World O World by Jacob Collier, SATB divisi a cappella The final track on Jacob Collier’s four-part, genre-bending, award-winning and world-conquering “Djesse” album series, this seven minute choral opus was recorded in partnership with Jason Max Ferdinand and the Aeolians of Oakwood University. Hymn-like throughout, the moving lyrics and harmonic language crescendo into an astonishing climax worthy of being the current denouement on the celebrated 30-year old’s remarkable catalog of work. Also available in a simplified version, approved by the composer.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Just One Step by Daniel Brinsmead, SAB with piano and djembe A great groove and positive lyrics make this engaging concert work a solid choice for SAB choirs with piano. Composed in a modern upbeat style, the djembe and piano drive the rhythmic feel that supports the speech-driven lyrics: “Just one step, one small step, can help you transform.”
I Want to Be the Sun by Mark Burrows & Coty Raven Morris, SAB with piano Mark Burrows and Coty Raven Morris’ beautiful collaboration of “I Want to Be the Sun” has resulted in a whimsical yet highly relevant, and most importantly, FUN piece to sing. Appropriate throughout the year and for all choir sizes, the message of this delightful choral setting is sure to speak to all who sing and hear it!
Who Has Seen the Wind by Bruce W. Tippette, SAB with piano Christina Rosetti’s well-known text is given life through this exciting new setting for SAB voices and piano. The rhythmic ostinato patterns paired against lyrical melodies will remain stuck in your singers’ heads long after rehearsal ends. With a driving piano accompaniment to support your singers and accessible voice parts, this piece is perfect for developing choirs.
As I Journey On by Chris Maunu, SAB with piano and djembe Using words from the poem “Courage” by Ella Wheeler Wilcox, Chris creates an energetic and uplifting piece for young voices, middle school to high school. The piano and djembe add vitality and rhythm that support the encouraging theme.
Moonrise, Outer Banks by Mark Patterson, SAB with piano The poetic, evocative original lyrics paint a stunning picture of a moonrise throughout the piece. Mark Patterson’s expert lyrical writing with capture musician and audience members alike.
Who I Want to Be by Coty Raven Morris/arr. Saleel Menon, SAB with piano Coty Raven Morris’ inspiring “Who I Want to Be,” arranged by Saleel Menon, is ideal for mixed choirs of all abilities. Certain to be empowered by the rich messages found within and with solo or small group opportunities, your choir will love learning and performing this coming-of-age piece!
Crossroad by Reginal Wright, SAB with piano and optional violin duet Reginal Wright’s emotional and uplifting “Crossroad” sets Robert Frost’s well-known poem “The road not taken.” A twinkling piano accompaniment supports the voices, and the optional violin duet floats above, expanding on figures from the vocal parts.
Regina Coeli by Dan Davison, SA(T)B or 2-part any combination with piano Dan Davison’s wonderful setting of Regina Coeli is set here specifically for middle school singers or any choir with limited numbers of tenors and/or basses. The tenor doubles the soprano and the bass doubles the altos, each an octave lower, giving singers lots of added support. A fun and rhythmic setting that your singers will love.
Twa Burns Songs arr. Rory Boyle, SAB with piano Rory Boyle’s “Twa Burns Songs” are arrangements of two traditional Scottish folk songs, setting words by Robert Burns. The lilting legato accompaniment of the first song, “Afton Water,” emulates the vivid description of the River Afton. The second song, “Ae Fond Kiss,” uses Scotch snap rhythms and matches the wistful character of the poem. Guidance on the pronunciation of Scots words is given in the leaflet.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Transforming Choral Singing: An Activist’s Guide for Choir Directors by Charles W. Beale Choral conductors and clinicians often focus on honing the technical and artistic elements of their choir’s performance, but what is the true purpose of choral singing? Choral performances sound beautiful, but they also tell stories, “say something” to someone, and create change in them. In that fundamental sense, they are always activist.
In “Transforming Choral Singing: An Activist’s Guide for Choir Directors,” author Charles W. Beale draws from his nearly 20 years of leading major choirs in the LGBTQIA+ choral movement internationally as well as his long experience as a singer, organist, conductor, and educator to put forth a new vision for choral singing: to move audiences and change the world.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Alleluia! Sing Alleluia by J.S. Bach/arr. John Leavitt, SAB with piano Bright with joy and sparkling with a Baroque elegance, here is a great choice for a service or concert opener. Brilliant traditional choral writing mixes with a well-crafted piano part to support the singing and delight the ear!
