News & Views Saturday, December 21, 2024

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Here Comes the Sun arr. Matt & Adam Podd, 2-part (opt. 3-part) treble with piano
A fresh, artistic take is given to this Beatles hit, now available as an accessible arrangement for younger choirs. A reimagined harmonic structure makes way for text painting and a cinematic feeling that never loses the sunny and hopeful appeal of this iconic tune.

Rain, Rain! by Daniel Brinsmead, SSAA a cappella
This energetic four-part treble piece will add excitement and contrast to any program. With an original “rainy day” text by Australian composer Daniel Brinsmead, this piece is challenging to learn but great fun to perform. Sound effects, body percussion, and varied rhythmic articulations will keep your singers on their toes while enchanting the audience. Unique!

Ave Maria in Memoriam by Francisco Ibañez Irribarría, 2-part with piano
This beautiful and inspiring setting of the Ave Maria text was written in memory of Ibañez Irribarría’s colleague, José Rada, who died of AIDS in 1990. Rada studied music at the Conservatorio Superior de Música de Madrid, graduating with a degree in organ in 1968. Continuing his studies in Hamburg, Germany, he returned to Spain in 1983. He was organist and professor at the Jesús Guridi Conservatorio de Música in Vitoria-Gasteiz, and co-founded the early music group Capilla Peñaflorida in 1985. Rada became well-known for his musicological scholarship surrounding Spanish and specifically Basque music of the 17th and 18th-centuries.

Little Fishes, Don’t Cry! (from Five Sea Songs) by Daniel Brinsmead, SSA with piano
This tremendous piece steers a dramatic course away from the well-known lullaby in Australia. Using a jaunty sea-shanty style and new added text, choirs are encouraged to have fun with the storytelling and to create a lively atmosphere in performance.

Miserere by Eva Ugalde, SSA divisi a cappella
This sophisticated work for treble choirs by Spanish composer Eva Ugalde captures the feeling of a desperate need for mercy in our lives. A very singable work that sounds rich and dynamic in performance.

Apple Tree arr. Katerina Gimon, SSAA a cappella with percussion
This song is about the potential hidden in all of us. We can all save the world if we put our minds to it. The lyrics are the thoughts and dreams of young people, and young people will resonate with both the text and the music. This creative and form-breaking arrangement is by Canadian composer/arranger Katerina Gimon, and was premiered by the Vancouver Youth Choir at the World Music Symposium in Istanbul in 2023.

Home on the Range arr. Ben Kendall, SSA with piano
Kendall’s lovely and rhythmically interesting arrangement of Americana is highly suitable for treble choirs of all abilities. A pulsating accompaniment adds forward motion to this sparkling homophonic setting.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

All I Know of Love by Rob Dietz, SATB divisi a cappella
With words by Stephanie Dietz, this beautiful composition from Rob Dietz is a beautiful composition with a propulsive time signature mixed with lush and ever-present vocal textures. Perfect for choirs looking to expand their contemporary a cappella repertoire!

Vox Vibe by Greg Gilpin, SAB a cappella (optional piano)
The vibrant vocables of this extraordinary original have no literal meaning, but simply bubble with joy. A rhythmic vocal stack opening introduces three independent voice parts before unfolding into a complete rondo that grows to an action-packed ending. Pair this impressive follow-up with Greg’s original “Vox;” both can be performed a cappella or with optional piano.

Beethoven’s Fifth arr. Tom Anderson, 3-part mixed with piano
Beethoven’s “greatest hit” is reimagined with a funky twist that your singers won’t be able to resist! Its iconic short-short-short-long hook springboards into a rhythmic groove, complete with clapping, snapping, and vocal syllables that imitate a rock band. It’s a novelty nod to one of the greatest composers of all time!

Echo by Rob Dietz, SSAATTBB a cappella
“Echoes of peace. Echoes of love. Echoes of hope. We are echoes.” This is a truly dynamic piece written for the A Cappella Academy Choir, and works for a large choir or a smaller a cappella group.

Softest Rains by Rob Dietz, SSAATTBB a cappella
Clapping, shouting, and intricate rhythmic singing combine in this exciting new work from Rob Dietz. In the contemporary a cappella style, but also meant for larger choirs, this will be a stunning addition to any concert program.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Magic of Winter by Sherry Blevins, Unison/2-part with piano
“The Magic of Winter” sparkles as it paints a winter wonderland in the listener’s mind. With a lilting 6/8 meter, easy modal mixture, and effortless key changes, this piece offers opportunities to expand singers’ theory knowledge while diversifying your program repertoire. If you are looking for a secular piece to celebrate the season that includes ALL of your singers, look no further.

Away in a Manger (Lejos en un Pesebre) arr. Bryan Sharpe, SSA with piano and optional string ensemble
This delicate setting incorporates and blends together two different tunes commonly associated with this carol text, Mueller and Cradle Song along with a verse in Spanish. The two tunes and languages are woven together seamlessly and creatively for a unique approach on this Christmas tradition. String ensemble parts are available to enhance this intimate and expressive offering.

