News & Views Tuesday, July 29, 2025

Category: Staff Picks

MARCHING BAND 2025: Music from WICKED 25 July, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Selections from Wicked arr. Matt Conaway, Grade 2
The smash Broadway sensation has been brought back into the spotlight with the hit movie series. This collection of songs will make the perfect field show. Includes:
No One Mourns the Wicked/Dancing Through Life
For Good
The Wizard and I
Defying Gravity

Wicked (Part 1) arr. Richard Saucedo, Grade 4
An engaging story of your two favorite witches from the land of Oz, “Wicked” is currently the hottest musical on Broadway! This powerful opener for the field features the dramatic opening strains from the show and the wickedly intense “No One Mourns the Wicked.”

Wicked (Part 2) arr. Richard Saucedo, Grade 4
From the hit Broadway musical, this production number includes a light rock treatment of “Dancing Through Life” and a creative setting of “Defying Gravity.” This is skillfully constructed to include musical contrasts and visual impact points for the field.

Wicked (Part 3) arr. Richard Saucedo, Grade 4
From the tender and moving “For Good,” to the angry passion of “No Good Deed” and “No One Mourns the Wicked,” this dynamic closing production from the hit Broadway musical “Wicked” will leave your audience breathless!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

STRINGS OF FIRE and More Five Star Features for Young Orchestra 24 July, 2025

recommended by Austin Swack, Instrumental Education Specialist

Strings of Fire by Chris M. Bernotas, Grade 1.5
Ignite the stage with “Strings of Fire” by Chris M. Bernotas! This exhilarating piece for string orchestra is a nonstop inferno, fueled by relentless eighth notes that propel the ensemble forward. A fiery main theme, all sharp angles and raw energy, clashes with sections of smooth legato, creating a captivating contrast. Every section gets its moment to blaze, with the low strings emerging from the depths to unleash their own powerful melodies in this thrilling piece. A guaranteed showstopper for your next concert!

Flower Moon by Tyler Arcari, Grade 1
Using no rhythm smaller than a quarter note, “Flower Moon” is a supremely musical work for the youngest of ensembles. The entire piece for the upper strings requires only one finger pattern, allowing them to focus solely on making beautiful music together.

Seafarer’s Waltz by Doug Spata, Grade 1
This jaunty waltz is the perfect introduction to the 3/4 time signature. It is a spirited and animated look at life on the high seas and is sure to be a highlight of your concert program.

Sunset Suspended by Brian Balmages, Grade 1.5
This incredibly powerful lyrical work by Brian Balmages draws its DNA from a series of suspended harmonies that constantly flow throughout the ensemble. Designed to expand the artistic norms often associated with younger ensembles, “Sunset Suspended” is equally appropriate for intermediate or advanced orchestras.

Lighthouse in the Fog by Mekel Rogers, Grade 1
A ship lost in the fog on the ocean at night is tossed and turned by the powerful winds. All seems lost until a beacon of light shining in the dark is spotted by the desperate crew. With the sighting of a distant lighthouse in the fog, there is finally a path to safety, and the restoration of hope. Lighthouse in the Fog is a programmatic work for string orchestra that paints this picture musically. The opening measures describe the vast dark ocean upon which the tiny sailing ship is stranded. The main melody beginning at measure 7 is a rising and falling musical idea depicting the large ocean waves. The second melody at measure 24 portrays the gentle glowing lighthouse in the distance, providing the lost ship with a guide to safety. Measure 30 quickly returns to the choppy ocean as the waves try to prevent the ship from reaching its destination. The final measures are in the major mode indicating the hard earned but safe arrival of the sailing ship to the lighthouse shore.

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About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Choral Repertoire by Women Composers 21 July, 2025

recommended by Jen Sper, School Choral Music Specialist

Choral Repertoire by Women Composers edited by Hilary Apfelstadt
In recent years, the choral profession has become especially mindful of recognizing a broad spectrum of composers, but scholarly materials have not kept pace. In fact, a survey of the available academic writings on choral music reveals a startling lack of information about women composers.

“Choral Repertoire by Women Composers” addresses this gap by highlighting the lives and music of more than 200 women choral composers spanning different time periods and geographic locations. Their choral works – expressive, compelling, and innovative – represent a diversity of styles and are suitable for choirs of varied ages and experience. Nearly 2,000 unique works are listed in this edition.

