News & Views Wednesday, May 28, 2025

recommended by Caryn G., Sacred Piano Music Specialists

Our Joy and Wonder arr. Sandra Eithun
Eight fresh settings of cherished hymns are included in this new collection for intermediate sacred keyboard. “Our Joy and Wonder” contains a variety of arrangements that church musicians will find ideal for preludes, offertories, moments of prayer or contemplation. These settings are easy to learn with limited rehearsal time and rewarding to play.

Titles include: “Oh, Worship the King,” “For All the Saints,” “Reflection on a Swedish Tune,” “Oh, for a Thousand Tongues to Sing,” “I Need Thee Every Hour,” “What Wondrous Love Is This,” “My Shepherd Will Supply My Need,” and “To God Be the Glory.”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Small Band, BIG SOUND by Chris DeVona
Small bands can be great bands! “Small Band, Big Sound” is an indispensable guide for success in middle and high school band programs with students of all ability levels. It addresses the day-to-day challenges of finding and creating appropriate repertoire, adapting music for playability, establishing tone and blend with unconventional instrumentation, and rehearsing effectively with a small group. Every student deserves the opportunity to perform at their highest potential, regardless of the size of their band program. This text is designed to prepare music educators with readily accessible tools to create those experiences.

Highlights include:
• An overview of available flex band music and how to select the most appropriate format for your ensemble
• Several model ensembles showing how to assign parts for maximum effect with flex band music
• An illustrated step-by-step guide to creating your own flex band music
• A model for creating custom arrangements, including multiple worked-out example excerpts
• Suggested repertoire resources for finding and choosing appropriate music to arrange
• Tips and tricks for adapting and modifying music to be playable by smaller groups
• Discussion on establishing tone quality and blend with irregular instrumentation
• Information on designing and rehearsing small marching band programs

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Sacred Choral Music Specialist

Arise and Eat by Victor C. Johnson, SATB with piano
This tender Victor Johnson anthem for Communion boasts a warm melody artfully married to a thoughtful lyric by Rose Aspinall. The music features shimmering harmonies and beautiful modulations, and the text meaningfully reminds us to “remember how He took our sin and loved us back to life again.”

Remember, Remember Me by Jack Schrader, SAB with piano
For communion and especially meaningful for Maundy Thursday, this Jack Schrader ballad is a moving choral setting of Jesus’ words at the Last Supper. The beautifully crafted piano accompaniment, for which Jack is so well known, supports the compelling vocal lines.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Together in Song Volume 2: Concert Repertoire for Three-Part Mixed Choirs by Jerry Estes, Greg Gilpin, Victor C. Johnson, Mary Lynn Lightfoot & Mark Patterson
These fully reproducible collections are both unique in value and a great resource for exceptional concert pieces for Three-part Mixed choirs. This collection is fully reproducible and includes an Accompaniment MP3 for each title. Featuring the works of today’s leading educational choral composers, these collections offer a wide array of diverse musical styles while being a budget-friendly resource. Titles include: “I Will Lift My Voice and Sing!,” “A Joyful Alleluia,” “Firefly,” “Little Innocent Lamb,” “Sisi Kushangilia,” “A Call for Peace,” “An Irish Blessing,” and “Elijah Rock.”

Cantate Hodie! Easy Latin Repertoire for Unison & Two-Part Choirs by Mark Burrows, Greg Gilpin, Victor C. Johnson, Mary Lynn Lightfoot, Bryan Sharpe & Douglas E. Wagner
This reproducible collection features 6 Latin settings for unison and two-part choirs. Full of musically diverse selections, this collection will guide your young choirs as they build a strong foundation of choral technique. Translation and pronunciation guides precede each piece throughout the collection. The text and music pairings in this collection will offer “easy wins” along with slightly more challenging repertoire as your ensemble advances. Featuring unison, optional two-part, and two-part pieces, you can use this collection time and again as your singers’ skills develop. Titles include: “Cantate Hodie! (Sing Today),” “Sanctus,” “Lux Aeterna,” “Psallite, Exsultate,” “Ubi Caritas,” and “Cantate!”

