News & Views Thursday, October 30, 2025

recommended by Jen Sper, School Choral Music Specialist

The Blizzard by D. Farrell Smith, SAB with piano
“The Blizzard” is an electrifying choral piece for SAB voices with a piano accompaniment that drives the energy forward like a relentless winter storm. The choral lines weave tension and drama, evoking the howling winds, swirling snow, and the raw power of nature. The piano part is both ferocious and riveting, filled with percussive rhythms and dramatic flourishes that mimic the storm’s chaotic fury. Together, the voices and accompaniment create an immersive experience that captures the awe and intensity of a blizzard, challenging performers to embody both its grandeur and ferocity.

Frosty Winter by Andrew Parr, 3-part mixed with piano and optional violin
The night is dark and bitterly cold, yet there’s a lingering sense of awe and wonder. “Whispered wind, branches bare, a field of crystal everywhere.” This atmospheric and evocative piece is perfect for any winter program. Enhance your performance with an optional violin part that adds a touch of mystery – and frost.

Keresimesi Odun De Do arr. Andy Beck, SAB a cappella with percussion
This Christmas song comes from the Yoruba-speaking region of Nigeria. Bright and joyful, this a cappella treatment features rich stacked harmonies, optional solos, and lively percussion parts, characteristic of traditional Yoruba music. Four smartly crafted voicings bring this festive choral staple to smaller groups. A pronunciation and translation guide for the text is included.

Fum, Fum, Fum arr. Audrey Snyder, 3-part mixed with piano
This classic Catalonian Christmas carol arrangement is bright, quick, and fun to sing. New secular words along with vocal parts that are easy to learn and a piano accompaniment that sparkles with joy makes this choral a true holiday treat!

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Climbing Quandary by Robert Sheldon, Grade 2
A day hiking Colorado’s Rocky Mountains, specifically Quandary Peak, inspires the lighthearted style of this piece. Its spirit of adventure makes it a versatile choice for concerts, contests, and festivals.

Fantoms by Firelight by David Shaffer, Grade 2
Combining David Shaffer’s masterful scoring with Ralph Venezia’s creative storytelling, “Fantoms By Firelight” paints a vivid musical portrait of the Fantoms among us. Venezia’s clever narrative will delight both audiences and musicians, offering a chance to feature a local celebrity, teacher, or administrator as the narrator. This engaging blend of words and music will be the perfect addition to any concert, guaranteed to be a hit!

Home by Katie O’Hara LaBrie, Grade 1.5
Tender and expressive, “Home” is a lyrical Grade 1.5 work by Katie O’Hara LaBrie that explores the many meanings of the word “home.” With rich harmonies, flowing lines, and emotionally sensitive writing, the piece reflects on home as a place, a feeling, and a journey – sometimes comforting, sometimes complex, but always deeply personal. Anchored by a constant, memorable melody, Home invites young musicians to connect with the music and consider where they find strength, safety, and belonging. A moving and meaningful addition to any concert or festival program.

Ritmo y Sabor by Jorge L. Vargas, Grade 2
“Ritmo y Sabor” (Rhythm and Flavor) by Jorge Vargas is based on the Cha Cha and Danzón styles of Latin music. These particular styles of music are characterized by syncopated rhythms and auxiliary percussion. Each style has its own corresponding dance moves, and both are extremely popular throughout the world. This piece has plenty of rhythm to engage your students and plenty of flavor to make you want to dance!

The Throne Room (from Star Wars: A New Hope) arr. Johnnie Vinson, Grade 2
Young concert bands can now experience the iconic and triumphant march from the final scene of “Star Wars Episode IV: A New Hope” while expanding their knowledge of chromaticism and triplets.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jennifer F., Sacred Choral Music Specialist

Joyfully Sing! by Allen Pote, Unison with piano and optional flute
Seasoned composer Allen Pote has created a bright and lovely celebration of praise and thanksgiving to God for God’s gift of creation. The closing text reminds us that we are indeed all God’s children. It can be sung completely in unison, but the harmonized ending will be an exciting conclusion to the piece. Add the flute for an extra glow. Truly delightful!

Alleluia, Amen! arr. Vicki Hancock Wright, Unison/2-part with piano
“Alleluia, Amen!” is an energetic setting of a familiar hymn appropriate for children’s voices. It is a call for all to praise God and can be used at various times throughout the church year. Though it can be done completely in unison, there is an optional descant/response part that will provide an extra challenge for your more experienced singers.

