News & Views Thursday, March 27, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Songs from the Musical & Juliet arr. Mac Huff, SATB with piano and optional rhythm
From the Tony-nominated production & Juliet comes this powerhouse medley of 90s and 2000s hits, each featured in the musical. Program this showstopping selection and your audience will be sure to sing along! Titles include: “Larger Than Life,” “I Want It That Way,” “…Baby One More Time,” “That’s the Way It Is,” “Since U Been Gone,” and “Can’t Stop the Feeling!”

Songs of a Disney Sidekick (Medley) arr. Alan Billingsley, SATB with piano and optional combo
There are Disney heroes and there are Disney villains, but this rip-roaring barn-burner of a choral arrangement belongs to those fringe characters that inhabit the sideline of the story–they make us chuckle, cry, swoon, and offer up the invaluable support that the leads often need more than anything: it’s a Disney sidekick. Titles include: “Under the Sea,” “The Bare Necessities,” “Friend Like Me,” “Hakuna Matata,” and “Be Our Guest.”

Taylor Swift: Eras (Choral Medley) arr. Mark Brymer, SSA with piano and optional rhythm
Taylor Swift’s impact on the world stage is undeniable, with legions of fans worldwide clamoring to hear her sing live, accompanied by an outstanding live band. This brand-new medley has been specially created with students and teachers direct input from it’s inception, gathering the best songs of each Era, culminating in a pop culture music tableau that absolutely sparkles! Titles include: “22,” “Willow,” “Love Story,” “Getaway Car,” “Bad Blood,” “Miss Americana & The Heartbreak Prince,” “Enchanted” and “Anti-Hero.”

The Voice of Disney (The Music of the Sherman Brothers) arr. Mac Huff, 2-part with piano
Three classic Disney songs, from writers Richard and Robert Sherman, are skillfully arranged for young voices in this delightful medley: “It’s A Small World,” “Chim Chim Cher-ee,” and “I Wan’na Be Like You.”

Swingin’ with the Beatles (Medley) arr. Mac Huff, 3-part mixed with piano
Three of the Beatles’s best selling songs are arranged in a swing style in this dynamic medley: “Can’t Buy Me Love,” “Love Me Do,” and “Eight Days a Week.” Audiences will love the familiar tunes sung in a great jazz setting.

Wish (Choral Highlights) arr. Audrey Snyder, 2-part with piano
This arrangement from Disney’s animated picture, “Wish,” features these three energetic, heartfelt songs: “Welcome to Rosas,” “I’m a Star,” and “This Wish.” Each song, crafted for middle school and upper elementary singers, offers a short, yet entertaining connection to the movie’s story of courage and wonder.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

We Are Strong by Reginal Wright, SATB with piano
We are Strong celebrates the strength of synergy and collaboration when all parties move together toward a common goal. A wonderful SATB selection which can be used throughout the year and also for special occasions.

Birds of a Feather arr. Mark Brymer, 3-part mixed with piano and optional rhythm
This song by creative duo Billie Eilish and Finneas O’ Connell is about sticking with friends through thick and thin and will be a sentimental addition to any concert program. With catchy lyrics and melodies, singers of all ages will enjoy singing this earworm.

Dancing Through Life (from Wicked) arr. Roger Emerson, 3-part mixed with piano
This energetic, iconic song from the hit musical “Wicked” is fun to sing for any age, especially novice singers. Plentiful unison singing and carefully crafted harmony make it perfect for concerts with Broadway themes.

Great Adventure (from Kimberly Akimbo) arr. Roger Emerson, 3-part mixed with piano
Here’s the perfect novelty number from the hit Broadway show, “Kimberly Akimbo.” The easy swing feel enhances the song’s message to enjoy life despite not always knowing what adventures await.

We’re All In This Together (Ballad Version) arr. Roger Emerson, SAB with piano and optional rhythm
In 2006, “We’re All in This Together” was the “feel-good” song of the young generation! Already a classic in the Disney songbook, this reserved, ballad-like re-imagining from the sequel series on Disney+ proves that nostalgia begins at a very early age.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

When the Spirit Says Sing arr. Rollo Dilworth, SSA with piano
This well-loved spiritual is set for developing choirs and will be equally useful for both the contest hall and the concert stage. Your singers will want to come back to this one again and again!

