News & Views Saturday, December 21, 2024

recommended by Christopher B., Organ Music Specialist

Prepare the Way arr. Howard Helvey
Howard Helvey has created four exquisite settings of wonderful Advent selections for organ. Beautifully capturing the mystery and wonder of Advent, the book contains Intrada on “Conditor alme siderum’ (Creator of the Stars of Night); Prelude on “Nun komm, der Heiden Heiland” (Savior of the Nations, Come); Meditation on “Es ist ein Ros” (Lo, How a Rose E’er Blooming) and Flourish on an English Carol (Tomorrow Shall Be My Dancing Day). This will be a special treat for the player and all to experience during the holy season of Advent.

A Sleigh Ride for Three! by Leroy Anderson/arr. Robert Gower
Saddle up your one-horse open sleigh for a Leroy Anderson organ joy ride! In this mini collection, accomplished arranger Robert Gower has put his masterful touch on three Anderson gems: “Song of the Bells,” “A Trumpeter’s Lullaby,” and “Sleigh Ride.” The result is an addition to your concert repertoire that will thrill player and listeners alike, while celebrating the genius of one of America’s most beloved composers.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

Toccata on NICEA (Holy, Holy, Holy) arr. Page Long
Page C. Long has set one of the most well-known hymn tunes as a grand toccata for organ. He has also included a powerful choral section in the middle of the work that leads into a fanfare conclusion that will stir any audience or congregation. It will be a joy to perform. A sure winner!

Recessional on Hymn to Joy arr. Matthew H. Corl
Beethoven’s famous theme is used in a unique setting that varies from a 6/8 meter to more of a 3/4 feel. This arrangement is at the intermediate level, but sounds much more difficult. A rather simple pedal part supports bright, running patterns in the manuals, all leading to a grand conclusion. A large registration will make this piece most effective.

Three Preludes on Hymn Tunes by Leo Sowerby arr. Peter Stearns
A beautiful, contemporary-styled collection of hymn preludes such as this one, at intermediate level, will make a perfect addition to any organist. Titles include: Prelude on “Taylor Hall” (Peace in Our Time, O Lord); Prelude on “Rosedale” (Come, Risen Christ); and Prelude on “Palisades” (Strong Son of God, Immortal Love).

Fête by Jean Langlais
Long unavailable, this edition by the French master is back again by popular demand for a whole new generation of organists. This is sure to remain a mainstay in organ literature. On the AGO National Performance List.

Variations on Chester arr. David Stills
David Stills, a leading Atlanta organist, has concertized throughout the United States and Europe and was the organist for the funeral of Dr. Martin Luther King, Jr. Beginning with a straightforward introduction of the “Chester” theme, Mr. Stills has created five unique variations suitable for the church service or for concert performance.

Variations on Simple Gifts arr. James Pethel
James Pethel has created a beautiful, concise piece on the Shaker hymn tune better known as “Simple Gifts.” Opening with a bright solo flute, the piece moves to lush chords with a solo melody, then builds gradually to the melody on a solo reed before ending quietly. A truly touching and inspiring arrangement for organists. A must!

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

Easy Piano-Organ Duets Volume 3 arr. Marianne Kim
Immerse yourself in a musical journey with Marianne Kim’s Volume III of “Easy Piano-Organ Duets.” Featuring her heartfelt arrangements, this collection infuses loving hymns, Christmas carols, and Easter, and Thanksgiving hymns, with a touch of jazz and fresh harmonies. Perfect for musicians of all levels, experience the harmonious convergence of tradition and creativity. Let these arrangements unlock a tapestry of emotion, creating moments of reflection and shared musical joy. Titles include: “Christ the Lord Is Risen Today,” “Fairest Lord Jesus,” “Go, Tell It on the Mountain,” “He’s Got the Whole World in His Hands,” “How Great Thou Art,” “Let Us Break Bread Together,” “O Come, O Come, Emmanuel,” “O Little Town of Bethlehem with It Came Upon the Midnight Clear,” “The Gift of Love,” and “We Gather Together.”

Easy Piano-Organ Duets Volume 2 arr. Marianne Kim
50 years ago, Donald P. Hustad and Tedd Smith arranged “Easy Duets for Piano & Organ for the Church.” That collection continues to be one of the best-selling keyboard books in the Hope catalog. Creative arranger, Marianne Kim, now offers us a follow-up collection of ten accessible duets for piano and organ. Included are titles for Christmas, Lent, Easter and general occasions. Titles include: “Crown Him with Many Crowns,” “O Sacred Head, Now Wounded,” “Silent Night, Holy Night,” “Amazing Grace,” “Be Thou My Vision,” “Great Is Thy Faithfulness,” “How Firm a Foundation,” “It Is Well with My Soul,” “Joyful, Joyful, We Adore Thee,” and “Praise to the Lord, the Almighty.”

