News & Views Wednesday, May 07, 2025

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Transforming Choral Singing: An Activist’s Guide for Choir Directors by Charles W. Beale
Choral conductors and clinicians often focus on honing the technical and artistic elements of their choir’s performance, but what is the true purpose of choral singing? Choral performances sound beautiful, but they also tell stories, “say something” to someone, and create change in them. In that fundamental sense, they are always activist.

In “Transforming Choral Singing: An Activist’s Guide for Choir Directors,” author Charles W. Beale draws from his nearly 20 years of leading major choirs in the LGBTQIA+ choral movement internationally as well as his long experience as a singer, organist, conductor, and educator to put forth a new vision for choral singing: to move audiences and change the world.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Country Gardens by Percy Grainger/arr. Brant Karrick, Grade 4
Grainger’s first piano arrangement of this English morris dance tune was completed in 1918 as a birthday gift for his mother. It became extremely popular and was his greatest commercial and financial success. Even this simple tune displays his genius with harmony, counterpoint, and color. This very playable arrangement is an excellent way to introduce your students to the music of Percy Grainger!

Arkansas Huskin’ Bee by Arthur Pryor/arr. Brady Massey, Grade 4
Step into the world of the American South with “Arkansas Huskin’ Bee” – an exhilarating new work for concert band that captures the spirited essence of a lively community gathering! Characterized by melodies and rhythms in the style of fiddle and banjo playing, this tune is inspired by the rich cultural heritage and infectious energy of traditional Southern hoedowns. This dynamic composition is sure to have audiences tapping their toes and clapping along from start to finish.

Jazz Legato by Leroy Anderson/arr. R. Mark Rogers, Grade 4
Leroy Anderson’s JAZZ PIZZICATO and JAZZ LEGATO stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form known as the soft shoe, this bright and cheerful tune will have the audience whistling and tapping their toes long after the final note of your concert! This exclusive Southern band edition by Mark Rogers reintroduces Anderson’s enchanting work to new generations of audiences.

Interstate 90 by Alan Shulman/arr. Adam Michlin, Grade 4
In the late 1960s, Alan Shulman composed four works for symphonic winds. “Interstate 90” dates from a 1962 sketch depicting a drive heading west on the Massachusetts Turnpike and New York State Thruway. It was completed in August 1968 and received its first performance in 1969 by the Gloria Concert Band conducted by Don Butterfield. This arrangement was written by Adam Michlin.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Caryn G., Sacred Piano Music Specialist

Practical Pairings: Accessible Medleys for the Church Pianist arr. David McDonald
The arrangements in this practical collection prove that one plus one really is three. David McDonald pairs two beloved hymns in each thematic-focused arrangement, showcasing why medleys are a favorite of so many church pianists. Written at an accessible level and perfect for worship through the year, the hymn texts are included to center personal worship and musical interpretation.

Titles include: “Mighty God Medley (I Sing the Mighty Power of God & A Mighty Fortress Is Our God),” “Love Medley (Jesus Loves Me & Jesus Loves Even Me),” “Grace Medley (Amazing Grace & Grace Greater Than Our Sin),” “Praise Medley (Praise Him! Praise Him! & Praise to the Lord, the Almighty),” “God’s World Medley (This Is My Father’s World & For the Beauty of the Earth),” “Thankful Medley (We Gather Together, An Ash Grove Thanksgiving & Come, Ye Thankful People, Come),” and “Blessing Medley (God Be with You & The Lord Bless You and Keep You).”

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About the Author:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Alleluia! Sing Alleluia by J.S. Bach/arr. John Leavitt, SAB with piano
Bright with joy and sparkling with a Baroque elegance, here is a great choice for a service or concert opener. Brilliant traditional choral writing mixes with a well-crafted piano part to support the singing and delight the ear!

Dixit Dominus by Marianna Martines/arr. Andrew Hathaway, SATB with piano
Originally written for her induction into the Accademia Filarmonica of Bologna, Marianna Martines’s “Dixit Dominus” is often considered her greatest choral work. This arrangement of the first movement was conceived for SATB chorus and piano, and is a perfect introduction to the Classical Era for beginning and experienced singers alike.

Love and Music by Henry Harington/arr. Douglas E. Wagner, SAB with piano and optional flute
Written by Henry Harington in the 18th century, Douglas E. Wagner’s setting of “Love and Music” highlights the lilting character of the early Classical period. The bright and happy qualities of the work along with a flute proclaim the words “How great is the pleasure, how sweet the delight, when love and music together unite.”