There’s a Hole in the Bucket arr. Blake Richter, 2-part with piano
Children’s songs leave a legacy in our lives, and this arrangement of “There’s a Hole in the Bucket” will bring the song to life for your young singers. True to form, Blake Richter has set this song with pedagogical expertise and lots of fun!

Climbin’ Up the Mountain arr. Stacey V. Gibbs, SATB a cappella
Fun and energetic, this gospel-style a cappella arrangement of the traditional spiritual is easy to learn and dynamic to perform. There’s plenty of repetition and very little divisi, making this approachable for most mixed choirs.

I’m On My Way arr. Anthony Trecek-King, SATB with piano
Rhythmic, driving, and intense, “I’m On My Way” is a rich selection for two-part treble choruses. A lesser-known spiritual speaking to themes of home, journey, and trial. An accessible and dynamic arrangement.

This Little Light of Mine arr. Robert T. Gibson, SATB with piano
Robert T. Gibson’s fantastic arrangement of “This Little Light of Mine” will appeal to many levels of mixed choruses. Singable and skillfully arranged, this setting is fun, exciting, and captures the gentle joy of this spiritual. The piano accompaniment is simple and supportive, with room for improvisation.

Until I Reach My Home arr. Brandon A. Boyd, TTBB with piano and optional string bass & percussion or orchestra
Spirituals, folk tunes, and gospel music have enjoyed great popularity during the last century. Much is owed to collector-composers such as Nathaniel Dett for holding onto primary source materials now available to current arrangers. Here, Brandon A. Boyd provides us with a wonderful arrangement for tenor-bass voices (TTBB) with piano. A guide to “hidden messages” and pronunciation considerations is included.

I Got Shoes arr. Stacey V. Gibbs, SATB a cappella
Acclaimed conductor and arranger Stacey V. Gibbs lends his signature sound to the beloved traditional spiritual. This timeless a cappella treatment is sure to be a reliable addition to the choral repertoire for years to come. Singers will enjoy vibrant stacked harmonies, call-and-response interjections, and a joyfully ornamented “I feel better, Lord” section, which adds to growing excitement throughout. Appropriate for concert, contest, and church.

The Battle of Jericho arr. Roger Emerson, SAT(B) with piano
Now available in an expanded vocal setting, this classic Emerson-style contemporary spiritual is a great confidence-booster for rebuilding and developing choirs. With powerful and dramatic vocal effects, it makes a great concert and festival finale!

The Water Is Wide (with Bring Me a Little Water, Sylvie) arr. Rollo Dilworth, SAB with piano
Two folksongs from different origins are expertly paired in this setting for SAB choirs. Gospel harmonies and an underlying rhythmic groove add contemporary flair!

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

For Good (from Wicked) arr. Michael Brown, Grade 3
This gorgeous arrangement of the tender ballad about the love shared between best friends from the hit musical “Wicked” will be the perfect showcase of your young band’s tone, phrasing and musicianship. Masterfully scored to be either a stand alone arrangement or as an accompaniment to the choral arrangement by Mac Huff. Perfect for any concert program.

Music from Wicked arr. Michael Sweeney, Grade 2 Flex-Band
This very playable yet effectively powerful setting of highlights from the hit Broadway musical about the life and times of the Wicked Witch of the West is now available in flexible format. Titles include: “No One Mourns the Wicked,” “Dancing Through Life,” “Defying Gravity,” and “For Good.”

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Spirituals Dialect: A Practical Guide for Singers, Voice Teachers, and Choral Conductors by Rosephanye Powell
Rosephanye Powell’s brilliant guide helps singers sing, interpret, and express the meaning and beauty of the spiritual. While it is written as a quick reference for the independent singer, vocal instructor, or choral director, it can be a valuable resource for private voice lessons, diction courses, studio classes, choral classes, and any setting where spirituals are studied and performed – a brilliant resource provided by a world-class singer, composer, arranger, teacher, and scholar.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Unleashing the Potential of the Musician’s Body (Timani: Anatomy and Exercises for Healthy Playing and Singing) by Tina Margareta Nilssen
“Unleashing the Potential of the Musician’s Body” offers clear and practical tools for music professionals, students, educators, movement specialists, and therapists working with musicians. You’ll learn about relevant anatomy – in particular, joints, muscles, and fascia – and get information on how the brain and movement are linked together. You’ll find dozens of illustrated performance-targeted exercises for all parts of the body, with specific instructions for different types of instruments as well as for singers. The exercises are designed to optimize movement and make playing or singing more effortless and expressive – and through this, access more musical potential. This book also touches on subjects such as warm-ups, pain, healthy living, and self-care tips.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Bella Ciao arr. Christi Jones, 3-part mixed with piano (optional a cappella)
Jones has masterfully created an Italian song for emerging mixed choirs that affords an introduction to limited Italian text in a fun, accessible setting. Well worth the effort, whether performed with piano or optional a cappella.