In the Bleak Midwinter by Brady Weldon, S(S)A with piano
Written for the developing or advanced treble ensemble of any size, Weldon’s original setting of this beloved holiday text is lovely! This work contains undulating supportive chords, unisons, and range-appropriate opportunities to add harmony.

Good King Wenceslas arr. Ruth Elaine Schram, SSA with piano
During the telling of this classic carol about a king who gives to the poor, Ruth Schram uses solo sections and word painting to help the audience experience cold winds and conversations between the king and his loyal page. This is a wonderful, joyful holiday selection for SSA choir!

Gaudete! Gaudete! by Cristi Cary Miller, T(T)B with piano
The Latin text used in this selection comes from a sacred Christmas carol thought to have been composed in the 16th century. The words reflect a medieval song of praise. Consider using this song as a processional for holiday concerts to help create an atmosphere of celebration!

Natus est in Bethleem by Xabier Sarasola, SA with piano and flute
This is a lively and joyful work in Latin by Basque composer Xabier Sarasola that celebrates the Christmas story. With piano and flute, “Natus est in Bethleem” is a great choice for younger choirs.

God Rest Ye Merry, Gentlemen arr. Wesley D. Peters, TTBB with piano
With a delightfully playful rhythmic interplay between 3/4 and 6/8 meters, this joyous, fresh setting of the traditional English carol seizes one’s interest from its introduction to its exuberant conclusion. The mixed meter sections act as musical bookends to a sensitive a cappella centerpiece featuring the reassuring angelic presence at the Nativity – tidings of comfort and great joy indeed! Equally appropriate for both school and church use.

Long Ago (In the Bleak Midwinter) arr. Jacob Narverud, SSA(A) with piano and optional string quartet
A new twist on a timeless carol, this BEST SELLER is now available for treble choirs! Narverud’s setting of Christina Rossetti’s poem features Holst’s original melody and harmonization along with new connective material between the verses and beautiful cluster harmonies. Paired with an artistic piano accompaniment and optional string parts, it is a lovely statement for the season.

I See a Star by Greg Gilpin, TB with piano
This touching selection from Greg Gilpin offers a wish for the world to find hope, peace, and love. With memorable melodies and a bridge featuring hints of “Star Light, Star Bright,” this selection will make an especially effective addition to winter and holiday concerts.

O Christmas Tree arr. Jimmy Baas, TB with piano
Originally written in 3/4, this new arrangement by Jimmy Baas is given an uplifting twist in 9/8 with the use of triplets throughout. The pulsating piano propels the piece forward, adding an extra sense of joy surrounding one of the most special times of the year.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Gettin’ in the Mood (for Christmas) arr. Roger Emerson, SATB with piano and optional combo
Swing into the season with this toe-tapping, big-band styled holiday song! A perfect concert opener for pop and show groups, complete with a rhythm and horn section.

A Winter Wish by MaryAnne Muglia, SATB a cappella
Warm year-end lyrics create an a cappella greeting card for the season, “wishing boundless love and lasting peace.” A plucked bass vocal line and some sweet sonorities from the inner voices form a beautiful accompaniment for the sopranos’ melody. The pleasing lilt of this stylish song will have everyone snapping along. Fresh and fun.

Christmas Dance arr. Mac Huff, SATB with piano and optional combo
Mac Huff’s joyful, toe-tapping arrangement of a new Christmas classic by Darren Criss furnishes a festive blend of novelty and nostalgia perfect for any holiday concert. A real earworm that’s easy to learn, yet packed with engaging rhythms and harmonies.

Jingle Bell Rock arr. Bryan Sharpe, SATB a cappella with optional sleigh bells
Everybody gets a chance to sing the melody in this lively a cappella arrangement of the rock’ ‘n’ roll classic. Perfect for holiday concerts or door to door caroling, this two-minute feature includes optional sleigh bells and clip-clop tongue clicks. Bryan’s creative approach offers a sleigh full of interesting vocal parts that singers are gonna love. “That’s the Jingle Bell Rock!”

It Feels Like Christmas (from The Muppet Christmas Carol) arr. Audrey Snyder, 3-part mixed with piano
The merriest song from the classic movie, “The Muppet Christmas Carol,” makes an ideal selection for middle school and upper elementary choirs. Accessible voice parts provide ease of learning and confidence in singing. Holiday concerts will glow with holiday cheer from start to finish!

The Christmas Waltz arr. Lisa DeSpain, SATB with piano
Kristin Chenoweth’s cover of the beloved “frosted windowpanes” waltz inspired this arrangement, which sparkles with holiday nostalgia. A music box-like accompaniment supports lyrical vocal lines and expressive tempo changes that make for an impressive concert performance. Originally written for Frank Sinatra, this is a Christmastime standard not to be missed!

