News & Views Sunday, September 28, 2025

recommended by Jen Sper, School Choral & Classroom Music Specialist

How to Become an Elf by Andy Beck & Brian Fisher
When holiday superfan Eli receives a very special guidebook, he becomes even more eager to embrace his inner elf. With the help of his mom, his best friends, a canine companion, and Santa Claus himself, maybe Eli can achieve full elf status just in time for Christmas. Follow along with the five festive steps, guaranteed to reveal the holiday spirit in all of us!

Recommended for grades 4 and up, this 45-minute musical features a cast of 10, plus as many chorus members as you desire. Complete choreography and production notes are included, as well as access to reproducible student pages. Available audio includes full-performance and accompaniment tracks.

Holly Jolly Jalopy by John Jacobson & Walter Jack
Experience the magic of John Jacobson’s “Holly Jolly Jalopy!” One big sneeze triggers an avalanche, revealing a magical vehicle that can take you anywhere. Whether it’s snowboarding, an island getaway, or enjoying city lights, this jalopy will be your ticket to holiday fun. Don’t miss out on a reunion with loved ones. Buckle up and hold on tight!

Gnome for the Holidays! by John Jacobson & Walter Jack
Gnomes to the rescue in a spectacular holiday musical! When Christmas is in jeopardy, John Jacobson’s fun-filled cast of funny gnomes comes to the rescue while telling silly jokes and causing a ruckus. Captivate your audience with a magical story of believing in the unseen and the power of music! Ideal for your winter season, this new musical is sure to bring a smile to every audience!

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Austin Swack, Instrumental Education Specialist

Force of Nature by Brian Balmages, Grade 2
Written to celebrate both the power and beauty of nature, “Force of Nature” juxtaposes intensely rhythmic elements with broad, lyrical lines. Sustained phrases suggest those awe-inspiring locations that can take one’s breath away, yet the rhythmic underscore is a constant reminder of nature’s sheer power. A musical whirlwind by Brian Balmages!

Critical Impact by Brian Balmages, Grade 2
The dual meaning of this title embodies the aggressive, powerful nature of the music while also recognizing the critical impact that arts programs have on students and local communities. The ultimate in performance flexibility, this work by Brian Balmages is performable with traditional full orchestra instrumentation, concert band alone, or band and strings combined!

Sunset Suspended by Brian Balmages, Grade 1.5
This incredibly powerful lyrical work by Brian Balmages draws its DNA from a series of suspended harmonies that constantly flow throughout the ensemble. Designed to expand the artistic norms often associated with younger ensembles, “Sunset Suspended” is equally appropriate for intermediate or advanced orchestras.

Hall of Heroes by Brian Balmages, Grade 0.5
This stunning fanfare by Brian Balmages uses only quarter notes and half notes. All instruments use just five notes (D to A) with the exception of Violin 1, which uses the full D major scale; yet all string crossings involve open strings. Despite its playability, “Hall of Heroes” is powerful, harmonically sophisticated, and highly compelling!

Moonlight Flight by Brian Balmages, Grade 4
The calm, peaceful forest is illuminated only by the soft glow of a full moon and the few stars courageous enough to poke through the cloud cover. A creature has been waiting patiently for this moment to take flight under the cover of darkness. “Moonlight Flight” by Brian Balmages is a breathtaking experience that follows this creature gliding through the skies, sitting still with a watchful eye, or fleeing the sunrise until it is at rest, patiently waiting to take flight once again when darkness returns.

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About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Deck the Yard! (Ode to Outdoor Holiday Decorations) arr. Timothy Loest, Grade 1.5
This delightful medley by Timothy Loest captures the spirit of the season while paying homage to outdoor holiday decorations. Whether “Up on the Housetop” or watching a neighborhood “Parade of the Wooden Soldiers,” audiences will enjoy other gems including “Jolly Old St. Nicholas,” “Deck the Halls,” and “O Tannenbaum.” “Deck the Yard!” also provides the opportunity to use holiday decor in the performance venue or project photos of neighborhood homes!

Light the Menorah! arr. Evan VanDoren, Grade 4
Join in a vibrant celebration of Hanukkah! Colorful, lush harmonies give way to a rousing, lively dance sure to get the audience to its feet! “Ner Li” (I have a candle), “Hanukkah, Oh Hanukkah,” and “Hava Nagila” (Let us rejoice) blend together into a musical tapestry embodying the joy and rich traditions of the holiday. Invite your audience to “Light The Menorah” at your next winter concert!