Five Sea Songs by Daniel Brinsmead
In “Five Sea Songs,” five special texts have been brought together to initiate a musical voyage of discovery, fun, and introspection. These wonderful compositions are accessible enough to be performed by children’s choirs, while sophisticated enough to work for any level of treble choir. Titles include: “Sea Fever,” “Sailing Tonight,” “Little Fishes, Don’t Cry!,” “Full Fathom Five,” and “I Wish You a Kinder Sea.”

Indodana: Traditional South African Choral Music arr. Michael Barrett, Mbuso Ndlovu & Ralf Schmitt
This collection of fifteen songs from South Africa is a companion to the popular album from the University of Pretoria Camerata, “Indodana.” Hit arrangements by Michael Barrett, Mbuso Ndlovu, and Ralf Schmitt make up this distinguished reference resource for the choral library. Titles include: “Bayasibiza,” “Bonk’abaphandle,” “San’bonani/Namhla Kudibene,” “Nda wana,” “Umahlalela,” “Indodana,” “Kwaxabana Oxamu,” “Ngothando,” “Tuba,” “Ha Rese Re Bina,” “Mangisondele Nkosi Yam,” “Thixo Onothando,” “Ndikhokhele Bawo,” “Siyalobola Gogo,” and “Modimo.”

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Heroes of the Marvel Universe arr. Michael Brown, Grade 3
Some of the most impressive movie themes in recents years have come from the blockbuster Marvel films and their superheroes. This dynamic and well-paced medley features memorable hero themes including: “Captain America,” “Ant-Man,” “Thor,” “Iron Man,” “Black Panther,” and of course “The Avengers.”

Back Home Again In Indiana arr. Jeremy S. Martin, Grade 3
“Back Home Again in Indiana” by James F. Hanley has become a jazz standard over the years and is the perfect vehicle for your band’s vocal soloist. It may be played without the vocalist if you wish, with no cuts or substitutions necessary.

Blue Skies arr. Victor Lopez, Grade 2.5
This creative and fresh arrangement of the Irving Berlin classic is simply fantastic! With its Latin flair, this will be a highlight in your next concert. An optional vocal part is perfect for joining forces with the vocal program.

California Here I Come arr. Jerry Brubaker, Grade 2.5
Transport your audience to the Golden State for the 100th anniversary of this classic tune with iconic melodies and energetic rhythms. It’s an exciting opportunity to pay homage to a century of timeless musical charm while showcasing your young band.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

SACRED CHORAL READING SESSION
Saturday August 9, 2025
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Lloyd Larson
$25.00

Stanton’s is pleased to welcome back Mary McDonald as our clinician for the August Sacred Choral Music reading session. With a career that spans over forty years, her songs appear in the catalogs of every major publisher of church music. More than 1200 compositions through anthems, seasonal musicals and keyboard collections testify to her significant contribution to church music. Her greatest desire is “to give God glory for the songs He has allowed me to compose. He alone, is the true Creator behind my pen.”

In 2011, after serving as sacred music editor for The Lorenz Corporation in Dayton, Ohio for more than twenty years, Mary answered a new call. Now she takes her tremendous passion and love for music making directly to churches as an independent artist. Since then, she has been in constant demand in churches across the nation for composer weekends as well as served as host for many of the top choral music dealer conferences in the United States and Canada.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 9, 2025
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Mary McDonald
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Mary McDonald.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Best Wishes by Paul Clark, Grade 1
Veteran composer Paul Clark’s “Best Wishes” is an absolutely beautiful ballad for very young jazz ensembles! The melody in the alto sax can be played as a solo, or it can be doubled with other altos as a section feature if desired. There are no range or rhythm problems for either band or soloist; just a pretty melody over lush chords and counter-lines. A lovely piece playable with limited instrumentation, this is tremendous music for the youngest of jazz musicians. Simple can be a good thing – and this ballad is simply great! Beautiful!

Cinema Paradiso by Ennio Morricone/arr. Mark Taylor, Grade 3
Morricone’s memorable movie theme has been recorded by artists ranging from trumpeter Chris Botti to violinist Joshua Bell. Here is a beautiful setting for young jazz ensembles featuring a flugelhorn soloist in a Latin ballad style. Perfect as a change of pace for any program festival.

