News & Views Monday, August 18, 2025

recommended by Jen Sper, School Choral Music Specialist

Choral Repertoire by Women Composers edited by Hilary Apfelstadt
In recent years, the choral profession has become especially mindful of recognizing a broad spectrum of composers, but scholarly materials have not kept pace. In fact, a survey of the available academic writings on choral music reveals a startling lack of information about women composers.

“Choral Repertoire by Women Composers” addresses this gap by highlighting the lives and music of more than 200 women choral composers spanning different time periods and geographic locations. Their choral works – expressive, compelling, and innovative – represent a diversity of styles and are suitable for choirs of varied ages and experience. Nearly 2,000 unique works are listed in this edition.

Though impossible to include every deserving composer and piece, this timely volume covers considerable ground, spotlighting the important contributions women composers have made to choral music throughout history and across the world.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Sight Reading Music for Ohio Music Education Association Adjudicated Events by Thomas More Scott, PhD
NOW AVAILABLE exclusively from Stanton’s Sheet Music are the choral sight reading materials as prepared for official OMEA Large Group Adjudicated Events. Each reproducible digital book includes all of the pieces for the event (AA-A-B-C, Mixed-Treble-Tenor/Bass) and is licensed for use by the purchasing school. Now available are books for 2024 State events, 2025 District events, and 2025 State events – and future books will be available in the coming years!

IN PERSON WORKSHOPS WITH THE COMPOSER!
Work to improve your choir’s sight reading skills with a valuable workshop with the composer, Dr. Thomas More Scott! Developing sight reading ability in your choirs helps students learn music faster, gives them more musical confidence, and makes singing fun! Dr. Scott will come work with your students at your school, and their sight reading skills are sure to improve.

Dr. Scott received his Master’s Degree in Choral Conducting under Richard Mathey at Bowling Green State University, where sight reading was the subject of his Master’s thesis. He earned a Ph.D. in music theory and composition and began composing the choral sight reading music for OMEA Large Group Adjudicated Events in 2024.

For scheduling and pricing information for workshops with Dr. Scott, please contact him directly (440-227-2696 or morzhe@windstream.net).

Shop Stanton’s for all your sheet music needs!

A Little Jazz Mass by Bob Chilcott, SAB with piano and optional bass & drum kit
Now celebrating its 20th anniversary, this highly original and effective concert setting of the five-movement Latin Missa brevis embraces a variety of jazz styles. The stylistic piano accompaniment can be played as written or serve as a guide, and bass and drums can join in ad lib, though a notated bass part is also available.

Originally written for SSA treble voices and also available for SATB mixed voices.

Shop Stanton’s for all your sheet music needs!

Kindness: A Chorale and Fugue in the Baroque Tradition by Mark Hayes
If you enjoy singing Baroque music and value the importance of kindness, courage and compassion, this new 30 minute through-composed work by Mark Hayes for chorus, soprano and tenor soloists and orchestra is for you.

Drawing from the writings of ancient and contemporary authors, the original text of “Kindness,” written by Hayes, seeks to answer the question, “How then shall we live, especially in a world that seems so dysfunctional?” The answer: live with kindness, courage and compassion. When we are joined as one in our pursuit of these values, we can make a lasting impact. To quote Margaret Mead, “Never underestimate the ability of a small group of committed individuals to change the world.”

“Kindness” is set in the Baroque tradition and features an original chorale tune with three separate texts, a fugue, both conventional and retrograde, recitative-like sections for the soprano and tenor soloists and extensive instrumental interludes. As a nod to Baroque masters such as Johann Sebastian Bach and George Frideric Handel, Hayes included passages imitating “Jesu, Joy of Man’s Desiring” and “Hallelujah Chorus.”

This work is perfect for high school and college choirs as well as community and church choirs. The text is intentionally not sacred, rather universal in its appeal. Imagine how the music and message of this work could join a community together in the pursuit of kindness, courage and compassion. It’s what the world needs.. now.

