News & Views Monday, January 20, 2025

Category: School Choral

Finding the Sunshine: New Titles for Beginning Choir 16 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Finding the Sunshine by Jim Papoulis, Unison/2-part with piano
A perfect introduction to syncopation and jazz, this sunny text reads and like a cross between Jim Papoulis and Mr. Rogers, setting the stage for a introductory number with easy vocal jazz flourishes and a even-keeled beat.

It’s a Brand-New Beautiful Day by Mary Donnelly & George L.O. Strid, 2-part with piano
Swing into happiness with a lively, up-tempo choral that’s guaranteed to put a skip in your step and a smile on your face! Crafted in a fun “swing” style with easily accessible vocal lines and a jazzy accompaniment, this infectious tune radiates with positivity and excitement, inviting singers to embrace the joy of each “brand-new beautiful day”!

Butterfly, Flutter By by Greg Gilpin, 2-part with piano
This delightfully fresh, creative original weaves together gentle harmonies, lighthearted lyrics, and a spirited accompaniment to paint a vivid picture exploring themes of growth, change, and the delicate balance of life. As the butterflies flutter by, so too will this enchanting melody flutter through your soul, leaving a sense of joy and wonder in its wake.

Now the Day Is Over by Jen Wagner, 2-part with piano
Here’s a traditional lullaby text set to original music in partner song style. At the heart of the piece, the flowing melody is paired with a descant-like counterline to create lovely harmony. The supportive piano accompaniment, moderate vocal ranges, and careful attention to voice leading make this a solid choice for developing choirs.

Au Pas, Camarades (Song of the Onion) arr. Emily Crocker, 2-part with piano
The French love their onions as you can hear in this French marching song from the 1800s. The verses tell the story (in compound meter) and the refrain helps the marchers stay in step (in duple meter). Impressive sounding and easily learned!

Dreams Were Made to Come True by Nathaniel Stine, 2-part with piano
This inspiring anthem reminds us that dreams create endless possibilities. An arpeggiated accompaniment, conservative vocal ranges, and a pop-style melody make this easy to learn and a joy to sing. Opens with an optional solo – “Dream a dream, plant a seed, hoping someday it will grow.”

There Will Be Stars by Andy Beck, 2-part with piano
“At the end of every day, there will be stars.” Stars are the inspiration for this stunning concert work that offers the reassurance only nature can bring. A lilting piano theme weaves its way through cascading vocal lines that seamlessly expand from pristine unisons into sumptuous sonorities. Your altos will especially love their “glimmering, glistening” interjections. Be sure to observe notated dynamics, which lean into several well-approached suspensions and taper to twinkling resolutions.

Little Voice arr. Audrey Snyder, 2-part with piano
“Sometimes a little voice can say the biggest things.” This beautiful Sara Bareilles ballad encourages us to find our authentic voice and courageously use it. This simplified, shortened arrangement makes an ideal piece for school choirs promising success and enjoyment.

You Are Light by Mark Burrows, 2-part with piano and optional djembe
“In the light I have found my family, I am safe to sing my song.” With a lightly syncopated, contemporary sound, this uplifting original expresses the need for a warm and welcoming community for all. Composer Mark Burrows reminds us that we can help others feel comfort and belonging simply by sharing our inner light. Perform with piano alone or with the addition of an optional djembe. Rich with opportunities for social-emotional learning.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

MERRILY WE ROLL ALONG: New Titles from Stage & Screen 15 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Merrily We Roll Along (from Merrily We Roll Along) arr. Jason Robert Brown, SATB divisi with piano
The stars are aligned for Stephen Sondheim’s 1981 Broadway “failure”, which, through the eyes of time (which the musical expertly navigates, to an astounding effect), has been re-appraised as a under appreciated masterpiece from the late composer. Jason Robert Brown takes the many permutations of the main theme and pares them down to this exquisite and genuine choral arrangement.

A Brand New Day (Everybody Rejoice) (from The Wiz) arr. Connor Warren Smith, SATB with piano and optional rhythm
From the Motown-inspired musical “The Wiz,” this funky, feel-good song is a joyful celebration of fresh starts and endless possibilities. Optimistic lyrics, a funky groove, and an upbeat hook create the ultimate opener or closer for four-part show and concert choirs. Don’t miss our exuberant SoundTrax or perform with live guitar, bass, and drums.

Something About This Night (from Finding Neverland) arr. Roger Emerson, SATB with piano and optional rhythm
Sparkling with the spirit of Broadway magic, “Something About This Night” (from Finding Neverland) comes alive in this showstopping choral arrangement by Roger Emerson. Stellar vocal parts offer energetic harmonies and several opportunities for solo vocalists to shine. Easy to learn, yet instantly impressive.

Great Expectations (from The Outsiders) arr. Mac Huff, SATB with piano and optional rhythm
Coming-of-age is neither organized nor predictable. S.E. Hinton’s 1967 novel “The Outsiders,” brought first to the screen in 1983 and then to a Best Musical-winning stage production in 2024, highlights the parallels between art and life, as protagonist brothers read the Charles Dickens’ classic and muse about what life has in store for them.

Stay Gold (from The Outsiders) arr. Roger Emerson, SAB with piano and optional rhythm
Amidst the turmoil and angst the young protagonists endure in the Tony-winning musical “The Outsiders,” comes this guitar-based reprise championing a message of resilience. In the face of adversity, you can find beauty in the simple things in the world if one only remembers to look.

Corn (from Shucked) arr. Eric Van Cleave, SATB with piano and optional combo
Musical theater fans will be all “ears” for this barn-burner from Broadway’s “Shucked.” It’s a truncated version of the a-maize-ing opening number. Sing about the world’s most useful crop in a hilarious three-minute arrangement that hits all the highlights of the corny crowd-pleaser. Kicks off with a theatrical duet, breaks into a bouncy two-beat, includes a kernel of a kickline, plus some full gospel sangin’ at the end – wow!