Though impossible to include every deserving composer and piece, this timely volume covers considerable ground, spotlighting the important contributions women composers have made to choral music throughout history and across the world.

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

NEWLY AVAILABLE: OMEA Choral Sight Reading for AE Prep 16 July, 2025

Sight Reading Music for Ohio Music Education Association Adjudicated Events by Thomas More Scott, PhD
NOW AVAILABLE exclusively from Stanton’s Sheet Music are the choral sight reading materials as prepared for official OMEA Large Group Adjudicated Events. Each reproducible digital book includes all of the pieces for the event (AA-A-B-C, Mixed-Treble-Tenor/Bass) and is licensed for use by the purchasing school. Now available are books for 2024 State events, 2025 District events, and 2025 State events – and future books will be available in the coming years!

IN PERSON WORKSHOPS WITH THE COMPOSER!
Work to improve your choir’s sight reading skills with a valuable workshop with the composer, Dr. Thomas More Scott! Developing sight reading ability in your choirs helps students learn music faster, gives them more musical confidence, and makes singing fun! Dr. Scott will come work with your students at your school, and their sight reading skills are sure to improve.

Dr. Scott received his Master’s Degree in Choral Conducting under Richard Mathey at Bowling Green State University, where sight reading was the subject of his Master’s thesis. He earned a Ph.D. in music theory and composition and began composing the choral sight reading music for OMEA Large Group Adjudicated Events in 2024.

For scheduling and pricing information for workshops with Dr. Scott, please contact him directly (440-227-2696 or morzhe@windstream.net).

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IN ONE MONTH: Mary McDonald Church Music Reading Sessions 09 July, 2025

SACRED CHORAL READING SESSION
Saturday August 9, 2025
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Mary McDonald
$25.00

Stanton’s is pleased to welcome back Mary McDonald as our clinician for the August Sacred Choral Music reading session. With a career that spans over forty years, her songs appear in the catalogs of every major publisher of church music. More than 1200 compositions through anthems, seasonal musicals and keyboard collections testify to her significant contribution to church music. Her greatest desire is “to give God glory for the songs He has allowed me to compose. He alone, is the true Creator behind my pen.”

In 2011, after serving as sacred music editor for The Lorenz Corporation in Dayton, Ohio for more than twenty years, Mary answered a new call. Now she takes her tremendous passion and love for music making directly to churches as an independent artist. Since then, she has been in constant demand in churches across the nation for composer weekends as well as served as host for many of the top choral music dealer conferences in the United States and Canada.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 9, 2025
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Mary McDonald
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Mary McDonald.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

MARCHING BAND 2025: Classic Hits 07 July, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Faithfully arr. Dallas C. Burke, Grade 3
This iconic rock hit from the group Journey makes a great choice to close any show! After an eloquent start, this chart features some big moments from the winds and percussion that will rattle the press box to bring the perfect end to your show!

Born to Run arr. Paul Murtha, Grade 3
Electrify the crowd with this hard rocking classic from The Boss!

(I Can’t Get No) Satisfaction arr. Paul Murtha, Grade 3
From the moment you hear the classic guitar riff you won’t be able to sit still. Everyone will be singing along to this arrangement of the iconic Rolling Stones hit.

Push It arr. Nick Baratta, Grade 3
One of the most recognizable hooks ever written is the basis for this fresh new arrangement of the classic hip-hop tune from Salt-n-Pepa. Nick Baratta throws in a few new twists, and the strong scoring will make any band sound great!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

MARCHING BAND 2025: From the Big Screen to the Halftime Show! 26 June, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

We’re Back (from Moana 2) arr. Matt Conaway, Grade 3
A grooving arrangement of the hit song from the smash hit Disney sequel that will be a favorite of your percussion section. Also a great choice for parades.

Beetlejuice (Main Theme) arr. Michael Brown, Grade 3
This arrangement of the iconic and playfully spooky theme from the classic film will be a crowd favorite either during halftime or in the stands.

Songs from WICKED arr. Matt Conaway, Grade 2
The smash Broadway sensation has been brought back into the spotlight with the hit movie series. This collection of songs will make the perfect field show. Includes:
No One Mourns the Wicked / Dancing Through Life
For Good
The Wizard and I
Defying Gravity

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Rock Titles For Jazz Ensemble 13 June, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

I Got You (I Feel Good) arr. Paul Murtha, Grade 2
Here is the signature hit by the “Godfather of Soul” in a solidly scored version perfect for young players. With a funky groove that captures the style of the original this chart also features solo opportunities for any combination of alto sax, trumpet, and trombone.