Easy Piano-Organ Duets for the Church arr. Tedd Smith & Don Hustad
Eleven popular arrangements taken from their Crusade repertoire and simplified for easy sight-reading. Titles include: “All Glory, Laud and Honor,” “Come, Thou Fount of Every Blessing,” “Come, Ye Sinners, Poor and Wretched,” “Faith of Our Fathers,” “For the Beauty of the Earth,” “Lead Me to Calvary,” “O Master, Let Me Walk with Thee,” “Onward, Christian Soldiers,” “Tell Me the Old, Old Story,” “We’re Marching to Zion,” and “When I Survey the Wondrous Cross.”

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

The Holy City: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s signature jazz-tinged style pervades this new collection of hymn settings. Nearly all the hymn tunes are American in organ, including folk hymns, spirituals, and 19th century gospel songs. Varied characters provide music useful for preludes, offertories, or postludes throughout the church year. Titles include: “What a Friend We Have in Jesus,” “All the Way My Savior Leads Me,” “Battle Hymn of the Republic,” “Come, Thou Fount of Every Blessing,” “I’ve Got Peace Like a River,” “If Thou But Suffer God to Guide Thee,” “Jesus Loves the Little Children,” “Postlude on The Holy City,” and “We Shall Overcome.”

More Love to Thee: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s jazz-influenced style is in full evidence in this collection of pieces based on familiar hymns. The works range in size from several shorter preludes and postludes to two extended sets of variations particularly suitable for concert. The setting of the spiritual “Do, Lord” also includes an optional part for trumpet. Titles include: “More Love to Thee, O Christ,” “America, the Beautiful,” “Do, Lord,” “Variations on The Church in the Wildwood,” “Lauda Anima,” “Variations on Handel’s Sarabande,” and “God Be with You Till We Meet Again.”

Spirituals for Organ: Vibrant Settings with Jazz Spirit arr. Marianne Kim
The music and lyrics of African American spirituals form a rich tradition that has become an important part of Christian worship across the world. They were strong expressions of deep religious faith in the midst of tremendous adversity, and it is through that resonance that they speak powerfully to the hearts of Christians today. Marianne Kim’s organ music always draws on jazz, blues, and gospel elements-styles that (because of their shared African American roots) are especially effective when applied to spirituals. These pieces will be useful as preludes, offertories, and postludes. Titles include: “Every Time I Feel the Spirit,” “Down by the Riverside,” “Ain’t-a That Good News,” “Fix Me, Jesus,” “Jesus Walked This Lonesome Valley,” “Let Us Break Bread Together,” “My Lord, What a Morning,” “Steal Away,” and “Swing Low, Sweet Chariot.”

Lead, Kindly Light: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s style blends both jazz and classical influences to create vibrant and expressive music for worship. In this volume, she has arranged a number of beloved hymns of the faith for use as preludes and postludes. Also included are three original meditations that can be played separately or as a suite of expandable length for Communion. Titles include: “Grace,” “Hail to the Brightness of Zion’s Glad Morning,” “I Want Jesus to Walk with Me,” “Lead, Kindly Light,” “Meditation Suite,” “Once to Every Man and Nation,” “Sweet Hour of Prayer,” “Were You There?,” and “Something for Thee.”

Jazz Hymns and Spiritual Songs: Soulful Organ Settings for Worship or Recital arr. Marianne Kim
Deeply rooted, heartfelt harmonies and rhythmic nuance combine to produce a wealth of material to uplift and bless your congregation. Featuring a varied gathering of styles and moods, these amazing selections based on some of the best-loved melodies of the church are fun to play and a joy to hear. Titles include: “Savior, Like a Shepherd Lead Us,” “Deep River,” “Wonderful Words of Life,” “Nobody Knows the Trouble I’ve Seen,” “Pass Me Not, O Gentle Savior,” “Blessed Assurance,” “Sometimes I Feel Like a Motherless Child,” “Joshua Fit the Battle of Jericho,” “Beneath the Cross of Jesus,” and “In the Sweet By and By.”

Hymns of Faith: Organ Settings with Jazz Spirit arr. Marianne Kim
In this organ collection, Marianne Kim arranged some of her favorite hymns with her signature jazz-influenced style. Included are eight familiar hymns of faith and assurance, most of which are drawn from the beloved American gospel tradition. Also included is one exciting original postlude. Titles include: “Blessed Assurance,” “I Need Thee Every Hour,” “Jesus Loves Me,” “Joy, Love, and Peace,” “My Jesus, I Love Thee,” “Nearer, My God, to Thee,” “Only a Step to Jesus,” “Softly and Tenderly,” and “Leaning on the Everlasting Arms.”

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

So You Want to Be a Music Major: A Guide for High School Students, Their Parents, Guidance Counselors, and Music Teachers by Robert Franzblau
This book details the fundamental knowledge, skills, and attitudes that prospective music majors need in order to make a successful transition from high school to college. Specific exercises are offered, along with supporting online resources. It also suggests steps that parents, high school guidance counselors, and music teachers can take to identify, encourage, and guide future musicians and music educators.

