alien Invasion from the Dark Planet by Brian Monroe, Grade 1.5
Colorful percussion and unusual instrumental effects will bring a true sense of amazement to your audience as the narrator tells the story of an alien invasion and its aftermath. The narration can be customized to make the setting local.

The Attorney General by Karl L. King/arr. Andrew Glover, Grade 4
Here’s a Karl King march that is a guaranteed crowd-pleaser! “The Attorney General” has all the hallmarks of great King marches – tuneful melodies, exciting countermelodies, and that unique sound you’ll only find in a “Kingtune!” Exciting parts for all sections of the band make this a sure favorite for performers as well as audiences.

The Crosley March by Henry Fillmore/arr. Loras John Schissel, Grade 4
Written for Powell Crosley of the Crosley Radio Corporation, “The Crosley March” arranged by Loras John Schissel resounds with the zest of Fillmore at his best. It’s not easy, but it’s worth any time needed to work it up.

Excursion! by Lisa Galvin, Grade 3.5
Lisa Galvin’s latest programmatic work, “Excursion!” takes us for a ride on the Erie Canal. Drawing on themes from the well-known “Erie Canal” folk song, this frolicking work transforms that theme into a celebration of the famous stretch of waterway and those who built it. A piccolo soloist gives a nod to the Irish heritage of the workers, and a challenging clarinet solo harkens a raucous German polka that has this work driving to a fun and exhilarating ending!

Fanfare Gratiam by Ryan Nowlin, Grade 3
“Fanfare Gratiam” (meaning Fanfare of Thankfulness) is the perfect piece for your next concert. Use it to honor someone special in the audience. After the heroic and grandiose fanfare strains, the music calms for the statement of the community’s hymn-like expression of gratitude – still playful, always loving, but still quick and uplifting. The works concludes with a musical hug – where the band, starting with the lowest instruments, completely expands to its maximum range over an unchanging, E-flat pedal.

Song of Solace by Ryan Nowlin, Grade 4
“Song of Solace” was written in memory of a specific person, but its message of love and hope in the time of tragedy applies to all of us. A simple melody in the solo flute is expanded into a soaring melody in the horns at the climax. This emotional work allows the band to expand their technique and musicality.

Songs of the Seas by David Shaffer, Grade 2.5
David Shaffer’s “Songs of the Seas” is a beautiful-four movement musical narrative depicting colorful creatures of oceanic life. Each movement colorfully depicts a different inhabitant of maritime life: “The Jolly Goldfish,” “Whale Watching,” “Fish of Angels,” and “Crab Walk.” The charming and sardonic poems of humorist Ralph Venezia (included in the scores) can be read before each movement to introduce each sea creature.

Trouping Days by Karl L. King/arr. Gene Milford, Grade 3
“Trouping Days” is a popular “band wagon” march, played fast and loud as the band rode through towns to attract customers. This arrangement by Gene Milford exhibits Karl King’s wonderful gift for melody and is scored for the current concert band from his original edition.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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From the Concert Hall to the Marching Field 21 August, 2024

recommended by Ken Tilger and Austin Swack, Band Education Specialists

An American In Paris Part 1 by George Gershwin/arr. Dave Henning, Medium
Competitive bands will love this powerful and epic treatment of Gershwin’s masterpiece “An American in Paris.”

An American In Paris Part 2 by George Gershwin/arr. Dave Henning, Medium Easy
Part 2 of Gershwin’s iconic “An American In Paris” starts somber before quicly building into a frantic pace. The chart crescendo’s to a majestic finish that will have the judges and audience on their feet!

Bolero by Maurice Ravel/arr. Allen Gray, Medium Easy
This classical gem from Maurice Ravel translates into a marching band arrangement that starts out soft with a beautiful elegant flute solo followed by a trumpet and mellophone duet. The arrangement keeps building every measure with the full band entering on the main theme followed by a truly epic crescendo to finish off this tune with a powerful statement.

Nessun Dorma (from Turandot) by Giacomo Puccini/arr. Chris Sharp & Carl Major, Medium Easy
This gorgeous classical masterpiece by Puccini from “Turandot” makes a truly epic vehicle for marching bands to both stir the crowd and blow down the pressbox!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

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2024 Excellence in Choral Literature THIS SATURDAY 19 August, 2024

EXCELLENCE IN CHORAL LITERATURE
Saturday August 24, 2024
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.

Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

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Join Us with LLOYD LARSON on Saturday! 05 August, 2024

SACRED CHORAL READING SESSION
Saturday August 10, 2024
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Lloyd Larson
$25.00

Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.

Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 10, 2024
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Lloyd Larson
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

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Calming Classical Piano Solos 29 July, 2024

Calming Classical Piano Solos
Sometimes you just need some soothing piano music to relax, unwind, and let go. This collection gathers nearly 40 beautiful classical favorites for the intermediate-level player. Works include: Air (from Water Music) (Händel) • Arietta, Op. 12, No. 1 (Grieg) • Bagatelle in G Major, Op. 126, No. 5 (Beethoven) • Canon in D (Pachelbel) • Clair De Lune (Debussy) • Gymnopedie No. 1 (Satie) • Lullaby (Cradle Song) (Brahms) • La Pastorale (Burgmüller) • Piano Sonata No. 8 “Pathetique” (Beethoven) • Prelude in A Major, Op. 28, No. 4 (Chopin) • Prelude in C Major (Bach)• Reverie (Debussy) • Slumber Song (Gurlitt) • The Swan (Le Cygne) (Saint-Säens) • Waltz in A-Flat Major, Op. 39, No. 15 (Brahms) • and more.