Nuvola by Peter Sciaino, Grade 1
If you have an outstanding young Alto Saxophone or Trumpet soloist, this is the perfect vehicle to showcase their talents. The relaxed even-eighth note tempo of the piece makes it easier for the soloist to navigate. All the solo lines are written out and chord changes are also included if the performer is a budding improviser.

Movin’ Easy by Paul Baker, Grade 3
“Movin’ Easy” swings hard, beginning with the piano stating the entire melody, and offering a chance to show off the rhythm section on its own before the ensemble kicks in for the second chorus. Tenor sax and trumpet solos are provided and are based on the chord changes of Duke Ellington’s classic “Don’t Get Around Much Anymore.” A 16 bar a cappella ensemble section shows off the horns before the rhythm rejoins at the bridge to close out the chart – almost. The piano and rhythm section take us the rest of the way, a la Count Basie, to a signature ending. Trumpet range is to written high C. Trombone range is to G. Bass and piano parts are written out.

Swing Low, Sweet Chariot arr. Steve Shanley, Grade 3
Perfect for a contrasting selection for concert or festival use, Steve Shanley’s arrangement of “Swing Low, Sweet Chariot” is written in the slow swing style of the Count Basie Orchestra. The subdued opening statement can feature your trombone or saxophone section. There are solos for trumpet, trombone, and tenor saxophone (written solos provided), and an exciting shout section will bring down the house. With tasty rhythm section contribution throughout, this is sure to be an audience and band favorite! OH SO COOL!

Slide Show by Paul Baker, Grade 2
As the title suggests, this chart prominently features the trombone section, both on the melody as well as a soli section. “Slide Show” is based on the chord changes of Sonny Rollins’ classic jazz standard “Doxy.” Written solos are provided for alto sax or trumpet as well as tenor sax or piano or guitar. Bass and piano parts are both written out, too. The shout section provides saxophone section soli space before the trombones get the final say in the outro. Trumpet range is to written G. Trombone range is to F.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

World O World by Jacob Collier, SATB divisi a cappella
The final track on Jacob Collier’s four-part, genre-bending, award-winning and world-conquering “Djesse” album series, this seven minute choral opus was recorded in partnership with Jason Max Ferdinand and the Aeolians of Oakwood University. Hymn-like throughout, the moving lyrics and harmonic language crescendo into an astonishing climax worthy of being the current denouement on the celebrated 30-year old’s remarkable catalog of work. Also available in a simplified version, approved by the composer.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Just One Step by Daniel Brinsmead, SAB with piano and djembe
A great groove and positive lyrics make this engaging concert work a solid choice for SAB choirs with piano. Composed in a modern upbeat style, the djembe and piano drive the rhythmic feel that supports the speech-driven lyrics: “Just one step, one small step, can help you transform.”

I Want to Be the Sun by Mark Burrows & Coty Raven Morris, SAB with piano
Mark Burrows and Coty Raven Morris’ beautiful collaboration of “I Want to Be the Sun” has resulted in a whimsical yet highly relevant, and most importantly, FUN piece to sing. Appropriate throughout the year and for all choir sizes, the message of this delightful choral setting is sure to speak to all who sing and hear it!

Who Has Seen the Wind by Bruce W. Tippette, SAB with piano
Christina Rosetti’s well-known text is given life through this exciting new setting for SAB voices and piano. The rhythmic ostinato patterns paired against lyrical melodies will remain stuck in your singers’ heads long after rehearsal ends. With a driving piano accompaniment to support your singers and accessible voice parts, this piece is perfect for developing choirs.

As I Journey On by Chris Maunu, SAB with piano and djembe
Using words from the poem “Courage” by Ella Wheeler Wilcox, Chris creates an energetic and uplifting piece for young voices, middle school to high school. The piano and djembe add vitality and rhythm that support the encouraging theme.

Moonrise, Outer Banks by Mark Patterson, SAB with piano
The poetic, evocative original lyrics paint a stunning picture of a moonrise throughout the piece. Mark Patterson’s expert lyrical writing with capture musician and audience members alike.