Majoring in Music: All the Stuff You Need to Know by Rich Holly
Highlights the major components for survival and success during the formative years in a college, university or conservatory and provides examples and strategies to greatly assist the student musician. With no-nonsense advice and practical tips, this guide will prepare music students (and their parents!) to meet the many challenges, and take advantage of the opportunities afforded them during the glorious college years.

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recommended by Christopher B., Organ Music Specialist

The Ultimate Organ Book for Weddings, Funerals, and the Church Year arr. Hal Hopson
This collection is a comprehensive compilation of organ music including a total of 151 titles. It is perhaps the most exhaustive volume of its type to have ever been published. The compiler has given careful attention to the needs of the church organist for interesting and practical organ literature of varying levels of difficulty for weddings, funerals, ordinary times in the church year, and for special seasons and days.

God of Grace (A Compilation of Favorites for Organ) arr. Paul Manz
Paul Manz’s hymn improvisations have long been essential repertoire for church organists. This collection of previously published works combines favorite improvisations on hymns that have wide ecumenical appeal. The collection contains complete indexes of all Manz publications and recordings. This will be used week after week by organists in all denominations. It is also appropriate for students.

Hymn Tunes A to Z arr. Douglas E. Wagner
In the spirit of our great tradition of hymns as vehicles for praise, prayer, and introspection, Douglas E. Wagner has assembled an eclectic mix of creative hymn-tune settings by twenty-one writers, with at least one tune corresponding to every letter of the alphabet! This wire-bound, budget-stretching worship resource provides countless choices for service use and contains a detailed table of contents and a handy tune index.

50 Hymn Trios for Organ arr. Wolfgang Rübsam
These short trios were designed to be performed as hymn introductions, short preludes or brief hymn meditations. They are highly accessible (almost sight-readable) and extremely flexible, and will prove a welcome addition to the library of organists with limited practice time. This amazing collection is presented in church year order and contains trios based on 50 familiar hymn tunes. From Advent through Pentecost, Rübsam’s trios are scored for a two-manual instrument, making them accessible to the majority of organists. In short, this collection of “50 Hymn Trios for Organ” is easily accessible, extremely versatile, and will be a welcome addition to any organist’s library!

The Creative Use of Organ in Worship by Hal Hopson
An extensive resource of 250+ hymn reharmonizations, plus 21 ways to improvise hymntunes for use as service music, along with a complete listing of modulations and 5 harmonizations for The Doxology.

Sunday Morning Organist, Volume 5: The Best of the St. Cecilia Series
The original Saint Cecilia Series was aptly named for the patron saint of musicians who has often been represented in art as playing the organ. This special edition of the Sunday Morning Organist includes many of the most famous pieces from the original H.W. Gray Series compiled into one convenient resource for professional organists. Many musical genres are represented including traditional hymn tunes, gospel songs, American folk melodies, classical favorites, as well as Christmas and wedding selections. “Best of the Saint Cecilia Series” provides a valuable collection of performance pieces for the church organist.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

National Hymn (God of Our Fathers) arr. Mark Thewes
From the opening trumpet fanfare to the powerful, dramatic ending, organists a nd congregations will thrill at this exceptional setting of the familiar hymn tune, National Hymn. The piece calls for a big trumpet stop, but this can be echoed on a different manual if the stop is unavailable. A sure winner – don’t miss this exciting arrangement.

Meditation and Variations on America arr. Jan Linker
A meditation and a theme and variations on “America.”

The Star-Spangled Banner (Concert Variations) arr. E. Power Biggs
Here’s a creative and exciting presentation of “The Star Spangled Banner” like none other for organ. The moving and delightful concert variations style will keep the audience engaged and eager to hear more. Edited by the legendary E. Power Biggs.

Mine Eyes Have Seen the Glory arr. Jan Linker
Four patriotic hymns arranged for organ. The collection contains: “Eternal Father, Strong to Save,” “Faith of Our Fathers,” “God of Our Fathers,” and “Mine Eyes Have Seen the Glory.”

A Patriotic Suite arr. Charles Callahan
Effective on small and large instruments. Includes: “Processional on Eternal Father, Strong to Save” (MELITA), “Improvisation on O Beautiful, for Spacious Skies” (AMERICA THE BEAUTIFUL), and “Theme, Variations, and Finale on The Star-Spangled Banner” (AMERICA).

Sousa Marches for Organ arr. Martin Setchell
The “March King” John Philip Sousa (1854-1932) wrote over 100 marches for his world-famous band. Eight of these famous marches are included in this collection. Titles include: “El Capitan,” “King Cotton,” “Semper fidelis,” “The Gladiator,” “The Liberty Bell,” “The Stars and Stripes Forever,” “The Thunderer,” and “The Washington Post.”