Shop Stanton’s for all your sheet music needs!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Choral Charisma: Singing with Expression by Tom Carter
“Choral Charisma” presents an accessible yet comprehensive approach to singing with expression. Written for directors, singers, and teachers at all levels, the book presents techniques and insights empowering the reader to bring even more humanity to their craft. The heart, mind, body, and spirit can play together to make singing even more fulfilling – for you and your audience.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Beyond the Notes: Thoughts on Meaningful Music Making by Paula A. Crider
After more than fifty years as a music educator and conductor, the legendary Paula Crider has experienced it all – the lows and the highs, the messes and the magnificence of teaching music at all levels. With love, wit, and sincerity, she now shares her hard-earned wisdom in this must-read for anyone who teaches music.

There is something here for educators on every leg of the teaching journey. Crider’s conversational narrative begins with her unconventional student-teaching experience and moves through the essentials for music educators – everything from score study, rehearsal strategies, and conducting technique to classroom culture and teacher self-care.

Not only does Crider touch on pedagogy, but she also discusses the often elusive “secret ingredients” that turn notes on the page into meaningful musical experiences.

“Beyond the Notes” proves Crider to be a role model of skill, artistry, passion, and purpose whose insight and experience will have readers returning to this book over and over.

Shop Stanton’s for all your sheet music needs!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Together in Song Volume 2: Concert Repertoire for Three-Part Mixed Choirs by Jerry Estes, Greg Gilpin, Victor C. Johnson, Mary Lynn Lightfoot & Mark Patterson
These fully reproducible collections are both unique in value and a great resource for exceptional concert pieces for Three-part Mixed choirs. This collection is fully reproducible and includes an Accompaniment MP3 for each title. Featuring the works of today’s leading educational choral composers, these collections offer a wide array of diverse musical styles while being a budget-friendly resource. Titles include: “I Will Lift My Voice and Sing!,” “A Joyful Alleluia,” “Firefly,” “Little Innocent Lamb,” “Sisi Kushangilia,” “A Call for Peace,” “An Irish Blessing,” and “Elijah Rock.”

Cantate Hodie! Easy Latin Repertoire for Unison & Two-Part Choirs by Mark Burrows, Greg Gilpin, Victor C. Johnson, Mary Lynn Lightfoot, Bryan Sharpe & Douglas E. Wagner
This reproducible collection features 6 Latin settings for unison and two-part choirs. Full of musically diverse selections, this collection will guide your young choirs as they build a strong foundation of choral technique. Translation and pronunciation guides precede each piece throughout the collection. The text and music pairings in this collection will offer “easy wins” along with slightly more challenging repertoire as your ensemble advances. Featuring unison, optional two-part, and two-part pieces, you can use this collection time and again as your singers’ skills develop. Titles include: “Cantate Hodie! (Sing Today),” “Sanctus,” “Lux Aeterna,” “Psallite, Exsultate,” “Ubi Caritas,” and “Cantate!”

Five Sea Songs by Daniel Brinsmead
In “Five Sea Songs,” five special texts have been brought together to initiate a musical voyage of discovery, fun, and introspection. These wonderful compositions are accessible enough to be performed by children’s choirs, while sophisticated enough to work for any level of treble choir. Titles include: “Sea Fever,” “Sailing Tonight,” “Little Fishes, Don’t Cry!,” “Full Fathom Five,” and “I Wish You a Kinder Sea.”

