recommended by Caryn G., Sacred Piano Music Specialist
Simply Curry Vol. 3: Ten Moments of Worship at the Piano arr. Craig Curry These ten piano solos, gathered in the third volume of Craig Curry’s popular series, provide stirring and creative renditions of well-known hymns for the intermediate pianist to play at home or share with an audience. You’ll want to fill your sanctuary with the sounds of these inspired arrangements written by one of our most respected writers.
Titles include: “I Have Decided to Follow Jesus,” “Rock of Ages,” “Turn Your Eyes Upon Jesus,” “Have Thine Own Way, Lord,” “What a Friend We Have in Jesus,” “Take My Life and Let It Be Consecrated,” “How Can I Keep from Singing,” “Like a River Glorious,” “In the Garden,” and “If You But Trust in God to Guide You.”
About the Authors: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Tapestry of the Sky by Michael Kamuf, Grade 3 Experience the grandeur of the sunrise over the Atlantic Ocean with this powerful fanfare. It features rich harmonies, beautiful melodies, and a strong rhythmic undercurrent. This piece would be a great opening or closing selection for your next concert!
Whispers in the Wind by Robert Sheldon, Grade 1 Tailored for first-year bands with only one part per instrument, this playable, gentle piece provides security for each section while promoting independence between parts. This allows for maximum harmonic color.
Tempest of the Ocean by Rossano Galante, Grade 4 The cycle of oceanic life is vividly depicted in this stunning programmatic work for band by Rossano Galante. Through the sands of time, the ocean’s behemoth size holds a multitude of life forms. These inhabitants are a compilation of beautiful sea life, moving gracefully through the waters. On the darker side, there are menacing eating machines that also terrorize these smaller sea creatures – the cycle of life in this oceanic environment. “Tempest of the Ocean” brilliantly captures all these elements.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Loose Canon by Paul Murtha, Grade 3 Highlight your sax section with this great F minor blues chart. Hip swinging melodies wrapped in phat brass and rhythm section hits along with great unison brass writing on the bridge make this highly accessible while sounding far more advanced. Open solos for Tenor Sax, Trumpet, and Trombone. Lead trumpet plays A, lead bone plays F.
All the Things You Are arr. Michele Fernández, Grade 3 This timeless jazz standard gets a Cuban, Son Montuno makeover. Lots of meticulously and accurately scored percussion set the groove and hand claps in the ensemble add to the flavor. A great blend of unison and harmonic scoring adds to the authenticity. Includes a sax soli, percussion feature and optional flute.
Dindi arr. Rick Stitzel, Grade 4 Warm brass pads; beautiful orchestrations including bucket muted trumpets, guitar, and vibes; and lush sax scoring set the backdrop for this beautiful arrangement of the classic song that is the perfect showcase for the tone and phrasing skills of your star vocalist.
This Could Be the Start of Something Big arr. Mark Taylor, Grade 4 This one BURNS! With clever shifts from swing to samba, trombone section features, hard swinging figures, a hip sax soli, and huge ensemble shouts, this one is the perfect showcase for your top level jazz ensemble. Solos for alto sax, tenor sax, trombone, and drums.
The Ziggy Strut by Mark Taylor, Grade 4 This killer funk chart has everything your advanced jazz ensemble is looking for – unbelievably hip melodies, an infectiously grooving rhythm section, and tight horn licks. A brief 7/8 section is a witty addition. Great feature for your bass player. Lead trumpet plays high D and lead bone plays high Ab.
MacArthur Park arr. Paul Murtha, Grade 4 Bring the house down with this incredible arrangement of the classic hit song that has spanned multiple decades and genres. Opening as a rock ballad, the lead tenor takes the melody and passes to the saxes and trumpets building to a driving, double-time rock feel featuring a powerful shout that sets up the solo section before transitioning back to a ballad feel that will peel paint as it brings it home. Open solos for tenor sax, trumpet and trombone. Lead trumpet plays high C and lead bone plays high G.
Bravito! by Michele Fernández, Grade 2 Teach your early jazz players authentic Merengue style with this fiery Latin original. Great yet accessible parts for all sections and your rhythm section will be on fire. Open solos for all sections and a fun opportunity for the trumpets to make verbal shaker sounds. Lead trumpet plays E, lead bone plays Eb.
Comin’ Home Baby arr. John Berry, Grade 2 Good funk tunes for young players are hard to find. This soulful-sounding blues tune has been recorded by many artists ranging from David Sanborn to Herbie Mann, and it goes together easily.