Christmas Lullaby arr. Matthew R. Putnam, Grade 2
A duet of classics reaches a festive peak in this new arrangement by Matthew R. Putnam. An unusually effective melodic pairing, this new work will be a perfect fit for Christmastime programs. Includes: “Away in a Manger” and Brahms’ “Lullaby.”

Christmas Vacation arr. Paul Murtha, Grade 3
This fantastic and accessible arrangement of the opening song to the now holiday classic movie “National Lampoon’s Christmas Vacation” will be a fun addition to your holiday program.

The First Noel arr. Yukiko Nishimura, Grade 3
Bring a fresh and jazzy twist to your holiday program with this gorgeous arrangement of the beloved carol. Featuring vibrant harmonies and accessible rhythms, this piece is perfect for intermediate-level musicians. The intro alone is worth the price of admission.

With Joyful Tidings arr. Steve Parsons, Grade 3.5
Experience the radiant warmth and boundless cheer of the holiday season with Steve Parsons’ “With Joyful Tidings,” an enchanting Concert Band composition that captures the spirit of celebration and goodwill. From the triumphant fanfares of the brass to the delicate shimmer of the strings, “With Joyful Tidings” radiates with the infectious energy of the season, infusing every note with a sense of wonder and delight. Whether performed in a grand concert hall, a cozy community auditorium, or a festive outdoor setting, this enchanting composition fills the air with the timeless beauty and joyous spirit of the holidays.

Mechanical Monsters: Mech the Halls! by Randall Standridge, Grade 1
The Mechanical Monsters return in an explosive holiday crossover with Santa the Barbarian; “Mechanical Monsters: Mech the Halls!” by holiday madman, Randall Standridge. Fueled by a frenzy of minor-mode carols – including “Deck the Halls,” “Jingle Bells,” “Up on the Housetop,” and “Dance of the Sugar Plum Fairy” – this delightfully demented sequel continues the saga of seasonal mayhem. Combining the mechanical madness of the original with Santa’s twisted workshop energy, this piece features quirky percussion, mechanical effects, and just the right amount of chromatic chaos. Add a narration opportunity for administrator or other school star, and you’ve got the blueprint for a holiday hit!

A Winter’s Journey by Randall Standridge, Grade 3.5
Take your band over the river and through the wood with “A Winter’s Journey,” an exciting new winter work by Randall Standridge. Incorporating themes from the classic winter melody, this compound meter piece explodes with energy and joy as it depicts a sleigh ride across a snowy landscape. Driving rhythms, colorful percussion, and soaring melodies combine to create a festive secular work – perfect for your next winter concert or festival performance!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Sacred Choral Music Specialist

Draw Me Near arr. Mary McDonald, SATB with piano
Mary McDonald has transformed the Crosby/Doan hymn “I Am Thine O Lord” into a moving anthem. With key changes and altered harmonies she has enriched the wonderful Fanny Crosby witness of commitment to God’s will.

Sing and Shout Together, Children by Mary McDonald, SATB with piano and optional double bass
“Swing Low, Sweet Chariot” lays the foundation for this laid-back gospel arrangement. The careful attention to detail in both the vocal and piano parts gives this choral an authentic sound while still being attainable by choirs large and small. You can’t help but move to this one!

Do Lord, Remember Me arr. Mary McDonald, SAB with piano and optional rhythm
This lively arrangement of the beloved spiritual is sure to uplift your choir and congregants alike.

When Morning Gilds the Skies arr. Sean Paul, SATB with piano and optional trumpet
A perfect way to open any morning worship service! A true choral showcase, Sean Paul’s style and creativity shine throughout this lively arrangement. The driving piano accompaniment propels the choir through unison passages, four-part textures, and brief mixed meter sections. The optional trumpet obbligato adds an extra layer of brilliance!

Consecration by John Ness Beck, SATB with piano
John Ness Beck’s setting of Frances Havergal’s well-known text begins with child-like simplicity but moves quickly into his signature rich harmonies and elegant part-writing. This is a great choice for themes of stewardship, surrender and obedience.

Fly Away by Jonathan Reid, SATB with piano
Jonathan Reid offers a stunning new take on the southern gospel text, “I’ll Fly Away,” opening layers of meaning and a depth of comfort and hope that you might not have realized were present all along. Soaring lines and colorful piano writing combine to create a heartfelt work that you simply must hear. Commissioned by South Carolina Music Educators Association, this work is equally suitable in worship or concert contexts.