Dixit Dominus by Marianna Martines/arr. Andrew Hathaway, SATB with piano Originally written for her induction into the Accademia Filarmonica of Bologna, Marianna Martines’s “Dixit Dominus” is often considered her greatest choral work. This arrangement of the first movement was conceived for SATB chorus and piano, and is a perfect introduction to the Classical Era for beginning and experienced singers alike.
Love and Music by Henry Harington/arr. Douglas E. Wagner, SAB with piano and optional flute Written by Henry Harington in the 18th century, Douglas E. Wagner’s setting of “Love and Music” highlights the lilting character of the early Classical period. The bright and happy qualities of the work along with a flute proclaim the words “How great is the pleasure, how sweet the delight, when love and music together unite.”
Da Pacem Domine (Grant Us Your Perfect Peace) by Melchior Franck/arr. Lon Beery, 3-part mixed with piano or a cappella Lon Beery has outdone himself in this arrangement of a well-known early Baroque tune by Melchior Frank. Beery draws on his knowledge of the adolescent voice, as reflected in the contained range of a fifth, in this simplistic yet wonderful Latin text setting. Depending on the needs of the ensemble, a flowing, supportive, optional piano accompaniment is available.
The Evening Star (Der Abendstern) by Robert Schumann/arr. Audrey Snyder, SSA with piano Delicate, peaceful, shimmering with classical refinement…all these qualities and more are apparent in this beautiful adaptation of Robert Schumann’s setting of the classic German poem “Der Abendstern.” The piece can be sung with the original German text, or with an equally expressive English text by arranger Audrey Snyder. Approachable yet elegant vocal parts meld with polished piano support to create a distinguished concert-worthy presentation.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
In this volume, noted scholar Dennis Shrock argues that expressive performances which transcend mere technical precision – correct notes, rhythms, and articulations – will generate renewed interest in the musical masterpieces of the past.
Using primary source quotations and music excerpts from the Medieval through Modern eras, Shrock explains how to perform historic music authentically and artfully, revealing its innate nature as intended by the composer.
In this way, the music of past eras – like its counterparts in visual art and architecture – may be “restored” to its original state and appreciated by performers and audiences alike, ensuring its continued relevance and rightful place on concert programs for generations to come.
A balance of scholarship and practical performance tips, “Music Is More Than Technique” is a must-have reference for conductors of school, community, and professional ensembles.
Calling from Afar by James Eakin III, SATB with piano “Calling from Afar” was composed in honor of the launch of the James Webb Space Telescope. Glorious images of the cosmos are painted by the music and lyrics, with a deep message of finding our place in this vast universe.
Measure Me, Sky by Ruth Elaine Schram, 2-part with piano Ruth Elaine Schram’s inspiring setting of the Leonora Speyer poem features an expressive accompaniment that flows and weaves underneath soaring melodic lines which seem to rise and fall, as if soaring to the sky. This exquisite text exudes innocence and optimism, and is a marvelous piece for young and developing choirs. Highly recommended!
The Bells by Ben Kapilow, SA with piano Edgar Alan Poe’s fast-flying words are brought to life in a vibrant, high-energy piece for treble choirs. Employing echo-singing, chromaticism, and back-and-forth meter changes, this setting is one and a half minutes of pure excitement! The composer uses only the non-seasonal text, so it can be programmed year-round. An ideal feature for your collaborative pianist and advancing SA singers.
She Walks in Beauty by Penny Rodriguez, TTBB with piano This exquisite poem is set as a lyrical art song for low voices. An opening solo sets the tone for gorgeous choral harmonies that follow. The expressive piano accompaniment never doubles the vocal parts, but rather creates independent, complementary lines. Perfect for advancing tenor-bass groups!
The Echoing Green by Jeffrey Bernstein, SSA a cappella Jeffrey Bernstein received an ACDA Composition Focus Prize with this lovely work for treble choir. The treatment of the text fits the voices well, and the text painting is engaging.
Thither Will I Go by Tom Trenney, SSAA with piano An exploration of light and darkness, this setting of Laurence Housman’s text is an incredibly engaging piece for treble choir. Alternating between broad homophonic singing and sprightly canonic writing, this piece builds on a memorable motive and increases in intensity until the emphatic ending. A must-sing!