The Everlasting Light by Tina English, Unison with piano and optional flute
Tina English has taken the immortal “O Little Town of Bethlehem” text and set it to a fresh new melody. Accordingly, the words can be heard anew as that first Christmas night is painted in rich new colors. Add the gentle (optional) flute obbligato for a lovely touch.

Give of Your Best by Vicki Hancock Wright, Unison with piano
A classic hymn text takes on a new shine with captivating music and a flowing accompaniment. The lilting, seamless melody is tuneful and memorable, helping children internalize the message to truly give their best and live the fullness of God’s love in their lives.

The Mighty Marvelous Mustard Seed arr. Vicki Hancock Wright, Unison with piano and optional percussion
With a rhythmic, pulsating accompaniment that builds expectation from the start, this song then grows into a full flowered celebration of faith. Based on the parable of the mustard seed, the text confidently proclaims, “God will supply our every need when we have the faith of a mustard seed!”

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

recommended by Jennifer F., Handbell Music Specialist

Classic Rings II for Church & School arr. Martha Lynn Thompson
This collection of familiar, classics includes mostly works from the baroque period, but some contemporary tunes as well. You’ll find compositions by Mozart, Beethoven, Bach, Haydn, Verdi, Brahms, Schubert, Chopin, Bizet, and more. As you work your way through the 37 titles the arrangements get progressively more advanced moving from Level 1 to 2. Tips for teaching rhythms are included throughout. This resource is reproducible, making it a great value.

Ring with Less for Beginners arr. Martha Lynn Thompson
The twenty-three pieces in this collection take the beginning ringer from simplistic, straight-forward ringing on journey to gradually introduce the basic techniques used in ringing handbells. Each exercise includes one new thing for the developing ringers to learn and master. Titles include: “Jacob’s Ladder,” “Jesus Loves Me,” “Holy, Holy, Holy,” “Good King Wenceslas,” “Kum Ba Yah,” “Faith of Our Fathers,” “Praise the Lord, Ye Heavens Adore Him,” “The Friendly Beasts,” “Fairest Lord Jesus,” “For the Beauty of the Earth,” “O Come, All Ye Faithful,” “Joy to the World,” “Come, Christians, Join to Sing,” “Sleep of the Child Jesus,” “Hymn of Promise,” “Holy Manna,” “Jesus Christ Is Risen Today,” “The Angelus,” “Swing Low, Sweet Chariot,” “Saints Bound for Heaven,” and “The Snow Lay on the Ground.”

Ringing with Keys Volume 3 arr. Lloyd Larson
Here is a collection of eight arrangements for smaller ensembles of handbell ringers and piano. It may be run with 1 ½ or 2 octaves of handbells, D5 to G6 or G4 to G6. The contents include a mixture of hymns useful for Christmas, Palm Sunday, Easter, Thanksgiving, and general occasions. The piano accompaniment fills out the harmonies, keeping the handbell parts accessible while adding beautiful texture and color to the arrangements. Titles include: “Come, Christians, Join to Sing,” “My Faith Looks Up to Thee,” “All Glory, Laud, and Honor,” “Still, Still, Still,” “We Gather Together,” “Give Me Jesus,” “O Love That Will Not Let Me Go,” and “Crown Him with Many Crowns.”

Simply Reproducible Hymns Volume 2 arr. Jason Krug
This reproducible collection features eight well-known hymn tunes arranged for beginner to intermediate handbell ensembles. Each arrangement is designed to capture the hymn’s essence while being accessible to developing ringers. These arrangements will bring a sense of reverence and joy to any performance or worship service. Titles include: “Come, Christians, Join to Sing,” “Praise to the Lord, the Almighty,” “O for a Thousand Tongues to Sing,” “Come, Thou Almighty King,” “For the Beauty of the Earth,” “Immortal, Invisible, God Only Wise,” “Jesus Shall Reign,” and “I Sing the Almighty Power of God.”

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

recommended by Jen Sper, School Choral Music Specialist

Hear the Bells Ring! by Greg Gilpin, 2-part with piano
This bright Christmas fanfare makes a great opener or closer. Brimming with buoyant vocal parts and playful “ding-a dings” to spare, it’s equal parts festive and fun.

All for a Merry Christmas by Mary Donnelly & George L.O. Strid, 2-part with piano and optional glockenspiel
Mistletoe, bells, and snowflakes celebrate the wonderful season of Christmas in this charming piece for two-part choirs. A delightful part for glockenspiel and a dancing meter in three add to the spirit of cheer and joy.