Assurance arr. John Ness Beck, SATB with piano or organ
One of John Beck’s most popular anthems, it combines Bach’s “Jesu Joy of Man’s Desiring” with the hymn “Blessed Assurance.” Suitable for general worship.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

Gladsome Tidings: Organ Settings for Christmas arr. Aaron Shows
Aaron Shows provides vibrant and colorful music in this Christmas collection for organ. The setting of “Angels We Have Heard on High” calls for 4’ flutes and is marked “twinkling, starry,” while the “Sans Day Carol” calls for an “Irish whistle-like” sound. Included are settings of “Patapan,” “Masters in This Hall,” and “Ding Dong, Merrily on High,” along with several other familiar carols. A joyful and welcomed addition to holiday services, concerts, and festivals.

Titles include: “Angels We Have Heard on High,” “Coventry Carol,” “Ding Dong! Merrily on High,” “Gaudete!,” “In the Bleak Midwinter,” “Masters in This Hall,” “On Christmas Night,” “Patapan,” “Sans Day Carol,” and “Still, Still, Still.”

Hymns of Praise and Glory: Eleven Settings for Organ arr. Edwin T. Childs
Edwin Childs writes festival postludes on well-loved tunes that are innovative as well as practical.

Titles include: “All Hail the Power of Jesus’ Name!,” “All Who Hunger, Gather Gladly,” “Awake, O Sleeper, Rise from Death,” “Come, Thou Almighty King,” “Crown Him with Many Crowns,” “In Christ There Is No East or West,” “Jesus, the Light of the World,” “Lord, Enthroned in Heavenly Splendor,” “Oh, Love, How Deep,” “The Church’s One Foundation,” and “What Wondrous Love Is This.”

Love and Rejoicing: Ten Settings for Organ arr. Chris Kovarik
Here is a collection of ten hymn settings from Chris Kovarik which showcases the versatility of the organ with writing that features varied styles, tonalities, and colors. Organists will enjoy delving into the rhapsodic and fantasy-like settings ideal for festivals, recitals, and worship.

Titles include: “Come, Thou Almighty King,” “God, Be the Lord to Search and Keep Me,” “Hallelujah! We Sing Your Praises,” “Introduction, Variations, and Finale on The Friendly Beasts,” “Let All Things Now Living,” “Look Who Gathers at Christ’s Table,” “Lord Christ, When First You Came to Earth,” “O Word of God Incarnate,” “Sometimes a Light Surprises,” and “Take My Life.”

Praise for the Singing: Organ Settings for Worship arr. Kristina Rizzotto
This collection of fourteen hymn arrangements by Kristina Rizzotto is well-constructed and thoughtfully composed, featuring settings that are useful throughout the year.

Titles include: “Angels We Have Heard on High,” “Baptized in Water,” “Christ Is the King!,” “Come, Thou Long-Expected Jesus,” “Give Thanks for Saints,” “Here I Am, Lord,” “Just As I Am, Without One Plea,” “Lord Jesus, You Shall Be My Song,” “O God, My Faithful God,” “On Jordan’s Bank the Baptist’s Cry,” “Rejoice, Rejoice, Believers,” “Take My Life, That I May Be,” “We Come to the Hungry Feast,” and “When Peace Like a River.”

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recommended by Jen Sper, School Choral Music Specialist

A Little Bit of Love arr. Roger Emerson, SATB with piano and optional rhythm
Pairing a bright, energetic pop-rock melody with heartfelt, uplifting lyrics, Weezer’s hit “A Little Bit of Love” offers a hearty dose of the positivity and encouragement we all need to help us overcome life’s challenges. Deftly translated to the choral idiom by Roger Emerson, this is one of those songs your choir just won’t be able to stop singing.

Belong Together arr. Andy Beck, SATB with piano
Singers will love the sunny vibes and breezy acoustic feel of this guitar-driven pop song, which went viral on TikTok even before its release! The carefree lyrics are suitable for all ages and express how the simple presence of a loved one or friend can make any day special. American singer-songwriter Mark Ambor delivers a catchy song that is sure to make everyone smile.

Wonderful World (What a) arr. Greg Gilpin, SATB with piano
“Don’t know much about history. Don’t know much biology.” Sam Cooke’s iconic ’60s single is built on the theme that love makes the world a better place. This straightforward arrangement is a snap to learn in any voicing and sounds just as soulful as the original. A brief crooner solo at the end solidifies the unmistakable R&B style of this romantic throwback. Cute and fun!

Espresso, Please (Medley) arr. Alan Billingsley, SSA with piano
Sabrina Carpenter has taken the music world by storm with songs that dominate both the airwaves and streaming charts. This 3.5-minute mashup of her disco-pop chart-topper “Please Please Please” and caffeinated funk-style hit “Espresso” is guaranteed to brew up plenty of applause.

Both Sides Now arr. Kirby Shaw, SATB a cappella
This intimate a cappella setting of Joni Mitchell’s “Both Sides Now” features rich harmonies and a beautiful message exploring multiple perspectives on life and love.