Softly, As In a Morning Sunrise arr. Rick Stitzel, Grade 2 A hip and accessible medium swing chart that is based around a ii-V-I progression in C minor. Lots of great unison rhythmic and melodic writing makes ensemble playing comfortable for young players and gives the melody to all parts. Written solos for saxes and flute. Optional flute, clarinet, F horn, tuba, and vibraphone parts included.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jen Sper and Lisa Springer, School Choral & Classroom Music Specialists
The Musical Bookshelf: Connecting Diverse Children’s Literature with Music by Dr. Suzanne Hall Go on a journey where literature comes alive with the magic of music! This cross-curricular resource explores 20 carefully curated children’s books (most of which are probably in your school library). After reading the books aloud, explore these activities and songs that reinforce musical skills for kindergarten through 5th-graders. Author and pedagogue Dr. Suzanne Hall includes engaging conversation starters, step-by-step teaching procedures, creative extensions, music and language arts National Standards, plus downloadable projectables, worksheets, and templates. The selected stories reflect a kaleidoscope of cultures and provide pathways to create, perform, respond, and connect in meaningful ways.
There Was an Old Lady Who Swallowed a Fly by John Feierabend/illustrated by Isiah Timmons Prepare to be amazed by one old lady’s bizarre and enormous appetite in this delightfully silly folk song, part of a series of captivating picture books based on beloved songtales from the great American folk tradition. Each verse of this classic cumulative tale gets longer and longer as the old lady progressively consumes larger and more improbable animals, a comedic premise that has delighted audiences for centuries. In this cleverly illustrated version by artist Isiah Timmons, no animals were harmed. Instead, Timmons has created a fantastical “Candyland” inhabited by animal-shaped sweets on which the old lady feasts. How many will she eat before it’s too late? Like the other folk song picture books in the series, “There Was an Old Lady Who Swallowed a Fly” includes the song’s history, notation, and a link to a free MP3 download of the song.
Carnival of the Animals Storybook by Denise Gagne This beautiful storybook brings “Carnival of the Animals” to life! Combining entertaining poems, illustrations, and the captivating music of “Carnival of the Animals” by Camille Saint-Saëns, this one-of-a-kind book encourages expressive reading and helps young ones build their vocabulary. Parents can join the fun by inviting their kids to move like the animals and then discuss the music with them while working on the accompanying coloring worksheets.
Peter and the Wolf Storybook by Denise Gagne This beautiful storybook is a gentle retelling of the story of Peter and the Wolf. It’s a musical story where all the characters are represented by different instruments of the orchestra. Combining an entertaining story, illustrations, and the captivating music of “Peter and the Wolf” by Sergei Prokofiev, this one-of-a-kind book encourages expressive reading and helps build vocabulary.
Stories That Sing TOO! (Storybook Lessons That Teach Music and Literacy) by Jeanette Shorey “Stories That Sing TOO!” is a second collection of music and literacy lessons based on 11 storybooks. It includes songs and musical activities for PreK – Grade 5 and activities that integrate literacy and music skills. Your students will love these fun, interactive lessons that allow them to sing, move, and play instruments while learning. These activities are all designed around vibrant, animated stories that children love, full of lively characters and big adventures. These activities will keep your students engaged and listening while they learn music skills, comprehension skills, sequencing skills, new vocabulary, and so much more. If you don’t have all of the storybooks, most are available to read along with on YouTube, or you can purchase them using the QR codes in the book.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
On Wings of Song by Gwyneth Walker, SATB with piano The uplifting strength of music carries us skyward like a dove. This lovely setting of the poem by Caroline L. Goodenough is centered on the transition to the afterlife. It’s an accessible work suitable for a memorial service or time of remembrance.
Come Back Like the Sea by Katerina Gimon, SSATB with piano “Come Back Like the Sea” sets words from Sara Teasdale’s poem “Ebb Tide,” in which the author uses the metaphor of the ocean’s tide to symbolize life’s inevitable ups and downs. The music captures the text’s sea imagery and strong sense of yearning with a captivating opening soundscape that includes improvised sea sounds from the Basses, melodic lines that ebb and flow like the tide, and an expressive piano accompaniment that weaves throughout the work.
With a Spark by Katerina Gimon, SATB with piano Exploring themes of self-discovery, growth, and change, this empowering work not only honors those who have helped us grow and discover our “spark, flicker, flame,” it encourages us to fan the flames that will change the world. An inspiring choice for graduation or any concert, this unique work employs a variety of textures and ostinatos to create an exciting and rhythmic concert piece with a youthful energy and flair.