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

Sunday Morning Organist Volume 7: Voluntaries Without Pedal selected and edited by Alexander Schreiner
This volume of very useful and beautiful church pieces was initially assembled by famed Mormon Tabernacle organist, Alexander Schreiner. There is a great variety of repertoire included, from transcribed works and hymn arrangements to well-known wedding pieces and thoughtful miniatures, offered in a mixture of formats, without pedal notation, and suitable for both large and small instruments. Works of many of the great classical masters are represented, and registration suggestions are included.

Organ Music for Manuals Only selected by Rollin Smith
This unique collection is devoted solely to original organ music without pedal. Includes Serenade to the Madonna, part of 3 pieces by Berlioz; a Barcarolle and Prayer by Saint-Saëns, a portion of another 3-piece set; 3 rhapsodies and communion music by Bizet; plus other organ classics by Liszt, Gounod, Cui, Dupré, Vierne and Gliére.

A Treasury of Organ Music for Manuals Only selected and edited by Rollin Smith
Many organists prefer to play the manuals only without pedal. This second Dover collection of organ music without pedal features a wide selection of works ranging from Bach to Satie. Contents include Pachelbel, Canon; Handel, Voluntary, Op. 38, No. 5; Mozart, Adagio, K.356; Franck, Petit Offertoire; Vierne, Berceuse; Couperin, Chaconne in G Minor; plus works by Purcell, Arne, Haydn, Liszt, Mendelssohn, and others.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

The Art of Hymn Playing by Charles Callahan
Charles Callahan is not only known as a respected composer and recitalist, but is also known as a creative church musician. His years of leading worship from the console are reflected in this expansive collection of useful pieces. Contains over 250 introductions, preludes, alternate harmonizations, and free accompaniments. This collection will stay on the organ console of organists for many years to come.

The Art of Hymn Playing, Volume 2 by Charles Callahan
Charles Callahan’s years of leading worship from the console are reflected in this second expansive collection of useful pieces for the church organist. A follow-up to his highly successful first volume, this edition once again offers over 250 new introductions, preludes, alternate harmonizations, and accompaniments. A CD is also included of the composer playing several of these settings.

The Creative Use of Organ in Worship by Hal H. Hopson
An extensive resource of 250+ hymn reharmonizations, plus 21 ways to improvise hymntunes for use as service music, along with a complete listing of modulations and 5 harmonizations for The Doxology.

Creative Hymn Playing: Improvisation, Exercises and Repertoire by Michael Burkhardt
Discover new ways to think about playing hymns with this performance guidebook for organists! A great tool to help improve hymn playing and invigorate congregational singing. Features include: 1. An overall view of hymn playing in the context of worship; 2. Dual use-tips for improving as well as literature for service playing; 3. An introduction to core improvisation techniques and skills; 4. Sequentially structured core improvisation preparation exercises; 5. 30 written improvisation on hymn tunes further illustrating core improvisation techniques and forms, useful as hymn introductions and voluntaries in worship.

Practically Perfect Hymn Playing: An Organist’s Guide by Albert Zabel
Hymn playing is an essential part of meaningful worship and, when done accurately and enthusiastically, it can inspire great singing in your choir and congregation. Unfortunately, we don’t become skilled hymn players simply by slipping on our organ shoes. And while it will still take practice, this concise manual, written in the personable, accessible style of veteran composer, author, and organist, Albert Zabel, certainly makes things easier. Within its pages is a step-by-step presentation of the techniques you need to be a good hymn player, with exercises to reinforce each skill. Also included are twenty-five of our best-known and beloved hymns — notated as they should be played, not as they appear in hymnals – each of which corresponds to a hymn tune included in Mr. Zabel’s previous guide, Practically Perfect Pedaling.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

Album of Trumpet Tunes for Organ arr. Dale Tucker
This collection contains 29 pieces for organ involving the solo trumpet stop, making it useful for church, recitals, weddings, and various other festive occasions. A variety of works from master composers like Henry Purcell, Jeremiah Clarke, John Stanley, and Flor Peeters is represented along with contemporary trumpet tunes written by some of your favorite contributing writers to the Belwin and Warner Bros. catalog.

Five Trumpet Tunes by David Lasky
A small collection of five Trumpet Tunes that can be used in weddings, worship, or in recitals. Includes a stately Introduction and Trumpet Tune in D; a lively Tune in A minor; a sprightly Tune in C; a spirited Tune in G, and a joyful Tune in F.

Festive Trumpet Tune by David German
Throughout the years, the sound of the trumpet has been symbolic of great entrances and celebrations. That sound is featured in this work, and may be played by the organist or a trumpet soloist. Truly a festive work, this is a joyful and exciting piece which is advanced in difficulty. Perfect for wedding processionals!

Dance of the Trumpets arr. Diane Bish
Dedicated to Janet Jarriel, Bish’s friend and agent. An energetic piece for manuals and pedals, of intermediate to advanced difficulty. The music was inspired by Psalm 150.