Indodana: Traditional South African Choral Music arr. Michael Barrett, Mbuso Ndlovu & Ralf Schmitt
This collection of fifteen songs from South Africa is a companion to the popular album from the University of Pretoria Camerata, “Indodana.” Hit arrangements by Michael Barrett, Mbuso Ndlovu, and Ralf Schmitt make up this distinguished reference resource for the choral library. Titles include: “Bayasibiza,” “Bonk’abaphandle,” “San’bonani/Namhla Kudibene,” “Nda wana,” “Umahlalela,” “Indodana,” “Kwaxabana Oxamu,” “Ngothando,” “Tuba,” “Ha Rese Re Bina,” “Mangisondele Nkosi Yam,” “Thixo Onothando,” “Ndikhokhele Bawo,” “Siyalobola Gogo,” and “Modimo.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

World O World by Jacob Collier, SATB divisi a cappella
The final track on Jacob Collier’s four-part, genre-bending, award-winning and world-conquering “Djesse” album series, this seven minute choral opus was recorded in partnership with Jason Max Ferdinand and the Aeolians of Oakwood University. Hymn-like throughout, the moving lyrics and harmonic language crescendo into an astonishing climax worthy of being the current denouement on the celebrated 30-year old’s remarkable catalog of work. Also available in a simplified version, approved by the composer.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Just One Step by Daniel Brinsmead, SAB with piano and djembe
A great groove and positive lyrics make this engaging concert work a solid choice for SAB choirs with piano. Composed in a modern upbeat style, the djembe and piano drive the rhythmic feel that supports the speech-driven lyrics: “Just one step, one small step, can help you transform.”

I Want to Be the Sun by Mark Burrows & Coty Raven Morris, SAB with piano
Mark Burrows and Coty Raven Morris’ beautiful collaboration of “I Want to Be the Sun” has resulted in a whimsical yet highly relevant, and most importantly, FUN piece to sing. Appropriate throughout the year and for all choir sizes, the message of this delightful choral setting is sure to speak to all who sing and hear it!

Who Has Seen the Wind by Bruce W. Tippette, SAB with piano
Christina Rosetti’s well-known text is given life through this exciting new setting for SAB voices and piano. The rhythmic ostinato patterns paired against lyrical melodies will remain stuck in your singers’ heads long after rehearsal ends. With a driving piano accompaniment to support your singers and accessible voice parts, this piece is perfect for developing choirs.

As I Journey On by Chris Maunu, SAB with piano and djembe
Using words from the poem “Courage” by Ella Wheeler Wilcox, Chris creates an energetic and uplifting piece for young voices, middle school to high school. The piano and djembe add vitality and rhythm that support the encouraging theme.

Moonrise, Outer Banks by Mark Patterson, SAB with piano
The poetic, evocative original lyrics paint a stunning picture of a moonrise throughout the piece. Mark Patterson’s expert lyrical writing with capture musician and audience members alike.

Who I Want to Be by Coty Raven Morris/arr. Saleel Menon, SAB with piano
Coty Raven Morris’ inspiring “Who I Want to Be,” arranged by Saleel Menon, is ideal for mixed choirs of all abilities. Certain to be empowered by the rich messages found within and with solo or small group opportunities, your choir will love learning and performing this coming-of-age piece!

Crossroad by Reginal Wright, SAB with piano and optional violin duet
Reginal Wright’s emotional and uplifting “Crossroad” sets Robert Frost’s well-known poem “The road not taken.” A twinkling piano accompaniment supports the voices, and the optional violin duet floats above, expanding on figures from the vocal parts.

Regina Coeli by Dan Davison, SA(T)B or 2-part any combination with piano
Dan Davison’s wonderful setting of Regina Coeli is set here specifically for middle school singers or any choir with limited numbers of tenors and/or basses. The tenor doubles the soprano and the bass doubles the altos, each an octave lower, giving singers lots of added support. A fun and rhythmic setting that your singers will love.

Twa Burns Songs arr. Rory Boyle, SAB with piano
Rory Boyle’s “Twa Burns Songs” are arrangements of two traditional Scottish folk songs, setting words by Robert Burns. The lilting legato accompaniment of the first song, “Afton Water,” emulates the vivid description of the River Afton. The second song, “Ae Fond Kiss,” uses Scotch snap rhythms and matches the wistful character of the poem. Guidance on the pronunciation of Scots words is given in the leaflet.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Transforming Choral Singing: An Activist’s Guide for Choir Directors by Charles W. Beale
Choral conductors and clinicians often focus on honing the technical and artistic elements of their choir’s performance, but what is the true purpose of choral singing? Choral performances sound beautiful, but they also tell stories, “say something” to someone, and create change in them. In that fundamental sense, they are always activist.