Welcome, Music! by G.F. Handel/arr. Laura Farnell, Unison/2-part with piano
Farnell has adapted “Welcome, welcome mighty king” from Handel’s oratorio “Saul,” creating an accessible two-part treble /optional unison arrangement that is perfect for young treble singers.

Da Pacem Domine (Grant Us Your Perfect Peace) by Melchior Franck/arr. Lon Beery, 3-part mixed with piano or a cappella
Lon Beery has outdone himself in this arrangement of a well-known early Baroque tune by Melchior Frank. Beery draws on his knowledge of the adolescent voice, as reflected in the contained range of a fifth, in this simplistic yet wonderful Latin text setting. Depending on the needs of the ensemble, a flowing, supportive, optional piano accompaniment is available.

The Evening Star (Der Abendstern) by Robert Schumann/arr. Audrey Snyder, SSA with piano
Delicate, peaceful, shimmering with classical refinement…all these qualities and more are apparent in this beautiful adaptation of Robert Schumann’s setting of the classic German poem “Der Abendstern.” The piece can be sung with the original German text, or with an equally expressive English text by arranger Audrey Snyder. Approachable yet elegant vocal parts meld with polished piano support to create a distinguished concert-worthy presentation.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

Music Is More Than Technique: A Guide to Why and How by Dennis Shrock
In recent decades, the classical music of past eras has appeared on concert programs less and less frequently despite its historical significance and artistic merit.

In this volume, noted scholar Dennis Shrock argues that expressive performances which transcend mere technical precision – correct notes, rhythms, and articulations – will generate renewed interest in the musical masterpieces of the past.

Using primary source quotations and music excerpts from the Medieval through Modern eras, Shrock explains how to perform historic music authentically and artfully, revealing its innate nature as intended by the composer.

In this way, the music of past eras – like its counterparts in visual art and architecture – may be “restored” to its original state and appreciated by performers and audiences alike, ensuring its continued relevance and rightful place on concert programs for generations to come.

A balance of scholarship and practical performance tips, “Music Is More Than Technique” is a must-have reference for conductors of school, community, and professional ensembles.

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recommended by Ken Tilger and Austin Swack, Band Education Specialists

Groove Chico by Christopher Artau, Grade 3
This funk tune just keeps coming at you! After the intense introduction the saxes jump in with the “A” section of the chart followed closely by big and punchy brass.

The Upsweep by Alan Baylock, Grade 3.5
This chart is a very hip funky rock with a driving groove. Played around 92 BPM. Solos are provided for trombone 1 and alto 1. Lead trumpet range is to written G on top of the staff. This chart will really work best with electric bass and piano. The band will dig it!

Nowhere But Here by Annie Booth, Grade 3.5
An original with a funky groove with some powerful dynamic contrasts throughout. Played at 142 BPM, a suggested tenor 1 solo is provided and followed by an interlude that builds right into the finale. Lead trumpet range is to written B-flat above the staff with the usual optional parts plus vibes and flute.

Party Fowl by David Larsen, Medium Easy
It’s time to bring the funk with “Party Fowl.” This approachable funk tune is filled with energy and is loads of fun to play. Solos are open to whichever player wants to take a ride.

Superstition arr. Paul Murtha, Grade 2
Arranged with modest ranges and in the little big band format, here is a great-sounding version of Stevie Wonder’s classic hit. Featured is the authentic funk groove, and the solo section written for trumpet can be opened up to include additional soloists.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Grace and Majesty: Nine Hymn Arrangements for Organ arr. Marianne Kim
Marianne Kim’s first organ collection as the Organ Editor at Beckenhorst Press contains nine hymns arranged for organ solo. Satisfying but without unnecessary difficulty, these settings are a taste of what is to come as Beckenhorst reinvigorates its longstanding commitment to repertoire for church organists. Titles include: “Praise to the Lord, the Almighty,” “The King of Love My Shepherd Is,” “Jesus, Lover of My Soul,” “Children of the Heavenly Father,” “Postlude on O Worship the King,” “It Is Well with My Soul,” “Abide with Me,” “Faith of Our Fathers,” and “To God Be the Glory.”