What Was I Made For (from Barbie) arr. Jennifer Lucy Cook, SATB with piano
The “Barbie” movie deepened connections to the iconic toy doll with a sophisticated story and compelling soundtrack. Billie Eilish’s rumination on purpose and identify is given a towering choral arrangement courtesy of Jennifer Lucy Cook, with rich harmonies and diverse textures infusing the work, all while keeping the music’s message simple and clear.

When I Grow Up / Naughty (from Matilda) arr. Mac Huff, 3-part mixed with piano
From the musical “Matilda” come two songs that poignantly express the desire for independence and equality: “When I Grow Up” and “Naughty.” These songs capture the magic and whimsy found throughout the musical known for its fun, unconventional, and off-beat style.

You Will Be Found (from Dear Evan Hansen) arr. Mac Huff, TTBB with piano and optional combo
The powerful Act I closer from the Broadway hit musical “Dear Evan Hansen” explores the complexities of social connectivity and our need for respect and love. A perfect choral showcase for pop and concert choirs!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

The Dawn’s Awake: Creative Programming for Tenor/Bass Choirs 10 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Dawn’s Awake by Nancy Hill Cobb, TTBB with piano
An exciting, rhythmic new concert opener for Tenor-Bass choirs with piano. With a fiery, optimistic text, this fanfare-like piece begins with stately unison lines, growing steadily to two parts, then three, then four, for a bright and bold conclusion.

Bring Me Back to My Heart by Jim Papoulis, T(T)B with piano and percussion
Like a sea shanty, “Bring My Back to My Heart” spirits along in a rollicking 6/8, waxing poetic about finding grace in one’s own self. When we are searching for meaning – come back home to your own heart.

Santiana arr. Sean Barnette, TTBB a cappella with percussion
“Santiana” is a sea shanty dating back to the 1850s, and is most likely inspired by the events of the Mexican-American War. The shanty gained a newfound popularity recently with a rise in sea shanties on social media. This awesome new Tenor-Bass choir arrangement contains an opening duet and is accompanied by rocking percussion (Timbales and Congas). Sung in both English and French, an IPA pronunciation guide is included in the score. Great fun for any concert or honor choir festival!

Dance! by Robert T. Gibson, TTB a cappella with body percussion/step routine
An outside-the-box rhythmic explosion that culminates with a notated step routine! Lyrics encourage listeners to “dance to the rhythm of your own drum,” embracing individuality and celebrating differences. Vocal percussion and satisfying parallel harmonies all add to the soul of this piece. Step instructions are included in the octavo, and an instructional video by the composer is available.

The Times They Are A-Changin’ by Bob Dylan/arr. Adam Podd, TTBB with piano
Now available for tenor/bass voices. This re-imagined interpretation of the classic Bob Dylan song is perfect for any concert with a social justice theme. The re-harmonization and contrasting musical style will bring a new attention and poignancy to these well-known words.

Measure Me, Sky! by Jonathan Reid, TTBB with piano
Floating melodic lines and resonant harmonies combine, lending an ethereal quality to this artistic piece that allows the imagination to soar. Leonora Speyer’s evocative text explores our relationship to the universe, and the musical setting provides delicious cluster harmonies supported by undulating triplets in the piano accompaniment to create a sense of motion and mystique.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

ARISE, MY LOVE and More for Choral Festival and Adjudication 06 January, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

for MIXED CHOIRS
Arise, My Love by Stephen Dombek, SATB divisi a cappella
“Arise my love, my fair one, and come away!” A great way to sing in the spring season, and an ideal contest piece for high school concert choirs, select ensembles, and college/university choirs. SATB divisi, a cappella, with a flowing melody that is passed from section to section throughout.

Omnes gentes, plaudite manibus by Tine Bec, SATB a cappella
Experience the brilliance of Slovenian composer Tine Bec’s “Omnes gentes, plaudite manibus,” an exceptional choice for your high school or festival chorus. This masterfully crafted piece revitalizes ancient text with distinctive harmonic progressions, rhythmic claps, stomps, and a captivating finale, making it an ideal concert opener. Your students will adore learning and performing this piece, designed to be highly accessible and engaging, ensuring a memorable musical journey.

Plaudite (Plaudite Omnis Terra) by Victor C. Johnson, SATB with piano
Victor Johnson delivers the ultimate festival opener with this joyful mixed-meter selection meaning “clap your hands, all the earth.” A strong minor-key motive, harmonized in sturdy open fifths, is punctuated by rhythmic handclaps. A contrasting section quiets the middle before a brief accelerando builds back to the triumphant return of opening material. Prominent dynamics and captivating rhythms create excitement.

The Starry Night by Ruth Morris Gray, SATB with piano
“The Starry Night” by Vincent Van Gogh is the composer’s inspiration for this choral, which is filled imagery from the painting. The text is created from a quote by Van Gogh, “For my part, I know nothing with any certainly, but the sight of the stars makes me dream.” The composer has included discussion points about the painting and choral that can be used in rehearsal or classroom. Incredible teaching opportunities abound!

for TREBLE CHOIRS
Ave Maris Stella by Eva Ugalde, SSAA a cappella
While the Ave Maris Stella text has been set for choirs in many ways, Eva Ugalde’s unique compositional voice shines through here. Highly melodic, lovely part-writing, and a joyful spirit come through in this setting. A fantastic and energetic selection for treble choirs.

Alleluia by Bryan Sharpe, SSAA a cappella
The ancient joy-filled word ‘Alleluia’ is paired with contemporary harmony and gently syncopated rhythms. Independent parts weave in and out to create a brilliant musical tapestry, and subtle variations of dynamics and tempi add to the overall fabric. For Christmas or general use, concert or contest, this work will admirably showcase the abilities of mature ensembles.

Arirang (Mother of Mine) by Byunghee Oh, SSA with piano
This Korean homage to mothers is both captivating and poignant. SSA, with a flowing piano accompaniment that supports the voices throughout. Treble choirs of all ages will love singing this gorgeous piece, which ends with the most powerful and important phrase “I love you.” The Korean text is written in a transliteration that makes it accessible to all treble choirs.