Walking in the Air arr. John Leavitt, 2-part with piano and optional strings & percussion
Raymond Briggs’ 1978 children’s picture book about a snowman coming to life was made into a celebrated half-hour animated film, “The Snowman.” This song sets the sequence in which the snowman flies with a boy to the North Pole, and the music suits the exciting journey through a winter wonderland. This beautiful winter feature with an optional orchestration for strings and percussion will be the highlight of your winter concert!

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jennifer F., Sacred Choral Music Specialist

O Sing a Song of Bethlehem arr. Mary McDonald, SATB with piano and optional 13 handbells
This time-honored carol beautifully connects the Nativity to the broader story of Christ’s redemptive work, making it a meaningful choice for both Advent and Easter celebrations. A transparent part for 3 octave handbells adds color and accent.

Advent Peace by Lloyd Larson, SATB with piano
The promise of peace in the midst of the dark nights awaiting the coming of Christ is poetically and elegantly presented in this anthem. The contrasting section seamlessly weaves in VENI EMMANUEL as the anthem then crescendos and tapers to a satisfying and hushed conclusion.

Two Advent Introits arr. Hal Hopson, SATB with piano or organ
From the brisk, crisp “Comfort, Comfort O My People” to the sublime “Lo How a Rose E’er Blooming” this gathering of two introits for Advent is indispensable. Easily learned yet highly effective when presented, Hal Hopson’s legendary and heartfelt craftsmanship shines in this offering.

O Come to Us, Emmanuel by Joseph M. Martin, SAB with piano and optional orchestra
Joseph Martin expertly showcases the expectancy of the season in this captivating, original anthem – a perfect opener for your holiday programming. A compelling original tune raises the curtain for the anthem and leads to the middle section featuring a quote from the familiar Advent hymn tune, VENI EMMANUEL, as it builds in intensity.

O Come, O Come, Emmanuel arr. Brenda E. Austin, SAB with piano and optional handbells
This Quick Study Choral, arranged by Hope’s handbell editor, Brenda Austin, is written for SATB choir and appropriately includes an optional 3 octave handbell part. Easily learned, with its familiar lyrical melody and harmonies, this Advent favorite calls for us to “Rejoice!” as we anticipate Emmanuel’s arrival.

Prepare the Way: A Candle Lighting Ceremony by Joel Raney, SATB with piano and optional congregation & 8 handbells
Designed to support the lighting of the Advent candles, this includes a choral opening followed by a call and response litany with piano underscore, then a text to be read with the lighting of the candle. As it concludes, the choir comes back in with the option of adding the congregation for a final refrain. There are five readings, one for each candle. A reproducible part for the congregation is included.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

recommended by Austin Swack, Instrumental Education Specialist

Snow Dance by Erica Donahoe, Grade 1.5
Great for wintertime concerts or throughout the year, this beautifully written new work by composer Erica Donahoe evokes the joy of twirling about as the first few flecks of snow start to dot the horizon. A nostalgic and fun new work for the developing string ensemble!

A Chanukah Medley arr. David Bobrowitz, Grade 3
This new, delightful, and playable medley features three well known Chanukah songs – “The Dreydle Song,” “Chanukah Chanukah,” and “Rock of Ages.” The opening should be at a relaxed, but fast tempo, (about quarter equals 106). Arranger Bobrowitz likes to be sure that all the instruments get to share important melodic material, so the high strings have it at 9, and the low strings at 17. A smooth transition, staying in tempo, takes us to the second selection Chanukah, Chanukah. Here the melody is passed from the high strings to the low strings and at 55, the pizzicato technique is introduced, giving the melody a new quality. The celli set the return to the final song which is back to arco for all. A relaxed moderate tempo, (quarter equals 78) should help keep the style broad and dramatic. Bar 91, is a reminder of the Chanukah, Chanukah song and serves as a fitting ending for this wonderful new winter selection!

Cellos on the Rooftop by Katie O’Hara LaBrie, Grade 1.5-2
Get ready to rock the holidays with “Cellos on the Rooftop,” an exciting intermediate piece featuring your lower strings! All players will enjoy slurring from F to F# to create a bluesy rock vibe, making it both fun and educational. Perfect for energizing your holiday concert, this arrangement of “Up on the Housetop” will have your orchestra and audience tapping their feet from start to finish!

Fiddle Holiday arr. Tyler Arcari, Grade 1
This toe-tapping frolic into the festive world of fiddle music is going to be a hit at your next Christmas concert! Full of recognizable tunes and infused with accessible fiddle figures, “Fiddle Holiday” is pure joy for the holidays!