Theme from Elf arr. Daniel Grassi, SATB with piano and optional kazoos & percussion
Here’s the festive main theme from the popular motion picture soundtrack sung almost entirely on nonsense syllables! If you don’t recognize it from the first few notes, the holiday lights will certainly come on by the time we play the sweeping tune on crazy kazoos.

A Christmas Carol (from Scrooge) arr. Mark Hayes, SATB with piano and optional chamber ensemble
From the 1970 movie “Scrooge,” this beloved song has been covered by many artists ever since: from gospel greats to contemporary stars. The arrangement captures the beauty, strength and scope of the original and may be accompanied by either piano or additional chamber instruments. What a glorious moment for any holiday concert!

It’s Beginning to Look Like Christmas arr. Mark Hayes, TTBB with piano and optional orchestra
Now in SSAA and TTBB voicings, Meredith Willson’s famous song is wonderfully arranged for choirs with a terrific piano accompaniment as well as orchestral parts. The introduction is captivating and paints the magic of the holidays while the heart of the song ends with a big and broad finish.

‘Twas the Night Before Christmas by Andy Beck, SATB with piano and optional orchestration
It’s the classic Chirstmas poem set with swingin’ jazz flair! A snazzy bass line and some backbeat finger snaps greet the opening lines, spoken stylistically in rhythm. When the singing begins, it’s non-stop fun from the first “out on the lawn” clatter to Santa’s final “and to all a good night” send-off. Guaranteed to bring the holiday house down, with or without the full theatrical orchestration.

The Christmas Song arr. Russell Robinson, SATB a cappella
Perhaps your ensemble has sung “The Christmas Song” many times, many ways … but this is a truly special treatment. Simple yet sophisticated, Russell Robinson’s heartwarming a cappella arrangement gives the holiday classic a hint of jazzy harmonic freshness, yet retains a cozy flavor reminiscent of Christmases gone by.

Toyland arr. John Maclane Schirard, SATB a cappella
This new a cappella arrangement of “Toyland” adds a charming and festive touch to any holiday concert. With lush harmonies, the arrangement captures the whimsical essence of the original tune, transporting the audience to a magical world of toys and holiday cheer. The a cappella aspect of this piece allows the pure vocal textures to shine, creating a delightful and heartwarming experience for both performers and listeners alike.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

A Vision Unfolding by Kyle Pederson, SATB with piano and optional violin, trumpet & snare drum
An exciting extended work by Kyle Pederson, exploring themes of justice, community, and inclusivity. This five-movement, genre-bending work is for SATB chorus, with piano, spoken word, and optional violin, snare drum, and trumpet.

Individual movements are available separately:

Reach Down, Lord (#1 from A Vision Unfolding)
This gospel style-inspired piece, appropriate for both sacred and secular settings, provides a powerful introduction to themes of justice and trial/tribulation.

Beat! Drums! (#2 from A Vision Unfolding)
The music mirrors Walt Whitman’s impactful war poem – the beat of the drum, blow of the bugle, and meter/rhythm changes highlighting the incessancy of the text and the call to justice.

All of Me (#3 from A Vision Unfolding)
This beautiful piece explores aspects of identity and inclusion and invites us to lay down our judgments of others. Musically, the piece reads as a blend of styles – pop ballad meets lovely choral, and will immediately resonate with choirs and listeners.

Light Transforms the Darkness (#4 from A Vision Unfolding)
This blues/pop-inspired piece is a call to action – to live our light and love out into the world.

I Dream a World (#5 from A Vision Unfolding)
There are many choral settings of this vision-casting, iconic Langston Hughes poem, but Pederson’s treatment deserves serious consideration. Soaring melody lines, lush harmonies, and a thunderous conclusion that invites us all to say, “yes… that’s a vision I want to help make real.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

In Dulci Jubilo arr. Mark Burrows, SATB with piano and optional trumpet
Uniquely combining German and Latin in this joyful holiday text, Burrows arrangement for SATB choir, Piano and Opt Trumpet is sure to set your holiday concert on fire! With canonic duets and joyful interplay between SA and TB, it is accessible and appropriate for both school and church alike.

O Come, O Come, Emmanuel arr. Matthew Culloton, SATB divisi a cappella
This rhythmic and energetic setting of the Advent classic expresses longing and the promise of Christmas. The music captures the excitement of the text. Your choir will enjoy singing this unusual and effective treatment of the plainsong melody.

The Angel’s Message (Angelus ad Virginem) arr. Philip Lawson, SSATB a cappella
This 13th century melody is arranged for high school choirs looking to expand into polyphony for the Christmas season. Smooth melodic lines give way to smart challenges in range, while the B section dabbles in counterpoint – a perfect opportunity for study of Medieval forms.