O Worship the King: Hymn Tunes Paired with Classics for Organ arr. Marianne Kim
This compelling collection from Marianne Kim is centered around pieces that combine traditional hymns with pieces from the classical repertoire. In each arrangement, the two elements are seamlessly and evocatively combined for a compelling result. Several of the classics are vocal and orchestral pieces, but most are themselves organ works from the great 19th and 20th century French romantic tradition. Marianne has rounded out the collection with two original pieces that are themselves indebted to the French organ tradition: a gentle pastorale and a fiery toccata. Titles include: “Alas, and Did My Savior Bleed with Pie Jesu,” “Amazing Grace with Air on the G String,” “O Sacred Head, Now Wounded with Chant pastorale,” “Petit pastorale in F,” “O Worship the King with Grand choeur in F,” “Wonderful Peace with Priere a Notre-Dame,” “Toccata in G minor,” “What a Friend We Have in Jesus with Prelude, fugue et variation,” and “Rock of Ages with Andante religioso.”

The Holy City: Hymn Settings with Jazz Spirit arr. Marianne Kim
Marianne Kim’s signature jazz-tinged style pervades this new collection of hymn settings. Nearly all the hymn tunes are American in organ, including folk hymns, spirituals, and 19th century gospel songs. Varied characters provide music useful for preludes, offertories, or postludes throughout the church year. Titles include: “What a Friend We Have in Jesus,” “All the Way My Savior Leads Me,” “Battle Hymn of the Republic,” “Come, Thou Fount of Every Blessing,” “I’ve Got Peace Like a River,” “If Thou But Suffer God to Guide Thee,” “Jesus Loves the Little Children,” “Postlude on The Holy City,” and “We Shall Overcome.”

Hymns of Faith: Organ Settings with Jazz Spirit arr. Marianne Kim
In this organ collection, Marianne Kim arranged some of her favorite hymns with her signature jazz-influenced style. Included are eight familiar hymns of faith and assurance, most of which are drawn from the beloved American gospel tradition. Also included is one exciting original postlude. Titles include: “Blessed Assurance,” “I Need Thee Every Hour,” “Jesus Loves Me,” “Joy, Love, and Peace,” “My Jesus, I Love Thee,” “Nearer, My God, to Thee,” “Only a Step to Jesus,” “Softly and Tenderly,” and “Leaning on the Everlasting Arms.”

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recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Calling from Afar by James Eakin III, SATB with piano
“Calling from Afar” was composed in honor of the launch of the James Webb Space Telescope. Glorious images of the cosmos are painted by the music and lyrics, with a deep message of finding our place in this vast universe.

Measure Me, Sky by Ruth Elaine Schram, 2-part with piano
Ruth Elaine Schram’s inspiring setting of the Leonora Speyer poem features an expressive accompaniment that flows and weaves underneath soaring melodic lines which seem to rise and fall, as if soaring to the sky. This exquisite text exudes innocence and optimism, and is a marvelous piece for young and developing choirs. Highly recommended!

The Bells by Ben Kapilow, SA with piano
Edgar Alan Poe’s fast-flying words are brought to life in a vibrant, high-energy piece for treble choirs. Employing echo-singing, chromaticism, and back-and-forth meter changes, this setting is one and a half minutes of pure excitement! The composer uses only the non-seasonal text, so it can be programmed year-round. An ideal feature for your collaborative pianist and advancing SA singers.

She Walks in Beauty by Penny Rodriguez, TTBB with piano
This exquisite poem is set as a lyrical art song for low voices. An opening solo sets the tone for gorgeous choral harmonies that follow. The expressive piano accompaniment never doubles the vocal parts, but rather creates independent, complementary lines. Perfect for advancing tenor-bass groups!

The Echoing Green by Jeffrey Bernstein, SSA a cappella
Jeffrey Bernstein received an ACDA Composition Focus Prize with this lovely work for treble choir. The treatment of the text fits the voices well, and the text painting is engaging.

Thither Will I Go by Tom Trenney, SSAA with piano
An exploration of light and darkness, this setting of Laurence Housman’s text is an incredibly engaging piece for treble choir. Alternating between broad homophonic singing and sprightly canonic writing, this piece builds on a memorable motive and increases in intensity until the emphatic ending. A must-sing!

If… by Jonathan Reid, TTBB with piano
Kipling’s powerful text is made even more empowering within the context of Reid’s choral setting for TTBB ensembles. “If…” contains accessible vocal lines and opportunities for each section to shine.