In “Transforming Choral Singing: An Activist’s Guide for Choir Directors,” author Charles W. Beale draws from his nearly 20 years of leading major choirs in the LGBTQIA+ choral movement internationally as well as his long experience as a singer, organist, conductor, and educator to put forth a new vision for choral singing: to move audiences and change the world.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Alleluia! Sing Alleluia by J.S. Bach/arr. John Leavitt, SAB with piano
Bright with joy and sparkling with a Baroque elegance, here is a great choice for a service or concert opener. Brilliant traditional choral writing mixes with a well-crafted piano part to support the singing and delight the ear!

Dixit Dominus by Marianna Martines/arr. Andrew Hathaway, SATB with piano
Originally written for her induction into the Accademia Filarmonica of Bologna, Marianna Martines’s “Dixit Dominus” is often considered her greatest choral work. This arrangement of the first movement was conceived for SATB chorus and piano, and is a perfect introduction to the Classical Era for beginning and experienced singers alike.

Love and Music by Henry Harington/arr. Douglas E. Wagner, SAB with piano and optional flute
Written by Henry Harington in the 18th century, Douglas E. Wagner’s setting of “Love and Music” highlights the lilting character of the early Classical period. The bright and happy qualities of the work along with a flute proclaim the words “How great is the pleasure, how sweet the delight, when love and music together unite.”

Welcome, Music! by G.F. Handel/arr. Laura Farnell, Unison/2-part with piano
Farnell has adapted “Welcome, welcome mighty king” from Handel’s oratorio “Saul,” creating an accessible two-part treble /optional unison arrangement that is perfect for young treble singers.

Da Pacem Domine (Grant Us Your Perfect Peace) by Melchior Franck/arr. Lon Beery, 3-part mixed with piano or a cappella
Lon Beery has outdone himself in this arrangement of a well-known early Baroque tune by Melchior Frank. Beery draws on his knowledge of the adolescent voice, as reflected in the contained range of a fifth, in this simplistic yet wonderful Latin text setting. Depending on the needs of the ensemble, a flowing, supportive, optional piano accompaniment is available.

The Evening Star (Der Abendstern) by Robert Schumann/arr. Audrey Snyder, SSA with piano
Delicate, peaceful, shimmering with classical refinement…all these qualities and more are apparent in this beautiful adaptation of Robert Schumann’s setting of the classic German poem “Der Abendstern.” The piece can be sung with the original German text, or with an equally expressive English text by arranger Audrey Snyder. Approachable yet elegant vocal parts meld with polished piano support to create a distinguished concert-worthy presentation.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Music Is More Than Technique: A Guide to Why and How by Dennis Shrock
In recent decades, the classical music of past eras has appeared on concert programs less and less frequently despite its historical significance and artistic merit.

In this volume, noted scholar Dennis Shrock argues that expressive performances which transcend mere technical precision – correct notes, rhythms, and articulations – will generate renewed interest in the musical masterpieces of the past.

Using primary source quotations and music excerpts from the Medieval through Modern eras, Shrock explains how to perform historic music authentically and artfully, revealing its innate nature as intended by the composer.

In this way, the music of past eras – like its counterparts in visual art and architecture – may be “restored” to its original state and appreciated by performers and audiences alike, ensuring its continued relevance and rightful place on concert programs for generations to come.

A balance of scholarship and practical performance tips, “Music Is More Than Technique” is a must-have reference for conductors of school, community, and professional ensembles.