If… by Jonathan Reid, TTBB with piano Kipling’s powerful text is made even more empowering within the context of Reid’s choral setting for TTBB ensembles. “If…” contains accessible vocal lines and opportunities for each section to shine.
Notes from Emily by Robin McLaughlin Conine, 2-part with piano Composer Robin McLaughlin Conine weaves two famed Emily Dickinson poems into this enchanting and whimsical piece. Delightful meter changes and an unforgettable, thrilling melody showcase its charm and creativity. Syncopations within the melody lend a modern touch while remaining perfectly crafted for the concert choir.
Sweet Afton by Edmund Jolliffe, SATB with piano The classic Robert Burns poem is treated with a lovely and fresh approach in this sensitive setting. You’ll have plenty of opportunity to teach phrasing and blend with this selection.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
The Music Teacher’s Guide to Recruitment and Retention by Angela Ammerman Successful music educators from rural, one-light towns and bustling cities provide innovative methods for recruiting and retaining students. From elementary ukulele ensembles to high school bands, orchestras, and vocal ensembles, the strategies within these pages will greatly assist in building a successful music program from the bottom up. The ideas in this highly engaging text will have your program bursting at the seams with eager and dedicated student-musicians.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists
Mi Gallo (My Rooster) arr. Andy Beck, 2-part with piano and optional maracas & claves Here’s a lighthearted folk song from Spain that’s a breeze to learn and a pleasure to sing! The small-range melody is presented first in unison and then in canon. A simple ostinato adds another layer to the third verse before closing with echoing rooster calls – “Cocorí, cocorá!” Maracas and claves parts are included, or improvise your own percussion. There are only ten Spanish words in all, but if you need it, a pronunciation/translation guide is included.
Furusato (In My Little Town) by Teiichi Okano/arr. Mary Donnelly & George L.O. Strid, 2-part with piano and optional flute This well-known Japanese folk song found world appeal when performed at the closing ceremony of the 1998 Winter Olympics in Nagano. The first verse features an English text that is not a translation but rather a lyric that conveys nostalgia for the hills and fields of one’s childhood home, set as an original partner song. The optional flute will add a gorgeous touch to this cultural gem.
Sesere Eeye arr. Greg Gilpin, 2-part a cappella with percussion This Torres Strait Island folk song presents a wonderful opportunity for a cappella choirs to perform with authentic world percussion instruments (common alternates offered). All the voicings are built on a traditional repeat structure that begins in unison and unfolds into more harmony with each verse. A brief bridge of original music punctuates the repeated sections. Choirs around the globe have enjoyed adding movement to this playful nature song.
Tanabata (Star Festival) arr. Greg Gilpin, 2-part with piano This Japanese folk song is sung during the annual Star Festival, when trees are decorated with wishes written on colorful strips of paper. Greg’s partner song arrangement pairs the traditional pentatonic melody with a new countermelody and some English words by Takashi Nakamura. A pronunciation guide and translation are included in the publication. A gently flowing selection just right for beginners.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Be the Bridge by Kyle Pederson, SSA(A) with piano A bridge can serve as a wonderful metaphor – connection and understanding in a world where misunderstanding is pervasive, grace and empathy in a world so quick to judge. In “Be the Bridge,” the choir invites the listener to do the work of bridge-building where broken relationships are reconciled and communities are restored to wholeness.
Birds of a Feather arr. Mark Brymer, SATB with piano and optional rhythm This song by creative duo Billie Eilish and Finneas O’ Connell is about sticking with friends through thick and thin and will be a sentimental addition to any concert program. With catchy lyrics and melodies, singers of all ages will enjoy singing this earworm.
Time After Time arr. Andy Beck, SATB with piano and optional cello Cyndi Lauper’s iconic ballad has been reimagined in this breathtaking arrangement for concert choir with piano and cello. With its poignant lyrics and memorable melody, this pop classic continues to captivate audiences with profound emotional depth and enduring beauty. Perfect for any occasion, this tender treatment lends a touch of elegance to any program.
The Dawn by Daniel Schreiner, SATB divisi with piano “The Dawn” centers around the idea that “the night is always darkest before the dawn.” Highly lyrical with a lovely, supportive piano accompaniment, this hopeful piece is a reminder that even in the darkest time there is always hope.