God Rest Ye arr. Eddie Cavazos, Josh Cavazos, Alice Gomez & Trevor Phillips, SATB with piano, cowbell & congas
The traditional English carol “God Rest Ye, Merry Gentlemen” is set here in an upbeat mixed-meter with percussion in a Central American Latin feel. With new lyrics and melodic lines added to the original carol, this is a joyful addition to any Christmas program.

Noël Nouvelet arr. Ruth Dwyer, SATB a cappella with optional percussion
The joyful traditional French carol, translated long ago into English as “Sing We Now of Christmas,” is set a cappella with simple optional percussion. The limited French along with English text makes it a quick learn, and the percussive “rum pum pum” is shared by all the voices, building to a buoyant “Noel” at the finale. An excellent and mature work for the holidays.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Scenes of Winter arr. Glenda E. Franklin, 3-part mixed with piano
This traditional English carol, “God Rest Ye Merry, Gentlemen,” breathes new life with original lyrics in this gentle choral for winter. Vocal echoing and simple harmonies beautifully paint the text, creating a lovely holiday selection that is unique yet familiar.

Where the North Wind Blows arr. Cristi Cary Miller, 3-part mixed with piano
The beautiful, haunting melody in this piece comes from a traditional Irish tune. Its slow and lyrical tempo gives choirs a chance to develop breath control when singing long phrases. The wintry lyrics make the selection a perfect choice for concert and festival events.

December Canon by Mark Burrows, 3-part mixed with piano
“The wind is cold, the branches bare, but hearts are warm and bright.” Despite the chill of December, it” all about hope, peace, and kindling kindness. As you’d expect from a round, a simple melody easily stacks into a complete choral texture. Even better, the conservative-range tune ensures a good fit for all voices. Groups of any age will master the canonic form and enjoy delivering the heartfelt, non-holiday message.

Here We Come A-Caroling arr. Becki Slagle Mayo, 3-part mixed with piano
From the rollicking piano and vocal introduction until the final “fa-la-la-la!” mixed ensembles will experience the joy of the season while learning this well-known carol, also known as “Here We Come A-Wassailing.” What a wonderful expression of the happiness and prosperity we all hope to find during the holidays!

Sing We Now of Fife and Drum arr. Roger Emerson, 3-part mixed with piano and optional flute, snare drum & chimes
Filled with energy and drive, this mashup of “Sing We Now of Christmas” and “Pat-a-Pan” brings new life to these familiar holiday carols. A generous measure of unison singing along with repetitive text and melodic phrases provide strength and confidence to growing singers and choirs.

Together in Song at Christmas, Volume 2 by Greg Gilpin, Cynthia Gray, Victor C. Johnson, Ruth Elaine Schram & Bruce W. Tippette, 3-part mixed with piano
These fully reproducible collections are both unique in value and a great resource for exceptional concert pieces for Three-part Mixed choirs. This collection is fully reproducible and includes an Accompaniment MP3 for each title. Featuring the works of today’s leading educational choral composers, these collections offer a wide array of diverse musical styles while being a budget-friendly resource. Titles include: “A Yuletide Greeting,” “Pat-a-Pan Noel,” “Please Don’t Sing Another Fa La La!,” “Winter Reflections,” “Lullay, Infant Holy,” “A Calypso Noel,” “Tiny Little Baby Born in Bethlehem,” and “Ale Pun.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

I Wish It Could Be Christmas Every Day arr. Jack Zaino, 2-part with piano
With its irresistible groove and holiday spirit, it’s no wonder that this rock song has been covered by countless artists over the decades! Choirs of all ages will appreciate the full harmonies, tasteful key changes, and woven vocal lines that welcome the season. Add the lively SoundTrax complete with sleigh bells and horns to “let the bells ring out for Christmas!”

Jingle, Jingle, Jingle arr. Greg Gilpin, 2-part with piano and optional kazoos & sleigh bells
You will never go wrong with a holiday classic by Johnny Marks! Let’s add some sleigh bells and kazoos and jingle like Santa into the hearts of our audience! Your singers will love learning and performing this winner so give it a good “ho ho ho” and enjoy!

Kris Kringle’s Kazoos by Mary Donnelly & George L.O. Strid, 2-part with kazoos and piano & optional glockenspiel
Can you guess what they’re making at Santa’s workshop this year? Pass out the kazoos for this nifty novelty number that includes snippets of “Deck the Hall,” “Up on the Housetop,” and “Joy to the World!” Kids will love singing the silly story and showing off their kazoo chops in this “magical musical masterpiece.”

Winter’s Stillness by Andrew Parr, 2-part with piano
Create a scene of ethereal beauty with this captivating composition crafted by the Andrew Parr. Seamlessly weaving original text and music with the beloved Austrian carol STILL, STILL, STILL, “Winter’s Stillness” paints a vivid picture of calmness of winter while creating a shimmering tapestry of peace and wonder.