The Times They Are A-Changin’ arr. Kirby Shaw, SATB with piano and optional guitar
Capturing the youthful, restless passion of the original Dylan classic, Kirby Shaw’s powerful arrangement is both a tribute to yesterday’s progress and a fresh take relevant to times that just keep changin.’ An optional acoustic guitar part adds a touch of folk-rock authenticity to this smooth, harmony-rich setting.

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Extraterrestrial by Preston Parker, Grade 2
Prepare to launch into space as you encounter EXTRATERRESTRIAL! Musical motives inspired by “Mars,” “Also Sprach Zarathustra,” and “Twinkle, Twinkle Little Star” explode into one as you embark on a celestial voyage through space. The driving rhythms and fast pace of this musical adventure are sure to please! But be careful, you never know what’s out there!

Basilisk by Tyler Arcari, Grade 1.5
Commissioned as part of the composer’s giveaway for “Music in Our Schools Month,” this new work for developing musicians is a nod to all the things that make middle school students great! Inspired by a love of video games and mythical creatures – “Basilisk” is not only a great introduction to music in 3, but is also a cinematic journey your audiences will love!

Fireworks! by Amy Webb, Grade 2
Start your concert with a bang! “Fireworks!” is a vibrant, high-energy opener that will grab your audience’s attention from the very first note. Bursting with excitement and rhythmic drive, this zesty tune lets every section of the band sparkle. With its infectious spirit and toe-tapping fun, “Fireworks!” is the perfect way to set a joyful, celebratory tone for any performance.

Joyful Lily by Yukiko Nishimura, Grade 2
Lush harmonies dot the page in this wonderful new work for band by composer Yukiko Nishimura. The delicate nature of the “Lily” is on display in this joyful and inspired work!

The Skyborn Metropolis by Ayatey Shabazz, Grade 2
Take an exciting trip to a futuristic city in the clouds! Liftoff with a bold introduction full of open harmonies and fanfare brass before experiencing the bustling metropolis with long melodic lines over driving rhythms and tension filled suspensions. Well scored triplets and simple 16th note figures are effective yet highly accessible to young players. All sections enjoy fun and engaging parts. A great cinematic sound!

Waltz Macabre by Katie O’Hara LaBrie, Grade 1.5
In a haunted, moonlit ballroom, ghosts emerge from the shadows to dance a mysterious waltz. “Waltz Macabre” by Katie O’Hara LaBrie captures the eerie elegance and playful mischief of this ghostly dance in a unique work for band, designed to work seamlessly with the string orchestra version to create your very own full orchestra!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Where Peace Abides: Easy Organ Music for Worship arr. James Michael Stevens
James Michael Stevens presents a versatile collection of original works and familiar hymn settings. Ranging from bold proclamations to gentle lyricism, these accessible pieces offer ideal material for preludes, offertories, and postludes throughout the church year.

Titles include: “Monument,” “Elegy Cantabile,” “Grant Thy Peace,” “Immortal, Invisible, God Only Wise,” “My Faith Looks Up to Thee,” “Introit Celestial,” “Praise, My Soul, the King of Heaven,” “Where Peace Abides,” “What Wondrous Love Is This,” and “Silver Swan.”

Vibrant Postludes in Two Minutes or Less arr. Marvin Gaspard
The popular Two Minutes or Less organ series continues with this volume of short postludes by Marvin Gaspard, perfect for times when a brief conclusion to worship is needed. Nine of the works are based on well-known hymns of praise, with one original work rounding out the collection.

Titles include: “Christ Is Made the Sure Foundation,” “Come, Thou Almighty King,” “Come, Thou Fount,” “Jesus Shall Reign Where’er the Sun,” “God of the Ages, Whose Almighty Hand,” “Immortal, Invisible, God Only Wise,” “Marche Maestoso,” “O Worship the King,” “Praise to the Lord, the Almighty,” and “Our God, Our Help in Ages Past.”

From a Green & Pleasant Land: Organ Settings of British Hymn Tunes arr. John S. Dixon
Just as John Dixon’s “Hymns of the Fruited Plain” (70/2449L) celebrated the hymnody of his adopted homeland, the United States, this volume honors the music of his birthplace, England. Drawing on favorite hymns from his childhood as a choirboy, Dixon offers creative and practical organ settings of beloved hymns found in nearly every hymnal, making them ideal for use in worship.