Trumpet Tunes for Organ arr. Robert A. Hobby
The original intent for these wonderful trumpet tunes was that most of these works be performed by organ alone with a solo reed stop. However, trumpet parts have been provided for some of these as a performance option. Parts are included. Quite exciting!

Trumpet Tunes for Organ arr. David N. Johnson
Not only the best of David N. Johnson’s trumpet tunes, but some never-before-published tunes are collected into this collection. Organists will also appreciate having access to his cycle of processionals, built on the circle of fifths, which can serve as a stand-alone concert piece, or be used one at a time for festive postludes and voluntaries. The volume includes Johnson’s popular Trumpet Tune in D, which is heard regularly on National Public Radio.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

Be Joyful (12 Postludes on Familiar Hymns) arr. Charles Callahan
Callahan imbues each of these 12 tunes with a sense of fun, thus the title of this collection. These are big, buoyant pieces, a perfect way to end worship or punctuate a recital. Varied in difficulty levels, but none are daunting to learn. Titles include: “Coronation,” “Dix,” “Duke Street,” “Engelbert,” “Hyfrydol,” “Hymn to Joy,” “Jefferson,” “Judas Maccabeus,” “Nun danket alle Gott,” “Regent Square,” “Simple Gifts,” and “The Ash Grove.”

Eight Quiet Preludes on American Hymntunes arr. Charles Callahan
Eight beautiful and calming settings of favorite American hymn-tunes. These settings could easily become standards in any organist’s repertoire. Titles include: “Assurance,” “Beecher,” “Dunlap’s Creek,” “Jesus Loves Me,” “Lacquiparle/Lac Qui Parle,” “Let Us Break Bread,” “Materna,” and “Samanthra.”

Alleluia: A Postlude Collection by Charles Callahan
Compiled and edited by Charles Callahan, this useful collection includes pieces by himself and the composers Campra, Fiocco, Hesse, Salome, Foote, and Spence.

O God Beyond All Praising arr. Charles Callahan
Charles Callahan’s imaginative arranging skills are applied; the result is a volume of noble and useful music. Titles include: “Agincourt Hymn,” “Jerusalem,” “King’s Lynn,” “Repton,” “Terra Beata,” “Thaxted,” and “Thornbury.”

The Rejoicing by Charles Callahan
Includes past favorites that have been revised as well as new material. Titles include: “Postlude on St. Denio,” “Celebration,” “The Rejoicing from Suite in G,” “Trumpet Tune from Suite in D,” “Toccata on Lasst uns erfreuen,” “Postludium on Ein feste Burg,” and “Postlude on Darwall’s 148th.”

English Hymn Tune Suite arr. Charles Callahan
Full of color and variety, these settings will delight you and your congregation. Detailed suggestions on registrations will help you achieve the full effect of Charles Callahan’s vision of these five beloved English hymn tunes: DEO GRATIAS; LAUDATE DOMINUM; KINGSFOLD; NICAEA; and THAXTED. Accessible but satisfying.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

Oxford Book of Organ Music by Women Composers
“The Oxford Book of Organ Music by Women Composers” presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned pieces. The music is stylistically varied and encompasses both secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument.

Female Composers
A treasure house with organ pieces by female composers complete with composer bios. Contents: Elisabeth Stirling (1819-95), Movement • Elfrida Andrée (1841-1929), Andante and Larghetto • Cécile Chaminade (1857-1944), Marche funèbre • Ethel Smith (1858-1944), Prelude and Fugue on ‘O Traurigkeit, o Herzeleid’ • Nadia Boulanger (1887-1979), Prélude, Petit Canon and Improvisation • Elsa Barraine (1910-1999), Prélude et Fugue • Ruth Zechlin (geb. 1926), Laudate • Emma Lou Diener (geb. 1927), Fiesta • Sieglinde Ahrens (geb. 1936), Invocation • E. Stirling: Movement Ab-major • E. Andrée: Andante • Largo • C. Chaminade: Marche funèbre op. 171 • E. Smyth: Prelude and Fugue on “O Traurigkeit, o Herzeleid” • J. Senfter: Fantasie und Fuge G major “Wie schön leuchtet der Morgensterin” op. 30 • N. Boulanger: Prélude • Petit canon • Improvisation • E. Barraine: Prélude et Fugue • J. Demessieux: O filii (Variations) • E. Szöny: Dance tune • R. Zechlin: Laudate • E.L. Diemer: Fiesta • L. Robert-Diessel: Song-B. • Heller: Persian Song • Notte di Maggi/A night in May • S. Ahrens: Invocation • I. Loudová: Monument • V. Dinescu: Rows of Symbols • E.M. Houben: Chorale Prelude “Nun komm, der Heiden Heiland” • D. Koptein: Chorale Fantasia “Ach wie flüchtig, ach wie nichtig” op. 4.