Amid the Falling Snow arr. Cristi Cary Miller, 2-part with piano
This beautiful song recorded by the Irish singer, songwriter, and musician, Enya, is a magical way to enhance your winter concert. Consider adding a media presentation or video of snow falling to enhance the performance.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

On This Winter Night arr. Greg Gilpin, SATB with piano
What a surprising idea using the Pierpont melody of “Jingle Bells” to create a beautifully warm setting for winter concerts. The text describes a scene of nature sleeping and dreaming beneath a blanket of snow set to simple yet rich harmonies with a touch of “sleep in heavenly peace” near the end. Exquisite.

Something Told the Wild Geese by Douglas E. Wagner, SATB with piano and optional cello
This sensitive setting of the popular text by Rachel Field transports singers and listeners alike into a realm of serene beauty and introspection. This evocative composition features lush harmonies and expressive vocal lines that are complemented by an artistic piano accompaniment. The addition of the optional cello adds to the haunting mood of this work, inviting you to immerse yourself in a rich tapestry of sound.

Stopping by Woods on a Snowy Evening by Tim Cahalan & Alex Berko, SSA with piano
Robert Frost’s well-known poem is set as an accessible lyrical piece for treble choirs. A sweeping piano accompaniment, legato vocal lines, and chilling harmonies make this the perfect selection for school and community winter concerts.

Candleglow by Emily Crocker, SATB with piano
This tender selection paints a picture of flickering candles on a cold winter’s night. The harmonies and scenes of this reflective original evoke the celebration of Hanukah, making it ideal for school and community performances.

A Festive Christmas Trilogy arr. Mark Hayes, SATB with piano and optional brass & percussion
The first 45 seconds provide a collage overview of what’s to come, as arranger Mark Hayes sets the stage for this magnificent four-minute Christmas fanfare. Enjoy the glorious strains of “Ding Dong! Merrily on High,” the cheerful fa-la-la’s of “Deck the Hall,” and a rollicking rendition of “Jingle Bells.” Then just before the big finish, singers recap all three for an impressive finale! Assemble brass and percussion to perform with the superb SoundPax.

Light One Candle arr. Jack Zaino, SATB with piano
This enduring Hanukkah song by folk trio Peter, Paul, and Mary urges us to uphold the legacies of those who fought for freedom by promoting social justice. Jack’s contemporary arrangement is tastefully updated in three accessible voicings. Perform with piano alone, the folk-inspired SoundTrax, or invite a guitarist to strum along. “Light one candle to bind us together with peace as the song in our hearts.”

Sweet Silent Night by Andy Beck, SATB with piano
Paint a peaceful winter scene with the tender vocal lines and ethereal piano accompaniment of this striking original. A gentle ode to heavenly stars and falling snow, it is appropriate for any winter concert and features the kind of harmony you love to teach and sing. As a special touch, perform the final verse a cappella to heighten the quiet wonder. “Hearts take hold, dreams take flight, on this sweet silent night.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Choral Playbook: Warm-Ups, Rounds, Rehearsal Strategies, and More to Spark Joy and Connection by Anna Wentlent
Place student joy at the center of your curriculum with this practical resource for singers of all ages. With over 80 exercises that teach ensemble skills in an informal, playful manner, this thoughtful collection is filled with opportunities for movement, connection, student agency, and more. Includes physical and vocal warm-ups, solfège patterns, rounds, silly songs, and choir games, as well as effective rehearsal strategies to keep your singers active and engaged.

Sound Patterns for Mixed Voices by Emily Crocker
Designed for SAB mixed voice choirs, “Sound Patterns for Mixed Voices” teaches sight reading skills quickly while singing “real music” from day one. This step-by-step method includes age and range appropriate songs with lyrics, dynamics, and accompaniment, along with preparatory exercises that are interesting, authentic, and flexible. This resource may be used with SAB beginners from approximately age 12 through 15 and for older singers with less singing experience. The sequential approach focuses on the keys C, G, and F, basic rhythms and simple intervals in the tonic, dominant and subdominant chords.

Alfred’s Sight-Singing Flashcards
Supplement your sight-singing program with Alfred’s Sight-Singing Flashcards. Organized in four color-coded sets, these eye-catching educational manipulatives include solfège syllables, Curwen hands signs, common 4/4 rhythms, intervals (both ascending and descending), plus simple melodic pitch patterns. What an engaging way to introduce, practice, review, and even gamify your sight-singing curriculum. Designed to encourage active learning and student motivation. 40 double-sided cards included—that’s 80 dynamic drills in total!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

You Belong with Me arr. Bryan Sharpe, SATB a cappella
A Taylor Swift hit in three voicings! Bryan’s contemporary a cappella arrangement bubbles with youthful charm. There’s no divisi, but a full palette of choral colors is on display. A featured soloist is accompanied in a variety of ways by the other voices as they imitate instruments of a pop band. It’s a blast from start to finish.