Titles include: “Divertimento on Dominus Regit Me,” “Jerusalem,” “Meditation on Crimond,” “Postlude on Monks Gate,” “Trio on O Waly Waly,” “Postlude on Gopsal,” “Voluntary on The Ash Grove,” “Recessional on St. Patrick’s Breastplate,” “Offertory on Love Divine,” “Prelude on Westminster Abbey,” “Postlude on Thaxted,” and “Chorale Prelude on King of Glory, King of Peace.”

Hymn Jumpstarts: New Chorale Preludes for Organ arr. Paul Fejko, Edward Landin, Evelyn R. Larter, Robert McCormick, Erik Meyer, Kathleen Scheide & David Schelat
This exciting set of seven hymn preludes by seven composers from the Philadelphia area emerged as a project to celebrate the 20th anniversary of January JumpStart, an annual day-long convention put on by the Philadelphia Chapter of the American Guild of Organists. The hymn tunes were chosen because they appear in almost all hymnals but have fewer published organ settings than many other tunes. The settings vary in character and will provide fresh material for preludes, offertories, and postludes.

Titles include: “Deus tuorum militum” by David Schelat, “Bread of Life” by Evelyn R. Larter, “Four Images of Charlestown” by Paul Fejko, “Hearts Awakening” by Erik Meyer, “Reflection on Monkland” by Edward Landin, “Trumpet Tune on Gott sei Dank” by Robert McCormick, and “Prelude on Rest” by Kathleen Scheide.

When the Morning Comes: Hymns of Faith for Organ arr. Matt Limbaugh
Matt Limbaugh offers stirring arrangements of classic hymns of faith and praise in this collection for worship. Several pieces are medleys that blend two beloved hymns and all reflect his more than six decades of practical experience playing for church services.

Titles include: “When the Morning Comes with When the Roll Is Called Up Yonder,” “What a Friend We Have in Jesus,” “We Cannot Measure How You Heal,” “Spirit of God, Descend Upon My Heart,” “Mine Eyes Have Seen the Glory,” “The Lord’s My Shepherd,” “All Hail the Power of Jesus’ Name with Crown Him with Many Crowns,” and “Eternal Father, Strong to Save.”

With a Light Touch: Organ Music for Concert or Service by David Lasky
This unique volume from beloved organ composer David Lasky reflects his youthful enthusiasm for lighter, more theatrical styles of organ playing. Written for recital contexts such as lunchtime concerts or encores, these pieces also offer versatility for sacred settings. The collection features both slow and fast works, including three distinctive postludes in lively ragtime style.

Titles include: “A Gentle Soliloquy,” “A Jovial March,” “A Nocturnal Reverie,” “Humoresque in G major,” “An Introspective Air,” “Postlude in Ragtime Style No. 1, “ “Postlude in Ragtime Style No. 2,” and “Postlude in Ragtime Style.”

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recommended by Jen Sper, School Choral Music Specialist

The Haunting by Meredith Tompkins, SSA with piano
“The Haunting” for SSA voices and piano is a spellbinding choral work that blends ethereal harmonies with hauntingly poetic text. Exploring themes of lingering spirits and echoes of the past, the piece features intricate vocal lines and a fluid piano accompaniment that enhance its eerie, atmospheric beauty. With dynamic contrasts, layered textures, and moments of delicate phrasing, it challenges singers to deliver emotive storytelling, making it a captivating choice for advanced treble choirs seeking dramatic and theatrical repertoire.

The Autumn Moon by Mary Donnelly & George L.O. Strid, 2-part with piano and optional flute
The established writing team of Mary Donnelly and George L.O. Strid brings us this serene and reflective work, capturing the quiet beauty of an autumn night. With a moderate tempo and optional flute accompaniment, the piece vividly portrays the glowing moon casting its silver light over rooftops and country lanes. The lyrics evoke a sense of peace as the moon’s light finally rests upon the windowpane, inviting a tranquil connection to nature’s stillness. This gentle composition is perfect for choirs seeking to convey the soothing elegance of the changing seasons.

The Ballad of the Witches’ Road (Sacred Chant Version) arr. Roger Emerson, SSA with piano and optional rhythm
From Marvel Television’s “Agatha All Along,” this epic setting by Roger Emerson is the perfect addition to any fall concert. Incorporating modal mixture, pedal tones, stepwise motion, and rounds this arrangement is a great device for teaching music literacy and blend.

Ghostbusters arr. Tom Anderson, 3-part mixed with piano
Grab your proton pack and join the ultimate ghost-busting adventure with Ray Parker, Jr.’s iconic 1980s hit. This action-packed novelty goes over the top with high-energy beats and a catchy chorus that instantly gives supernatural silliness. Whether you’re celebrating Halloween or just in need of a good time, this retro throwback will get everyone dancing.