Carrickfergus arr. Ruth Elaine Schram, SSA with piano and optional flute
Capture the rich tapestry of Irish culture with this enchanting arrangement of the beloved folk ballad. Embodying the essence of Ireland’s musical heritage, this sensitive setting will transport singers and audiences to the shores of Carrickfergus with its haunting melody and warm harmonies. From the subtle lilt of the verses to the gently flowing accompaniment and flute obbligato, each note resonates with the beauty and charm of the Irish landscape.

for TENOR/BASS CHOIRS
Will There Really Be a Morning? by Patrick Vu, TTBB a cappella
A well-loved Emily Dickinson poem is skillfully set in this a cappella setting for tenor/bass voices. Harmonies blend seamlessly, creating the perfect underscore for this classic and meaningful text.

A Traveler’s Heart by Christi Jones, TTB with piano
The majesty and grandeur of nature not only has the ability to heal, but also to create a blank canvas for artistic expression and heartfelt emotion. Jones captures those moments of encounter with creation that can take your breath away and simultaneously propel you forward into song.

Bound for the Promised Land arr. Douglas E. Wagner, TBB with piano and optional snare drum
This hearty and rugged setting of the American tune “Bound for the Promised Land” features comfortable vocal ranges and a driving snare drum, evoking an early American march-like feel. The piece includes unison sections that transition into accessible harmonies, making them easy to learn and intuitive for performers. Perfect for your high school TB ensembles!

Au Pas Camarades (Song of the Onion) arr. Emily Crocker, TB with piano
The French love their onions as you can hear in this French marching song from the 1800s. The verses tell the story (in compound meter) and the refrain helps the marchers stay in step (in duple meter). Impressive sounding and easily learned!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Bruckner, Scarlatti, Mendelssohn and More: Classics from the Choral Canon 30 December, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Ave Maria by Anton Bruckner, SATB divisi a cappella
This awe-inspiring masterwork by Anton Bruckner is an outstanding example of Romantic era choral literature for today’s choirs.

Cantate Domino by Giovanni Croce, SATB a cappella
An excellent example of Renaissance choral literature.

Exultate Deo by Alessandro Scarlatti, SATB a cappella
Perpetual motion and lovely rich sonorities make this a must for choirs of any size. A cappella, but very easy to sing, this is an extremely worthy addition to the repertoire. Ideal for concerts, festivals or contests.

Heilig by Felix Mendelssohn, SATB double choir a cappella
Set for double choir, this work is wonderful for the larger high school or community choir.

Lift Thine Eyes to the Mountains (from Elijah) by Felix Mendelssohn, SSA a cappella
Mendelssohn’s lovely trio from “Elijah” has become a standard for women’s choral groups everywhere.

Locus Iste by Anton Bruckner, SATB a cappella
Bruckner’s simple but profound motet is reminiscent of the Renaissance masters, but with a harmonic palette firmly placed in the Romantic era. The Latin text comes from the Mass celebrated at the dedication of a church: This place was made by God, a priceless mystery, it is beyond reproach.

Sure on This Shining Night by Morten Lauridsen, SATB with piano
“Sure on this shining night of starmade shadows round, kindness must watch for me this side the ground…” In this third movement of his song cycle “Nocturnes,” Morten Lauridsen’s flowing music captures all of the beauty and wonder of James Agee’s poem. This is a superb composition for better choirs!

This Little Babe (from A Ceremony of Carols) by Benjamin Britten, 3-part treble with harp or piano
This exciting Christmas carol comes from Britten’s “A Ceremony of Carols.” The accompaniment, written for harp, may also be played by keyboard.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Leading as a Conductor 18 December, 2024

Leading as a Conductor: With Integrity of Heart and Skillful Hands by Tobin Stewart
Conducting is more than gesture, technique, and score study. Who we are as conductors is also critically important because character, integrity, and personality directly influence the way we connect with others.

Drawing from a deep well of research and years of experience, conductor and teacher Tobin Stewart identifies fourteen essential qualities of great leaders – vision, humility, and passion, to name a few – and applies these to leadership on and off the podium.

He shares candidly about his own successes and failures, and offers practical strategies, stories, quotes, and reflection questions designed to build character and develop the intangible traits of effective, compassionate leaders.

Equally suited for personal or classroom use, “Leading as a Conductor: With Integrity of Heart and Skillful Hands” closes the gap between technique and the heart and soul of being a conductor. A must-read for instrumental and choral educators at any stage of their career.

Shop Stanton’s for all your sheet music needs!

The Best Things In Life Are Free: New Pop A Cappella 16 December, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Best Things in Life Are Free arr. Michele Weir, SATB a cappella
Real-deal vocal jazz writing for serious a cappella singers. This enduring standard has been performed by the likes of Sam Cooke and Bing Crosby and plays a pivotal role in the HBO series “White Lotus.” Michele Weir’s reflective setting is full of heart and employs a variety of textures, expressive rubato, and a newly composed contrapuntal interlude that leads to a sentimental solo.

Celebration arr. Kate Crellin, SATB a cappella
Here’s the contemporary a cappella arrangement you’ve been waiting for! Carefully constructed to be ensemble-driven, every voice part gets a chance to sing the melody without the need for soloists. Notated vocal percussion, a variety of textures, and an exciting choral stack make this updated version of the classic party song a sure-fire hit!

Music for a Sushi Restaurant arr. Deke Sharon, SATB a cappella
From Harry Style’s album “Harry’s House,” comes this funky and jazzy novelty. Your a cappella groups are sure to have fun with this eclectic concert option!

Always arr. Blake R. Mitchell, SATB a cappella
This timeless Irving Berlin hit is given new life in this nostalgic, heartfelt arrangement for a cappella mixed voices. With sentimental unisons, rich, jazz-influenced divisi harmonies, and featured treble solo, this is a guaranteed crowd-pleaser for any concert program.

Can’t Help Falling in Love arr. Kirby Shaw, SATB a cappella
Recorded by Elvis Presley and many other artists, “Can’t Help Falling in Love” is listed as one of the “greatest songs of all-time” by Rolling Stone. This lush arrangement highlights the message of love with its free and dreamy mood from start to finish.