Living in the Seasons by Joel Snyder & Jane Kozhevnikova, SATB with piano Songwriting duo Snyder & Kozhevnikova have created a fun and accessible piece for every season! Original lyrics, SATB (no divisi), and a joyful piano accompaniment make this a great concert and festival piece for high school mixed ensembles.
Someday I’ll Meet You Again arr. Molly Ijames, SATB divisi with piano This lush setting of Max Steiner’s 1944 tune will sweep audiences and musicians away with its soaring melodies, longing harmonies and wistful accompaniment. Ijames’ masterful arrangement will add tasteful stylistic variety to any concert program.
You Can’t Step Twice (Into the Same River) by Brian Tate, SATB a cappella with optional djembe or hand drum Following the same compositional style of his choral “hit” Connected, this piece carries the message that everything changes and nothing remains but change. Each part gets their own unique melody and they each sound like a chant from a spiritual or a folk song or even the blues. It has that preachiness that can only come from an old wise person that everyone admires and loves. And on top of that it is so fun to sing, and it makes people stop and listen.
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About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
On Wings of Song by Gwyneth Walker, SATB with piano The uplifting strength of music carries us skyward like a dove. This lovely setting of the poem by Caroline L. Goodenough is centered on the transition to the afterlife. It’s an accessible work suitable for a memorial service or time of remembrance.
Come Back Like the Sea by Katerina Gimon, SSATB with piano “Come Back Like the Sea” sets words from Sara Teasdale’s poem “Ebb Tide,” in which the author uses the metaphor of the ocean’s tide to symbolize life’s inevitable ups and downs. The music captures the text’s sea imagery and strong sense of yearning with a captivating opening soundscape that includes improvised sea sounds from the Basses, melodic lines that ebb and flow like the tide, and an expressive piano accompaniment that weaves throughout the work.
With a Spark by Katerina Gimon, SATB with piano Exploring themes of self-discovery, growth, and change, this empowering work not only honors those who have helped us grow and discover our “spark, flicker, flame,” it encourages us to fan the flames that will change the world. An inspiring choice for graduation or any concert, this unique work employs a variety of textures and ostinatos to create an exciting and rhythmic concert piece with a youthful energy and flair.
Sing Unto the Sky by Karen Marrolli, SATB a cappella with hand drum This bold and exciting new piece by composer Karen Marrolli was inspired by the wild beauty of the High Desert of New Mexico. The delicate relationship between resources and inhabitants in this area of the world highlights our responsibility to be good stewards of the Earth. The music begins simply and builds throughout, illustrating both a growing urgency and a growing and varied chorus of voices coming together to give thanks. SATB a cappella, with a hand drum, this hearty new work makes for an excellent concert/festival opener or processional. The composer provides opportunities in the score for optional solos/small groups, hand claps, and stomps.
The Echo by Andrea Ramsey, SSA with piano and cello Commissioned to celebrate the Lexington Singers Children’s Choir 20th Anniversary, this three-part treble piece is set to a lovely text by Sara Teasdale. With moderate ranges, exciting articulations, and many teaching moments, this will be a joyful addition to any treble choir concert or choral festival. A gentle, supportive piano accompaniment and beautiful solo cello add warmth and contrast throughout. “Tho’ I shall walk in valley ways for long, I still shall hear the echo of the song!”
Dedication by Zanaida Robles, SATB divisi a cappella Dedication is a musical statement of self-discovery and self-love from a Black female perspective. The piece features intense rhythmic vitality with heavy syncopation, fluctuating between powerful unisons, polyphonic flourishes, and a classic gospel-style vamp with a steady groove. This piece is suitable for advanced high school choirs and community choruses.
The Open Hand by Susan LaBarr, SSA with piano “The Open Hand” is inspired by the words and ideas of Bridget “Biddy” Mason, an enslaved woman in the 1800s who worked and fought her way to freedom and success. For SSA choir and piano, this song offers the opportunity for singers to learn the story of an important person in history, as Biddy’s words still resonate today.
The Reborn Sun by Faith Zimmer, SSA with piano “The Reborn Sun” is a setting of Hymne au Soleil by Casimir Delavigne, although using an English translation rather than the original French. Zimmer’s powerful and celebratory song is meant to bring choirs together to experience the joy of making music with one another.