La Llorona arr. Ricardo Soto, SATB with piano
Welcoming composer Ricardo Soto to the Heritage Music Press catalog, this exquisite piece, expressing the sentiments of profound sorrow and deep, inconsolable pain. “La Llorona” in Spanish refers to the one who weeps. This piece for mature high school or collegiate choirs is truly a standout with it’s expressive nature and musical challenges. With chordal dissonances that embody the feeling of sorrow, the craft of this work is truly magnificent!

Wild Mountain Thyme arr. Benjamin Knoedler, SATB with piano
Benjamin Knoedler’s setting of the popular Scottish folk tune fully displays Scottish musical character with contemporary flavor. A joy for choirs and audiences alike, this is a versatile programming option that celebrates the beauty of this lovely folk song.

La Martiniana arr. Dan Davison, SSA with piano
“La Martiniana” is closely associated with Dia de los Muertos (Day of the Dead). However, in Mexican culture, it can take on a joyful tone, rather than a somber one. Davison’s SSA arrangement is joyous! With a left hand imitative of guitar and accessible vocals, Davison captures the spirit of this cultural celebration to a tee. Highly recommend.

Aki to Fuyu (Two Songs of the Seasons) by Andrew Jacobson, SA with piano and violin
Commissioned for the Oregon MEA All-State Middle School Treble Choir, this unique set of two short pieces is a splendid addition to treble chorus repertoire. Featuring two texts by Secretary Shōtetsu, a Japanese poet and monk of the Rinzai Sect who lived during the mid-Heian period, and written in contrasting styles, the opening, deeply expressive “In the Coldness of the Night” is followed by the vibrant and lilting “Up Above the Winds.” The optional violin adds warmth and intriguing tone color to this innovative work for concert and festival appearances. A pronunciation guide and translation are provided for the Japanese lyrics.

Dúlamán arr. Cristi Cary Miller, 3-part mixed with piano
This traditional Irish Folk Song is an enjoyable tale of courtship. Set in a lively 6/8 tempo, the music expresses the cheerful optimism of a budding relationship. The Gaelic text is easy to learn and the melody will definitely remain in the hearts and minds of all who hear it.

Three Balinese Folk Songs arr. Matt Carlson, 2-part with piano
Three indigenous melodies from the island of Bali are presented in this charming suite for treble choirs. Drawing on a variety of primary sources based on extensive field research by Dr. Brent Talbot, each short song includes cultural background notes and a full pronunciation guide and translation. Arranger Matt Carlson adds simple vocal harmonies and counterlines sparingly, allowing the gorgeous melodies to shine. Piano accompaniments reflect compositional techniques of Balinese gamelan, the traditional instrumental music played across Indonesia. Titles include: “Juru Pencar,” “Jenggot Uban,” and “Putri Cening Ayu.”

Ye Banks and Braes arr. John Leavitt, TTB a cappella
A classic text combines with a Scottish tune in this accessible a cappella offering for tenor/bass choirs, making this arrangement a great choice for both the festival and concert stage.

Jumalo arr. Laura Jēkabsone, SATB divisi a cappella with bass drum or cajón
As recorded by the Latvian Voices, “Jumalo” arranged by Laura Jēkabsone is a fresh take on the Latvian folksong. With themes of power, strength, and luck, this tremendously fun setting sounds impressive, but is quite singable. Choirs and audiences will have a blast with this one!