Silent Nightfall by Caryn Neidhold Wiegand, Grade 2.5
Three Christmas classics are tenderly presented with an optional harp. “Silent Nightfall” by Caryn Wiegand Neidhold features “It Came Upon a Midnight Clear,” “Oh, Holy Night,” and ends with a tranquil rendition of “Silent Night,” allowing students to advance ensemble skills and perform in compound time.

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About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Ocean Blue by Adrian B. Sims, Grade 2.5
Experience panoramic snapshots of marine life within the ocean through the cinematic lines of “Ocean Blue” by Adrian B. Sims. Oceanic melodies weave throughout deep harmonic structures to create a complex musical work that happens to be extremely playable. A unique way to bring your students out of the band room and into the ocean!

Thawing by Kazuki Shimoda, Grade 2.5
Kazuki Shimoda paints a vivid musical portrait of winter giving way to spring in “Thawing,” a Grade 2.5 work for concert band full of rhythmic vitality and textural nuance. Inspired by the snowy landscapes of northern Japan, this piece uses engaging orchestration, minimalist influences, and expressive percussion writing to reflect the quiet mystery and gradual awakening of the natural world. Winner of the 2024 Barbara Buehlman Prize for Composition, “Thawing” offers developing ensembles a unique opportunity to explore color, contrast, and emotional expression through a beautifully crafted musical narrative.

Pavanne (from American Symphonette No. 2, Movement 2) by Morton Gould/arr. Chris M. Bernotas, Grade 2.5
This expert arrangement of Gould’s famous work captures its jazz style and melodic themes while adapting to intermediate players. Featuring a trumpet solo, it offers opportunities for exploring textures, dynamic contrasts, and valuable teaching moments.

Capriccio Grande by Carol Brittin Chambers, Grade 2.5
Grande is certainly an appropriate term for this new work by Carol Brittin Chambers. Her infectious rhythmic verve is on full display in what is sure to be a new standard in the young band repertoire.

Biofeedback by JaRod Hall, Grade 2.5
This pulse-pounding work by JaRod Hall uses optional synthesizer to create dynamic and sonically versatile textures that will blow your audience away. Highly rhythmic with a subtle pop-inspired groove, “Biofeedback” is a contest-worthy work that breaks barriers and is sure to showcase your entire ensemble without excessive technical demands.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Austin Swack, Instrumental Education Specialist

The High Low Blues by Richard Meyer, Grade 1
This fun and cool-sounding piece is the perfect way to introduce the difference between F-sharp and F-natural as well as C-sharp and C-natural to your young orchestra. The melodies are passed around to all sections, keeping everyone on their toes deciding whether to play their F’s and C’s “high or low.” A simple ride cymbal part adds color and pizzazz. A great way to teach standard 12-bar blues form. For an extra challenge, have students “swing” the eighth notes.

The Wellerman arr. Bob Phillips, Grade 1
Rousing sea shanteys are a popular listening trend, and here is one, arranged by Bob Phillips, that students can soon play! Perfect for most second-year players or even those at the end of the first year of instruction, this catchy folk tune “The Wellerman” uses quarter notes, paired eighths, and dotted quarters. The cello and bass parts are doubled, everyone gets the melody, and everyone stays primarily in first position. Most likely originating in the 1830s in New Zealand, the lyrics describe waiting for supplies to be delivered by ship by the Wellerman brothers.

Climbing Scale Mountain by Jim Palmer, Grade 1
“Climbing Scale Mountain” by Jim Palmer is an energetic piece that teaches high 2 and low 2 as well as an introduction to the key of E minor. The main theme mimics a musical ascent up a mountain. Including a pizzicato section and a D.S. al Coda, all instruments get an opportunity to play both melody and harmony parts. This is a great teaching piece that is also lots of fun to play!

Strings of Fire by Chris M. Bernotas, Grade 1.5
Ignite the stage with “Strings of Fire” by Chris M. Bernotas! This exhilarating piece for string orchestra is a nonstop inferno, fueled by relentless eighth notes that propel the ensemble forward. A fiery main theme, all sharp angles and raw energy, clashes with sections of smooth legato, creating a captivating contrast. Every section gets its moment to blaze, with the low strings emerging from the depths to unleash their own powerful melodies in this thrilling piece. A guaranteed showstopper for your next concert!