Women Composers’ Album
A wonderful collection of largely unexplored yet charming works. Fifteen composers are represented, Clara Schumann and Fanny Mendelssohn Hensel among them. Titles include: “Rigaudon” and “Rondeau” by Elizabeth Jacquet de la Guerre; “March in D,” “Aria,” and “Gigue” by Elizabeth Turner; “Allegro in D” by Anna Bon; “Andante Espressivo” by Hélène Riese Liebmann; “Chorale, Op. 3, No.” and “Andante, Op. 3, No. 5” by Fanny Mendelssohn Hensel; “Prelude in g minor, Op. 16, No. 1” by Clara Schumann; “Duo” by Elizabeth von Herzogenberg; “Postlude in f minor” by Luise Adolpha Le Beau; “Postlude: Introduction and Fugue” by Adela Douglas-Pennant; “Andante espressivo (Sonatine)” by Hedwige Chrétien; “Even Song” and “Andante Grazioso (Introductory Voluntary)” by Kate Boundy; “Chorale” by Alice Sauvrezis; “Invention dans le style ancient” by Henriette Renié; “Adoration” by Florence B. Price; and “Berceuse” by Germaine Tailleferre.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

Peter Schickele (1935-2024) was an American composer, musical educator, and parodist, best known for comedy albums featuring his music, which he presented as being composed by the fictional P.D.Q Bach, the “youngest and the oddest of the twenty-odd children” of Johann Sebastian Bach.

Little Pickle Book (Pöckelbüchlein) (S. 6) by P.D.Q. Bach/tastefully edited by Peter Schickele, for Organ, at least
1. Toccata et Fuga Obnoxia
2. Chorale Prelude: Ave Maria et Agnus Dei
3. Fantasia sopra “Fraülein Maria Mack”
4. Lullaby and Good Night

Three Chorale-Based Piecelets (S. III) by P.D.Q. Bach/edited, in a highly organized fashion, by Peter Schickele, for Organ
I. Chorale: “Orally”
II. Chorale Prelude on an American Hymn for the Last Sunday Before the Fourth Day of the Seventh Month After New Year’s Eve
III. Chorale Variations on “In der’ Nacht so hell der Petrus ist mein Freund”

Sonata da Circo (Circus Sonata) (S. 3 Ring) by P.D.Q. Bach/whipped into shape by Peter Schickele, for Organ or Whatever
I. Spiel Vorspiel
II. Entrada Grande
III. Smokski, the Russian Bear
IV. Toccata Ecdysiastica

Toot Suite (S. 212) by P.D.Q. Bach/scholarly edited by Peter Schickele, for Calliope or Organ, 4-hands
I. Preloud
II. O.K. Chorale
III. Fuga Vulgaris

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

With High Delight arr. Kenneth Kosche
The title of this collection says it all. These seven settings are imbued with a sense of fun and vitality. The pieces are three to five pages in length. The vibrant, active nature of them precludes sight reading them in public (who does that?) but they are not daunting to learn. Titles include: “Awake, My Heart, with Gladness,” “Christ Is Alive! Let Christians Sing,” “Come, You Faithful, Raise the Strain,” “I Know That My Redeemer Lives,” “Now the Green Blade Rises,” “This Joyful Eastertide,” and “With High Delight.”

Easter Glory! arr. Michael Shea
Energize and enrich the glorious Easter experience with this compendium of exciting and brilliant preludes and postludes, all designed for the musical majesty of our risen Christ. Classic compositions, hymn tune arrangements and original creations leap off of the page in this festive collection – “Welcome, Happy Morning,” indeed! Titles include: “Joy Dawned Again on Easter Day,” “An Easter Fanfare,” “Fling Wide the Gates,” “Christ Is Risen Alleluia,” “Introduction Variation and Finale on St. Kevin,” “Hail to the King,” “He Is Risen He Is Risen,” “The Trumpet Shall Sound,” “The Strife Is O’er,” “The King of Glory,” “Prelude on Llanfair,” “Awake the Dawn Appears,” “Christ the Lord Is Risen Today,” “Easter Dialogue,” and “Welcome Happy Morning.”

Five Preludes for Easter arr. David Schelat
David Schelat always has a fresh approach (stylistically, rhythmically, or harmonically) to the tunes he uses, and this collection is no exception. If you think, “Oh, not THAT tune again,” you need to take another look because he will surprise you. EASTER HYMN is set to a lilting waltz, LANCASHIRE as an imitative trio, GAUDEAMUS PARITER as a lively dance, GELOBT SEI GOTT as a fugal setting with a cantus firmus in the pedal, and CHRIST IST ERSTANDEN as a baroque slow movement with a solo for cornet registration. Interesting and rewarding to play and hear.

7 Intonations on Hymns for the Easter Season, Volume 2 arr. David Lasky
We answered your requests for more of these extremely useful intonations on Easter hymns. Lasky uses these familiar tunes in intermediate level settings for organ. We’ve also included the optional trumpet parts. Hymn tunes in this volume are “Duke Street,” “Hyfrydol,’” “Hymn to Joy,” “Lasst uns Erfreuen,” “’Mit Freuden Zart,” “Surgit in Haec Dies,” and “Vruechten.” Useable throughout the church year.