Sing Unto the Sky by Karen Marrolli, SATB a cappella with hand drum This bold and exciting new piece by composer Karen Marrolli was inspired by the wild beauty of the High Desert of New Mexico. The delicate relationship between resources and inhabitants in this area of the world highlights our responsibility to be good stewards of the Earth. The music begins simply and builds throughout, illustrating both a growing urgency and a growing and varied chorus of voices coming together to give thanks. SATB a cappella, with a hand drum, this hearty new work makes for an excellent concert/festival opener or processional. The composer provides opportunities in the score for optional solos/small groups, hand claps, and stomps.
The Echo by Andrea Ramsey, SSA with piano and cello Commissioned to celebrate the Lexington Singers Children’s Choir 20th Anniversary, this three-part treble piece is set to a lovely text by Sara Teasdale. With moderate ranges, exciting articulations, and many teaching moments, this will be a joyful addition to any treble choir concert or choral festival. A gentle, supportive piano accompaniment and beautiful solo cello add warmth and contrast throughout. “Tho’ I shall walk in valley ways for long, I still shall hear the echo of the song!”
Dedication by Zanaida Robles, SATB divisi a cappella Dedication is a musical statement of self-discovery and self-love from a Black female perspective. The piece features intense rhythmic vitality with heavy syncopation, fluctuating between powerful unisons, polyphonic flourishes, and a classic gospel-style vamp with a steady groove. This piece is suitable for advanced high school choirs and community choruses.
The Open Hand by Susan LaBarr, SSA with piano “The Open Hand” is inspired by the words and ideas of Bridget “Biddy” Mason, an enslaved woman in the 1800s who worked and fought her way to freedom and success. For SSA choir and piano, this song offers the opportunity for singers to learn the story of an important person in history, as Biddy’s words still resonate today.
The Reborn Sun by Faith Zimmer, SSA with piano “The Reborn Sun” is a setting of Hymne au Soleil by Casimir Delavigne, although using an English translation rather than the original French. Zimmer’s powerful and celebratory song is meant to bring choirs together to experience the joy of making music with one another.
Take This Gift by Tracy Wong, SSA with piano and drum This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. Wong employs a variety of textures to bring the setting to life, including a particular light-hearted vocal play motif (‘la la li la lay’) that is usually heard in ‘Canggung’, a Malay folk song. The text was co-written by the composer and the Singaporean vocal percussionist Cherie Chai, and celebrates the life-long relationships created and nurtured within the choral community and the priceless gift of shared choral experiences.
Good Timber by Susan LaBarr, TBB with piano This work for tenor-bass choir with its lovely text by poet Douglas Malloch explores the ways in which our life experiences can strengthen us.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Thor’s Hammer by Patrick Roszell, Grade 1 Flex Very Beginning Band Embark on a dramatic journey with this work for beginning band, now available in FLEX format. Written to portray the Norse god Thor and his hammer, this piece is accessible to students in the second half of their first year of instruction.
Celebratory Fanfare by Scott Watson, Grade 1 Flex Debut This bright, festive fanfare is the perfect concert opener and can lend its jubilant air to any celebration or observance. Hopeful and triumphant, and in FLEX format, this brief fanfare is written well within the ability level of developing players.
Atomic Clock by Chris M. Bernotas, Grade 0.5 Flex Sound Innovations Now available in FLEX format, this dynamic piece is perfect for a first concert. Energy is generated through interesting harmonic and melodic tension and release, all while using only the first six notes.
Fandango Festival by Victor Lopez, Grade 1 Flex Beginning Band With a Spanish flavor, this classic march alternative in 3/4 is scored with full FLEX orchestration. Start your next festival program with this programmatic, high-intensity opener that will attract the attention of the judges and audiences alike.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
John the Slacker arr. Blake Richter, TTB with piano “John the Slacker” is a great example of a song sailors would sing, adopting words and phrases heard from various lands they visited. A great piece to introduce to young TB singers!
Cindy’s Cripple Creek arr. Glenda E. Franklin, TB with piano This folksy medley of the American tunes “Cripple Creek” and “Cindy” is creatively woven together in this TB setting. Each tune is showcased individually with seamless transitions before being partnered together in the bright and energetic ending!