Shop Stanton’s for all your sheet music needs!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Calling from Afar by James Eakin III, SATB with piano
“Calling from Afar” was composed in honor of the launch of the James Webb Space Telescope. Glorious images of the cosmos are painted by the music and lyrics, with a deep message of finding our place in this vast universe.

Measure Me, Sky by Ruth Elaine Schram, 2-part with piano
Ruth Elaine Schram’s inspiring setting of the Leonora Speyer poem features an expressive accompaniment that flows and weaves underneath soaring melodic lines which seem to rise and fall, as if soaring to the sky. This exquisite text exudes innocence and optimism, and is a marvelous piece for young and developing choirs. Highly recommended!

The Bells by Ben Kapilow, SA with piano
Edgar Alan Poe’s fast-flying words are brought to life in a vibrant, high-energy piece for treble choirs. Employing echo-singing, chromaticism, and back-and-forth meter changes, this setting is one and a half minutes of pure excitement! The composer uses only the non-seasonal text, so it can be programmed year-round. An ideal feature for your collaborative pianist and advancing SA singers.

She Walks in Beauty by Penny Rodriguez, TTBB with piano
This exquisite poem is set as a lyrical art song for low voices. An opening solo sets the tone for gorgeous choral harmonies that follow. The expressive piano accompaniment never doubles the vocal parts, but rather creates independent, complementary lines. Perfect for advancing tenor-bass groups!

The Echoing Green by Jeffrey Bernstein, SSA a cappella
Jeffrey Bernstein received an ACDA Composition Focus Prize with this lovely work for treble choir. The treatment of the text fits the voices well, and the text painting is engaging.

Thither Will I Go by Tom Trenney, SSAA with piano
An exploration of light and darkness, this setting of Laurence Housman’s text is an incredibly engaging piece for treble choir. Alternating between broad homophonic singing and sprightly canonic writing, this piece builds on a memorable motive and increases in intensity until the emphatic ending. A must-sing!

If… by Jonathan Reid, TTBB with piano
Kipling’s powerful text is made even more empowering within the context of Reid’s choral setting for TTBB ensembles. “If…” contains accessible vocal lines and opportunities for each section to shine.

Notes from Emily by Robin McLaughlin Conine, 2-part with piano
Composer Robin McLaughlin Conine weaves two famed Emily Dickinson poems into this enchanting and whimsical piece. Delightful meter changes and an unforgettable, thrilling melody showcase its charm and creativity. Syncopations within the melody lend a modern touch while remaining perfectly crafted for the concert choir.

Sweet Afton by Edmund Jolliffe, SATB with piano
The classic Robert Burns poem is treated with a lovely and fresh approach in this sensitive setting. You’ll have plenty of opportunity to teach phrasing and blend with this selection.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Music Teacher’s Guide to Recruitment and Retention by Angela Ammerman
Successful music educators from rural, one-light towns and bustling cities provide innovative methods for recruiting and retaining students. From elementary ukulele ensembles to high school bands, orchestras, and vocal ensembles, the strategies within these pages will greatly assist in building a successful music program from the bottom up. The ideas in this highly engaging text will have your program bursting at the seams with eager and dedicated student-musicians.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

Mi Gallo (My Rooster) arr. Andy Beck, 2-part with piano and optional maracas & claves
Here’s a lighthearted folk song from Spain that’s a breeze to learn and a pleasure to sing! The small-range melody is presented first in unison and then in canon. A simple ostinato adds another layer to the third verse before closing with echoing rooster calls – “Cocorí, cocorá!” Maracas and claves parts are included, or improvise your own percussion. There are only ten Spanish words in all, but if you need it, a pronunciation/translation guide is included.

Furusato (In My Little Town) by Teiichi Okano/arr. Mary Donnelly & George L.O. Strid, 2-part with piano and optional flute
This well-known Japanese folk song found world appeal when performed at the closing ceremony of the 1998 Winter Olympics in Nagano. The first verse features an English text that is not a translation but rather a lyric that conveys nostalgia for the hills and fields of one’s childhood home, set as an original partner song. The optional flute will add a gorgeous touch to this cultural gem.