Take This Gift by Tracy Wong, SSA with piano and drum This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. Wong employs a variety of textures to bring the setting to life, including a particular light-hearted vocal play motif (‘la la li la lay’) that is usually heard in ‘Canggung’, a Malay folk song. The text was co-written by the composer and the Singaporean vocal percussionist Cherie Chai, and celebrates the life-long relationships created and nurtured within the choral community and the priceless gift of shared choral experiences.
Good Timber by Susan LaBarr, TBB with piano This work for tenor-bass choir with its lovely text by poet Douglas Malloch explores the ways in which our life experiences can strengthen us.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
John the Slacker arr. Blake Richter, TTB with piano “John the Slacker” is a great example of a song sailors would sing, adopting words and phrases heard from various lands they visited. A great piece to introduce to young TB singers!
Cindy’s Cripple Creek arr. Glenda E. Franklin, TB with piano This folksy medley of the American tunes “Cripple Creek” and “Cindy” is creatively woven together in this TB setting. Each tune is showcased individually with seamless transitions before being partnered together in the bright and energetic ending!
You Better Mind arr. Reginal Wright, T(T)B with piano (optional a cappella) Created for the Schola Cantorum Project and sponsored by the Fort Worth Chorale, “You Better Mind” contains a message of indirect warning to be wary of whom to trust and how much one should talk. Choirs can take full advantage of the built-in “swing” feel as singers move through the lines.
The Journey arr. Joseph M. Martin, TB with piano and optional violin Two beloved tunes form a partner song joined by not only music, but poetic purpose as well. Friendly ranges, an approachable piano part and a variety of voicings to choose from open this best-seller to ensembles of any size.
Never Gonna Give You Up arr. Audrey Snyder, TB with piano Whether performed as a joke on your audience (rickroll, anyone?) or simply for its feel-good nostalgia, Audrey Snyder’s straightforwardly charming TB arrangement of the Rick Astley classic “Never Gonna Give YOu Up” will prove a fantastic addition to any pop concert. Easily learned yet compelling harmonies join with an energetic accompaniment to create pure, unadulterated fun!
Little Bitty Pretty One arr. Kirby Shaw, TTB with piano and optional combo One of the best loved songs of the 50’s, you’ll love singing this upbeat, swing-style choral. It’s terrific for mixed voices but your fellas will love this tune and shine like crazy! Add the combo parts or use the track to give this a more authentic sound!
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
When You’re Smilin’ arr. Kirby Shaw, SATB with piano and optional combo Performed by singers like Ella Fitzgerald, Duke Ellington, Frank Sinatra, and more, the lighthearted lyrics of this familiar standard remind us that smiling is contagious. With plenty of jazz stylizations built into the melody and a Kirby Shaw scat bridge, this Michael Bublé-inspired treatment would make a memorable finale, encore, or signature song. “When you’re smilin’, the whole world smiles with you!”
From the Start arr. Michele Weir, SATB with piano and optional rhythm Icelandic singer-songwriter Laufey is known for fusing jazz with modern pop sensibilities. Here’s her breakthrough bossa nova arranged with tight harmonies, a unison scat feature, and several optional solos. Be sure to listen to the original recording to study the smooth vocal style.
The Best Things in Life Are Free arr. Kirby Shaw, SSA with piano and optional combo Turn back the clock roughly a century with Kirby Shaw’s bright and appealing arrangement of “The Best Things in Life Are Free,” a jaunty jazz-age anthem with a timeless message of positivity. This classic by the legendary songwriting trio of DeSylva, Brown, and Henderson encourages us with the reminder that the greatest treasures – life, love, and the beauty of the world around us – can be ours at no cost.
Lovely Day arr. Robert T. Gibson, TTB with piano and optional bass & drumset New voicing! Recorded by GRAMMY® winner Bill Withers in the 70s, this optimistic song has become a beloved and respected favorite. Robert T. Gibson’s groovin’ arrangement stays true to the R&B style of the original while employing some gospel techniques designed to show off your singers. Optional electric bass and drumset parts fill out the sound, or perform with the super-charged SoundTrax accompaniment.