Ghosts and Goblins by Chris M. Bernotas, Grade 0.5
Creepy, crawly, spooky, and scary – this fun piece has it all! “Ghosts and Goblins” by Chris M. Bernotas is based on the first 6 notes of the D major scale, but in the Dorian mode. Perfect for your students first concert. Violin 2 and viola are doubled, as are cello and string bass. Simple but engaging, with pizzicato, arco, and just a few dynamics so students can focus on getting the finger patterns and rhythms correct. This is a great addition to the very beginning string orchestra library.

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About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral & Classroom Music Specialist

Over the River and Through the Woods by John Feierabend/illustrated by Kian Sylvester
To grandmother’s house we go! Take a lively ride through the white and drifted snow with this festive holiday folk song, part of a series of captivating picture books based on beloved songtales from the great American folk tradition.

Children will be swept up in the snowy fun as they sing along to this classic tune. Beautifully brought to life with Kian Sylvester’s vibrant illustrations of Civil War soldiers reuniting with their families for a Thanksgiving celebration, this retelling showcases America’s rich diversity and captures the joy of coming together.

Like the other folk song picture books in the series, “Over the River and Through the Woods” includes the song’s history, notation, and a link to a free MP3 download of the song. Another winner collected by John M. Feierabend!

The Nutcracker by Denae Konynenbelt
When Clara receives a special Christmas gift, strange and wonderful things begin to happen. Join Clara’s journey through snow and candy canes to the Land of Sweets with her Nutcracker prince in this re-telling of the Nutcracker story!

This storybook is an adaptation of “The Nutcracker” story featured in Pyotr Ilyich Tchaikovsky’s ballet. Combining an entertaining story, illustrations, and Tchaikovsky’s music, this book encourages expressive reading and helps build vocabulary. This storybook may also be used as an introduction to “The Nutcracker” in your classroom. The digital download pack grants you access to the storybook read by the author.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jennifer F., Handbell Music Specialist

Blessed by the Spirit arr. Karen Buckwalter, 3-5 octaves with optional handchimes, Level 2+
This lush, flowing medley of two gorgeous hymntunes provides a moment of calm assurance. Intricate harmonies abound, and the addition of melody lines on handchimes enhances the beauty of this setting.

All Hail the Power of Jesus’ Name arr. Sandra Eithun, 3-6 octaves, Level 2+
Suitable for Easter, Christ the King, or general worship, this setting is a solid piece of handbell literature that will make your ensemble shine. The use of LV against thick chords conveys the strength of the hymn.

Bell Peal on Lasst uns Erfreuen arr. Sondra K. Tucker, 2-5 octaves with handchimes, Level 3
A strong and accessible setting of the beloved hymn. The wide range makes it a superb selection for festivals.

Come Thou Fount of Every Blessing arr. Lloyd Larson, 3-5 octaves with piano, Level 2+
Using imagery of Christ as the giver of living water and the shepherd gathering his sheep back into the fold, this hymn reminds us of the ever-bountiful grace of God. This accessible, Level 2 setting for bells and piano captures the hymn’s devotional and uplifting spirit, making it suitable for worship services, concerts, and special events.

It Is Well with My Soul arr. Karen Buckwalter, 3-5 octaves with optional piano, Level 2+
Enveloping listeners in an atmosphere of peace and serenity, this setting captures the essence of the beloved hymn’s message of faith and resilience. While it can be performed with handbells only, the piano accompaniment fills in harmonies and adds rhythmic interest, deepening the emotional resonance of the piece.

Faithfulness arr. Bradley Anderson, 3-6 octaves with piano, Level 2+
This beloved hymn is celebrated for its powerful message of God’s unwavering faithfulness. Combining the resonant tones of handbells with the rich harmonies of the piano, you’ll find this beautiful setting perfect for worship services, concerts, and special events.

The King of Love My Shepherd Is arr. Jantz A. Black, 3-5 octaves, Level 2
Simplistic beauty is the best way to describe this lovely arrangement. Accessible at Level 2, ringers and listeners will be enchanted by its charming beauty.

Marching to Zion arr. Jason Krug, 3-6 octaves, Level 3
This light, playful setting of the beloved hymn features pulsing rhythms and unexpected harmonies, bringing a fresh take on a traditional hymn. The melody moves throughout the ensemble, giving all parts a chance to shine.

Praise the Lord Who Reigns Above arr. Anna Laura Page, 3-5 octaves, Level 3-
This setting of the hymntune AMSTERDAM has a marchlike feel, making this arrangement perfect for any upbeat or celebratory time in the life of the church. Numerous malleted sections appear, and a key change midway through adds an element of excitement to the piece.