Steppin’ Out with My Baby (with Puttin’ on the Ritz) arr. Mark Hayes, SATB with piano and optional combo
Two of Irving Berlin’s most lively songs are married perfectly here in this fun swing, perfect for mixed voices of many ages as well as men’s choirs and ensembles. What fun to add simple choreography and some costume flair to your performance pulling inspiration from the many generations of artists that have performed and recorded these songs for radio, television, and movies. A wonderfully classy performance piece your singers and audience will love!

True Colors arr. Tim Brent, SATB with piano
Now available for SATB voices, Tim Brent’s take on the quintessential ’80s message of individuality has opportunities for a soloist to shine while supported by well-written, jazzy harmonies and an inventive piano part!

Who Loves You arr. Alan Billingsley, SATB with piano and optional rhythm
The instantly recognizable chorus of “Who Loves You” is a watershed moment in the hit making career of Frankie Valli, as this 1975 Disco hit reignited the Four Seasons popularity and reaffirmed them as vocal powerhouses. We invite your choir to participate in this absurdly fun arrangement!

Talking to the Moon arr. Cristi Cary Miller, SSA with piano
A haunting pop ballad with poetic lyrics and a melody that will echo in your mind, Bruno Mars’ “Talking to the Moon” is given a stellar choral treatment by Cristi Cary Miller. Intricate vocals and a driving piano part combine in a sweeping, cinematic sound.

(They Long to Be) Close to You arr. Mac Huff, SSA with piano and optional rhythm
Program a sweet throwback moment in your concert with this seventies classic. The iconic harmonies and fun nostalgia will make your audience want to join in!

And So It Goes arr. Audrey Snyder, TTB with piano
Billy Joel’s hauntingly beautiful ballad sings easily for concert choirs or pop ensembles in this simple, tasteful arrangement. “And so it goes, and so it goes, and you’re the only one who knows.” This is very sweet.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Spooky Scary Skeletons arr. Roger Emerson, 2-part treble with piano and optional rhythm
Here’s a not-too-spooky novelty, perfect for Halloween! Its ease in learning, combined with its fun quirkiness, will make this a winner for your early fall concerts. Trick or treat!

Dolly Waits by Ryan Main, SATB with piano
A bone-chilling waltz that will leave audiences looking over their shoulder… Singers will love the opportunity to lean into the eerie world of Dolly in this achievable and darkly entertaining work!

The Broomstick Flew All Around by Mark Burrows, 2-part with piano
Mark Burrows’ creative spark is on full display in this Halloween adaptation of “The Green Grass Grew All Around.” A cumulative song, each verse incorporates a new element to the text such a witch, hats, cats, and rats each with an associated sound effect!

Haunted Houses by Clark William Lawlor, SATB with piano
Elevate your next spooky concert experience with this instant classic! This original work for choir seamlessly transitions from musically creeping through the shadows to embarking on a quasi-ragtime adventure through Henry Wadsworth Longfellow’s “Haunted Houses.” Don’t miss out on this spine-chilling musical journey!

Two for Halloween arr. Mark Weston, 2-part with piano
It’s a spooky twist on a couple of classical themes! Complete with swooping bats, snarling cats, and all kinds of ghostly imagery, this duo can be sung together or separately for any fall or Halloween performance. Listen for the screeching owl hiding within the spine-tingling SoundTrax accompaniment. Includes “When Halloween Returns (In the Hall of the Mountain King)” and “It Must Be Halloween (Toccata in D Minor and The Erl King).”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

When I Sing by Tom Shelton, Unison with piano and optional glockenspiel
This enchanting choral invites singers to embrace the joy of music and the power of their own voice. A welcome addition to the repertoire for young and developing choirs, this work is full of dynamic contrasts and features accessible choral textures, opportunities for a soloist, as well as an optional descant and part for optional glockenspiel. Highly recommended!

Fall Leaves by Penny Rodriguez, 2-part with piano
This playful piece is perfect for the beginning of the school year. Charming lyrics, penned by a 7-year-old student, capture the joy of autumn. A unison verse swirls into simple call-and-response punctuated by a bridge in beginning 2-part harmony. A cheerful key change tosses the leaves higher into the air before tapering to a quiet “I love fall leaves” ending.

Every Heart Sings a Song by Greg Gilpin, 2-part with piano
“Music and rhythm find their way into the secret places of the soul. Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song.” These words by Plato serve as the inspiration for this engaging piece for young and developing choirs. Light and bright, with a creative bouncy accompaniment, parts for shaker, guiro, and low drum, and easily learned vocal lines all combine to create a creative programming gem.

I Met a Bird by Jim Papoulis, Unison/2-part with piano & percussion
Nature not only inspires us but encourages us in this groovy tune. Plaintive text, directly from the imaginations of kids, is partnered with laid-back piano and drum parts in this cheerful and conversational work aimed at empowering the youthful nature inside of us. “Just spread your wings and believe it!”