Artza Alinu arr. Russell Robinson, SAB with piano
Robinson’s delightful setting of the traditional Hebrew folk song dances off of the page! Hand claps, opportunities for simple choreography, a pronunciation guide, and performance notes serve to enhance this energetic programming choice that is perfect for any time of the year.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Finding the Sunshine by Jim Papoulis, Unison/2-part with piano
A perfect introduction to syncopation and jazz, this sunny text reads and like a cross between Jim Papoulis and Mr. Rogers, setting the stage for a introductory number with easy vocal jazz flourishes and a even-keeled beat.

It’s a Brand-New Beautiful Day by Mary Donnelly & George L.O. Strid, 2-part with piano
Swing into happiness with a lively, up-tempo choral that’s guaranteed to put a skip in your step and a smile on your face! Crafted in a fun “swing” style with easily accessible vocal lines and a jazzy accompaniment, this infectious tune radiates with positivity and excitement, inviting singers to embrace the joy of each “brand-new beautiful day”!

Butterfly, Flutter By by Greg Gilpin, 2-part with piano
This delightfully fresh, creative original weaves together gentle harmonies, lighthearted lyrics, and a spirited accompaniment to paint a vivid picture exploring themes of growth, change, and the delicate balance of life. As the butterflies flutter by, so too will this enchanting melody flutter through your soul, leaving a sense of joy and wonder in its wake.

Now the Day Is Over by Jen Wagner, 2-part with piano
Here’s a traditional lullaby text set to original music in partner song style. At the heart of the piece, the flowing melody is paired with a descant-like counterline to create lovely harmony. The supportive piano accompaniment, moderate vocal ranges, and careful attention to voice leading make this a solid choice for developing choirs.

Au Pas, Camarades (Song of the Onion) arr. Emily Crocker, 2-part with piano
The French love their onions as you can hear in this French marching song from the 1800s. The verses tell the story (in compound meter) and the refrain helps the marchers stay in step (in duple meter). Impressive sounding and easily learned!

Dreams Were Made to Come True by Nathaniel Stine, 2-part with piano
This inspiring anthem reminds us that dreams create endless possibilities. An arpeggiated accompaniment, conservative vocal ranges, and a pop-style melody make this easy to learn and a joy to sing. Opens with an optional solo – “Dream a dream, plant a seed, hoping someday it will grow.”

There Will Be Stars by Andy Beck, 2-part with piano
“At the end of every day, there will be stars.” Stars are the inspiration for this stunning concert work that offers the reassurance only nature can bring. A lilting piano theme weaves its way through cascading vocal lines that seamlessly expand from pristine unisons into sumptuous sonorities. Your altos will especially love their “glimmering, glistening” interjections. Be sure to observe notated dynamics, which lean into several well-approached suspensions and taper to twinkling resolutions.

Little Voice arr. Audrey Snyder, 2-part with piano
“Sometimes a little voice can say the biggest things.” This beautiful Sara Bareilles ballad encourages us to find our authentic voice and courageously use it. This simplified, shortened arrangement makes an ideal piece for school choirs promising success and enjoyment.

You Are Light by Mark Burrows, 2-part with piano and optional djembe
“In the light I have found my family, I am safe to sing my song.” With a lightly syncopated, contemporary sound, this uplifting original expresses the need for a warm and welcoming community for all. Composer Mark Burrows reminds us that we can help others feel comfort and belonging simply by sharing our inner light. Perform with piano alone or with the addition of an optional djembe. Rich with opportunities for social-emotional learning.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Merrily We Roll Along (from Merrily We Roll Along) arr. Jason Robert Brown, SATB divisi with piano
The stars are aligned for Stephen Sondheim’s 1981 Broadway “failure”, which, through the eyes of time (which the musical expertly navigates, to an astounding effect), has been re-appraised as a under appreciated masterpiece from the late composer. Jason Robert Brown takes the many permutations of the main theme and pares them down to this exquisite and genuine choral arrangement.

A Brand New Day (Everybody Rejoice) (from The Wiz) arr. Connor Warren Smith, SATB with piano and optional rhythm
From the Motown-inspired musical “The Wiz,” this funky, feel-good song is a joyful celebration of fresh starts and endless possibilities. Optimistic lyrics, a funky groove, and an upbeat hook create the ultimate opener or closer for four-part show and concert choirs. Don’t miss our exuberant SoundTrax or perform with live guitar, bass, and drums.