Praise to the Lord, the Almighty arr. Sondra K. Tucker, 2-5 octaves, Level 2
Accessible to most groups, yet energetic and exciting, this setting of Lobe den Herren is written for two to five octave handbells, making it an excellent festival selection or worship selection for groups large or small.

Praise to the Lord, the Almighty arr. Lloyd Larson, 3-5 octaves, Level 2+
This approachable setting of the hymntune LOBE DEN HERREN is perfect for use throughout the church year. The melody moves throughout the ensemble, giving all parts a chance to shine, and there are just enough harmonic twists to keep each verse fresh and exciting!

Rejoice the Lord Is King arr. Ron Mallory, 3-5 octaves, Level 3
This sparkling arrangement of Darwell’s 148th features Mallory’s trademark rhythmic accompaniment and uses stopped techniques to add interest and excitement right up to the end!

Rejoice, the Lord Is King arr. Linda Scholes, 3-6 octaves, Level 2+
This powerful setting of DARWALL’S 148TH is a perfect choice for the Easter season or any time something bold and celebratory is called for. Available in compatible 2-3 and 3-6 octave settings, its bold harmonies and driving rhythms are equally at home in church as in concert or festival settings.

Spirit of the Living God arr. Michael Helman, 3-5 octaves with optional handchimes, Level 2
This lush arrangement of the beloved hymn by Daniel Iverson is presented in compatible 2-3 and 3-5 octave versions. Flowing accompaniment lines underscore the simple, heartfelt melody, making this a perfect choice for use throughout the church year.

To God Be the Glory arr. Lloyd Larson, 3-5 octaves, Level 3
Lloyd Larson’s bold setting of this beloved favorite is sure to be a hit with your ringers and listeners alike. Fanfare-like figures open each verse, adding to the celebratory nature of the piece. Perfect for any joyous time throughout the year!

Gospel Roundup (Medley) arr. Joel Raney, 3-5 octaves with optional handchimes, Level 2+
This rollicking gospel medley includes, “Blessed Assurance,” “Since Jesus Came into My Heart,” “In My Heart There Rings a Melody,” and “Just a Closer Walk with Thee” capturing the joyful and uplifting spirit of these gospel favorites.

Total Praise arr. Joel Raney, 3-5 octaves, Level 2+
This contemporary gospel song has become widely known for its simple message and powerful impact. Joel Raney pairs it with “Holy, Holy, Holy” and provides an accessible, Quick Study version maintaining all the gospel harmonies that make this a worship sensation.

Thanksgiving (Simple Gifts) arr. John Ness Beck/adapt. Arnold Sherman, 3-5 octaves, Level 2+
“For seedtime and harvest and the good will of men, We give thanks to God the Father once again…” so begins the text of the anthem by John Ness Beck based on an early American tune. It is this anthem that the corresponding bell folio is set to, albeit one whole-step lower. It may stand alone or accompany the vocal octavo.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Ho, Ho, Ho (Who Wouldn’t Go) arr. Steve Parsons, Grade 3
Arranger Steve Parsons scored a hit recently with his clever Christmas chart called “Sleighin’ It,” and this new arrangement picks up where that one left off. It is “Up on the Housetop” with a funky Motown groove. Wailing horn licks and a rockin’ rhythm section make this a surefire hit at your holiday concert.

Deck the Halls arr. PinkZebra, Grade 3
Unleash the holiday cheer with this exuberant and swinging jazz take on “Deck the Halls”! This playful arrangement is a quick-learn and bursts with joyful energy, featuring catchy riffs and a driving groove that will make it a sure-fire crowd pleaser at December concerts. A free jazz solo practice track is available for this arrangement and features the full band heard in the demo recording during the solo section minus the soloist.

St. Nick’s Island Vacation arr. Tim Waters, Medium Easy
This Latin treatment of “Jolly Old St. Nicholas” conjures up visions of St. Nick the day after Christmas enjoying his favorite cold beverage on tropical beach. The Alto, Tenor and Trumpet made it on the nice list with a chance to improvise during the solo section. With its infectious groove in the rhythm section and plenty of ensemble hits, this chart is fun for all!

The Holly and the Ivy arr. Jeff Jarvis, Grade 3
Jeff Jarvis has transformed this simple eight-measure carol into a full-blown jazz waltz for a big band. Jeff created a clever introduction and several transitional passages with a ton of cool chords to make the chart sound interesting and fresh from beginning to end. This will add some sparkle to your holiday concert!