You Better Mind arr. Reginal Wright, T(T)B with piano (optional a cappella) Created for the Schola Cantorum Project and sponsored by the Fort Worth Chorale, “You Better Mind” contains a message of indirect warning to be wary of whom to trust and how much one should talk. Choirs can take full advantage of the built-in “swing” feel as singers move through the lines.
The Journey arr. Joseph M. Martin, TB with piano and optional violin Two beloved tunes form a partner song joined by not only music, but poetic purpose as well. Friendly ranges, an approachable piano part and a variety of voicings to choose from open this best-seller to ensembles of any size.
Never Gonna Give You Up arr. Audrey Snyder, TB with piano Whether performed as a joke on your audience (rickroll, anyone?) or simply for its feel-good nostalgia, Audrey Snyder’s straightforwardly charming TB arrangement of the Rick Astley classic “Never Gonna Give YOu Up” will prove a fantastic addition to any pop concert. Easily learned yet compelling harmonies join with an energetic accompaniment to create pure, unadulterated fun!
Little Bitty Pretty One arr. Kirby Shaw, TTB with piano and optional combo One of the best loved songs of the 50’s, you’ll love singing this upbeat, swing-style choral. It’s terrific for mixed voices but your fellas will love this tune and shine like crazy! Add the combo parts or use the track to give this a more authentic sound!
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
50 Hymn Trios for Organ arr. Wolfgang Rübsam These short trios were designed to be performed as hymn introductions, short preludes or brief hymn meditations. They are highly accessible (almost sight-readable) and extremely flexible, and will prove a welcome addition to the library of organists with limited practice time. This amazing collection is presented in church year order and contains trios based on 50 familiar hymn tunes. From Advent through Pentecost, Rübsam’s trios are scored for a two-manual instrument, making them accessible to the majority of organists. In short, this collection of 50 Hymn Trios for Organ is easily accessible, extremely versatile, and will be a welcome addition to any organist’s library!
50 Hymn Trios for Organ, Volume 2 arr. Wolfgang Rübsam Volume Two of this book again brings short trios designed to be performed as hymn introductions, short preludes or brief hymn meditations. They are highly accessible (almost sight-readable) and extremely flexible, and will prove a welcome addition to the library of organists with limited practice time. This amazing collection contains trios based on 50 familiar hymn tunes. Rübsam’s trios are scored for a two-manual instrument, making them accessible to the majority of organists. In short, this collection of 50 Hymn Trios for Organ is easily accessible, extremely versatile, and will be a welcome addition to any organist’s library!
Afro Blue by Mongo Santamaria/arr. Michael Sweeney, Grade 2 Composed in 1959 by Mongo Santamaria, “Afro Blue” became one of the earliest jazz standards written in an Afro-Cuban style. This creative setting for concert band utilizes the African bembé rhythm, along with characteristic melodies and harmonies alternating between various sections of the band. It is a great vehicle for engaging your percussion section while introducing your students to an important and appealing musical genre.
The Skeleton Crawl by Jason K. Nitsch, Grade 2 Add a touch of both creepy and cool to your next concert. Reminiscent of New Orleans jazz, this catchy piece for young band is a superb introduction to jazz for your developing musicians. A grooving bass line and vocalizations from the winds add to the fun! An excellent choice for your next concert, Halloween performance, or pop celebration.
Sonic Pathways by Nathan Hervey, Grade 3.5 Jazz and symphonic elements combine in “Sonic Pathways,” a riveting new work from Nathan Hervey! A rhythmic groove starts the work that gives way to fantastic melodic and motivic development. Colorful percussion writing and memorable orchestration add to this unique new work that fans of Pat Metheny are sure to love! A great tool to introduce students and audiences to the limitless possibilities when genres collide, and a perfect choice for any festival or concert performance.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
When You’re Smilin’ arr. Kirby Shaw, SATB with piano and optional combo Performed by singers like Ella Fitzgerald, Duke Ellington, Frank Sinatra, and more, the lighthearted lyrics of this familiar standard remind us that smiling is contagious. With plenty of jazz stylizations built into the melody and a Kirby Shaw scat bridge, this Michael Bublé-inspired treatment would make a memorable finale, encore, or signature song. “When you’re smilin’, the whole world smiles with you!”
From the Start arr. Michele Weir, SATB with piano and optional rhythm Icelandic singer-songwriter Laufey is known for fusing jazz with modern pop sensibilities. Here’s her breakthrough bossa nova arranged with tight harmonies, a unison scat feature, and several optional solos. Be sure to listen to the original recording to study the smooth vocal style.