Notes from Emily by Robin McLaughlin Conine, 2-part with piano
Composer Robin McLaughlin Conine weaves two famed Emily Dickinson poems into this enchanting and whimsical piece. Delightful meter changes and an unforgettable, thrilling melody showcase its charm and creativity. Syncopations within the melody lend a modern touch while remaining perfectly crafted for the concert choir.

Sweet Afton by Edmund Jolliffe, SATB with piano
The classic Robert Burns poem is treated with a lovely and fresh approach in this sensitive setting. You’ll have plenty of opportunity to teach phrasing and blend with this selection.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

The Music Teacher’s Guide to Recruitment and Retention by Angela Ammerman
Successful music educators from rural, one-light towns and bustling cities provide innovative methods for recruiting and retaining students. From elementary ukulele ensembles to high school bands, orchestras, and vocal ensembles, the strategies within these pages will greatly assist in building a successful music program from the bottom up. The ideas in this highly engaging text will have your program bursting at the seams with eager and dedicated student-musicians.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Caryn G., Sacred Piano Music Specialist

A Keyboard Festival of Hymns, Volume 2 arr. Lloyd Larson
This collection of piano solos from Lloyd Larson builds upon the popularity of A Keyboard Festival of Hymns, Vol. 1. Like its predecessor, this volume features five arrangements adapted for four-hand piano from Lloyd’s cantata, A Festival of Hymns. These pieces may be performed as stand-alone selections, or they may function as an accompaniment for several correlating choral arrangements Lloyd has released over the years. Pianists will enjoy the symphonic treatment given to these hymns, and congregations will be blessed as they hear time-honored melodies come to life in a new way.

Volume 2 titles include: “All Hail the Power of Jesus’ Name,” “Spirit of God, Descend Upon My Heart,” “And Can It Be That I Should Gain?, “ “Praise to the Lord, the Almighty,” and “Great Is Thy Faithfulness.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists

Mi Gallo (My Rooster) arr. Andy Beck, 2-part with piano and optional maracas & claves
Here’s a lighthearted folk song from Spain that’s a breeze to learn and a pleasure to sing! The small-range melody is presented first in unison and then in canon. A simple ostinato adds another layer to the third verse before closing with echoing rooster calls – “Cocorí, cocorá!” Maracas and claves parts are included, or improvise your own percussion. There are only ten Spanish words in all, but if you need it, a pronunciation/translation guide is included.

Furusato (In My Little Town) by Teiichi Okano/arr. Mary Donnelly & George L.O. Strid, 2-part with piano and optional flute
This well-known Japanese folk song found world appeal when performed at the closing ceremony of the 1998 Winter Olympics in Nagano. The first verse features an English text that is not a translation but rather a lyric that conveys nostalgia for the hills and fields of one’s childhood home, set as an original partner song. The optional flute will add a gorgeous touch to this cultural gem.

Sesere Eeye arr. Greg Gilpin, 2-part a cappella with percussion
This Torres Strait Island folk song presents a wonderful opportunity for a cappella choirs to perform with authentic world percussion instruments (common alternates offered). All the voicings are built on a traditional repeat structure that begins in unison and unfolds into more harmony with each verse. A brief bridge of original music punctuates the repeated sections. Choirs around the globe have enjoyed adding movement to this playful nature song.

Oh, in the Cherry Garden arr. Douglas E. Wagner, Unison/2-part with piano and optional cello
This Ukrainian folk song is beautiful and delicate with original words from Douglas E. Wagner. An optional solo cello may be employed to enhance the enchanting nature of this piece.

Tanabata (Star Festival) arr. Greg Gilpin, 2-part with piano
This Japanese folk song is sung during the annual Star Festival, when trees are decorated with wishes written on colorful strips of paper. Greg’s partner song arrangement pairs the traditional pentatonic melody with a new countermelody and some English words by Takashi Nakamura. A pronunciation guide and translation are included in the publication. A gently flowing selection just right for beginners.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Jennifer F., Sacred Choral Music Specialist

God Leads Us Along arr. James Barnard, SA(T)B with piano
James Barnard brings this poignant hymn to life in this thoughtful choral setting. Part of the Singable Solutions series, this anthem features a supportive accompaniment and ample unison/two-part writing that your choir will love to sing. “Sometimes on the mount where the sun shines so bright, God leads His dear children along. Sometimes in the valley, in darkest of night, God leads His dear children along.”

The Calling by Lee Dengler, SATB with piano
Using John 14:15 as its foundation – “If you love me, keep my commandments” – this heartfelt anthem is a call to spread light and love in the name of Jesus. Warm and tender throughout, the anthem’s text and music sustain an intimacy and calm that will comfort and inspire.