You Better Sleigh! by JaRod Hall, Grade 3
This is a winter holiday musical scavenger hunt to discover – how many tunes you can find in this chart? It’s a funky swing performed in cut time around 108 BPM. Lead trumpet range is to written G with optional high C. Solos are provided for tenor 1 and trumpet 2. Optional instruments include flute and vibes. You’re gonna LOVE this one!

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper, School Choral Music Specialist

Like the Falling Snow by Bryan Sharpe, SATB with piano
Delicate imagery of falling snow is beautifully reflected in this work by Bryan Sharpe. With metaphorical language, the music evokes the peaceful stillness of a quiet snowfall. The supportive piano accompaniment complements the choral lines, which have moments of independence that add depth and grace, much like the gentle descent of snowflakes.

Bring a Torch, Jeanette, Isabella arr. Earlene Rentz, SATB with piano and optional flute
This energized arrangement of the traditional French carol radiates excitement. Original material winds its way between the charming verses, encouraging Jeanette and Isabella to “run, run, run” to Bethlehem. Those familiar melodic “ah’s” garner anticipation, and a buoyant flute obbligato (available as a free download) amplifies the urgency.

A One-Horse Open Sleigh (In a Jingly Minor Way) by Greg Gilpin, SATB with piano and optional rhythm
A “jingly minor way” is exactly what this original work brings to a performance using the familiar lyrics of Pierpont’s “Jingle Bells.” Animated and rhythmic writing between vocal lines creates a vibrant setting with harmonies in a minor mode; all above a bouncing piano accompaniment suitable for the addition of sleigh bells and the optional available rhythmic parts. This enthusiastic work will bring down the house and be a favorite for years to come.

The Snow by Ruth Morris Gray, SATB with piano and optional sleigh bells
Crisp eighth-note figures and steady sleigh bells create the feeling of a jaunty sleigh ride while contrasting legato sections evoke the chill of blowing snow. Sopranos exclaim the title over and over as others interject with words from Emily Dickinson’s wintertime poem. Some repetition makes for ease of learning, but the unexpected harmonic progression keeps things fresh.

Lux Brumalis (Light of Winter) by Jerry Estes, SATB with piano
Evoke a reflective and tranquil atmosphere during your December concert with this exquisite winter ballad. The contemplative original text and breathtaking music by Jerry Estes will showcase the artistry and musicality of your ensemble.

Personent Hodie arr. Mark Burrows, SATB divisi a cappella with percussion
Mark Burrow’s imaginative arrangement of the ancient “Personent Hodie” creates a festive atmosphere that captures the joy of the holiday season. Featuring vibrant interplay between the choir and the percussionists.

Welcome In! by Daniel Brinsmead, SATB with 4-hand piano
“Welcome In!” is a lively original carol that seeks to capture the Christmas spirit while also sharing an important message of kindness and inclusion. The composer’s aptitude for writing dynamic piano accompaniments shines here. Uptempo and uplifting, this is a wonderful addition to a Christmas or winter program.

What Little, Tiny Child? arr. Ruth Elaine Schram, SATB with piano
Exquisite musical moments abound in this creative pairing of “What Child Is This (Greensleeves)” and “Coventry Carol.” This evocative work creates a mood of wonder, mystery, and anticipation of the birth of the tiny child on that first Christmas night. A fluid, supportive accompaniment graces this memorable piece that is equally suitable for school or church settings.

For Unto Us by Christi Jones, SATB a cappella
This energetic adaptation includes parts of this traditional movement along with the same text in a fun gospel style. The result is a powerful and uplifting interpretation that brings a fresh perspective to Handel’s classic work.

What Child Is This? arr. Bryan Sable, SAB with piano
This traditional carol receives a fresh twist with a modern, jazzy groove and a creative harmonic approach. Choirs and audiences alike will adore this unique take on a beloved classic. A great way to add some variety to your holiday concert!

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About the Author:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

recommended by Jennifer F., Sacred Choral Music Specialist

Mystery at Christmas Manor by Michael and Jill Gallina
Dr. Christmas loves Christmas! So, he’s invited some friends to his majestic manor to solve the mystery of Christmas. But to do so, those friends must search his manor for clues…all the while re-telling the story of Christmas. The amazingly creative Gallinas have once again created a singable, heartfelt, fun musical.