Shop Stanton’s for all your sheet music needs!

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Hymns and Spirituals with a Jazz Spirit 26 July, 2024

recommended by Christopher B., Organ Music Specialist

The Holy City: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s signature jazz-tinged style pervades this new collection of hymn settings. Nearly all the hymn tunes are American in organ, including folk hymns, spirituals, and 19th century gospel songs. Varied characters provide music useful for preludes, offertories, or postludes throughout the church year. Titles include: “What a Friend We Have in Jesus,” “All the Way My Savior Leads Me,” “Battle Hymn of the Republic,” “Come, Thou Fount of Every Blessing,” “I’ve Got Peace Like a River,” “If Thou But Suffer God to Guide Thee,” “Jesus Loves the Little Children,” “Postlude on The Holy City,” and “We Shall Overcome.”

More Love to Thee: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s jazz-influenced style is in full evidence in this collection of pieces based on familiar hymns. The works range in size from several shorter preludes and postludes to two extended sets of variations particularly suitable for concert. The setting of the spiritual “Do, Lord” also includes an optional part for trumpet. Titles include: “More Love to Thee, O Christ,” “America, the Beautiful,” “Do, Lord,” “Variations on The Church in the Wildwood,” “Lauda Anima,” “Variations on Handel’s Sarabande,” and “God Be with You Till We Meet Again.”

Spirituals for Organ: Vibrant Settings with Jazz Spirit arr. Marianne Kim
The music and lyrics of African American spirituals form a rich tradition that has become an important part of Christian worship across the world. They were strong expressions of deep religious faith in the midst of tremendous adversity, and it is through that resonance that they speak powerfully to the hearts of Christians today. Marianne Kim’s organ music always draws on jazz, blues, and gospel elements-styles that (because of their shared African American roots) are especially effective when applied to spirituals. These pieces will be useful as preludes, offertories, and postludes. Titles include: “Every Time I Feel the Spirit,” “Down by the Riverside,” “Ain’t-a That Good News,” “Fix Me, Jesus,” “Jesus Walked This Lonesome Valley,” “Let Us Break Bread Together,” “My Lord, What a Morning,” “Steal Away,” and “Swing Low, Sweet Chariot.”

Lead, Kindly Light: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s style blends both jazz and classical influences to create vibrant and expressive music for worship. In this volume, she has arranged a number of beloved hymns of the faith for use as preludes and postludes. Also included are three original meditations that can be played separately or as a suite of expandable length for Communion. Titles include: “Grace,” “Hail to the Brightness of Zion’s Glad Morning,” “I Want Jesus to Walk with Me,” “Lead, Kindly Light,” “Meditation Suite,” “Once to Every Man and Nation,” “Sweet Hour of Prayer,” “Were You There?,” and “Something for Thee.”

Jazz Hymns and Spiritual Songs: Soulful Organ Settings for Worship or Recital arr. Marianne Kim
Deeply rooted, heartfelt harmonies and rhythmic nuance combine to produce a wealth of material to uplift and bless your congregation. Featuring a varied gathering of styles and moods, these amazing selections based on some of the best-loved melodies of the church are fun to play and a joy to hear. Titles include: “Savior, Like a Shepherd Lead Us,” “Deep River,” “Wonderful Words of Life,” “Nobody Knows the Trouble I’ve Seen,” “Pass Me Not, O Gentle Savior,” “Blessed Assurance,” “Sometimes I Feel Like a Motherless Child,” “Joshua Fit the Battle of Jericho,” “Beneath the Cross of Jesus,” and “In the Sweet By and By.”

Hymns of Faith: Organ Settings with Jazz Spirit arr. Marianne Kim
In this organ collection, Marianne Kim arranged some of her favorite hymns with her signature jazz-influenced style. Included are eight familiar hymns of faith and assurance, most of which are drawn from the beloved American gospel tradition. Also included is one exciting original postlude. Titles include: “Blessed Assurance,” “I Need Thee Every Hour,” “Jesus Loves Me,” “Joy, Love, and Peace,” “My Jesus, I Love Thee,” “Nearer, My God, to Thee,” “Only a Step to Jesus,” “Softly and Tenderly,” and “Leaning on the Everlasting Arms.”

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

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IN ONE MONTH: 31st Annual Excellence in Choral Literature 24 July, 2024

EXCELLENCE IN CHORAL LITERATURE
Saturday August 24, 2024
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.

Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

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IN ONE MONTH: Lloyd Larson Church Music Reading Sessions 10 July, 2024

SACRED CHORAL READING SESSION
Saturday August 10, 2024
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Lloyd Larson
$25.00

Stanton’s is pleased to welcome back Lloyd Larson as our clinician for the August Sacred Choral Music reading session. Mr. Larson earned a B.A. from Anderson University of Anderson, Indiana in 1976 and a M.C.M. from Southern Baptist Theological Seminary of Louisville, Kentucky in 1979. He has done additional graduate work at Southern Baptist Seminary, The Ohio State University, and Northern Baptist Seminary, Chicago, Illinois.

Since 1982, Lloyd has been an active composer and arranger for several major publishing companies of church and school music. His compositions and arrangements include well over 1,500 published works—including choral anthems, numerous extended Christmas, Easter and non‑seasonal works, keyboard collections, vocal solo and duet collections, instrumental works for solo and ensembles, orchestrations, and handbell settings. The resulting notoriety has placed him in constant demand as a clinician throughout North America. It is Lloyd’s work in his local church that continues to be the catalyst for much of his writing where he is actively involved in various roles of music leadership.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 10, 2024
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Lloyd Larson
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Lloyd Larson.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

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