Pyramid Power by Doug Beach & George Shutack, Grade 1
This driving rock chart is sure to be a hit, not only with the band, but with the audience as well. The infectious groove, the building pyramids, and the catchy melody all combine to create a perfect chart for your next program. The Jazz Foundations scoring ensures that the chart will work with virtually any instrumentation.

Midnight Creeper arr. Terry White, Grade 1.5
A funky-rock groove on a great jazz tune played around 112 BPM. Suggested solos provided for trumpets 1 and alto 1 with trumpet 1 range to written top line F. An excellent blues chart that is fun to play and easy to assemble.

Phat Tuesday by Peter Sciaino, Grade 4
In the composer’s own words, “I was going for a New Orleans vibe…like a Dirty Dozen Brass Band sort of thing but it went J.B. horns (James Brown) style at some point.” That beautifully sums up this great new funk chart – searing horn lines and a cooking rhythm section.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

MARCHING BAND 2025: Contemporary Pop Charts 10 June, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

APT. arr. Mike Story, Grade 2
Catchy melodies and driving percussion highlight this huge hit from ROSÉ and Bruno Mars. Mike Story’s fun arrangement is destined to be THE stands tune for this fall!

APT. arr. Matt Conaway, Grade 3
The groove doesn’t get any more infectious than this. Whether it’s on the field, in between quarters or during a timeout, this arrangement of the smash hit from Rosé and Bruno Mars will get the party started!

Bye Bye Bye arr. Paul Murtha, Grade 2
This hip and grooving arrangement of the *NSYNC classic will be a crowd favorite and a necessary addition to a 90’s of Pop field show.

Bad Blood arr. Doug Adams, Grade 2
Taylor Swift is as popular as ever, and this brand new Doug Adams arrangement of her timeless song really hits all the right notes! It’s perfect for the stands or pep band, as well as for dance and drill teams.

Crazy in Love arr. Ishbah Cox, Grade 3
This chart-topping hit from Beyoncé will have the crowd dancing and singing and is the perfect addition to your field show or stand repertoire.

Hot N Cold arr. Jordan Barker, Grade 3
Here is one of Katy Perry’s biggest hits in a hip new arrangement. Writer Jordan Barker gives us a powerful and exciting chart full of great sounds!

Espresso arr. Nick Baratta, Grade 3
Here is the GRAMMY® Award-winning song from talented singer-songwriter Sabrina Carpenter in a terrific arrangement by Nick Baratta. Tuneful melodies and exciting harmonies make this a winner for any band!

Illusion arr. Brian Scott, Grade 3
Singer/songwriter Dua Lipa had a big hit with this dance-pop offering. Arranger Brian Scott captures the unique style and groove of the original. This one is pure fun!

Next Semester arr. Dave Henning, Grade 3
This epic rock tune from the group Twenty One Pilots makes an ideal vehicle for marching bands that want to rock hard while shaking the press box to its foundation!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

DANNY ELFMAN: New Arrangements for Concert Band 09 June, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Beetlejuice (Main Theme) arr. Michael Brown, Grade 3
Your concert band will love this excellent arrangement of the quirky, mischievous, and spooky theme from the classic movie that has become a staple of popular culture. Perfect for Halloween concerts or as a fun addition to any program.

Beetlejuice (Main Theme) arr. Johnnie Vinson, Grade 2 Flex-Band
An outstanding arrangement of one of the most recognizable movie themes ever that captures the spooky, quirky, and ethereal sounds of the original while being scored for flexible instrumentation. Your young musicians will have so much fun practicing they won’t even realize they are learning various articulations, dynamics, and chromatics.