Who I Want to Be by Coty Raven Morris/arr. Saleel Menon, SAB with piano
Coty Raven Morris’ inspiring “Who I Want to Be,” arranged by Saleel Menon, is ideal for mixed choirs of all abilities. Certain to be empowered by the rich messages found within and with solo or small group opportunities, your choir will love learning and performing this coming-of-age piece!

Crossroad by Reginal Wright, SAB with piano and optional violin duet
Reginal Wright’s emotional and uplifting “Crossroad” sets Robert Frost’s well-known poem “The road not taken.” A twinkling piano accompaniment supports the voices, and the optional violin duet floats above, expanding on figures from the vocal parts.

Regina Coeli by Dan Davison, SA(T)B or 2-part any combination with piano
Dan Davison’s wonderful setting of Regina Coeli is set here specifically for middle school singers or any choir with limited numbers of tenors and/or basses. The tenor doubles the soprano and the bass doubles the altos, each an octave lower, giving singers lots of added support. A fun and rhythmic setting that your singers will love.

Twa Burns Songs arr. Rory Boyle, SAB with piano
Rory Boyle’s “Twa Burns Songs” are arrangements of two traditional Scottish folk songs, setting words by Robert Burns. The lilting legato accompaniment of the first song, “Afton Water,” emulates the vivid description of the River Afton. The second song, “Ae Fond Kiss,” uses Scotch snap rhythms and matches the wistful character of the poem. Guidance on the pronunciation of Scots words is given in the leaflet.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Transforming Choral Singing: An Activist’s Guide for Choir Directors by Charles W. Beale
Choral conductors and clinicians often focus on honing the technical and artistic elements of their choir’s performance, but what is the true purpose of choral singing? Choral performances sound beautiful, but they also tell stories, “say something” to someone, and create change in them. In that fundamental sense, they are always activist.

In “Transforming Choral Singing: An Activist’s Guide for Choir Directors,” author Charles W. Beale draws from his nearly 20 years of leading major choirs in the LGBTQIA+ choral movement internationally as well as his long experience as a singer, organist, conductor, and educator to put forth a new vision for choral singing: to move audiences and change the world.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Country Gardens by Percy Grainger/arr. Brant Karrick, Grade 4
Grainger’s first piano arrangement of this English morris dance tune was completed in 1918 as a birthday gift for his mother. It became extremely popular and was his greatest commercial and financial success. Even this simple tune displays his genius with harmony, counterpoint, and color. This very playable arrangement is an excellent way to introduce your students to the music of Percy Grainger!

Arkansas Huskin’ Bee by Arthur Pryor/arr. Brady Massey, Grade 4
Step into the world of the American South with “Arkansas Huskin’ Bee” – an exhilarating new work for concert band that captures the spirited essence of a lively community gathering! Characterized by melodies and rhythms in the style of fiddle and banjo playing, this tune is inspired by the rich cultural heritage and infectious energy of traditional Southern hoedowns. This dynamic composition is sure to have audiences tapping their toes and clapping along from start to finish.

Jazz Legato by Leroy Anderson/arr. R. Mark Rogers, Grade 4
Leroy Anderson’s JAZZ PIZZICATO and JAZZ LEGATO stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form known as the soft shoe, this bright and cheerful tune will have the audience whistling and tapping their toes long after the final note of your concert! This exclusive Southern band edition by Mark Rogers reintroduces Anderson’s enchanting work to new generations of audiences.

Interstate 90 by Alan Shulman/arr. Adam Michlin, Grade 4
In the late 1960s, Alan Shulman composed four works for symphonic winds. “Interstate 90” dates from a 1962 sketch depicting a drive heading west on the Massachusetts Turnpike and New York State Thruway. It was completed in August 1968 and received its first performance in 1969 by the Gloria Concert Band conducted by Don Butterfield. This arrangement was written by Adam Michlin.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Caryn G., Sacred Piano Music Specialist

Practical Pairings: Accessible Medleys for the Church Pianist arr. David McDonald
The arrangements in this practical collection prove that one plus one really is three. David McDonald pairs two beloved hymns in each thematic-focused arrangement, showcasing why medleys are a favorite of so many church pianists. Written at an accessible level and perfect for worship through the year, the hymn texts are included to center personal worship and musical interpretation.