Taking a Chance on Love arr. Kirby Shaw, SATB with piano and optional combo A classic jazz standard in a classic Kirby Shaw arrangement! The snappy rhythms, tasty contrapuntal writing, and clever lyrics keep things interesting but always accessible. Perform with the included piano accompaniment or the swingin’ SoundPax featuring trumpets, saxophone, trombone, and rhythm section. Vocal jazz singing at its best!
Music, Lead the Way! by Laura Farnell, SAB with piano and optional tambourine Farnell draws her inspiration for this Gospel-style composition from the work of the late Dr. Martin Luther King Jr. and all those who worked to break down the barriers of racial and social discrimination. A gripping Van Dyke text delivers the powerful message: When we choose love and sing together in community, surely “peace and love will conquer hate and strife.”
When Our Voices Rise by Rollo Dilworth, SATB with piano Rollo Dilworth’s distinctive artistry is on full display in this soul-stirring original composition. Paired with additional lyrics from the traditional spiritual “Walk Together Children,” Dilworth’s text is a fountain of inspiration and a testament to the beauty and bravery that can be found in unity. Powerful harmonies and a showstopping piano accompaniment make “When Our Voices Rise” a tour-de-force worthy of any concert.
Spread a Little Happiness arr. Mac Huff, 2-part with piano Ideal for beginning jazz choirs, this arrangement of the 1929 swing song encourages one and all to care for others even when days are difficult. The swing feel provides a happy-go-lucky style highlighting the song’s positive message.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Pop Harmony Stacks for Choir arr. Roger Emerson The “Grace Kelly” challenge on TikTok involved users harmonizing to the hit 2007 Mika song using multilayered tracking to overlap their vocal lines one on top of the other, moving up the scale until the final, high notes which complete the exercise. This collection from Pop maestro Roger Emerson imagines nine more of these challenges with certified “bangers,” arranged in 4 to 6 parts for your choir!
The Performance Kit includes 10 collections along with free access to the ChoralMix lessons for each song online (sharable with all members of the choir) for a complete digital interface with audio backing tracks and separate vocal lines for learning!
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About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Songs from the Musical & Juliet arr. Mac Huff, SATB with piano and optional rhythm From the Tony-nominated production & Juliet comes this powerhouse medley of 90s and 2000s hits, each featured in the musical. Program this showstopping selection and your audience will be sure to sing along! Titles include: “Larger Than Life,” “I Want It That Way,” “…Baby One More Time,” “That’s the Way It Is,” “Since U Been Gone,” and “Can’t Stop the Feeling!”
Songs of a Disney Sidekick (Medley) arr. Alan Billingsley, SATB with piano and optional combo There are Disney heroes and there are Disney villains, but this rip-roaring barn-burner of a choral arrangement belongs to those fringe characters that inhabit the sideline of the story–they make us chuckle, cry, swoon, and offer up the invaluable support that the leads often need more than anything: it’s a Disney sidekick. Titles include: “Under the Sea,” “The Bare Necessities,” “Friend Like Me,” “Hakuna Matata,” and “Be Our Guest.”
Taylor Swift: Eras (Choral Medley) arr. Mark Brymer, SSA with piano and optional rhythm Taylor Swift’s impact on the world stage is undeniable, with legions of fans worldwide clamoring to hear her sing live, accompanied by an outstanding live band. This brand-new medley has been specially created with students and teachers direct input from it’s inception, gathering the best songs of each Era, culminating in a pop culture music tableau that absolutely sparkles! Titles include: “22,” “Willow,” “Love Story,” “Getaway Car,” “Bad Blood,” “Miss Americana & The Heartbreak Prince,” “Enchanted” and “Anti-Hero.”
Swingin’ with the Beatles (Medley) arr. Mac Huff, 3-part mixed with piano Three of the Beatles’s best selling songs are arranged in a swing style in this dynamic medley: “Can’t Buy Me Love,” “Love Me Do,” and “Eight Days a Week.” Audiences will love the familiar tunes sung in a great jazz setting.
Wish (Choral Highlights) arr. Audrey Snyder, 2-part with piano This arrangement from Disney’s animated picture, “Wish,” features these three energetic, heartfelt songs: “Welcome to Rosas,” “I’m a Star,” and “This Wish.” Each song, crafted for middle school and upper elementary singers, offers a short, yet entertaining connection to the movie’s story of courage and wonder.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
We Are Strong by Reginal Wright, SATB with piano We are Strong celebrates the strength of synergy and collaboration when all parties move together toward a common goal. A wonderful SATB selection which can be used throughout the year and also for special occasions.