Try, Try Again by Rollo Dilworth, 2-part with piano
It’s a famous saying that bears repeating: “If at first you don’t succeed…” Rollo Dilworth and many of his contemporaries find it important that many young people hear the kinds of platitudes that lift up, without disregarding the difficulties that life presents.

If I Were a Fish arr. Roger Emerson, Unison/2-part with piano
Bullying online – it’s a heartbreaking fact that most young people have to deal with (sometimes on a daily basis), and this song just posits, “what if we don’t need this anymore”? Why can’t we just accept others for who they really, truly are – and why can’t we just say it in a super-cute and indie folk rock kind of way View / Leave comments

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

As I Journey On by Chris Maunu, SAB with piano and djembe
Using words from the poem “Courage” by Ella Wheeler Wilcox, Chris Maunu creates an energetic and uplifting piece for young voices, middle school to high school. The piano and djembe add vitality and rhythm that support the encouraging theme.

Dreams Were Made to Come True by Nathaniel Stine, 3-part mixed with piano
This inspiring anthem reminds us that dreams create endless possibilities. An arpeggiated accompaniment, conservative vocal ranges, and a pop-style melody make this easy to learn and a joy to sing. Opens with an optional solo – “Dream a dream, plant a seed, hoping someday it will grow.”

Fill the Earth with Joyful Singing by Andrew Parr, 3-part mixed with piano
Looking to inject your next concert with energy and excitement? Look no further than Andrew Parr’s newest choral work, “Fill the Earth with Joyful Singing.” With its infectious groove, irresistible rhythms, cool harmonies, and a lyrical, contrasting middle section, this piece is tailor-made for developing singers, making it a perfect addition to any choir’s repertoire.

Viento! by Matthew Gawronski, 2-part treble with piano and optional djembe
Looking for an energetic, crowd-pleaser that’s both fun to learn and fits well in multiple concert contexts? “Viento!” is that piece. New to the BriLee catalog, composer and educator Matthew Gawronski brings his unique style into this delightful Two-Part Treble work with piano and optional djembe.

You Are Light by Mark Burrows, SAB with piano and optional djembe
“In the light I have found my family, I am safe to sing my song.” With a lightly syncopated, contemporary sound, this uplifting original expresses the need for a warm and welcoming community for all. Composer Mark Burrows reminds us that we can help others feel comfort and belonging simply by sharing our inner light. Perform with piano alone or with the addition of an optional djembe. Rich with opportunities for social-emotional learning.

Bloom by Lisa Longe, 2-part with piano
“Though we are small, we are meant to break free and bloom.” Carefully crafted for developing voices, this lovely concert piece features unison singing, parallel harmony, pedal-tone harmony, plus some staggered entrances at the bridge. Set the tone for growth at the beginning of the year, or celebrate moving up in the spring.

Agnus Dei by Ruth Morris Gray, SAB with piano
Ruth Morris Gray presents an exquisite minor-key setting that elevates choral musicianship. A rich melody ebbs and flows over the colorful harmonic palette, while a captivating piano theme winds its way throughout. Various textures, expressive dynamics, and rubato tempos encourage artistry.

I Must Go Down to the Sea by Earlene Rentz, 3-part mixed with piano
Hoist the sails and embark on a whimsical maritime adventure with this delightful setting of a text by English poet and writer John Masefield. Accessible yet creative vocal lines are perfectly complemented by a gently lilting piano accompaniment, making this an ideal choice for your concert or festival programming needs.

Little Things by Christi Jones, SA with piano
We don’t always realize the ripple effect that occurs when we perform small acts of kindness or share words of love with those around us. These seemingly insignificant actions can have such a positive impact and make the world a better place. Thus is the premise for this delightful and thought-provoking SA choral, sure to spark much wonderful conversation and, hopefully, lead to actions of the same nature!

Awakening by Christi Jones, SATB with piano
Jones’ powerful composition for mixed choirs, based on the poem by writer James Weldon Johnson, is both haunting and evocative. Set in D minor with a driving rhythmic piano accompaniment, mixed choirs will feel empowered singing this fabulous piece!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

EXCELLENCE IN CHORAL LITERATURE
Saturday August 24, 2024
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 31st annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and tenor/bass ensembles as well as classic literature from the choral canon.

Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

for MIXED CHOIRS
Sing Unto the Sky by Karen Marrolli, SATB a cappella with hand drum
This bold and exciting new piece by composer Karen Marrolli was inspired by the wild beauty of the High Desert of New Mexico. The delicate relationship between resources and inhabitants in this area of the world highlights our responsibility to be good stewards of the Earth. The music begins simply and builds throughout, illustrating both a growing urgency and a growing and varied chorus of voices coming together to give thanks. SATB a cappella, with a hand drum, this hearty new work makes for an excellent concert/festival opener or processional. The composer provides opportunities in the score for optional solos/small groups, hand claps, and stomps.