Bless That Wonderful Name arr. Mary McDonald, SATB with piano and optional rhythm
This spirit filled anthem pairs Charles Wesley’s “Blessed Be the Name” with the tune BLESSED NAME, and the Traditional Spiritual “Wonderful Name.” Master arranger Mary McDonald creatively reworks both texts into a seamless, uplifting anthem of praise. The addition of the optional handclaps in the final refrain will bring everyone in on the fun.

How Great Is Our God arr. Mary McDonald, SATB with piano and optional orchestra
This beloved praise and worship song is given fresh life in this stunning Mary McDonald arrangement. Starting softly, the anthem steadily builds in intensity to the very last measure. The rich piano writing, as well as the optional orchestration by Michael Lawrence, will instill adoration and reverence within the hearts of your listeners every time this music is presented.

We Thank You, Lord, for Family arr. Mary McDonald, SATB/2-part mixed with piano
A sweet spirit pervades this anthem, thoughtfully crafted for Mother’s Day, Father’s Day, or even Church Appreciation Sunday. Mary McDonald weds the beautiful folk melody SALLY GARDENS with an original lyric that brims with thankfulness. Flexibly conceived to be sung with an SATB or Two-part Mixed choir, this is a piece you will return to year after year.

Jesus, Lover of My Soul by Craig Courtney, SATB with piano and optional brass quartet
This new hymn tune in minor key provides a deep and settled certainty as Craig Courtney’s setting declares our trust and dependence on God for protection and comfort. Add the optional brass quartet for additional color and strength.

Like a River Glorious arr. Lloyd Larson, SATB with piano
This time-honored hymn encouraging us to put our trust in God is given a stately treatment that quietly draws our attention to the poetic beauty of the text.

My Faith Has Found a Resting Place arr. Brad Nix, SATB with piano
This anthem, masterfully arranged by Brad Nix, is perfect for both general worship and times of invitation. Brad’s musical expertise is on full display, featuring appealing re-harmonizations, subtle modulations, and accessible part writing. Pianists will particularly enjoy the expertly written accompaniment.

The Perfect Wisdom of Our God arr. Sunmin Kim, SATB with piano
A classical take on the Getty/Townend hymn from new South Korean composer and pianist Sunmin Kim. Rich harmonies, sweeping lines, and dramatic piano writing give this setting a symphonic feel as it works toward its climactic stanza: “O grant me wisdom from above to pray for peace and cling to love.”

There’s a Wideness in God’s Mercy arr. Mark Hayes, SATB with piano
Mark Hayes skillfully pairs a cherished text with the traditional hymn tune BEECHER in this dynamic arrangement. Driven by a rhythmic piano accompaniment, this anthem is well-suited for worship throughout the entire church year. Remind your congregation of God’s boundless love with this celebratory offering from one of our most esteemed writers.

Where Love and Charity Prevail arr. Dan Forrest, SATB with piano and optional flute or C instrument
“Where charity and love prevail, there God is ever found.” This English translation of Ubi Caritas is tenderly set to the RESIGNATION hymn tune, resulting in a simple but deeply moving prayer for peace and unity: “let strife among us be unknown, let all our fighting cease; be Christ the glory that we seek, be ours His holy peace.” Optional flute part included in choral score.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Music from How to Train Your Dragon arr. Johnnie Vinson, Grade 2 Flex-Band
The 2010 movie “How to Train Your Dragon” has become a film classic and John Powell’s masterful soundtrack beautifully captures the dramatic moments and mood of the story. Here are the main themes from the soundtrack in a terrific setting for flexible instrumentation.

Any Way You Want It arr. Michael Story, Grade 1 Flex Beginning Band
Play this classic hit from the rock band Journey with any mix of wind or string instruments. It’s an iconic selection for your beginning band.

Music from The Sound of Music arr. Johnnie Vinson, Grade 2 Flex-Band
The beloved songs from “The Sound of Music” remain as timeless as when the movie came out in 1965. This concise medley for flexible instrumentation includes: “The Sound of Music,” “Do-Re-Mi,” “My Favorite Things,” and “Climb Ev’ry Mountain.”