Titles include: “Mighty God Medley (I Sing the Mighty Power of God & A Mighty Fortress Is Our God),” “Love Medley (Jesus Loves Me & Jesus Loves Even Me),” “Grace Medley (Amazing Grace & Grace Greater Than Our Sin),” “Praise Medley (Praise Him! Praise Him! & Praise to the Lord, the Almighty),” “God’s World Medley (This Is My Father’s World & For the Beauty of the Earth),” “Thankful Medley (We Gather Together, An Ash Grove Thanksgiving & Come, Ye Thankful People, Come),” and “Blessing Medley (God Be with You & The Lord Bless You and Keep You).”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Alleluia! Sing Alleluia by J.S. Bach/arr. John Leavitt, SAB with piano
Bright with joy and sparkling with a Baroque elegance, here is a great choice for a service or concert opener. Brilliant traditional choral writing mixes with a well-crafted piano part to support the singing and delight the ear!

Dixit Dominus by Marianna Martines/arr. Andrew Hathaway, SATB with piano
Originally written for her induction into the Accademia Filarmonica of Bologna, Marianna Martines’s “Dixit Dominus” is often considered her greatest choral work. This arrangement of the first movement was conceived for SATB chorus and piano, and is a perfect introduction to the Classical Era for beginning and experienced singers alike.

Love and Music by Henry Harington/arr. Douglas E. Wagner, SAB with piano and optional flute
Written by Henry Harington in the 18th century, Douglas E. Wagner’s setting of “Love and Music” highlights the lilting character of the early Classical period. The bright and happy qualities of the work along with a flute proclaim the words “How great is the pleasure, how sweet the delight, when love and music together unite.”

Welcome, Music! by G.F. Handel/arr. Laura Farnell, Unison/2-part with piano
Farnell has adapted “Welcome, welcome mighty king” from Handel’s oratorio “Saul,” creating an accessible two-part treble /optional unison arrangement that is perfect for young treble singers.

Da Pacem Domine (Grant Us Your Perfect Peace) by Melchior Franck/arr. Lon Beery, 3-part mixed with piano or a cappella
Lon Beery has outdone himself in this arrangement of a well-known early Baroque tune by Melchior Frank. Beery draws on his knowledge of the adolescent voice, as reflected in the contained range of a fifth, in this simplistic yet wonderful Latin text setting. Depending on the needs of the ensemble, a flowing, supportive, optional piano accompaniment is available.

The Evening Star (Der Abendstern) by Robert Schumann/arr. Audrey Snyder, SSA with piano
Delicate, peaceful, shimmering with classical refinement…all these qualities and more are apparent in this beautiful adaptation of Robert Schumann’s setting of the classic German poem “Der Abendstern.” The piece can be sung with the original German text, or with an equally expressive English text by arranger Audrey Snyder. Approachable yet elegant vocal parts meld with polished piano support to create a distinguished concert-worthy presentation.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Music Is More Than Technique: A Guide to Why and How by Dennis Shrock
In recent decades, the classical music of past eras has appeared on concert programs less and less frequently despite its historical significance and artistic merit.

In this volume, noted scholar Dennis Shrock argues that expressive performances which transcend mere technical precision – correct notes, rhythms, and articulations – will generate renewed interest in the musical masterpieces of the past.

Using primary source quotations and music excerpts from the Medieval through Modern eras, Shrock explains how to perform historic music authentically and artfully, revealing its innate nature as intended by the composer.

In this way, the music of past eras – like its counterparts in visual art and architecture – may be “restored” to its original state and appreciated by performers and audiences alike, ensuring its continued relevance and rightful place on concert programs for generations to come.

A balance of scholarship and practical performance tips, “Music Is More Than Technique” is a must-have reference for conductors of school, community, and professional ensembles.

Shop Stanton’s for all your sheet music needs!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Groove Chico by Christopher Artau, Grade 3
This funk tune just keeps coming at you! After the intense introduction the saxes jump in with the “A” section of the chart followed closely by big and punchy brass.