The Best Things in Life Are Free arr. Kirby Shaw, SSA with piano and optional combo Turn back the clock roughly a century with Kirby Shaw’s bright and appealing arrangement of “The Best Things in Life Are Free,” a jaunty jazz-age anthem with a timeless message of positivity. This classic by the legendary songwriting trio of DeSylva, Brown, and Henderson encourages us with the reminder that the greatest treasures – life, love, and the beauty of the world around us – can be ours at no cost.
Lovely Day arr. Robert T. Gibson, TTB with piano and optional bass & drumset New voicing! Recorded by GRAMMY® winner Bill Withers in the 70s, this optimistic song has become a beloved and respected favorite. Robert T. Gibson’s groovin’ arrangement stays true to the R&B style of the original while employing some gospel techniques designed to show off your singers. Optional electric bass and drumset parts fill out the sound, or perform with the super-charged SoundTrax accompaniment.
Taking a Chance on Love arr. Kirby Shaw, SATB with piano and optional combo A classic jazz standard in a classic Kirby Shaw arrangement! The snappy rhythms, tasty contrapuntal writing, and clever lyrics keep things interesting but always accessible. Perform with the included piano accompaniment or the swingin’ SoundPax featuring trumpets, saxophone, trombone, and rhythm section. Vocal jazz singing at its best!
Music, Lead the Way! by Laura Farnell, SAB with piano and optional tambourine Farnell draws her inspiration for this Gospel-style composition from the work of the late Dr. Martin Luther King Jr. and all those who worked to break down the barriers of racial and social discrimination. A gripping Van Dyke text delivers the powerful message: When we choose love and sing together in community, surely “peace and love will conquer hate and strife.”
When Our Voices Rise by Rollo Dilworth, SATB with piano Rollo Dilworth’s distinctive artistry is on full display in this soul-stirring original composition. Paired with additional lyrics from the traditional spiritual “Walk Together Children,” Dilworth’s text is a fountain of inspiration and a testament to the beauty and bravery that can be found in unity. Powerful harmonies and a showstopping piano accompaniment make “When Our Voices Rise” a tour-de-force worthy of any concert.
Spread a Little Happiness arr. Mac Huff, 2-part with piano Ideal for beginning jazz choirs, this arrangement of the 1929 swing song encourages one and all to care for others even when days are difficult. The swing feel provides a happy-go-lucky style highlighting the song’s positive message.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Pop Harmony Stacks for Choir arr. Roger Emerson The “Grace Kelly” challenge on TikTok involved users harmonizing to the hit 2007 Mika song using multilayered tracking to overlap their vocal lines one on top of the other, moving up the scale until the final, high notes which complete the exercise. This collection from Pop maestro Roger Emerson imagines nine more of these challenges with certified “bangers,” arranged in 4 to 6 parts for your choir!
The Performance Kit includes 10 collections along with free access to the ChoralMix lessons for each song online (sharable with all members of the choir) for a complete digital interface with audio backing tracks and separate vocal lines for learning!
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About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
The Ascent from Darkness by Rossano Galante, Grade 4 This dramatic, cinematic piece pays homage to the human race that endured the pandemic. A stunning and captivating work with its relentless rhythm and uplifting melodic lines, it is a perfect musical landscape that depicts strength, tenacity, and compassion.
Insurgence by Rossano Galante, Grade 3 In a dystopian world of food inequality, the impoverished unite. The composition’s gripping narrative unfolds with powerful rhythms, fierce horns, and a lyrical interlude, conveying the relentless fight for equality in a post-apocalyptic society. Engaging and intense!
A Ship in the Mist by Rossano Galante, Grade 4 Experience a dynamic ocean adventure with this engaging work composed in a sea shanty style. Solid and rhythmic elements complement gorgeous lyrical writing, soaring themes, and lush harmonies. A fast, rhythmic transition brings the main theme back for a thrilling conclusion.
Tempest of the Ocean by Rossano Galante, Grade 4 The cycle of oceanic life is vividly depicted in this stunning programmatic work for band by Rossano Galante. Through the sands of time, the ocean’s behemoth size holds a multitude of life forms. These inhabitants are a compilation of beautiful sea life, moving gracefully through the waters. On the darker side, there are menacing eating machines that also terrorize these smaller sea creatures – the cycle of life in this oceanic environment. “Tempest of the Ocean” brilliantly captures all these elements.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Caryn G., Sacred Piano Music Specialist
Then I Met the Master: Songs of Our Gospel Heritage for Solo Piano arr. Brad Nix Brad Nix explores the classic songs of our gospel heritage in this fun and joyous collection of keyboard solos. As Brad writes in the foreword, this book is a tribute to a style of music and a style of piano playing that he loves. While the volume is crafted for intermediate pianists, more advanced pianists can easily use the arrangements as templates for their own embellished performances.