Lullabye (Goodnight, My Angel) arr. Philip Lawson, SATB a cappella
The King’s Singers exquisite arrangement is now available in a SATB edition. The sweet and simple lullabye by Billy Joel, from his “River of Dreams” album, is stunning.

You Belong with Me arr. Bryan Sharpe, SSA a cappella
A Taylor Swift hit in three voicings! Bryan’s contemporary a cappella arrangement bubbles with youthful charm. There’s no divisi, but a full palette of choral colors is on display. A featured soloist is accompanied in a variety of ways by the other voices as they imitate instruments of a pop band. It’s a blast from start to finish.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Choir-tivities: Inspired Ideas for Non-Rehearsal Days 09 December, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Choir-tivities: Inspired Ideas for Non-Rehearsal Days by Krista Hart
Non-rehearsal days – the day after a concert, the gap between a December performance and holiday break, the last week of the school year, or when lots of singers are absent. Time is too precious not to fill these periods with meaningful learning. This creative assortment of activities, projects, and games is designed to build student musicianship and social-emotional skills while helping you make an intentional plan for every meeting. Craft a rich and resonant choral experience even when you can’t rehearse. Plus, no more “movie days” when you’re out – you’ll have engaging sub plans ready to go!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Little Voice: New Pops Programming for Middle School 06 December, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Little Voice arr. Audrey Snyder, 3-part mixed with piano
“Sometimes a little voice can say the biggest things.” This beautiful Sara Bareilles ballad encourages us to find our authentic voice and courageously use it. This simplified, shortened arrangement makes an ideal piece for school choirs promising success and enjoyment.

I Ain’t Worried arr. Roger Emerson, 3-part mixed with piano
One Republic is always a hit with student singers because the songs are melodic and fun to sing. The standout feature is an easy whistle melody that occurs at the beginning and between verses. Unison singing and call and response phrases are ideal for growing choirs.

Ripple (from Spirited) arr. Audrey Snyder, 3-part mixed with piano
Throw a stone into the water and watch the ripples spread. This is the metaphor found in the song “Ripple.” Bursting with energy and life, the song encourages one and all to be the person who makes some waves and changes the world.

Soldier, Poet, King arr. Roger Emerson, SAB with piano and optional fiddle & rhythm
Based on the writings of C.S. Lewis, a deep and introspective lyric is given an almost whimsical treatment in this song from the folk rock duo, The Oh Hellos. This eccentric combination is part of the appeal and makes for a very singable selection for ensembles of all sizes and styles.

You Belong with Me arr. Bryan Sharpe, SAB a cappella
A Taylor Swift hit in three voicings! Bryan’s contemporary a cappella arrangement bubbles with youthful charm. There’s no divisi, but a full palette of choral colors is on display. A featured soloist is accompanied in a variety of ways by the other voices as they imitate instruments of a pop band. It’s a blast from start to finish.

Talking to the Moon arr. Cristi Cary Miller, SAB with piano
A haunting pop ballad with poetic lyrics and a melody that will echo in your mind, Bruno Mars’ “Talking to the Moon” is given a stellar choral treatment by Cristi Cary Miller. Intricate vocals and a driving piano part combine in a sweeping, cinematic sound.

Your Song arr. Mac Huff, 2-part with piano
This setting of the 1971 Elton John classic is marvelously singable, with warm harmonic textures and delicate piano stylings. Sure to produce a memorable concert moment.

I’m Still Standing arr. Roger Emerson, 3-part mixed with piano
Elton John writes great songs, and this one is no exception. Featured in movies like “Top Gun” and “Sing,” this well known song is packed with energy and drive. A classic rock song from a classic performer!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Here Comes the Sun: New Creative Programming Choices for Treble Choir 22 November, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Here Comes the Sun arr. Matt & Adam Podd, 2-part (opt. 3-part) treble with piano
A fresh, artistic take is given to this Beatles hit, now available as an accessible arrangement for younger choirs. A reimagined harmonic structure makes way for text painting and a cinematic feeling that never loses the sunny and hopeful appeal of this iconic tune.

Rain, Rain! by Daniel Brinsmead, SSAA a cappella
This energetic four-part treble piece will add excitement and contrast to any program. With an original “rainy day” text by Australian composer Daniel Brinsmead, this piece is challenging to learn but great fun to perform. Sound effects, body percussion, and varied rhythmic articulations will keep your singers on their toes while enchanting the audience. Unique!

Ave Maria in Memoriam by Francisco Ibañez Irribarría, 2-part with piano
This beautiful and inspiring setting of the Ave Maria text was written in memory of Ibañez Irribarría’s colleague, José Rada, who died of AIDS in 1990. Rada studied music at the Conservatorio Superior de Música de Madrid, graduating with a degree in organ in 1968. Continuing his studies in Hamburg, Germany, he returned to Spain in 1983. He was organist and professor at the Jesús Guridi Conservatorio de Música in Vitoria-Gasteiz, and co-founded the early music group Capilla Peñaflorida in 1985. Rada became well-known for his musicological scholarship surrounding Spanish and specifically Basque music of the 17th and 18th-centuries.

Little Fishes, Don’t Cry! (from Five Sea Songs) by Daniel Brinsmead, SSA with piano
This tremendous piece steers a dramatic course away from the well-known lullaby in Australia. Using a jaunty sea-shanty style and new added text, choirs are encouraged to have fun with the storytelling and to create a lively atmosphere in performance.

Miserere by Eva Ugalde, SSA divisi a cappella
This sophisticated work for treble choirs by Spanish composer Eva Ugalde captures the feeling of a desperate need for mercy in our lives. A very singable work that sounds rich and dynamic in performance.

Apple Tree arr. Katerina Gimon, SSAA a cappella with percussion
This song is about the potential hidden in all of us. We can all save the world if we put our minds to it. The lyrics are the thoughts and dreams of young people, and young people will resonate with both the text and the music. This creative and form-breaking arrangement is by Canadian composer/arranger Katerina Gimon, and was premiered by the Vancouver Youth Choir at the World Music Symposium in Istanbul in 2023.