The Upsweep by Alan Baylock, Grade 3.5
This chart is a very hip funky rock with a driving groove. Played around 92 BPM. Solos are provided for trombone 1 and alto 1. Lead trumpet range is to written G on top of the staff. This chart will really work best with electric bass and piano. The band will dig it!

Nowhere But Here by Annie Booth, Grade 3.5
An original with a funky groove with some powerful dynamic contrasts throughout. Played at 142 BPM, a suggested tenor 1 solo is provided and followed by an interlude that builds right into the finale. Lead trumpet range is to written B-flat above the staff with the usual optional parts plus vibes and flute.

Party Fowl by David Larsen, Medium Easy
It’s time to bring the funk with “Party Fowl.” This approachable funk tune is filled with energy and is loads of fun to play. Solos are open to whichever player wants to take a ride.

Superstition arr. Paul Murtha, Grade 2
Arranged with modest ranges and in the little big band format, here is a great-sounding version of Stevie Wonder’s classic hit. Featured is the authentic funk groove, and the solo section written for trumpet can be opened up to include additional soloists.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Grace and Majesty: Nine Hymn Arrangements for Organ arr. Marianne Kim
Marianne Kim’s first organ collection as the Organ Editor at Beckenhorst Press contains nine hymns arranged for organ solo. Satisfying but without unnecessary difficulty, these settings are a taste of what is to come as Beckenhorst reinvigorates its longstanding commitment to repertoire for church organists. Titles include: “Praise to the Lord, the Almighty,” “The King of Love My Shepherd Is,” “Jesus, Lover of My Soul,” “Children of the Heavenly Father,” “Postlude on O Worship the King,” “It Is Well with My Soul,” “Abide with Me,” “Faith of Our Fathers,” and “To God Be the Glory.”

O Worship the King: Hymn Tunes Paired with Classics for Organ arr. Marianne Kim
This compelling collection from Marianne Kim is centered around pieces that combine traditional hymns with pieces from the classical repertoire. In each arrangement, the two elements are seamlessly and evocatively combined for a compelling result. Several of the classics are vocal and orchestral pieces, but most are themselves organ works from the great 19th and 20th century French romantic tradition. Marianne has rounded out the collection with two original pieces that are themselves indebted to the French organ tradition: a gentle pastorale and a fiery toccata. Titles include: “Alas, and Did My Savior Bleed with Pie Jesu,” “Amazing Grace with Air on the G String,” “O Sacred Head, Now Wounded with Chant pastorale,” “Petit pastorale in F,” “O Worship the King with Grand choeur in F,” “Wonderful Peace with Priere a Notre-Dame,” “Toccata in G minor,” “What a Friend We Have in Jesus with Prelude, fugue et variation,” and “Rock of Ages with Andante religioso.”

The Holy City: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s signature jazz-tinged style pervades this new collection of hymn settings. Nearly all the hymn tunes are American in organ, including folk hymns, spirituals, and 19th century gospel songs. Varied characters provide music useful for preludes, offertories, or postludes throughout the church year. Titles include: “What a Friend We Have in Jesus,” “All the Way My Savior Leads Me,” “Battle Hymn of the Republic,” “Come, Thou Fount of Every Blessing,” “I’ve Got Peace Like a River,” “If Thou But Suffer God to Guide Thee,” “Jesus Loves the Little Children,” “Postlude on The Holy City,” and “We Shall Overcome.”

Hymns of Faith: Organ Settings with Jazz Spirit arr. Marianne Kim
In this organ collection, Marianne Kim arranged some of her favorite hymns with her signature jazz-influenced style. Included are eight familiar hymns of faith and assurance, most of which are drawn from the beloved American gospel tradition. Also included is one exciting original postlude. Titles include: “Blessed Assurance,” “I Need Thee Every Hour,” “Jesus Loves Me,” “Joy, Love, and Peace,” “My Jesus, I Love Thee,” “Nearer, My God, to Thee,” “Only a Step to Jesus,” “Softly and Tenderly,” and “Leaning on the Everlasting Arms.”

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