Wind in the Pines by Bruce W. Tippette, SAB with piano
This expressive poetic setting opens with a piano motif reminiscent of rushing wind. Three legato voice parts unfold and intertwine. Staggered entrances in the middle assemble and grow until we “hear sonorous lines soaring through the pines.” Encourage singers to soften and slow to a dreamy, relaxed ending. Ideal for contest and festival use.

Living in the Seasons by Joel Snyder & Jane Kozhevnikova, SATB with piano
Songwriting duo Snyder & Kozhevnikova have created a fun and accessible piece for every season! Original lyrics, SATB (no divisi), and a joyful piano accompaniment make this a great concert and festival piece for high school mixed ensembles.

Four Seasonal Rounds by Alan A. Craig, 3-part treble with piano and optional orchestra
This tasteful set of brief canons is an elegant journey through the four seasons. Each movement presents a melody in unison before staggering entrances to assemble beautiful polyphony. Creative accompaniments provide harmonic and rhythmic variations that elevate the genre to a place of excellence. Program individually throughout the year or as a 6-minute feature. Perform with piano alone or the full orchestral accompaniment.

An Awful Tempest by Jeffrey Cobb, SA with piano
“An Awful Tempest” will cast its spell over your choir, turning your singers into a coven of plotting witches. This exciting setting of the Emily Dickinson text will thrill and delight singers and audiences alike. Complete with cackles, screeches and sound effects, the musical cauldron is stirred and heated until it bubbles over with excitement!

The Green-Eyed Dragon arr. Larry Shackley, TB with piano
“The Green-Eyed Dragon” is a lighthearted and delightfully whimsical song by Wolseley Charles and Greatrex Newman, now brilliantly adapted and arranged for tenor-bass choirs. Telling the quirky tale of a princess, her wicked father, and a fearsome (but charmingly mischievous) dragon, this piece is filled with humor and drama. Larry Shackley’s arrangement features robust vocal writing that gives TB singers plenty to wrap their voices around, supported by a substantive piano accompaniment that brings the story to life.

In Noctem (from Harry Potter and the Half-Blood Prince) by Nicholas Hooper/arr. Andy Beck, SATB with piano
This shadowy cinematic selection, whose title means “into the night,” was featured in “Harry Potter and the Half-Blood Prince.” With a secular text in both English and Latin, the haunting minor-key theme is harmonized in shimmering thirds, and floats above distant staccato chanting. A minimalist piano part mirrors the film score’s bell-like treble motive and pizzicato bass notes.

Eine Kleine Kazoo Musik by W.A. Mozart/arr. Tom Anderson, SAB with piano & kazoos
You’ve never heard Mozart like this before! “Eine Kleine Nachtmusik” is performed on neutral syllables with plenty of kazoo moments interspersed throughout. Get ready to switch back and forth between singing and kazoo-ing, but be sure to keep a straight face while performing the dramatic dynamic and tempo changes. It’s guaranteed to be the most fun you’ll ever have performing a masterwork!

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Austin Swack, Instrumental Education Specialist

Star of County Down arr. Mekel Rogers, Grade 1
An accessible arrangement of a famous Irish folk tune, perfect for young players. Featuring unison low strings and a treble clef substitute viola part, it’s ideal for string orchestras of all sizes while maintaining an authentic sound. Perfect for introducing students to traditional folk music!

Miss Admiral Gordon’s Strathspey by Dan Adams, Grade 3.5
Bring the charm of Scottish dance to your ensemble with “Miss Admiral Gordon’s Strathspey.” Capturing the unique “Scottish Snap” rhythms and spirited style of this traditional tune, the arrangement offers accessible yet engaging parts for all players. Perfect for concerts or festivals, it delights with its distinctive character and cultural flair.

Songs of the British Isles arr. Patrick Roszell, Grade 1.5
Based on the folk songs “Down by the Salley Gardens” and “I Know Where I’m Going,” “Songs of the British Isles” by Patrick Roszell is a lush and lyrical setting that is perfect for teaching lyrical playing to your younger players. This setting provides numerous teaching opportunities for slurring, legato bowing, phrasing, intonation, and dynamic shaping. A welcome addition to your program.

The Mamou Two-Step arr. Richard Webb, Grade 3.5
Cajuns are the descendants of Catholic French Canadians whom the British Empire expelled from the captured French territory of Acadia (modern-day Nova Scotia and its surrounding areas) in the 18th century. They emigrated to an area of rural south Louisiana, territory owned by France prior to the Louisiana Purchase, which the new settlers called “Acadiana.” Modern Cajuns maintain connections to their heritage and culture through the French language and dialect, their cuisine, and their music. “The Mamou Two-Step” is named after the Louisiana town of Mamou, given the epithet of “The Cajun Music Capital of the World.”