Raise the Glad Refrain arr. Kyle Johnson
Kyle Johnson has written a joyful and versatile collection of organ settings for the Easter season that includes an optional trumpet score. Of medium length and difficulty, the pieces could be paired together to create a longer prelude or postlude. Titles include: “Alleluia! Sing to Jesus,” “Christ Is Alive! Let Christians Sing,” “Christ Jesus Lay in Death’s Strong Bands,” “Come, You Faithful, Raise the Strain,” “Day of Delight and Beauty Unbounded,” “I Know That My Redeemer Lives!,” and “The Day of Resurrection.”

Easter with Minimum Pedal arr. Edwin T. Childs
Edwin T. Childs adds to his series of settings for minimum pedal, providing a collection of hymn tunes for the Easter season. Composed as a single stanza, these preludes are suitable as hymn introductions or service music. This collection will appeal to organists who have limited pedal abilities or seasoned organists who need something in a pinch. Titles include: “Long Before the World Is Waking,” “Christ Is Risen, Christ Is Living,” “Christ Is Arisen,” “Christ Jesus Lay in Death’s Strong Bands,” “I Know That My Redeemer Lives,” “Alleluia! Jesus Is Risen,” “Jesus Christ Is Risen Today,” “I Am Content! My Jesus Ever Lives,” “Come, You Faithful, Raise the Strain,” “O Sons and Daughters of the King (Good Christian Friends, Rejoice and Sing),” “Alleluia, Alleluia! Hearts to Heaven,” “The Day of Resurrection,” “Now All the Vault of Heaven Resounds,” “Christ the Lord Is Risen Today, Alleluia,” “Christ Has Arisen, Alleluia,” “All the Earth with Joy Is Sounding,” “Christ the Lord Is Risen Today,” “These Things Did Thomas Count as Real,” “Our Paschal Lamb, That Sets Us Free,” “If Christ Had Not Been Raised from Death,” “This Joyful Eastertide,” “He’s Risen, He’s Risen,” “He Is Arisen! Glorious Word,” and “Make Songs of Joy.”

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

More Hymns, Pipes & Praise arr. Anna Laura Page
Contemporary worship songs have become integrated into traditional worship, and here’s a “second serving” of the skillful and tasteful blending of more popular worship songs with hymns for the organ. Titles include: “Awesome God (with All Glory, Laud, and Honor),” “Because He Lives (with Blessed Assurance),” “Before the Throne of God Above (with Great Is Thy Faithfulness),” “Blessed Be Your Name (with In Heavenly Love Abiding),” “El Shaddai (with What a Friend We Have in Jesus),” “How Deep the Father’s Love for Us (with And Can It Be),” “I Could Sing of Your Love Forever (with When In Our Music God Is Glorified),” “Open the Eyes of My Heart (with O Worship the King),” “10,000 Reasons (Bless the Lord) (with How Great Thou Art),” and “What a Beautiful Name (with Glorious Is Thy Name).”

Hymns, Pipes & Praise arr. Anna Laura Page
Ten medleys of hymns blended with praise songs very nicely arranged for organ. Titles include: “Amazing Grace (with Amazing Grace My Chains Are Gone),” “Holy Is the Lord (with Lord, I Lift Your Name on High),” “My Jesus, How I Love Thee (with I Love You, Lord),” “How Great Thou Art (with How Great Is Our God),” “Fairest Lord Jesus (with As the Deer),” “No, Not One! (with Shout to the Lord),” “When I Survey the Wondrous Cross (with There Is a Redeemer),” “O Worship the King (with Here I Am to Worship),” “Precious Lord, Take My Hand (with In Christ Alone),” and “Holy, Holy, Holy (with Holy Is the Lord).”

Hymns, Pipes & Classics arr. Anna Laura Page
Ten medleys of hymns blended with classic works by Bach, Handel, Mendelssohn and Mozart. Titles include: “Ash Grove (with Handel’s Thanks Be to God),” “Hyfrydol (with He Shall Feed His Flock),” “Gentle Mary Laid Her Child (with Sheep May Safely Graze),” “Infant Holy (with Jesu Joy of Man’s Desiring),” “Fairest Lord Jesus (with Bach’s My Heart is Ever Faithful),” “Sweet Hour of Prayer (with Nocturne),” “My Faith Looks Up to Thee (with Ave Verum),” “St. Agnes (with Mendelssohn’s If With All Your Hearts from Elijah),” “Hanson Place (with Prelude in C Major by Bach),” and “Lancashire (with Allitsen’s The Lord Is My Light).”