Birds of a Feather arr. Mark Brymer, 3-part mixed with piano and optional rhythm This song by creative duo Billie Eilish and Finneas O’ Connell is about sticking with friends through thick and thin and will be a sentimental addition to any concert program. With catchy lyrics and melodies, singers of all ages will enjoy singing this earworm.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
When the Spirit Says Sing arr. Rollo Dilworth, SSA with piano This well-loved spiritual is set for developing choirs and will be equally useful for both the contest hall and the concert stage. Your singers will want to come back to this one again and again!
There’s a Hole in the Bucket arr. Blake Richter, 2-part with piano Children’s songs leave a legacy in our lives, and this arrangement of “There’s a Hole in the Bucket” will bring the song to life for your young singers. True to form, Blake Richter has set this song with pedagogical expertise and lots of fun!
Climbin’ Up the Mountain arr. Stacey V. Gibbs, SATB a cappella Fun and energetic, this gospel-style a cappella arrangement of the traditional spiritual is easy to learn and dynamic to perform. There’s plenty of repetition and very little divisi, making this approachable for most mixed choirs.
I’m On My Way arr. Anthony Trecek-King, SATB with piano Rhythmic, driving, and intense, “I’m On My Way” is a rich selection for two-part treble choruses. A lesser-known spiritual speaking to themes of home, journey, and trial. An accessible and dynamic arrangement.
This Little Light of Mine arr. Robert T. Gibson, SATB with piano Robert T. Gibson’s fantastic arrangement of “This Little Light of Mine” will appeal to many levels of mixed choruses. Singable and skillfully arranged, this setting is fun, exciting, and captures the gentle joy of this spiritual. The piano accompaniment is simple and supportive, with room for improvisation.
Until I Reach My Home arr. Brandon A. Boyd, TTBB with piano and optional string bass & percussion or orchestra Spirituals, folk tunes, and gospel music have enjoyed great popularity during the last century. Much is owed to collector-composers such as Nathaniel Dett for holding onto primary source materials now available to current arrangers. Here, Brandon A. Boyd provides us with a wonderful arrangement for tenor-bass voices (TTBB) with piano. A guide to “hidden messages” and pronunciation considerations is included.
I Got Shoes arr. Stacey V. Gibbs, SATB a cappella Acclaimed conductor and arranger Stacey V. Gibbs lends his signature sound to the beloved traditional spiritual. This timeless a cappella treatment is sure to be a reliable addition to the choral repertoire for years to come. Singers will enjoy vibrant stacked harmonies, call-and-response interjections, and a joyfully ornamented “I feel better, Lord” section, which adds to growing excitement throughout. Appropriate for concert, contest, and church.
The Battle of Jericho arr. Roger Emerson, SAT(B) with piano Now available in an expanded vocal setting, this classic Emerson-style contemporary spiritual is a great confidence-booster for rebuilding and developing choirs. With powerful and dramatic vocal effects, it makes a great concert and festival finale!
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Music from Wicked arr. Michael Sweeney, Grade 2 Flex-Band This very playable yet effectively powerful setting of highlights from the hit Broadway musical about the life and times of the Wicked Witch of the West is now available in flexible format. Titles include: “No One Mourns the Wicked,” “Dancing Through Life,” “Defying Gravity,” and “For Good.”
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Spirituals Dialect: A Practical Guide for Singers, Voice Teachers, and Choral Conductors by Rosephanye Powell Rosephanye Powell’s brilliant guide helps singers sing, interpret, and express the meaning and beauty of the spiritual. While it is written as a quick reference for the independent singer, vocal instructor, or choral director, it can be a valuable resource for private voice lessons, diction courses, studio classes, choral classes, and any setting where spirituals are studied and performed – a brilliant resource provided by a world-class singer, composer, arranger, teacher, and scholar.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Unleashing the Potential of the Musician’s Body (Timani: Anatomy and Exercises for Healthy Playing and Singing) by Tina Margareta Nilssen “Unleashing the Potential of the Musician’s Body” offers clear and practical tools for music professionals, students, educators, movement specialists, and therapists working with musicians. You’ll learn about relevant anatomy – in particular, joints, muscles, and fascia – and get information on how the brain and movement are linked together. You’ll find dozens of illustrated performance-targeted exercises for all parts of the body, with specific instructions for different types of instruments as well as for singers. The exercises are designed to optimize movement and make playing or singing more effortless and expressive – and through this, access more musical potential. This book also touches on subjects such as warm-ups, pain, healthy living, and self-care tips.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Bella Ciao arr. Christi Jones, 3-part mixed with piano (optional a cappella) Jones has masterfully created an Italian song for emerging mixed choirs that affords an introduction to limited Italian text in a fun, accessible setting. Well worth the effort, whether performed with piano or optional a cappella.