Pine Mountain by Katie O’Hara LaBrie, Grade 1.5
Get ready to stomp your feet and capture the enduring spirit of the Appalachian Mountains! This original fiddle tune by Katie O’Hara LaBrie uses a fun pentatonic melody supported by cool effects such as double stops, chopping with the bow, and slapping the bass. “Pine Mountain” is certain to be a good time!

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About the Authors:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral Music Specialist

Hola, Media Luna by Eddie Cavazos & Trevor Phillips, 2-part with piano
The most lovely selection you’ll program this year. Legato voices sing in both Spanish and English in this charming ode to the half-moon. Beginning harmonies shine brightly over a delicate piano part. A simple pronunciation guide is included in the publication, plus extension activities and reflection prompts are available to download.

Kaleidoscope Color by Andy Beck, 2-part with piano and optional percussion
This elevated partner song pairs two colorful melodies the third time around and includes an echo format refrain. Don’t be fooled by the beginning part-singing techniques, Andy’s eloquent original lyrics will inspire singers of any age, and the elegant harmonic palette (heard in the artful accompaniment) captivates the ear. Performance suggestions include two optional percussion instruments as well as colorful handheld lights.

It’s Alright by Sherry Blevins, 2-part with piano
Composer Sherry Blevins offers an uplifting contemporary original that teaches persistence. “Though you might fall down, you still must try.” The lightly syncopated melody is easy to learn and brings the meaningful text to life. Feature two optional soloists in the slower middle section before the catchy theme returns with distinct counterlines layered over an optional piano bass line. Add handclaps on two and four to lock in the groove!

Little River by Lisa Longe, 2-part with piano
The inspiring words of this nature-themed original are a metaphor for carving your pathway in life. Delicate voices come and go from unison, creating a satisfying harmonic tapestry that is easy to learn. A supportive piano part lies beautifully in the hands, and expressive dynamics highlight the ebb and flow of the river. Simply sweet.

Hope Is the Thing with Feathers by Victor C. Johnson, 2-part with piano and optional horn
Victor C. Johnson has masterfully crafted a breathtaking choral setting of Emily Dickinson’s text. This piece features warm choral sonorities, a lush piano accompaniment, and an elegant French horn obligato that adds a layer of richness and beauty to the overall sound. The combination of these elements brings Dickinson’s poignant words to life, creating a powerful musical experience.

Sail Away (with The Water Is Wide) by Emily Crocker, 2-part with piano
Younger and developing choirs can build important choral skills with this partner style arrangement of the beloved Scottish folk song, “The Water Is Wide,” paired with an original song that perfectly complements the gently flowing style of the folk melody.

The Ferris Wheel by Andy Beck, 2-part with piano
Step right up to experience this thrilling, action-packed original by Andy Beck! This innovative song recounts the invention of the towering amusement park staple from the perspective of its first World’s Fair riders. Adventurous melodies combine with captivating lyrics to create clever text painting, while the rollicking 3/4 piano part provides momentum throughout. “Come to Chicago, ride the Ferris wheel!”

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jen Sper, School Choral & Classroom Music Specialist

Pirates + Zombies: A “Scare-ibbean” Cruisical by John Jacobson & Roger Emerson
“Pirates+Zombies” is a rollicking 45 minute musical with 6 original songs that brings together characters from two of Roger and John’s most popular shows! The Pirate captain books a cruise for his mates on a themed “costume cruise”, it turns out to be hosted by real Zombies! After fun laughter and an ultimate “Walk the Plank” it turns out they each learn “No One is a Monster” once you get to know them. Easy to stage and costume, fun for all ages from upper elementary through small high school.

This downloadable musical comes complete with a reproducible piano/conductor score, performance and accompaniment MP3s, reproducible script and singer songsheets, a demonstration video, video production rights, show logo art, and a license for one school to perform the show up to one year after purchase, with the option for a renewal fee if your school decides to perform the musical again. With options to combine or split parts, add or change songs, and add or change scenes, this musical is flexible to suit the needs of you and your students. Set, staging, and choreography suggestions are also included, with lots of ideas for making this a fun and successful show!

Watch the trailer below, and shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Caryn G., Sacred Piano Music Specialist

Come Adore the Newborn King: Christmas Medleys for Four-Hand Piano arr. Lloyd Larson
In this exceptional volume, Lloyd Larson has skillfully crafted five carol arrangements for four-hand piano. These medleys encompass twelve beloved holiday tunes spanning many centuries and multiple continents. With plenty of notes and musical nuances for two pianists to master, there are also opportunities to invite the congregation or audience to join in singing these cherished seasonal favorites.