The King of Heaven arr. Anna Laura Page
All five hymn tunes included in have one theme: Praise to God, the Father. These settings will offer great ideas to organists in planning service music, including preludes, postludes, and ideas for hymn introductions, alternate hymn harmonizations, and codas appropriate for congregational singing. Titles include: “I’ll Praise My Maker,” “Praise the Lord! Ye Heavens Adore Him,” “O for a Thousand Tongues to Sing,” “Praise the Lord Who Reigns Above,” and “Praise, My Soul, the King of Heaven.”

I Will Ever Sing to Thee arr. Anna Laura Page
Anna Laura Page has created eight accessible arrangements of familiar hymn tunes, each primarily associated with a text related to the theme of music itself or singing. These useful pieces make excellent voluntaries throughout the church year and will be especially welcome for festival services that involve a musical focus. Titles include: “Amazing Grace,” “When in Our Music God Is Glorified,” “Fill the Earth with Music,” “How Can I Keep from Singing?,” “I Will Sing of My Redeemer,” “Sing Praise to God Who Reigns Above,” “Oh, for a Thousand Tongues to Sing,” and “When the Morning Stars Together.”

And Through Eternity I’ll Sing On arr. Anna Laura Page
From the creative spirit of Anna Laura Page comes this volume of hymn tune settings that resonate with themes most deeply felt during the Lenten and Holy Week seasons: grief, suffering, repentance, prayer, and contrition. Each of these nine spirituals is a masterpiece in miniature, drawing us all closer to the cross of Christ at this most sacred time of year. Titles include: “There Is a Balm in Gilead,” “What Wondrous Love Is This,” “Were You There When They Crucified My Lord?,” “Sometimes I Feel Like a Motherless Child,” “My Lord, What a Morning,” “Surely He Died on Calvary,” “Jesus Walked This Lonesome Valley,” “He Never Said a Mumbalin’ Word,” and “I Am a Poor, Wayfaring Stranger.”

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Christopher B., Organ Music Specialist

King of Kings: Organ Music of Black Composers, Past and Present compiled and edited by James Abbington
An important contribution to the repertoire for both the church organist and the recitalist! In this unique series you’ll find organ works by composers from the late 19th century to the present day.

King of Kings Volume 1
Titles include: “King of Kings” arr. Ralph Simpson; “A Little More Faith in Jesus” arr. John W. Work III, “Jesus, Keep Me Near the Cross” arr. D.L. White, “Lord, Build Me a Cabin in Glory Land,” “Were You There,” and “Triumphal March of Heritage” by Uzee Brown Jr.; “Retrospection” by Florence B. Price; “Offertory” by H. Leslie Adams; “Talk About a Child That Do Love Jesus” arr. Calvin Taylor; “Arietta,” “Melody,” and “Elegy” by Samuel Coleridge-Taylor; and “Go Down, Moses” arr. W.C. Handy/adapt. Walter C. Simon.

King of Kings Volume 2
Titles include: “Fanfare and Chorale” by Calvin Fuller; “Prayer: An Offertory” by George Walker; “Adoration,” “A Pleasant Thought,” and “In Quiet Mood” by Florence B. Price; “Bye and Bye” and “Wade in duh Waddah!” arr. William Farley Smith; “Impromptu” by Samuel Coleridge-Taylor; “Give Me Jesus” arr. Marques L.A. Garrett; “Go Down, Moses,” “Yoruba Lament,” and “Joshua Fit de Battle ob Jericho” arr. Fela Sowande.

King of Kings Volume 3
Titles include: “Toccata on Good News” by Carl MaultsBy; “Prelude on I Am Thine, O Lord” by Monte Thomas; “Jubilate” by Fela Sowande; “Variations on a Theme by Ellie” by Trevor Weston; “Churchyard Chatter” by Uzee Brown Jr.; “Bread of Heaven” by William B. Cooper; “Fantasy on Walk Together, Children” by André J. Thomas; “His Eye Is on the Sparrow” by Carl Haywood; and “Postlude on Go, Tell It on the Mountain” by Norah Duncan IV.

King of Kings Volume 4
Titles include: “Fanfare and Fughetta for Organ” by Julius P. Williams; “Fanfare on DARWALL’S 148TH (Rejoice, the Lord Is King)” by Evelyn Simpson-Curenton; “Fantasia (The Resurrection)” by Eurydice V. Osterman; “Finale – Allegro (from Sonata No. 1 for Organ)” by Florence B. Price; “Fugue in F” by David Hurd; “Gospel Fancy (He Knows Just How Much We Can Bear)” by Phyllis Hall; “Kyrie” by Fela Sowande; “Listen to the Lambs” by Adolphus Hailstork; “Obangiji” by Fela Sowande; “Poor Wayfaring Stranger” by Eurydice V. Osterman; “Spirit Fantasy” by Carl Haywood; “There Is a Balm in Gilead” by Adolphus Hailstork; and “Ubi Caritas” by Norah Duncan IV.

Shop Stanton’s for all your sheet music needs!

About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.