This Is Halloween arr. Johnnie Vinson, Grade 2
“Boys and girls of every age. Would you like to see something strange?” Young concert bands are now able to enjoy one of the most popular movie songs of all time. An excellent choice for reinforcing chromaticism this is perfect for programming at anytime of the year!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Choral Charisma 06 June, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Choral Charisma: Singing with Expression by Tom Carter
“Choral Charisma” presents an accessible yet comprehensive approach to singing with expression. Written for directors, singers, and teachers at all levels, the book presents techniques and insights empowering the reader to bring even more humanity to their craft. The heart, mind, body, and spirit can play together to make singing even more fulfilling – for you and your audience.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

SAVE THE DATE: Church Music Sessions with Mary McDonald in August 04 June, 2025

SACRED CHORAL READING SESSION
Saturday August 9, 2025
9:00 a.m.-12:30 p.m.
Church of the Messiah, 51 N. State Street, Westerville OH 43081
Presented by Mary McDonald
$25.00

Stanton’s is pleased to welcome back Mary McDonald as our clinician for the August Sacred Choral Music reading session. With a career that spans over forty years, her songs appear in the catalogs of every major publisher of church music. More than 1200 compositions through anthems, seasonal musicals and keyboard collections testify to her significant contribution to church music. Her greatest desire is “to give God glory for the songs He has allowed me to compose. He alone, is the true Creator behind my pen.”

In 2011, after serving as sacred music editor for The Lorenz Corporation in Dayton, Ohio for more than twenty years, Mary answered a new call. Now she takes her tremendous passion and love for music making directly to churches as an independent artist. Since then, she has been in constant demand in churches across the nation for composer weekends as well as served as host for many of the top choral music dealer conferences in the United States and Canada.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 10th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 9, 2025
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Mary McDonald
$5.00

Join us at Stanton’s Sheet Music for an afternoon of listening to new selections of sacred piano music that will be enjoyable to play in church or at home. Our clinician this year is Mary McDonald.

Contact the Keyboard Department for more information on the Sacred Piano reading session.

Peaceful Piano by Mark Hayes 30 May, 2025

recommended by Caryn G., Sacred Piano Music Specialists

Peaceful Piano: 25 Meditative Interludes and Underscores for Worship by Mark Hayes
Here is a collection for your keyboard ministry that is both innovative and practical. Legendary arranger Mark Hayes has written 25 original vignettes designed to be used as service music. They can successfully underscore times of prayer, transition, or scripture reading, and can even be used as offertories. Each brief selection is intermediate in difficulty, and the table of contents highlights the key of each piece for easy reference. This is a volume that you will use again and again!

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

LATIN JAZZ for Young Jazz Students 28 May, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Reggaeton by Steve Shanley, Grade 2.5
The “reggaeton” genre is one of the most popular musical styles in the world, and now you can finally play it with your jazz band! Steve Shanley’s “Reggaeton” utilizes the infectious groove in a jazz chart for developing musicians. You’ll love the accessible rhythm section parts and easy solo section, and your young jazzers will love the feel and groove of this fun chart. A perfect closer for your next concert or festival! Highly recommended!

MonteBello Mambo Rock by Michele Fernández, Grade 2
Michele Fernández’s unique approach to writing for Jazz ensemble and her attention to detail is evident in this great new “Afro-Latin” chart written with younger players in mind. There is a written sample solo in alto sax 1, but all the parts include the solo changes.

Meet Me at the Taqueria by Doug Beach & George Shutack, Grade 2
A driving Latin feel is the foundation of this chart. With a strong melody, solid voicings and an open solo section, this piece will be not only a great concert choice, but also a wonderful vehicle for teaching young players this important style.

Carnival by David Samuel, Grade 3
Let the festivities begin! This bright Latin chart is the perfect change of pace chart for contest/festival or for your home stage. Intriguing harmony and rhythmic vitality make this chart shine!

My Favorite Things arr. Michele Fernández, Grade 4
Here’s a wonderful new take on a timeless melody. Michele Fernández shows her Latin expertise in this high-energy and sizzling arrangement for jazz ensemble. Sure to be a favorite with all audiences, and an impressive choice for contest or festival.

Habanero Hustle by Andrew Lesick, Grade 3
This is a unique chart that blends a fiery, driving Latin groove with a more carefree Chuck Mangione feel. After a percussive intro, a trio with Tenor, Trumpet and Trombone present the head of the tune. There is an optional Conga part included, but adding other percussion instruments would spice up the flavor of the chart.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

He’s Got the Whole World in His Hands: New Handbell Arrangements for Summer 23 May, 2025

recommended by Jennifer F., Handbell Music Specialist

He’s Got the Whole World in His Hands arr. Benjamin A. Tucker, 3-6 octaves, Level 3
Enjoy this swing setting of the cherished spiritual – the stopped techniques make it sing! A walking bass, an ethereal B section for “He’s got the wind and the rain,” and some jazz chords along the way make this a fun piece for worship or concert.