Home on the Range arr. Ben Kendall, SSA with piano
Kendall’s lovely and rhythmically interesting arrangement of Americana is highly suitable for treble choirs of all abilities. A pulsating accompaniment adds forward motion to this sparkling homophonic setting.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Explore Creative A Cappella Styles with Your Concert Choir 13 November, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

All I Know of Love by Rob Dietz, SATB divisi a cappella
With words by Stephanie Dietz, this beautiful composition from Rob Dietz is a beautiful composition with a propulsive time signature mixed with lush and ever-present vocal textures. Perfect for choirs looking to expand their contemporary a cappella repertoire!

Vox Vibe by Greg Gilpin, SAB a cappella (optional piano)
The vibrant vocables of this extraordinary original have no literal meaning, but simply bubble with joy. A rhythmic vocal stack opening introduces three independent voice parts before unfolding into a complete rondo that grows to an action-packed ending. Pair this impressive follow-up with Greg’s original “Vox;” both can be performed a cappella or with optional piano.

Beethoven’s Fifth arr. Tom Anderson, 3-part mixed with piano
Beethoven’s “greatest hit” is reimagined with a funky twist that your singers won’t be able to resist! Its iconic short-short-short-long hook springboards into a rhythmic groove, complete with clapping, snapping, and vocal syllables that imitate a rock band. It’s a novelty nod to one of the greatest composers of all time!

Echo by Rob Dietz, SSAATTBB a cappella
“Echoes of peace. Echoes of love. Echoes of hope. We are echoes.” This is a truly dynamic piece written for the A Cappella Academy Choir, and works for a large choir or a smaller a cappella group.

Softest Rains by Rob Dietz, SSAATTBB a cappella
Clapping, shouting, and intricate rhythmic singing combine in this exciting new work from Rob Dietz. In the contemporary a cappella style, but also meant for larger choirs, this will be a stunning addition to any concert program.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

The Magic of Winter: New for Treble & Tenor/Bass Choirs 11 November, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Magic of Winter by Sherry Blevins, Unison/2-part with piano
“The Magic of Winter” sparkles as it paints a winter wonderland in the listener’s mind. With a lilting 6/8 meter, easy modal mixture, and effortless key changes, this piece offers opportunities to expand singers’ theory knowledge while diversifying your program repertoire. If you are looking for a secular piece to celebrate the season that includes ALL of your singers, look no further.

Away in a Manger (Lejos en un Pesebre) arr. Bryan Sharpe, SSA with piano and optional string ensemble
This delicate setting incorporates and blends together two different tunes commonly associated with this carol text, Mueller and Cradle Song along with a verse in Spanish. The two tunes and languages are woven together seamlessly and creatively for a unique approach on this Christmas tradition. String ensemble parts are available to enhance this intimate and expressive offering.

In the Bleak Midwinter by Brady Weldon, S(S)A with piano
Written for the developing or advanced treble ensemble of any size, Weldon’s original setting of this beloved holiday text is lovely! This work contains undulating supportive chords, unisons, and range-appropriate opportunities to add harmony.

Good King Wenceslas arr. Ruth Elaine Schram, SSA with piano
During the telling of this classic carol about a king who gives to the poor, Ruth Schram uses solo sections and word painting to help the audience experience cold winds and conversations between the king and his loyal page. This is a wonderful, joyful holiday selection for SSA choir!

Gaudete! Gaudete! by Cristi Cary Miller, T(T)B with piano
The Latin text used in this selection comes from a sacred Christmas carol thought to have been composed in the 16th century. The words reflect a medieval song of praise. Consider using this song as a processional for holiday concerts to help create an atmosphere of celebration!

Natus est in Bethleem by Xabier Sarasola, SA with piano and flute
This is a lively and joyful work in Latin by Basque composer Xabier Sarasola that celebrates the Christmas story. With piano and flute, “Natus est in Bethleem” is a great choice for younger choirs.

God Rest Ye Merry, Gentlemen arr. Wesley D. Peters, TTBB with piano
With a delightfully playful rhythmic interplay between 3/4 and 6/8 meters, this joyous, fresh setting of the traditional English carol seizes one’s interest from its introduction to its exuberant conclusion. The mixed meter sections act as musical bookends to a sensitive a cappella centerpiece featuring the reassuring angelic presence at the Nativity – tidings of comfort and great joy indeed! Equally appropriate for both school and church use.

Long Ago (In the Bleak Midwinter) arr. Jacob Narverud, SSA(A) with piano and optional string quartet
A new twist on a timeless carol, this BEST SELLER is now available for treble choirs! Narverud’s setting of Christina Rossetti’s poem features Holst’s original melody and harmonization along with new connective material between the verses and beautiful cluster harmonies. Paired with an artistic piano accompaniment and optional string parts, it is a lovely statement for the season.

I See a Star by Greg Gilpin, TB with piano
This touching selection from Greg Gilpin offers a wish for the world to find hope, peace, and love. With memorable melodies and a bridge featuring hints of “Star Light, Star Bright,” this selection will make an especially effective addition to winter and holiday concerts.

O Christmas Tree arr. Jimmy Baas, TB with piano
Originally written in 3/4, this new arrangement by Jimmy Baas is given an uplifting twist in 9/8 with the use of triplets throughout. The pulsating piano propels the piece forward, adding an extra sense of joy surrounding one of the most special times of the year.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Gettin’ in the Mood for Christmas! New Holiday Pops for Choir 06 November, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Gettin’ in the Mood (for Christmas) arr. Roger Emerson, SATB with piano and optional combo
Swing into the season with this toe-tapping, big-band styled holiday song! A perfect concert opener for pop and show groups, complete with a rhythm and horn section.

A Winter Wish by MaryAnne Muglia, SATB a cappella
Warm year-end lyrics create an a cappella greeting card for the season, “wishing boundless love and lasting peace.” A plucked bass vocal line and some sweet sonorities from the inner voices form a beautiful accompaniment for the sopranos’ melody. The pleasing lilt of this stylish song will have everyone snapping along. Fresh and fun.