Something About This Night (from Finding Neverland) arr. Roger Emerson, SATB with piano and optional rhythm
Sparkling with the spirit of Broadway magic, “Something About This Night” (from Finding Neverland) comes alive in this showstopping choral arrangement by Roger Emerson. Stellar vocal parts offer energetic harmonies and several opportunities for solo vocalists to shine. Easy to learn, yet instantly impressive.

Great Expectations (from The Outsiders) arr. Mac Huff, SATB with piano and optional rhythm
Coming-of-age is neither organized nor predictable. S.E. Hinton’s 1967 novel “The Outsiders,” brought first to the screen in 1983 and then to a Best Musical-winning stage production in 2024, highlights the parallels between art and life, as protagonist brothers read the Charles Dickens’ classic and muse about what life has in store for them.

Stay Gold (from The Outsiders) arr. Roger Emerson, SAB with piano and optional rhythm
Amidst the turmoil and angst the young protagonists endure in the Tony-winning musical “The Outsiders,” comes this guitar-based reprise championing a message of resilience. In the face of adversity, you can find beauty in the simple things in the world if one only remembers to look.

Corn (from Shucked) arr. Eric Van Cleave, SATB with piano and optional combo
Musical theater fans will be all “ears” for this barn-burner from Broadway’s “Shucked.” It’s a truncated version of the a-maize-ing opening number. Sing about the world’s most useful crop in a hilarious three-minute arrangement that hits all the highlights of the corny crowd-pleaser. Kicks off with a theatrical duet, breaks into a bouncy two-beat, includes a kernel of a kickline, plus some full gospel sangin’ at the end – wow!

What Was I Made For (from Barbie) arr. Jennifer Lucy Cook, SATB with piano
The “Barbie” movie deepened connections to the iconic toy doll with a sophisticated story and compelling soundtrack. Billie Eilish’s rumination on purpose and identify is given a towering choral arrangement courtesy of Jennifer Lucy Cook, with rich harmonies and diverse textures infusing the work, all while keeping the music’s message simple and clear.

When I Grow Up / Naughty (from Matilda) arr. Mac Huff, 3-part mixed with piano
From the musical “Matilda” come two songs that poignantly express the desire for independence and equality: “When I Grow Up” and “Naughty.” These songs capture the magic and whimsy found throughout the musical known for its fun, unconventional, and off-beat style.

You Will Be Found (from Dear Evan Hansen) arr. Mac Huff, TTBB with piano and optional combo
The powerful Act I closer from the Broadway hit musical “Dear Evan Hansen” explores the complexities of social connectivity and our need for respect and love. A perfect choral showcase for pop and concert choirs!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Dawn’s Awake by Nancy Hill Cobb, TTBB with piano
An exciting, rhythmic new concert opener for Tenor-Bass choirs with piano. With a fiery, optimistic text, this fanfare-like piece begins with stately unison lines, growing steadily to two parts, then three, then four, for a bright and bold conclusion.

Bring Me Back to My Heart by Jim Papoulis, T(T)B with piano and percussion
Like a sea shanty, “Bring My Back to My Heart” spirits along in a rollicking 6/8, waxing poetic about finding grace in one’s own self. When we are searching for meaning – come back home to your own heart.

Santiana arr. Sean Barnette, TTBB a cappella with percussion
“Santiana” is a sea shanty dating back to the 1850s, and is most likely inspired by the events of the Mexican-American War. The shanty gained a newfound popularity recently with a rise in sea shanties on social media. This awesome new Tenor-Bass choir arrangement contains an opening duet and is accompanied by rocking percussion (Timbales and Congas). Sung in both English and French, an IPA pronunciation guide is included in the score. Great fun for any concert or honor choir festival!

Dance! by Robert T. Gibson, TTB a cappella with body percussion/step routine
An outside-the-box rhythmic explosion that culminates with a notated step routine! Lyrics encourage listeners to “dance to the rhythm of your own drum,” embracing individuality and celebrating differences. Vocal percussion and satisfying parallel harmonies all add to the soul of this piece. Step instructions are included in the octavo, and an instructional video by the composer is available.

The Times They Are A-Changin’ by Bob Dylan/arr. Adam Podd, TTBB with piano
Now available for tenor/bass voices. This re-imagined interpretation of the classic Bob Dylan song is perfect for any concert with a social justice theme. The re-harmonization and contrasting musical style will bring a new attention and poignancy to these well-known words.