All Hail the Power of Jesus’ Name arr. Sandra Eithun, 3-6 octaves, Level 2+
Suitable for Easter, Christ the King, or general worship, this setting is a solid piece of handbell literature that will make your ensemble shine. The use of LV against thick chords conveys the strength of the hymn.

Ringing with Keys Volume 3 arr. Lloyd Larson, 2 octave reproducible collection, Level 2
Here is a collection of eight arrangements for smaller ensembles of handbell ringers and piano. It may be run with 1 ½ or 2 octaves of handbells, D5 to G6 or G4 to G6. The contents include a mixture of hymns useful for Christmas, Palm Sunday, Easter, Thanksgiving, and general occasions. The piano accompaniment fills out the harmonies, keeping the handbell parts accessible while adding beautiful texture and color to the arrangements. Titles include: “Come, Christians, Join to Sing,” “My Faith Looks Up to Thee,” “All Glory, Laud, and Honor,” “Still, Still, Still,” “We Gather Together,” “Give Me Jesus,” “O Love That Will Not Let Me Go,” and “Crown Him with Many Crowns.”

Rejoice, the Lord Is King arr. Linda Scholes, 3-6 octaves, Level 2+
This powerful setting of DARWALL’S 148TH is a perfect choice for the Easter season or any time something bold and celebratory is called for. Available in compatible 2-3 and 3-6 octave settings, its bold harmonies and driving rhythms are equally at home in church as in concert or festival settings.

Classic Rings II for Church & School arr. Martha Lynn Thompson, 3 octave reproducible collection, Level 1-2
This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

ETERNAL FLAME: New Patriotic for Community Band 21 May, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Eternal Flame by Brian Balmages, Grade 4.5
This thrilling and majestic overture pays homage to the eternal flame memorial dedicated to Medal of Honor recipients. Sweeping fanfares, stately themes, and nods to “America” remind the listener of the incredible sacrifices made by these brave individuals.

A New Birth of Freedom by Rob Romeyn, Grade 3.5
The oratorical genius of Abraham Lincoln changed the course of history with The Gettysburg Address. “A New Birth of Freedom” by Rob Romeyn honors Lincoln’s historic vision for the country in the post-Civil War era of reconstruction and dedicates itself to that noble cause. After a short introduction, a rudimentary solo section is featured on a theme that is reminiscent of the fife and drum musical style of Lincoln’s time. This theme is developed upon as the music unfolds, gradually building and leading to a glorious, powerful, and dramatic apex. The work then moves to a restatement of that same fife and drum section on which it began, this time leading to a reflective and contemplative conclusion.

Red, White and Blue arr. Joseph Benjamin Earp, Grade 4
This medley of classic patriotic tunes pays tribute to Veterans and Active Duty service members whose sacrifices protect our freedoms. “Red, White and Blue” is appropriate for Veterans Day, Memorial Day, or any program that you’d like to include a salute to service. Including the American staples “When Johnny Comes Marching Home,” “America,” and “The Star-Spangled Banner,” this piece will serve as a beacon of hope for our United States of America.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Our Joy and Wonder 14 May, 2025

recommended by Caryn G., Sacred Piano Music Specialists

Our Joy and Wonder arr. Sandra Eithun
Eight fresh settings of cherished hymns are included in this new collection for intermediate sacred keyboard. “Our Joy and Wonder” contains a variety of arrangements that church musicians will find ideal for preludes, offertories, moments of prayer or contemplation. These settings are easy to learn with limited rehearsal time and rewarding to play.

Titles include: “Oh, Worship the King,” “For All the Saints,” “Reflection on a Swedish Tune,” “Oh, for a Thousand Tongues to Sing,” “I Need Thee Every Hour,” “What Wondrous Love Is This,” “My Shepherd Will Supply My Need,” and “To God Be the Glory.”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Small Band, BIG SOUND 13 May, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Small Band, BIG SOUND by Chris DeVona
Small bands can be great bands! “Small Band, Big Sound” is an indispensable guide for success in middle and high school band programs with students of all ability levels. It addresses the day-to-day challenges of finding and creating appropriate repertoire, adapting music for playability, establishing tone and blend with unconventional instrumentation, and rehearsing effectively with a small group. Every student deserves the opportunity to perform at their highest potential, regardless of the size of their band program. This text is designed to prepare music educators with readily accessible tools to create those experiences.