Pure Imagination arr. Paul Murtha, Grade 2 Flex-Band
Originally sung by Gene Wilder in the 1971 movie classic “Willy Wonka & The Chocolate Factory,” this timeless song has remained a favorite ever since. Paul’s setting in the flex-band format is based on the recent version sung by Timothée Chalamet for the movie “Wonka” and features lush harmonies and an appealing pop groove.

Taylor Swift On Tour arr. Michael Brown, Grade 3 Flex-Band
The hits of Taylor Swift now span across decades as her popularity continues to grow. Scored for flexible instrumentation, here is a great sounding medley of some of her best known songs. Titles include: “…Ready For It?,” “I Knew You Were Trouble,” “You Belong With Me,” “Enchanted,” and “Shake It Off.”

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Be the Bridge by Kyle Pederson, SSA(A) with piano
A bridge can serve as a wonderful metaphor – connection and understanding in a world where misunderstanding is pervasive, grace and empathy in a world so quick to judge. In “Be the Bridge,” the choir invites the listener to do the work of bridge-building where broken relationships are reconciled and communities are restored to wholeness.

Birds of a Feather arr. Mark Brymer, SATB with piano and optional rhythm
This song by creative duo Billie Eilish and Finneas O’ Connell is about sticking with friends through thick and thin and will be a sentimental addition to any concert program. With catchy lyrics and melodies, singers of all ages will enjoy singing this earworm.

Time After Time arr. Andy Beck, SATB with piano and optional cello
Cyndi Lauper’s iconic ballad has been reimagined in this breathtaking arrangement for concert choir with piano and cello. With its poignant lyrics and memorable melody, this pop classic continues to captivate audiences with profound emotional depth and enduring beauty. Perfect for any occasion, this tender treatment lends a touch of elegance to any program.

We’re All In This Together (Ballad Version) arr. Roger Emerson, SATB with piano and optional rhythm
In 2006, “We’re All in This Together” was the “feel-good” song of the young generation! Already a classic in the Disney songbook, this reserved, ballad-like re-imagining from the sequel series on Disney+ proves that nostalgia begins at a very early age.

The Dawn by Daniel Schreiner, SATB divisi with piano
“The Dawn” centers around the idea that “the night is always darkest before the dawn.” Highly lyrical with a lovely, supportive piano accompaniment, this hopeful piece is a reminder that even in the darkest time there is always hope.

Living in the Seasons by Joel Snyder & Jane Kozhevnikova, SATB with piano
Songwriting duo Snyder & Kozhevnikova have created a fun and accessible piece for every season! Original lyrics, SATB (no divisi), and a joyful piano accompaniment make this a great concert and festival piece for high school mixed ensembles.

Someday I’ll Meet You Again arr. Molly Ijames, SATB divisi with piano
This lush setting of Max Steiner’s 1944 tune will sweep audiences and musicians away with its soaring melodies, longing harmonies and wistful accompaniment. Ijames’ masterful arrangement will add tasteful stylistic variety to any concert program.

You Can’t Step Twice (Into the Same River) by Brian Tate, SATB a cappella with optional djembe or hand drum
Following the same compositional style of his choral “hit” Connected, this piece carries the message that everything changes and nothing remains but change. Each part gets their own unique melody and they each sound like a chant from a spiritual or a folk song or even the blues. It has that preachiness that can only come from an old wise person that everyone admires and loves. And on top of that it is so fun to sing, and it makes people stop and listen.

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Fanfare Esprit by Carol Brittin Chambers, Grade 3.5
Looking for a thrilling and spirited musical experience? Look no further than “Fanfare Esprit” by Carol Brittin Chambers! This piece will transport you to a world of classic fanfares with a twist, featuring lush melodies and intricate rhythms. Don’t miss out on this exhilarating musical journey!

Fanfare Gratiam by Ryan Nowlin, Grade 3
“Fanfare Gratiam” (meaning Fanfare of Thankfulness) is the perfect piece for your next concert. Use it to honor someone special in the audience. After the heroic and grandiose fanfare strains, the music calms for the statement of the community’s hymn-like expression of gratitude – still playful, always loving, but still quick and uplifting. The works concludes with a musical hug – where the band, starting with the lowest instruments, completely expands to its maximum range over an unchanging, E-flat pedal.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Sacred Choral Music Specialist

Come Now, Spirit of God by Joseph M. Martin, SAB with piano and optional flute
This original minor-keyed Pentecost piece has a lovely text by Tina English. The vocal lines are easy to learn while still being musically and emotionally engaging. The flute part adds a great deal and is included in the octavo.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.