Titles include: “Then I Met the Master,” “I’m Feeling Fine,” “Just a Little Talk with Jesus,” “Consider the Lilies,” “How Long Has It Been?,” “Sweet, Sweet Spirit,” “I Believe in a Hill Called Mount Calvary,” and “Goodby, World, Goodby.”
About the Authors: Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.
Songs from the Musical & Juliet arr. Mac Huff, SATB with piano and optional rhythm From the Tony-nominated production & Juliet comes this powerhouse medley of 90s and 2000s hits, each featured in the musical. Program this showstopping selection and your audience will be sure to sing along! Titles include: “Larger Than Life,” “I Want It That Way,” “…Baby One More Time,” “That’s the Way It Is,” “Since U Been Gone,” and “Can’t Stop the Feeling!”
Songs of a Disney Sidekick (Medley) arr. Alan Billingsley, SATB with piano and optional combo There are Disney heroes and there are Disney villains, but this rip-roaring barn-burner of a choral arrangement belongs to those fringe characters that inhabit the sideline of the story–they make us chuckle, cry, swoon, and offer up the invaluable support that the leads often need more than anything: it’s a Disney sidekick. Titles include: “Under the Sea,” “The Bare Necessities,” “Friend Like Me,” “Hakuna Matata,” and “Be Our Guest.”
Taylor Swift: Eras (Choral Medley) arr. Mark Brymer, SSA with piano and optional rhythm Taylor Swift’s impact on the world stage is undeniable, with legions of fans worldwide clamoring to hear her sing live, accompanied by an outstanding live band. This brand-new medley has been specially created with students and teachers direct input from it’s inception, gathering the best songs of each Era, culminating in a pop culture music tableau that absolutely sparkles! Titles include: “22,” “Willow,” “Love Story,” “Getaway Car,” “Bad Blood,” “Miss Americana & The Heartbreak Prince,” “Enchanted” and “Anti-Hero.”
Swingin’ with the Beatles (Medley) arr. Mac Huff, 3-part mixed with piano Three of the Beatles’s best selling songs are arranged in a swing style in this dynamic medley: “Can’t Buy Me Love,” “Love Me Do,” and “Eight Days a Week.” Audiences will love the familiar tunes sung in a great jazz setting.
Wish (Choral Highlights) arr. Audrey Snyder, 2-part with piano This arrangement from Disney’s animated picture, “Wish,” features these three energetic, heartfelt songs: “Welcome to Rosas,” “I’m a Star,” and “This Wish.” Each song, crafted for middle school and upper elementary singers, offers a short, yet entertaining connection to the movie’s story of courage and wonder.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
Adventus by Scott Watson, Grade 1 After a bold fanfare and theme statement, a contrasting moment of calm transitions to an exciting recapitulation, followed by triumphant closing material. It’s a perfect piece for your next concert.
Anomaly by Tyler Arcari, Grade 2.5 Anomaly is a high-wire tour de force for the developing band. Catchy motifs, cool sound effects, and plenty to stretch the musicianship of your ensemble. Supremely exciting, composer Tyler Arcari takes us on a wild ride from start to finish!
Champions Victorious by William Owens, Grade 2 Optimism and excitement are used to great effect in this thrilling concert opener by William Owens! “Champions Victorious” encourages players and audiences to know that anything is possible. Mr. Owens’ masterful use of careful orchestration, memorable melodies, and engaging percussion writing combine to create a work that will challenge and delight your students! A perfect selection to bring out the best in your ensemble for your next concert or festival performance!
Intrepid Voyager by Rob Romeyn, Grade 2.5 The music of Rob Romeyn has become a staple of bands from beginning through advanced levels, and “Intrepid Voyager” is a perfect illustration of this composer’s popularity! Powerful, contemporary, engaging – all words to describe this striking work. A dramatic opening fanfare leads to a broad and stately melodic theme, transitioning into a more relaxed, ethereal-feeling section. The initial stately melodic theme returns, more powerfully presented this time, and ends with a final statement that will have your audiences on the edge of their seats. All sections have the melody during the course of the piece.