Ad Astra (To the Stars…) (Extended Version) by Jacob Narverud, SATB with piano and optional brass & percussion
This new extended edition of Narverud’s “Ad Astra” for SATB choir and instrumental ensemble radiates energy, and is impressive while still accessible. Filled with hope and empowerment, the text reads, “To the stars through difficulties, look upward, move forward, leave all cares behind.”

With a Spark by Katerina Gimon, SATB with piano
Exploring themes of self-discovery, growth, and change, this empowering work not only honors those who have helped us grow and discover our “spark, flicker, flame,” it encourages us to fan the flames that will change the world. An inspiring choice for graduation or any concert, this unique work employs a variety of textures and ostinatos to create an exciting and rhythmic concert piece with a youthful energy and flair.

I Am Out with Lanterns by Ayrian Norman, SATB a cappella with djembe
This poignant quote from Emily Dickinson has been set to original music by Ayrian Norman for SATB or SSA voices and djembe. The djembe part is integral to the composition as it underpins the rhythmic groove.

Autumn by Ola Gjeilo, SATB divisi a cappella
“Autumn” is the choral version of Ola Gjeilo’s solo piano track of the same name. Inspired by the tranquility of Norwegian nature, the work is a peaceful meditation on the wonder of the earth’s changing seasons.

There Will Be Stars by Andy Beck, SATB with piano
“At the end of every day, there will be stars.” Stars are the inspiration for this stunning concert work that offers the reassurance only nature can bring. A lilting piano theme weaves its way through cascading vocal lines that seamlessly expand from pristine unisons into sumptuous sonorities. Your altos will especially love their “glimmering, glistening” interjections. Be sure to observe notated dynamics, which lean into several well-approached suspensions and taper to twinkling resolutions.

Segalariak by Josu Elberdin, SATB divisi a cappella
The rhythm and joy of “Segalariak” tells the story of a harvesting competition between Basque farmer friends. The rapid alterations between 6/8 and 3/4 create a rambunctious and very enthusiastic musical challenge!

for TREBLE CHOIRS
Take This Gift by Tracy Wong, SSA with piano and hand drum
This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. Wong employs a variety of textures to bring the setting to life, including a particular light-hearted vocal play motif (‘la la li la lay’) that is usually heard in ‘Canggung’, a Malay folk song. The text was co-written by the composer and the Singaporean vocal percussionist Cherie Chai, and celebrates the life-long relationships created and nurtured within the choral community and the priceless gift of shared choral experiences.

The Open Hand by Susan LaBarr, SSA with piano
“The Open Hand” is inspired by the words and ideas of Bridget “Biddy” Mason, an enslaved woman in the 1800s who worked and fought her way to freedom and success. For SSA choir and piano, this song offers the opportunity for singers to learn the story of an important person in history, as Biddy’s words still resonate today.

The Echo by Andrea Ramsey, SSA with piano and cello
Commissioned to celebrate the Lexington Singers Children’s Choir 20th Anniversary, this three-part treble piece is set to a lovely text by Sara Teasdale. With moderate ranges, exciting articulations, and many teaching moments, this will be a joyful addition to any treble choir concert or choral festival. A gentle, supportive piano accompaniment and beautiful solo cello add warmth and contrast throughout. “Tho’ I shall walk in valley ways for long, I still shall hear the echo of the song!”

The Reborn Sun by Faith Zimmer, SSA with piano
“The Reborn Sun” is a setting of “Hymne au Soleil” by Casimir Delavigne, although using an English translation rather than the original French. Zimmer’s powerful and celebratory song is meant to bring choirs together to experience the joy of making music with one another.

for TENOR/BASS CHOIRS
Good Timber by Susan LaBarr, TBB with piano
This work for tenor-bass choir with its lovely text by poet Douglas Malloch explores the ways in which our life experiences can strengthen us.

Blow, Winds of Fall by Greg Gilpin, TTB with piano
Vivid imagery depicting the change of seasons is portrayed in this gorgeous piece, painted with beauty and simplicity. From its hushed opening, it builds to full choral sonorities, tapering to an ending of quiet splendor.

This Is Who We Are by Mark Burrows, TTBB with piano and djembe
Written as a commission for the New Mexico Peace Choir, “This Is Who We Are” encourages us to claim our better selves, to rise above struggle and fear, and to embrace the power we all have within us. When we stand up for peace and justice, when we sing out for hope and kindness, when we reach out to shine and share our light, we show the world that, together, we can do beautiful things. This is who we are!

Words on My Heart by Mark Patterson, TTB with piano
Every voice matters… and every voice in your choir matters! Patterson’s compelling text is bound to resonate with both performers and audience members. His harmonic material is ever-evolving, containing shifts in tonality paired with a lilting 6/8 time signature.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.