Join Professor Plum Pudding, Colonel Evergreen, Carol Clueless, Holly Garland, and Candy Cane for this “solve-it-yourself” musical in their quest to affirm and re-learn the true meaning of Christmas! Perform with as few as eight children or many more. Staging, costuming, teaching tips, activities, and more are included. 25 minutes.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her standard long haired dachshunds, Lukas and Thursday.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Wings of Wonder by Tyler S. Grant, Grade 2
Hope and joy are at the center of this charming work, inspired by the whimsical behavior of hummingbirds! Beginning with a melody that explodes into a flurry of activity, “Wings of Wonder” by Tyler S. Grant pairs light-hearted moments with powerful declarations. While very approachable, the colorful orchestration gives this piece a uniquely sophisticated sound. Delightful!

Empire by Tyler S. Grant, Grade 0.5
Your beginning band will journey through time to a futuristic empire! “Empire” by Tyler S. Grant brings advanced-sounding concepts to the most accessible levels. Engaging rhythms and memorable melodies will keep every musician appropriately challenged and engaged to the very end. Dramatic! (Also included: Unison Rhythm & Melody Exercises, optional percussion parts, and more!)

Joy of Love and Life by Tyler S. Grant, Grade 4
Add some bluegrass to your next concert with this joyful celebration of love and life! Traditional bluegrass harmonies, paired with colorful orchestrations, will make “Joy of Love and Life” by Tyler S. Grant an instant hit with your students. An optional washboard part creates a unique visual experience that will be memorable for audiences. Simply exhilarating!

In Your Wildest Dreams by Tyler S. Grant, Grade 3
Bring your students’ dreams to life in this explosion of colorful energy! “In Your Wildest Dreams” by Tyler S. Grant sends the message that “any dream is possible.” The themes will be memorable to both students and audiences alike, with plenty of opportunities for everyone to be in the spotlight. Suitable for any occasion and highly inspiring!

Shadow Realm by Tyler S. Grant, Grade 1.5
Step into a world filled with shadows and mystery! Eerie melodies and distant textures in “Shadow Realm” by Tyler S. Grant create a soundscape unique to pieces at this level. Engaging percussion writing, paired with shifting tonal centers, gives everyone a glimpse of this dark, shadowy underworld. Equally appropriate for your fall concert and for contest/festival. Thrilling!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Austin Swack, Instrumental Education Specialist

Groove King Wenceslas arr. Aaron Fryklund, Grade 1
Get your groove on with the Good King to rock around the Christmas tree! This twist on the favorite holiday carol gets a fun beat from the optional drum set as the original festive melody is transformed in funky E minor. Players get to practice easy notes and finger patterns with lots of unison rhythms and doubling of sections for a big, full sound. Light up the concert hall with this toe-tapping winter concert feature.

In Dulci Jubilo arr. Larry Clark, Grade 1.5
A truly accessible 1.5 arrangement of this Christmastime classic, brought to life by arranger Larry Clark. Everyone in the orchestra gets a moment to shine, and the composed intro material is sure to be an earworm! This piece is a winner for their first concert of the year!

Gesu Bambino arr. Erik Morales, Grade 3
The melody of the beloved holiday carol “Gesu Bambino” flows effortlessly throughout the ensemble with this fresh adaptation of a timeless classic. This arrangement by Erik Morales is the perfect choice to set the mood at your next holiday concert and bring an enduring sense of peace to your audience.

Galician Carol arr. Joe Derhake, Grade 3
Situated in the northwest corner of modern Spain, Galicia is an autonomous region and distinct nationality under Spanish law. It was Celtic land for about 1000 years until it was incorporated into the Roman Empire in 19 BC. This carol reflects both the Celtic and Hispanic heritage of the Galician people. While the opening tune fairly resembles an Irish jig, the key change to minor and the accompaniment of castanets and tambourine displays the distinct Hispanic influence. Traditionally the tune is often played on the Galician gaita, the generic term for Spanish bagpipes, which has drone and chanter pipes like its Irish and Scottish cousins. This arrangement includes a part for optional tambourine and castanets which can be performed by a single percussionist. Careful consideration was taken in scoring interesting parts for all players and every instrument in the orchestra plays significant sections of the melody.

Jingle Through the Night by Mekel Rogers, Grade 1.5
What happens during the holidays after all the children go to sleep? The elves come out to party through the night. “Jingle Through the Night” takes several holiday favorites and reimagines them in minor modes, giving the usually jolly tunes a darker midnight feel. Pay close attention to the various changes of style and dynamics throughout the work for maximum effect. Be sure to bring out the low string melody beginning at measure 22. Consider adding sleigh bells or even haunting sound effects to enhance the ambiance.

Shop Stanton’s for all your sheet music needs!

About the Author:
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!