Ripple Effect by Jack Wilds, Grade 1.5-2 An exciting opener brimming with energy. Written to honor a teacher’s legacy, the piece uses colorful orchestration, active percussion writing, and creative motivic development to portray the endless ripple effect generated by a single master teacher.
Wild Stallions by Mark Lortz, Grade 2 “Wild Stallions” is an electrifying new concert band piece from esteemed composer Mark Lortz. With its dynamic rhythms and soaring melodies, this work is guaranteed to captivate audiences and leave them begging for more. But that’s not all – “Wild Stallions” also provides an excellent opportunity for teaching and enhancing musicianship skills. Don’t miss out on the chance to experience this unforgettable musical journey.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
Billy Joel in Concert arr. Paul Murtha, Grade 3 With a catalog spanning 50 years and more than 150 million albums sold, Billy Joel’s music lives in the Pantheon of rock and roll. This amazing medley for concert band showcases some of his most iconic hits that will be loved by everyone from the grandparents to musicians. Titles include: “It’s Still Rock and Roll to Me,” “Just the Way You Are,” “Piano Man,” “Uptown Girl,” and “You May Be Right.”
Born to Run arr. Paul Murtha, Grade 3 This burning arrangement of the classic Springsteen hit has all of the fire and power of the original. Driving percussion and perfect scoring will bring the audience out of their seats. The saxes get to play the iconic Clarence Clemons solo. A hit!
Bye Bye Bye arr. Johnnie Vinson, Grade 2 The signature hit from the iconic boy band NSYNC is available here in this fun and highly accessible arrangement for young concert bands. Percussion and low brass create the infectious dance groove while the winds capture the unforgettable melody. The musicians will love this just as much as the parents.
Penny Lane arr. Chris Dedrick & Chris Coletti, Grade 4 The Canadian Brass’ iconic rendition of Lennon and McCartney’s “Penny Lane” has become a must-play arrangement for brass quintet featuring solo piccolo trumpet. This arrangement by Chris Dedrick has now been further adapted for two solo trumpets and wind ensemble.
MacArthur Park arr. Paul Murtha, Grade 3 This iconic song that has been a hit over many decades and every genre from country to disco and even featured in the 2024 film “Beetlejuice, Beetlejuice” is available here with this amazing arrangement for concert band. Starting off as a rock ballad it transitions to a driving double-time rock feel that builds in intensity before returning to a ballad feel that brings it home with relentless energy and emotion. All sections have great and engaging parts. This one will bring the house down!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
recommended by Jennifer F., Sacred Choral Music Specialist
My Jesus, I Love Thee arr. Brenda Austin, SATB with piano and optional handbells This beautiful setting of the much-loved hymn of assurance and confession of faith is appropriate for general occasions and this version, which puts an emphasis on the second verse with its remembrance of the Passion, is especially fitting for Lent and the Easter season. Optional handbells are included.
Be Still My Soul arr. Mark Edwards, SATB with piano Your choir will enjoy singing this sensitive and thoughtful arrangement of the beautiful hymn tune FINLANDIA. With familiar harmonies and a supportive piano accompaniment, this setting is appropriate for general use during the church year.
Christians, Join to Sing arr. Lynn Shaw Bailey & Becki Slagle Mayo, SATB with piano Two beloved hymn texts and tunes (“Come, Christians, Join to Sing” and “All Creatures of Our God and King”) come alive anew with energy and light syncopation. Driving from start to finish, the creative pairing of the two hymns is refreshing. The smooth vocal scoring is coupled with a crisp piano accompaniment.
Fairest Lord Jesus arr. Sean Paul, SATB with piano This masterful arrangement breathes new life into a timeless classic, intertwining rich harmonies and poignant melodies that elevate both the heart and soul.
Come, Ye Sinners arr. Michael Ware, SATB with piano Michael Ware’s spirited arrangement of this well-known hymn offers your listeners a compelling invitation to come to Christ. The energetic accompaniment sets a fresh, contemporary backdrop for the syncopated vocal writing, and an original refrain provides the perfect amount of variety.
Have Thine Own Way arr. Bryan Sharpe, SATB a cappella This masterful offering from Bryan Sharpe is perfect for both worship services and concert programs alike. Balancing familiarity with variety, this anthem will be a delight to prepare and present. Limited ranges, careful part-writing, and a relatively brief duration puts this a cappella selection within the reach of any choir.