Highlights include:
• An overview of available flex band music and how to select the most appropriate format for your ensemble
• Several model ensembles showing how to assign parts for maximum effect with flex band music
• An illustrated step-by-step guide to creating your own flex band music
• A model for creating custom arrangements, including multiple worked-out example excerpts
• Suggested repertoire resources for finding and choosing appropriate music to arrange
• Tips and tricks for adapting and modifying music to be playable by smaller groups
• Discussion on establishing tone quality and blend with irregular instrumentation
• Information on designing and rehearsing small marching band programs

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Arise and Eat: New Titles for Communion 12 May, 2025

recommended by Jennifer F., Sacred Choral Music Specialist

Arise and Eat by Victor C. Johnson, SATB with piano
This tender Victor Johnson anthem for Communion boasts a warm melody artfully married to a thoughtful lyric by Rose Aspinall. The music features shimmering harmonies and beautiful modulations, and the text meaningfully reminds us to “remember how He took our sin and loved us back to life again.”

Remember, Remember Me by Jack Schrader, SAB with piano
For communion and especially meaningful for Maundy Thursday, this Jack Schrader ballad is a moving choral setting of Jesus’ words at the Last Supper. The beautifully crafted piano accompaniment, for which Jack is so well known, supports the compelling vocal lines.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

Together In Song! New Collections for School Choirs 09 May, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Together in Song Volume 2: Concert Repertoire for Three-Part Mixed Choirs by Jerry Estes, Greg Gilpin, Victor C. Johnson, Mary Lynn Lightfoot & Mark Patterson
These fully reproducible collections are both unique in value and a great resource for exceptional concert pieces for Three-part Mixed choirs. This collection is fully reproducible and includes an Accompaniment MP3 for each title. Featuring the works of today’s leading educational choral composers, these collections offer a wide array of diverse musical styles while being a budget-friendly resource. Titles include: “I Will Lift My Voice and Sing!,” “A Joyful Alleluia,” “Firefly,” “Little Innocent Lamb,” “Sisi Kushangilia,” “A Call for Peace,” “An Irish Blessing,” and “Elijah Rock.”

Cantate Hodie! Easy Latin Repertoire for Unison & Two-Part Choirs by Mark Burrows, Greg Gilpin, Victor C. Johnson, Mary Lynn Lightfoot, Bryan Sharpe & Douglas E. Wagner
This reproducible collection features 6 Latin settings for unison and two-part choirs. Full of musically diverse selections, this collection will guide your young choirs as they build a strong foundation of choral technique. Translation and pronunciation guides precede each piece throughout the collection. The text and music pairings in this collection will offer “easy wins” along with slightly more challenging repertoire as your ensemble advances. Featuring unison, optional two-part, and two-part pieces, you can use this collection time and again as your singers’ skills develop. Titles include: “Cantate Hodie! (Sing Today),” “Sanctus,” “Lux Aeterna,” “Psallite, Exsultate,” “Ubi Caritas,” and “Cantate!”

Five Sea Songs by Daniel Brinsmead
In “Five Sea Songs,” five special texts have been brought together to initiate a musical voyage of discovery, fun, and introspection. These wonderful compositions are accessible enough to be performed by children’s choirs, while sophisticated enough to work for any level of treble choir. Titles include: “Sea Fever,” “Sailing Tonight,” “Little Fishes, Don’t Cry!,” “Full Fathom Five,” and “I Wish You a Kinder Sea.”

Indodana: Traditional South African Choral Music arr. Michael Barrett, Mbuso Ndlovu & Ralf Schmitt
This collection of fifteen songs from South Africa is a companion to the popular album from the University of Pretoria Camerata, “Indodana.” Hit arrangements by Michael Barrett, Mbuso Ndlovu, and Ralf Schmitt make up this distinguished reference resource for the choral library. Titles include: “Bayasibiza,” “Bonk’abaphandle,” “San’bonani/Namhla Kudibene,” “Nda wana,” “Umahlalela,” “Indodana,” “Kwaxabana Oxamu,” “Ngothando,” “Tuba,” “Ha Rese Re Bina,” “Mangisondele Nkosi Yam,” “Thixo Onothando,” “Ndikhokhele Bawo,” “Siyalobola Gogo,” and “Modimo.”

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.