Measure Me, Sky! by Jonathan Reid, TTBB with piano
Floating melodic lines and resonant harmonies combine, lending an ethereal quality to this artistic piece that allows the imagination to soar. Leonora Speyer’s evocative text explores our relationship to the universe, and the musical setting provides delicious cluster harmonies supported by undulating triplets in the piano accompaniment to create a sense of motion and mystique.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

for MIXED CHOIRS
Arise, My Love by Stephen Dombek, SATB divisi a cappella
“Arise my love, my fair one, and come away!” A great way to sing in the spring season, and an ideal contest piece for high school concert choirs, select ensembles, and college/university choirs. SATB divisi, a cappella, with a flowing melody that is passed from section to section throughout.

Omnes gentes, plaudite manibus by Tine Bec, SATB a cappella
Experience the brilliance of Slovenian composer Tine Bec’s “Omnes gentes, plaudite manibus,” an exceptional choice for your high school or festival chorus. This masterfully crafted piece revitalizes ancient text with distinctive harmonic progressions, rhythmic claps, stomps, and a captivating finale, making it an ideal concert opener. Your students will adore learning and performing this piece, designed to be highly accessible and engaging, ensuring a memorable musical journey.

Plaudite (Plaudite Omnis Terra) by Victor C. Johnson, SATB with piano
Victor Johnson delivers the ultimate festival opener with this joyful mixed-meter selection meaning “clap your hands, all the earth.” A strong minor-key motive, harmonized in sturdy open fifths, is punctuated by rhythmic handclaps. A contrasting section quiets the middle before a brief accelerando builds back to the triumphant return of opening material. Prominent dynamics and captivating rhythms create excitement.

The Starry Night by Ruth Morris Gray, SATB with piano
“The Starry Night” by Vincent Van Gogh is the composer’s inspiration for this choral, which is filled imagery from the painting. The text is created from a quote by Van Gogh, “For my part, I know nothing with any certainly, but the sight of the stars makes me dream.” The composer has included discussion points about the painting and choral that can be used in rehearsal or classroom. Incredible teaching opportunities abound!

for TREBLE CHOIRS
Ave Maris Stella by Eva Ugalde, SSAA a cappella
While the Ave Maris Stella text has been set for choirs in many ways, Eva Ugalde’s unique compositional voice shines through here. Highly melodic, lovely part-writing, and a joyful spirit come through in this setting. A fantastic and energetic selection for treble choirs.

Alleluia by Bryan Sharpe, SSAA a cappella
The ancient joy-filled word ‘Alleluia’ is paired with contemporary harmony and gently syncopated rhythms. Independent parts weave in and out to create a brilliant musical tapestry, and subtle variations of dynamics and tempi add to the overall fabric. For Christmas or general use, concert or contest, this work will admirably showcase the abilities of mature ensembles.

Arirang (Mother of Mine) by Byunghee Oh, SSA with piano
This Korean homage to mothers is both captivating and poignant. SSA, with a flowing piano accompaniment that supports the voices throughout. Treble choirs of all ages will love singing this gorgeous piece, which ends with the most powerful and important phrase “I love you.” The Korean text is written in a transliteration that makes it accessible to all treble choirs.

Carrickfergus arr. Ruth Elaine Schram, SSA with piano and optional flute
Capture the rich tapestry of Irish culture with this enchanting arrangement of the beloved folk ballad. Embodying the essence of Ireland’s musical heritage, this sensitive setting will transport singers and audiences to the shores of Carrickfergus with its haunting melody and warm harmonies. From the subtle lilt of the verses to the gently flowing accompaniment and flute obbligato, each note resonates with the beauty and charm of the Irish landscape.

for TENOR/BASS CHOIRS
Will There Really Be a Morning? by Patrick Vu, TTBB a cappella
A well-loved Emily Dickinson poem is skillfully set in this a cappella setting for tenor/bass voices. Harmonies blend seamlessly, creating the perfect underscore for this classic and meaningful text.

A Traveler’s Heart by Christi Jones, TTB with piano
The majesty and grandeur of nature not only has the ability to heal, but also to create a blank canvas for artistic expression and heartfelt emotion. Jones captures those moments of encounter with creation that can take your breath away and simultaneously propel you forward into song.