Christmas Dance arr. Mac Huff, SATB with piano and optional combo
Mac Huff’s joyful, toe-tapping arrangement of a new Christmas classic by Darren Criss furnishes a festive blend of novelty and nostalgia perfect for any holiday concert. A real earworm that’s easy to learn, yet packed with engaging rhythms and harmonies.

Jingle Bell Rock arr. Bryan Sharpe, SATB a cappella with optional sleigh bells
Everybody gets a chance to sing the melody in this lively a cappella arrangement of the rock’ ‘n’ roll classic. Perfect for holiday concerts or door to door caroling, this two-minute feature includes optional sleigh bells and clip-clop tongue clicks. Bryan’s creative approach offers a sleigh full of interesting vocal parts that singers are gonna love. “That’s the Jingle Bell Rock!”

It Feels Like Christmas (from The Muppet Christmas Carol) arr. Audrey Snyder, 3-part mixed with piano
The merriest song from the classic movie, “The Muppet Christmas Carol,” makes an ideal selection for middle school and upper elementary choirs. Accessible voice parts provide ease of learning and confidence in singing. Holiday concerts will glow with holiday cheer from start to finish!

The Christmas Waltz arr. Lisa DeSpain, SATB with piano
Kristin Chenoweth’s cover of the beloved “frosted windowpanes” waltz inspired this arrangement, which sparkles with holiday nostalgia. A music box-like accompaniment supports lyrical vocal lines and expressive tempo changes that make for an impressive concert performance. Originally written for Frank Sinatra, this is a Christmastime standard not to be missed!

Theme from Elf arr. Daniel Grassi, SATB with piano and optional kazoos & percussion
Here’s the festive main theme from the popular motion picture soundtrack sung almost entirely on nonsense syllables! If you don’t recognize it from the first few notes, the holiday lights will certainly come on by the time we play the sweeping tune on crazy kazoos.

A Christmas Carol (from Scrooge) arr. Mark Hayes, SATB with piano and optional chamber ensemble
From the 1970 movie “Scrooge,” this beloved song has been covered by many artists ever since: from gospel greats to contemporary stars. The arrangement captures the beauty, strength and scope of the original and may be accompanied by either piano or additional chamber instruments. What a glorious moment for any holiday concert!

It’s Beginning to Look Like Christmas arr. Mark Hayes, TTBB with piano and optional orchestra
Now in SSAA and TTBB voicings, Meredith Willson’s famous song is wonderfully arranged for choirs with a terrific piano accompaniment as well as orchestral parts. The introduction is captivating and paints the magic of the holidays while the heart of the song ends with a big and broad finish.

‘Twas the Night Before Christmas by Andy Beck, SATB with piano and optional orchestration
It’s the classic Chirstmas poem set with swingin’ jazz flair! A snazzy bass line and some backbeat finger snaps greet the opening lines, spoken stylistically in rhythm. When the singing begins, it’s non-stop fun from the first “out on the lawn” clatter to Santa’s final “and to all a good night” send-off. Guaranteed to bring the holiday house down, with or without the full theatrical orchestration.

The Christmas Song arr. Russell Robinson, SATB a cappella
Perhaps your ensemble has sung “The Christmas Song” many times, many ways … but this is a truly special treatment. Simple yet sophisticated, Russell Robinson’s heartwarming a cappella arrangement gives the holiday classic a hint of jazzy harmonic freshness, yet retains a cozy flavor reminiscent of Christmases gone by.

Toyland arr. John Maclane Schirard, SATB a cappella
This new a cappella arrangement of “Toyland” adds a charming and festive touch to any holiday concert. With lush harmonies, the arrangement captures the whimsical essence of the original tune, transporting the audience to a magical world of toys and holiday cheer. The a cappella aspect of this piece allows the pure vocal textures to shine, creating a delightful and heartwarming experience for both performers and listeners alike.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

A Vision Unfolding by Kyle Pederson 29 October, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

A Vision Unfolding by Kyle Pederson, SATB with piano and optional violin, trumpet & snare drum
An exciting extended work by Kyle Pederson, exploring themes of justice, community, and inclusivity. This five-movement, genre-bending work is for SATB chorus, with piano, spoken word, and optional violin, snare drum, and trumpet.

Individual movements are available separately:

Reach Down, Lord (#1 from A Vision Unfolding)
This gospel style-inspired piece, appropriate for both sacred and secular settings, provides a powerful introduction to themes of justice and trial/tribulation.

Beat! Drums! (#2 from A Vision Unfolding)
The music mirrors Walt Whitman’s impactful war poem – the beat of the drum, blow of the bugle, and meter/rhythm changes highlighting the incessancy of the text and the call to justice.

All of Me (#3 from A Vision Unfolding)
This beautiful piece explores aspects of identity and inclusion and invites us to lay down our judgments of others. Musically, the piece reads as a blend of styles – pop ballad meets lovely choral, and will immediately resonate with choirs and listeners.

Light Transforms the Darkness (#4 from A Vision Unfolding)
This blues/pop-inspired piece is a call to action – to live our light and love out into the world.

I Dream a World (#5 from A Vision Unfolding)
There are many choral settings of this vision-casting, iconic Langston Hughes poem, but Pederson’s treatment deserves serious consideration. Soaring melody lines, lush harmonies, and a thunderous conclusion that invites us all to say, “yes… that’s a vision I want to help make real.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

In Dulci Jubilo: More Holiday Titles for Choir 25 October, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

In Dulci Jubilo arr. Mark Burrows, SATB with piano and optional trumpet
Uniquely combining German and Latin in this joyful holiday text, Burrows arrangement for SATB choir, Piano and Opt Trumpet is sure to set your holiday concert on fire! With canonic duets and joyful interplay between SA and TB, it is accessible and appropriate for both school and church alike.

O Come, O Come, Emmanuel arr. Matthew Culloton, SATB divisi a cappella
This rhythmic and energetic setting of the Advent classic expresses longing and the promise of Christmas. The music captures the excitement of the text. Your choir will enjoy singing this unusual and effective treatment of the plainsong melody.