La Llorona arr. Ricardo Soto, SATB with piano Welcoming composer Ricardo Soto to the Heritage Music Press catalog, this exquisite piece, expressing the sentiments of profound sorrow and deep, inconsolable pain. “La Llorona” in Spanish refers to the one who weeps. This piece for mature high school or collegiate choirs is truly a standout with it’s expressive nature and musical challenges. With chordal dissonances that embody the feeling of sorrow, the craft of this work is truly magnificent!
Wild Mountain Thyme arr. Benjamin Knoedler, SATB with piano Benjamin Knoedler’s setting of the popular Scottish folk tune fully displays Scottish musical character with contemporary flavor. A joy for choirs and audiences alike, this is a versatile programming option that celebrates the beauty of this lovely folk song.
La Martiniana arr. Dan Davison, SSA with piano “La Martiniana” is closely associated with Dia de los Muertos (Day of the Dead). However, in Mexican culture, it can take on a joyful tone, rather than a somber one. Davison’s SSA arrangement is joyous! With a left hand imitative of guitar and accessible vocals, Davison captures the spirit of this cultural celebration to a tee. Highly recommend.
Aki to Fuyu (Two Songs of the Seasons) by Andrew Jacobson, SA with piano and violin Commissioned for the Oregon MEA All-State Middle School Treble Choir, this unique set of two short pieces is a splendid addition to treble chorus repertoire. Featuring two texts by Secretary Shōtetsu, a Japanese poet and monk of the Rinzai Sect who lived during the mid-Heian period, and written in contrasting styles, the opening, deeply expressive “In the Coldness of the Night” is followed by the vibrant and lilting “Up Above the Winds.” The optional violin adds warmth and intriguing tone color to this innovative work for concert and festival appearances. A pronunciation guide and translation are provided for the Japanese lyrics.
Dúlamán arr. Cristi Cary Miller, 3-part mixed with piano This traditional Irish Folk Song is an enjoyable tale of courtship. Set in a lively 6/8 tempo, the music expresses the cheerful optimism of a budding relationship. The Gaelic text is easy to learn and the melody will definitely remain in the hearts and minds of all who hear it.
Three Balinese Folk Songs arr. Matt Carlson, 2-part with piano Three indigenous melodies from the island of Bali are presented in this charming suite for treble choirs. Drawing on a variety of primary sources based on extensive field research by Dr. Brent Talbot, each short song includes cultural background notes and a full pronunciation guide and translation. Arranger Matt Carlson adds simple vocal harmonies and counterlines sparingly, allowing the gorgeous melodies to shine. Piano accompaniments reflect compositional techniques of Balinese gamelan, the traditional instrumental music played across Indonesia. Titles include: “Juru Pencar,” “Jenggot Uban,” and “Putri Cening Ayu.”
Ye Banks and Braes arr. John Leavitt, TTB a cappella A classic text combines with a Scottish tune in this accessible a cappella offering for tenor/bass choirs, making this arrangement a great choice for both the festival and concert stage.
Jumalo arr. Laura Jēkabsone, SATB divisi a cappella with bass drum or cajón As recorded by the Latvian Voices, “Jumalo” arranged by Laura Jēkabsone is a fresh take on the Latvian folksong. With themes of power, strength, and luck, this tremendously fun setting sounds impressive, but is quite singable. Choirs and audiences will have a blast with this one!
Artza Alinu arr. Russell Robinson, SAB with piano Robinson’s delightful setting of the traditional Hebrew folk song dances off of the page! Hand claps, opportunities for simple choreography, a pronunciation guide, and performance notes serve to enhance this energetic programming choice that is perfect for any time of the year.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