Bound for the Promised Land arr. Douglas E. Wagner, TBB with piano and optional snare drum
This hearty and rugged setting of the American tune “Bound for the Promised Land” features comfortable vocal ranges and a driving snare drum, evoking an early American march-like feel. The piece includes unison sections that transition into accessible harmonies, making them easy to learn and intuitive for performers. Perfect for your high school TB ensembles!

Au Pas Camarades (Song of the Onion) arr. Emily Crocker, TB with piano
The French love their onions as you can hear in this French marching song from the 1800s. The verses tell the story (in compound meter) and the refrain helps the marchers stay in step (in duple meter). Impressive sounding and easily learned!

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Ave Maria by Anton Bruckner, SATB divisi a cappella
This awe-inspiring masterwork by Anton Bruckner is an outstanding example of Romantic era choral literature for today’s choirs.

Cantate Domino by Giovanni Croce, SATB a cappella
An excellent example of Renaissance choral literature.

Exultate Deo by Alessandro Scarlatti, SATB a cappella
Perpetual motion and lovely rich sonorities make this a must for choirs of any size. A cappella, but very easy to sing, this is an extremely worthy addition to the repertoire. Ideal for concerts, festivals or contests.

Heilig by Felix Mendelssohn, SATB double choir a cappella
Set for double choir, this work is wonderful for the larger high school or community choir.

Lift Thine Eyes to the Mountains (from Elijah) by Felix Mendelssohn, SSA a cappella
Mendelssohn’s lovely trio from “Elijah” has become a standard for women’s choral groups everywhere.

Locus Iste by Anton Bruckner, SATB a cappella
Bruckner’s simple but profound motet is reminiscent of the Renaissance masters, but with a harmonic palette firmly placed in the Romantic era. The Latin text comes from the Mass celebrated at the dedication of a church: This place was made by God, a priceless mystery, it is beyond reproach.

Sure on This Shining Night by Morten Lauridsen, SATB with piano
“Sure on this shining night of starmade shadows round, kindness must watch for me this side the ground…” In this third movement of his song cycle “Nocturnes,” Morten Lauridsen’s flowing music captures all of the beauty and wonder of James Agee’s poem. This is a superb composition for better choirs!

This Little Babe (from A Ceremony of Carols) by Benjamin Britten, 3-part treble with harp or piano
This exciting Christmas carol comes from Britten’s “A Ceremony of Carols.” The accompaniment, written for harp, may also be played by keyboard.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Leading as a Conductor: With Integrity of Heart and Skillful Hands by Tobin Stewart
Conducting is more than gesture, technique, and score study. Who we are as conductors is also critically important because character, integrity, and personality directly influence the way we connect with others.

Drawing from a deep well of research and years of experience, conductor and teacher Tobin Stewart identifies fourteen essential qualities of great leaders – vision, humility, and passion, to name a few – and applies these to leadership on and off the podium.

He shares candidly about his own successes and failures, and offers practical strategies, stories, quotes, and reflection questions designed to build character and develop the intangible traits of effective, compassionate leaders.

Equally suited for personal or classroom use, “Leading as a Conductor: With Integrity of Heart and Skillful Hands” closes the gap between technique and the heart and soul of being a conductor. A must-read for instrumental and choral educators at any stage of their career.

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recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Best Things in Life Are Free arr. Michele Weir, SATB a cappella
Real-deal vocal jazz writing for serious a cappella singers. This enduring standard has been performed by the likes of Sam Cooke and Bing Crosby and plays a pivotal role in the HBO series “White Lotus.” Michele Weir’s reflective setting is full of heart and employs a variety of textures, expressive rubato, and a newly composed contrapuntal interlude that leads to a sentimental solo.

Celebration arr. Kate Crellin, SATB a cappella
Here’s the contemporary a cappella arrangement you’ve been waiting for! Carefully constructed to be ensemble-driven, every voice part gets a chance to sing the melody without the need for soloists. Notated vocal percussion, a variety of textures, and an exciting choral stack make this updated version of the classic party song a sure-fire hit!