The Angel’s Message (Angelus ad Virginem) arr. Philip Lawson, SSATB a cappella
This 13th century melody is arranged for high school choirs looking to expand into polyphony for the Christmas season. Smooth melodic lines give way to smart challenges in range, while the B section dabbles in counterpoint – a perfect opportunity for study of Medieval forms.

God Rest Ye arr. Eddie Cavazos, Josh Cavazos, Alice Gomez & Trevor Phillips, SATB with piano, cowbell & congas
The traditional English carol “God Rest Ye, Merry Gentlemen” is set here in an upbeat mixed-meter with percussion in a Central American Latin feel. With new lyrics and melodic lines added to the original carol, this is a joyful addition to any Christmas program.

Noël Nouvelet arr. Ruth Dwyer, SATB a cappella with optional percussion
The joyful traditional French carol, translated long ago into English as “Sing We Now of Christmas,” is set a cappella with simple optional percussion. The limited French along with English text makes it a quick learn, and the percussive “rum pum pum” is shared by all the voices, building to a buoyant “Noel” at the finale. An excellent and mature work for the holidays.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Scenes of Winter for Middle School Choir 18 October, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Scenes of Winter arr. Glenda E. Franklin, 3-part mixed with piano
This traditional English carol, “God Rest Ye Merry, Gentlemen,” breathes new life with original lyrics in this gentle choral for winter. Vocal echoing and simple harmonies beautifully paint the text, creating a lovely holiday selection that is unique yet familiar.

Where the North Wind Blows arr. Cristi Cary Miller, 3-part mixed with piano
The beautiful, haunting melody in this piece comes from a traditional Irish tune. Its slow and lyrical tempo gives choirs a chance to develop breath control when singing long phrases. The wintry lyrics make the selection a perfect choice for concert and festival events.

December Canon by Mark Burrows, 3-part mixed with piano
“The wind is cold, the branches bare, but hearts are warm and bright.” Despite the chill of December, it” all about hope, peace, and kindling kindness. As you’d expect from a round, a simple melody easily stacks into a complete choral texture. Even better, the conservative-range tune ensures a good fit for all voices. Groups of any age will master the canonic form and enjoy delivering the heartfelt, non-holiday message.

Here We Come A-Caroling arr. Becki Slagle Mayo, 3-part mixed with piano
From the rollicking piano and vocal introduction until the final “fa-la-la-la!” mixed ensembles will experience the joy of the season while learning this well-known carol, also known as “Here We Come A-Wassailing.” What a wonderful expression of the happiness and prosperity we all hope to find during the holidays!

Sing We Now of Fife and Drum arr. Roger Emerson, 3-part mixed with piano and optional flute, snare drum & chimes
Filled with energy and drive, this mashup of “Sing We Now of Christmas” and “Pat-a-Pan” brings new life to these familiar holiday carols. A generous measure of unison singing along with repetitive text and melodic phrases provide strength and confidence to growing singers and choirs.

Together in Song at Christmas, Volume 2 by Greg Gilpin, Cynthia Gray, Victor C. Johnson, Ruth Elaine Schram & Bruce W. Tippette, 3-part mixed with piano
These fully reproducible collections are both unique in value and a great resource for exceptional concert pieces for Three-part Mixed choirs. This collection is fully reproducible and includes an Accompaniment MP3 for each title. Featuring the works of today’s leading educational choral composers, these collections offer a wide array of diverse musical styles while being a budget-friendly resource. Titles include: “A Yuletide Greeting,” “Pat-a-Pan Noel,” “Please Don’t Sing Another Fa La La!,” “Winter Reflections,” “Lullay, Infant Holy,” “A Calypso Noel,” “Tiny Little Baby Born in Bethlehem,” and “Ale Pun.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

I Wish It Could Be Christmas Every Day! New for Beginning Choir 16 October, 2024

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

I Wish It Could Be Christmas Every Day arr. Jack Zaino, 2-part with piano
With its irresistible groove and holiday spirit, it’s no wonder that this rock song has been covered by countless artists over the decades! Choirs of all ages will appreciate the full harmonies, tasteful key changes, and woven vocal lines that welcome the season. Add the lively SoundTrax complete with sleigh bells and horns to “let the bells ring out for Christmas!”

Jingle, Jingle, Jingle arr. Greg Gilpin, 2-part with piano and optional kazoos & sleigh bells
You will never go wrong with a holiday classic by Johnny Marks! Let’s add some sleigh bells and kazoos and jingle like Santa into the hearts of our audience! Your singers will love learning and performing this winner so give it a good “ho ho ho” and enjoy!

Kris Kringle’s Kazoos by Mary Donnelly & George L.O. Strid, 2-part with kazoos and piano & optional glockenspiel
Can you guess what they’re making at Santa’s workshop this year? Pass out the kazoos for this nifty novelty number that includes snippets of “Deck the Hall,” “Up on the Housetop,” and “Joy to the World!” Kids will love singing the silly story and showing off their kazoo chops in this “magical musical masterpiece.”

Winter’s Stillness by Andrew Parr, 2-part with piano
Create a scene of ethereal beauty with this captivating composition crafted by the Andrew Parr. Seamlessly weaving original text and music with the beloved Austrian carol STILL, STILL, STILL, “Winter’s Stillness” paints a vivid picture of calmness of winter while creating a shimmering tapestry of peace and wonder.

Amid the Falling Snow arr. Cristi Cary Miller, 2-part with piano
This beautiful song recorded by the Irish singer, songwriter, and musician, Enya, is a magical way to enhance your winter concert. Consider adding a media presentation or video of snow falling to enhance the performance.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

On This Winter Night: New Holiday & Winter Titles for High School Choir 07 October, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

On This Winter Night arr. Greg Gilpin, SATB with piano
What a surprising idea using the Pierpont melody of “Jingle Bells” to create a beautifully warm setting for winter concerts. The text describes a scene of nature sleeping and dreaming beneath a blanket of snow set to simple yet rich harmonies with a touch of “sleep in heavenly peace” near the end. Exquisite.