Titles include: “Come, Adore the Newborn King! (MENDELSSOHN / REGENT SQUARE / ADESTE FIDELES),” “I Saw Three Ships (I SAW THREE SHIPS / SUSSEX CAROL),” “Joy of Every Longing Heart (JESU, JOY OF MAN’S DESIRING / DIVINUM MYSTERIUM),” “Rise Up, Shepeherd, Go Tell It! (FOLLOW / GO TELL IT),” and “A Holy, Silent Night (CAROL / CANTIQUE DE NOEL / STILLE NACHT).”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

recommended by Jen Sper, School Choral Music Specialist

Finding a Breeze by Matt Carlson, SA with piano
“Finding a Breeze” is about breaking free from the weight of negative thoughts and being lifted up by positive ones. Composer Matt Carlson uses flowing melodies and compelling harmonies, making this treble work suitable for all ages.

Journey the Night by Lisa Longe, 3-part mixed with piano
“In darkness, we see more than we know.” This haunting 6/8 original is carefully crafted for developing groups with moderate-range voice parts and a supportive, uncomplicated accompaniment. Poetic lyrics about the mystique and wonder of nighttime evoke sounds of singing shadows. Composed mostly in D minor, the final bars soften and slow with an uplifting shift to the relative major.

Cantate Gaudentes! (Sing Joyfully!) by Coleman Peterson, 3-part mixed with piano
“Sing joyfully! Lift your voices high, together as one. Seize the day with laugher and love!” This exuberant secular concert opener for developing mixed choirs is written in both Latin and English. Ideal ranges for all voice parts, with a modern and supportive piano accompaniment throughout. Teachable moments abound, making this excellent for middle level festivals and combining choirs to start any concert with a bang! A Latin phonetic pronunciation guide is included in the choral octavo.

The Owl, the Wind, and the Moon by Mark Burrows, 3-part mixed with piano
Three nighttime characters emerge one at a time to “weave their nocturnal tune” in this imaginative autumnal original. Singers become storytellers with a creative text, musical word painting, dramatic dynamics, and even sound effects – the song begins and ends by imitating the whispering wind. Program a mysterious, magical moment this fall or any time of year!

O Lux Beatissima by Mark Burrows, 3-part mixed with piano
Wonderful opportunities for teaching breathing, phrase-shaping, pure vowel sound, and dynamic control abound in this elegantly flowing setting of a traditional Latin text. Carefully scored for success with young voices, it is a simply-stated, finely-crafted addition to your library.

One Small Light by Karen Crane, 3-part mixed with piano
Karen Crane’s “One Small Light” is a heartfelt and inspiring piece for three-part mixed voices, perfect for concerts with themes of hope and perseverance. With a gentle yet uplifting melody, this song encourages singers and listeners to embrace their potential and recognize the powerful ripple effects of small acts of kindness and courage. “One Small Light” reminds us all that even the smallest spark can illuminate the darkest places.

Mixolydian Gloria by Remel Derrick, SAB with piano (optional a cappella)
Using the mixolydian scale rather than a conventional major scale, Remel Derrick’s rhythmically charged SAB setting of the Gloria text is written for the developing mixed choir. With the option to sing with or without piano, your choir will enjoy learning and performing this fun, cool, and accessible piece!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

A Big Holiday Celebration arr. Will Boartfield, Grade 2
This holiday parade chart features all the favorites with some rhythmic twists and turns and a rocking drumline groove to get everyone in the spirit for the holiday season. Features the songs “Deck The Halls,” “Up On the Housetop,” “Jingle Bells,” and “We Wish You A Merry Christmas.”

We Wish You a Merry Christmas arr. Tim Waters, Grade 2
This Holiday parade chart is perfect for bands of any size to work up in a snap. With limited ranges and rhythms, this arrangement still delivers a big sound for younger groups and can be ready quickly for that last minute holiday parade in very little time.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral & Classroom Music Specialist

Shaped by Sound: Responding and Connecting to Music by Krista Hart
Music is more than just sound – it reflects who we are, where we come from, and how we connect with the world. “Shaped by Sound” provides ready-to-use lessons that bring the Responding and Connecting national standards to life. With guided listening experiences, thought-provoking discussions, creative projects, and thoughtful journaling, this resource helps students analyze how music expresses emotion, shapes culture, and tells powerful stories.

Whether they’re comparing genres, unpacking the intent behind lyrics, or discovering how music connects to their own lives, students will develop critical listening skills and a stronger personal connection to music.

Get ready to spark curiosity, inspire reflection, and help students see music in a whole new way!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.