Music for a Sushi Restaurant arr. Deke Sharon, SATB a cappella
From Harry Style’s album “Harry’s House,” comes this funky and jazzy novelty. Your a cappella groups are sure to have fun with this eclectic concert option!

Always arr. Blake R. Mitchell, SATB a cappella
This timeless Irving Berlin hit is given new life in this nostalgic, heartfelt arrangement for a cappella mixed voices. With sentimental unisons, rich, jazz-influenced divisi harmonies, and featured treble solo, this is a guaranteed crowd-pleaser for any concert program.

Can’t Help Falling in Love arr. Kirby Shaw, SATB a cappella
Recorded by Elvis Presley and many other artists, “Can’t Help Falling in Love” is listed as one of the “greatest songs of all-time” by Rolling Stone. This lush arrangement highlights the message of love with its free and dreamy mood from start to finish.

Lullabye (Goodnight, My Angel) arr. Philip Lawson, SATB a cappella
The King’s Singers exquisite arrangement is now available in a SATB edition. The sweet and simple lullabye by Billy Joel, from his “River of Dreams” album, is stunning.

You Belong with Me arr. Bryan Sharpe, SSA a cappella
A Taylor Swift hit in three voicings! Bryan’s contemporary a cappella arrangement bubbles with youthful charm. There’s no divisi, but a full palette of choral colors is on display. A featured soloist is accompanied in a variety of ways by the other voices as they imitate instruments of a pop band. It’s a blast from start to finish.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Choir-tivities: Inspired Ideas for Non-Rehearsal Days by Krista Hart
Non-rehearsal days – the day after a concert, the gap between a December performance and holiday break, the last week of the school year, or when lots of singers are absent. Time is too precious not to fill these periods with meaningful learning. This creative assortment of activities, projects, and games is designed to build student musicianship and social-emotional skills while helping you make an intentional plan for every meeting. Craft a rich and resonant choral experience even when you can’t rehearse. Plus, no more “movie days” when you’re out – you’ll have engaging sub plans ready to go!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Little Voice arr. Audrey Snyder, 3-part mixed with piano
“Sometimes a little voice can say the biggest things.” This beautiful Sara Bareilles ballad encourages us to find our authentic voice and courageously use it. This simplified, shortened arrangement makes an ideal piece for school choirs promising success and enjoyment.

I Ain’t Worried arr. Roger Emerson, 3-part mixed with piano
One Republic is always a hit with student singers because the songs are melodic and fun to sing. The standout feature is an easy whistle melody that occurs at the beginning and between verses. Unison singing and call and response phrases are ideal for growing choirs.

Ripple (from Spirited) arr. Audrey Snyder, 3-part mixed with piano
Throw a stone into the water and watch the ripples spread. This is the metaphor found in the song “Ripple.” Bursting with energy and life, the song encourages one and all to be the person who makes some waves and changes the world.

Soldier, Poet, King arr. Roger Emerson, SAB with piano and optional fiddle & rhythm
Based on the writings of C.S. Lewis, a deep and introspective lyric is given an almost whimsical treatment in this song from the folk rock duo, The Oh Hellos. This eccentric combination is part of the appeal and makes for a very singable selection for ensembles of all sizes and styles.

You Belong with Me arr. Bryan Sharpe, SAB a cappella
A Taylor Swift hit in three voicings! Bryan’s contemporary a cappella arrangement bubbles with youthful charm. There’s no divisi, but a full palette of choral colors is on display. A featured soloist is accompanied in a variety of ways by the other voices as they imitate instruments of a pop band. It’s a blast from start to finish.

Talking to the Moon arr. Cristi Cary Miller, SAB with piano
A haunting pop ballad with poetic lyrics and a melody that will echo in your mind, Bruno Mars’ “Talking to the Moon” is given a stellar choral treatment by Cristi Cary Miller. Intricate vocals and a driving piano part combine in a sweeping, cinematic sound.

Your Song arr. Mac Huff, 2-part with piano
This setting of the 1971 Elton John classic is marvelously singable, with warm harmonic textures and delicate piano stylings. Sure to produce a memorable concert moment.

I’m Still Standing arr. Roger Emerson, 3-part mixed with piano
Elton John writes great songs, and this one is no exception. Featured in movies like “Top Gun” and “Sing,” this well known song is packed with energy and drive. A classic rock song from a classic performer!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.