The Lord Is My Strength and Song by Mary McDonald, SATB with piano Set in a joyous 6/8, this anthem from Mary McDonald works beautifully as a festive call to worship or an upbeat selection for general services. The scripturally based text, engaging melody, and idiomatic keyboard writing ensure that this piece will be a favorite of both your choir and congregation.
Since I Have Been Redeemed arr. Larry Shackley, SATB with 4-hand piano This joyous anthem from Larry Shackley will have your listeners smiling from ear to ear! Brimming with energy and rhythmic excitement, this arrangement of a timeless gospel hymn for SATB choirs and piano four-hand (opt. two-hand) accompaniment is a must-have for every choral library. This showstopper is not to be missed!
This Is My Father’s World by Nancy Ruth Durance, SATB with piano A simple new tune for the familiar hymn text grows in its layers and impact as the piece unfolds to a soaring high point, providing an inspiring view of God’s creation and His sovereignty over the world.
10,000 Reasons (Bless the Lord) arr. Lloyd Larson, SSA with piano and optional guitar & handbells This superb contemporary praise song is arranged here as a sensitive choral ballad. The words of the Psalmist (Psalm 103) combine with the idea that we could never begin to count the reasons for which we come before God with praise. In the final verse, the number 10,000 is further connected to our endless praise in eternity, forevermore.
About the Author: Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.
A Warm Breeze by Sammy Nestico, Grade 4.5 Set in a laidback swing groove, this chart features a sax chorus, some driving ensemble sections, and solos for trombone, tenor sax, trumpet and piano (suggested solos provided for all). Sammy says that maintaining a solid sense of time will make playing this chart sound more like fun than work. A full-ensemble shout closes out this chart in fine style. Rhythm section parts are partially notated with chords cued.
Skyliner by Charlie Barnet/arr. Sammy Nestico, Grade 5 As a tribute to Charlie Barnet’s signature tune, here is a stunning flag-waver from the master himself. Sammy joined the Charlie Barnet band on trombone in 1946, and he specifically chose this tune to “give it a new suit of clothes.” No solos are required, but this powerhouse features a workout for every section in the band.
Basie – Straight Ahead by Sammy Nestico, Grade 4 As recorded by the Count Basie Orchestra, this bright swing classic opens with an improvised piano solo backed by rhythm section before the whole band jumps on board 28 bars later. Tenor sax and piano carry ad lib solos later on, and the final shout ends with piano playing the simple Basie signature we’ve all come to know and love. Rhythm section parts are partially notated with chords cued.
God Bless the Child arr. Sammy Nestico, Grade 4 Sammy has done a masterful job with this all-time great song. If you have a trombone soloist who doesn’t get featured enough along with a good trombone section, check out this bluesy arrangement.
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
We Are Strong by Reginal Wright, SATB with piano We are Strong celebrates the strength of synergy and collaboration when all parties move together toward a common goal. A wonderful SATB selection which can be used throughout the year and also for special occasions.
Birds of a Feather arr. Mark Brymer, 3-part mixed with piano and optional rhythm This song by creative duo Billie Eilish and Finneas O’ Connell is about sticking with friends through thick and thin and will be a sentimental addition to any concert program. With catchy lyrics and melodies, singers of all ages will enjoy singing this earworm.
About the Authors: Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.
Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.
An American Celebration arr. Larry Neeck, Grade 3 Build-a-Band Larry Neeck’s brilliant medley of famous patriotic songs is now available as a Build-A-Band flexible instrumentation arrangement! This sparkling collection of familiar patriotic tunes includes “America the Beautiful,” “The Star Spangled Banner,” “You’re a Grand Old Flag,” “Battle Hymn of the Republic,” and “America (My Country ‘tis of Thee).” This is perfect for any patriotic celebration, especially when rehearsal time is limited, but also serves as an outstanding addition to any concert.
Panoramic Landscapes by Tyler S. Grant, Grade 4 Flex Editions Originally scored for brass and percussion, this dynamic fanfare has been rescored for the modern wind band, expanding the harmonic colors and textures. An excellent concert opener that will launch your performance in resplendent fashion while not overtaxing your musicians.
Triumphant Fanfare by Richard Saucedo, Grade 3 Flex-Band This dramatic fanfare is packed with raw energy and has been a favorite with bands for more than 20 years. Here’s an equally impressive edition carefully scored in the flex format. A great way to open any concert!
About the Authors: A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.
Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!