Something Told the Wild Geese by Douglas E. Wagner, SATB with piano and optional cello
This sensitive setting of the popular text by Rachel Field transports singers and listeners alike into a realm of serene beauty and introspection. This evocative composition features lush harmonies and expressive vocal lines that are complemented by an artistic piano accompaniment. The addition of the optional cello adds to the haunting mood of this work, inviting you to immerse yourself in a rich tapestry of sound.

Stopping by Woods on a Snowy Evening by Tim Cahalan & Alex Berko, SSA with piano
Robert Frost’s well-known poem is set as an accessible lyrical piece for treble choirs. A sweeping piano accompaniment, legato vocal lines, and chilling harmonies make this the perfect selection for school and community winter concerts.

Candleglow by Emily Crocker, SATB with piano
This tender selection paints a picture of flickering candles on a cold winter’s night. The harmonies and scenes of this reflective original evoke the celebration of Hanukah, making it ideal for school and community performances.

A Festive Christmas Trilogy arr. Mark Hayes, SATB with piano and optional brass & percussion
The first 45 seconds provide a collage overview of what’s to come, as arranger Mark Hayes sets the stage for this magnificent four-minute Christmas fanfare. Enjoy the glorious strains of “Ding Dong! Merrily on High,” the cheerful fa-la-la’s of “Deck the Hall,” and a rollicking rendition of “Jingle Bells.” Then just before the big finish, singers recap all three for an impressive finale! Assemble brass and percussion to perform with the superb SoundPax.

Light One Candle arr. Jack Zaino, SATB with piano
This enduring Hanukkah song by folk trio Peter, Paul, and Mary urges us to uphold the legacies of those who fought for freedom by promoting social justice. Jack’s contemporary arrangement is tastefully updated in three accessible voicings. Perform with piano alone, the folk-inspired SoundTrax, or invite a guitarist to strum along. “Light one candle to bind us together with peace as the song in our hearts.”

Sweet Silent Night by Andy Beck, SATB with piano
Paint a peaceful winter scene with the tender vocal lines and ethereal piano accompaniment of this striking original. A gentle ode to heavenly stars and falling snow, it is appropriate for any winter concert and features the kind of harmony you love to teach and sing. As a special touch, perform the final verse a cappella to heighten the quiet wonder. “Hearts take hold, dreams take flight, on this sweet silent night.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

The Choral Playbook and More Resources for Choir 03 October, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Choral Playbook: Warm-Ups, Rounds, Rehearsal Strategies, and More to Spark Joy and Connection by Anna Wentlent
Place student joy at the center of your curriculum with this practical resource for singers of all ages. With over 80 exercises that teach ensemble skills in an informal, playful manner, this thoughtful collection is filled with opportunities for movement, connection, student agency, and more. Includes physical and vocal warm-ups, solfège patterns, rounds, silly songs, and choir games, as well as effective rehearsal strategies to keep your singers active and engaged.

Sound Patterns for Mixed Voices by Emily Crocker
Designed for SAB mixed voice choirs, “Sound Patterns for Mixed Voices” teaches sight reading skills quickly while singing “real music” from day one. This step-by-step method includes age and range appropriate songs with lyrics, dynamics, and accompaniment, along with preparatory exercises that are interesting, authentic, and flexible. This resource may be used with SAB beginners from approximately age 12 through 15 and for older singers with less singing experience. The sequential approach focuses on the keys C, G, and F, basic rhythms and simple intervals in the tonic, dominant and subdominant chords.

Alfred’s Sight-Singing Flashcards
Supplement your sight-singing program with Alfred’s Sight-Singing Flashcards. Organized in four color-coded sets, these eye-catching educational manipulatives include solfège syllables, Curwen hands signs, common 4/4 rhythms, intervals (both ascending and descending), plus simple melodic pitch patterns. What an engaging way to introduce, practice, review, and even gamify your sight-singing curriculum. Designed to encourage active learning and student motivation. 40 double-sided cards included—that’s 80 dynamic drills in total!

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

You Belong with Me and More Pops for High School Choir 13 September, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

You Belong with Me arr. Bryan Sharpe, SATB a cappella
A Taylor Swift hit in three voicings! Bryan’s contemporary a cappella arrangement bubbles with youthful charm. There’s no divisi, but a full palette of choral colors is on display. A featured soloist is accompanied in a variety of ways by the other voices as they imitate instruments of a pop band. It’s a blast from start to finish.

Steppin’ Out with My Baby (with Puttin’ on the Ritz) arr. Mark Hayes, SATB with piano and optional combo
Two of Irving Berlin’s most lively songs are married perfectly here in this fun swing, perfect for mixed voices of many ages as well as men’s choirs and ensembles. What fun to add simple choreography and some costume flair to your performance pulling inspiration from the many generations of artists that have performed and recorded these songs for radio, television, and movies. A wonderfully classy performance piece your singers and audience will love!

True Colors arr. Tim Brent, SATB with piano
Now available for SATB voices, Tim Brent’s take on the quintessential ’80s message of individuality has opportunities for a soloist to shine while supported by well-written, jazzy harmonies and an inventive piano part!

Who Loves You arr. Alan Billingsley, SATB with piano and optional rhythm
The instantly recognizable chorus of “Who Loves You” is a watershed moment in the hit making career of Frankie Valli, as this 1975 Disco hit reignited the Four Seasons popularity and reaffirmed them as vocal powerhouses. We invite your choir to participate in this absurdly fun arrangement!

Talking to the Moon arr. Cristi Cary Miller, SSA with piano
A haunting pop ballad with poetic lyrics and a melody that will echo in your mind, Bruno Mars’ “Talking to the Moon” is given a stellar choral treatment by Cristi Cary Miller. Intricate vocals and a driving piano part combine in a sweeping, cinematic sound.

(They Long to Be) Close to You arr. Mac Huff, SSA with piano and optional rhythm
Program a sweet throwback moment in your concert with this seventies classic. The iconic harmonies and fun nostalgia will make your audience want to join in!

And So It Goes arr. Audrey Snyder, TTB with piano
Billy Joel’s hauntingly beautiful ballad sings easily for concert choirs or pop ensembles in this simple, tasteful arrangement. “And so it goes, and so it goes, and you’re the only one who knows.” This is very sweet.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.