Sesere Eeye arr. Greg Gilpin, 2-part a cappella with percussion
This Torres Strait Island folk song presents a wonderful opportunity for a cappella choirs to perform with authentic world percussion instruments (common alternates offered). All the voicings are built on a traditional repeat structure that begins in unison and unfolds into more harmony with each verse. A brief bridge of original music punctuates the repeated sections. Choirs around the globe have enjoyed adding movement to this playful nature song.

Oh, in the Cherry Garden arr. Douglas E. Wagner, Unison/2-part with piano and optional cello
This Ukrainian folk song is beautiful and delicate with original words from Douglas E. Wagner. An optional solo cello may be employed to enhance the enchanting nature of this piece.

Tanabata (Star Festival) arr. Greg Gilpin, 2-part with piano
This Japanese folk song is sung during the annual Star Festival, when trees are decorated with wishes written on colorful strips of paper. Greg’s partner song arrangement pairs the traditional pentatonic melody with a new countermelody and some English words by Takashi Nakamura. A pronunciation guide and translation are included in the publication. A gently flowing selection just right for beginners.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Be the Bridge by Kyle Pederson, SSA(A) with piano
A bridge can serve as a wonderful metaphor – connection and understanding in a world where misunderstanding is pervasive, grace and empathy in a world so quick to judge. In “Be the Bridge,” the choir invites the listener to do the work of bridge-building where broken relationships are reconciled and communities are restored to wholeness.

Birds of a Feather arr. Mark Brymer, SATB with piano and optional rhythm
This song by creative duo Billie Eilish and Finneas O’ Connell is about sticking with friends through thick and thin and will be a sentimental addition to any concert program. With catchy lyrics and melodies, singers of all ages will enjoy singing this earworm.

Time After Time arr. Andy Beck, SATB with piano and optional cello
Cyndi Lauper’s iconic ballad has been reimagined in this breathtaking arrangement for concert choir with piano and cello. With its poignant lyrics and memorable melody, this pop classic continues to captivate audiences with profound emotional depth and enduring beauty. Perfect for any occasion, this tender treatment lends a touch of elegance to any program.

We’re All In This Together (Ballad Version) arr. Roger Emerson, SATB with piano and optional rhythm
In 2006, “We’re All in This Together” was the “feel-good” song of the young generation! Already a classic in the Disney songbook, this reserved, ballad-like re-imagining from the sequel series on Disney+ proves that nostalgia begins at a very early age.

The Dawn by Daniel Schreiner, SATB divisi with piano
“The Dawn” centers around the idea that “the night is always darkest before the dawn.” Highly lyrical with a lovely, supportive piano accompaniment, this hopeful piece is a reminder that even in the darkest time there is always hope.

Living in the Seasons by Joel Snyder & Jane Kozhevnikova, SATB with piano
Songwriting duo Snyder & Kozhevnikova have created a fun and accessible piece for every season! Original lyrics, SATB (no divisi), and a joyful piano accompaniment make this a great concert and festival piece for high school mixed ensembles.

Someday I’ll Meet You Again arr. Molly Ijames, SATB divisi with piano
This lush setting of Max Steiner’s 1944 tune will sweep audiences and musicians away with its soaring melodies, longing harmonies and wistful accompaniment. Ijames’ masterful arrangement will add tasteful stylistic variety to any concert program.

You Can’t Step Twice (Into the Same River) by Brian Tate, SATB a cappella with optional djembe or hand drum
Following the same compositional style of his choral “hit” Connected, this piece carries the message that everything changes and nothing remains but change. Each part gets their own unique melody and they each sound like a chant from a spiritual or a folk song or even the blues. It has that preachiness that can only come from an old wise person that everyone admires and loves. And on top of that it is so fun to sing, and it makes people stop and listen.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.