News & Views Thursday, March 27, 2025

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Adventus by Scott Watson, Grade 1
After a bold fanfare and theme statement, a contrasting moment of calm transitions to an exciting recapitulation, followed by triumphant closing material. It’s a perfect piece for your next concert.

Anomaly by Tyler Arcari, Grade 2.5
Anomaly is a high-wire tour de force for the developing band. Catchy motifs, cool sound effects, and plenty to stretch the musicianship of your ensemble. Supremely exciting, composer Tyler Arcari takes us on a wild ride from start to finish!

Champions Victorious by William Owens, Grade 2
Optimism and excitement are used to great effect in this thrilling concert opener by William Owens! “Champions Victorious” encourages players and audiences to know that anything is possible. Mr. Owens’ masterful use of careful orchestration, memorable melodies, and engaging percussion writing combine to create a work that will challenge and delight your students! A perfect selection to bring out the best in your ensemble for your next concert or festival performance!

Intrepid Voyager by Rob Romeyn, Grade 2.5
The music of Rob Romeyn has become a staple of bands from beginning through advanced levels, and “Intrepid Voyager” is a perfect illustration of this composer’s popularity! Powerful, contemporary, engaging – all words to describe this striking work. A dramatic opening fanfare leads to a broad and stately melodic theme, transitioning into a more relaxed, ethereal-feeling section. The initial stately melodic theme returns, more powerfully presented this time, and ends with a final statement that will have your audiences on the edge of their seats. All sections have the melody during the course of the piece.

Ripple Effect by Jack Wilds, Grade 1.5-2
An exciting opener brimming with energy. Written to honor a teacher’s legacy, the piece uses colorful orchestration, active percussion writing, and creative motivic development to portray the endless ripple effect generated by a single master teacher.

Wild Stallions by Mark Lortz, Grade 2
“Wild Stallions” is an electrifying new concert band piece from esteemed composer Mark Lortz. With its dynamic rhythms and soaring melodies, this work is guaranteed to captivate audiences and leave them begging for more. But that’s not all – “Wild Stallions” also provides an excellent opportunity for teaching and enhancing musicianship skills. Don’t miss out on the chance to experience this unforgettable musical journey.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Billy Joel in Concert arr. Paul Murtha, Grade 3
With a catalog spanning 50 years and more than 150 million albums sold, Billy Joel’s music lives in the Pantheon of rock and roll. This amazing medley for concert band showcases some of his most iconic hits that will be loved by everyone from the grandparents to musicians. Titles include: “It’s Still Rock and Roll to Me,” “Just the Way You Are,” “Piano Man,” “Uptown Girl,” and “You May Be Right.”

Born to Run arr. Paul Murtha, Grade 3
This burning arrangement of the classic Springsteen hit has all of the fire and power of the original. Driving percussion and perfect scoring will bring the audience out of their seats. The saxes get to play the iconic Clarence Clemons solo. A hit!

Bye Bye Bye arr. Johnnie Vinson, Grade 2
The signature hit from the iconic boy band NSYNC is available here in this fun and highly accessible arrangement for young concert bands. Percussion and low brass create the infectious dance groove while the winds capture the unforgettable melody. The musicians will love this just as much as the parents.

Deadpool’s Playlist arr. Carol Brittin Chambers, Grade 3
A perfectly arranged medley of chart topping hits from the hit movie series including “Hells Bells,” “Like a Prayer,” “Iris,” “Take on Me,” and more!

Penny Lane arr. Chris Dedrick & Chris Coletti, Grade 4
The Canadian Brass’ iconic rendition of Lennon and McCartney’s “Penny Lane” has become a must-play arrangement for brass quintet featuring solo piccolo trumpet. This arrangement by Chris Dedrick has now been further adapted for two solo trumpets and wind ensemble.

MacArthur Park arr. Paul Murtha, Grade 3
This iconic song that has been a hit over many decades and every genre from country to disco and even featured in the 2024 film “Beetlejuice, Beetlejuice” is available here with this amazing arrangement for concert band. Starting off as a rock ballad it transitions to a driving double-time rock feel that builds in intensity before returning to a ballad feel that brings it home with relentless energy and emotion. All sections have great and engaging parts. This one will bring the house down!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

An American Celebration arr. Larry Neeck, Grade 3 Build-a-Band
Larry Neeck’s brilliant medley of famous patriotic songs is now available as a Build-A-Band flexible instrumentation arrangement! This sparkling collection of familiar patriotic tunes includes “America the Beautiful,” “The Star Spangled Banner,” “You’re a Grand Old Flag,” “Battle Hymn of the Republic,” and “America (My Country ‘tis of Thee).” This is perfect for any patriotic celebration, especially when rehearsal time is limited, but also serves as an outstanding addition to any concert.

Panoramic Landscapes by Tyler S. Grant, Grade 4 Flex Editions
Originally scored for brass and percussion, this dynamic fanfare has been rescored for the modern wind band, expanding the harmonic colors and textures. An excellent concert opener that will launch your performance in resplendent fashion while not overtaxing your musicians.

Triumphant Fanfare by Richard Saucedo, Grade 3 Flex-Band
This dramatic fanfare is packed with raw energy and has been a favorite with bands for more than 20 years. Here’s an equally impressive edition carefully scored in the flex format. A great way to open any concert!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Rail Riffs by Brian Balmages, Grade 4
Close your program with this non-stop, energetic barnburner that combines elements of dance, jazz, and Latin grooves! The entire work feels like one massive party on rails, certain to bring down the house. This is one ride you will not want to end!

Interstate 90 by Alan Shulman/arr. Adam Michlin, Grade 4
In the late 1960s, Alan Shulman composed four works for symphonic winds. “Interstate 90” dates from a 1962 sketch depicting a drive heading west on the Massachusetts Turnpike and New York State Thruway. It was completed in August 1968 and received its first performance in 1969 by the Gloria Concert Band conducted by Don Butterfield. This arrangement was written by Adam Michlin.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Circles by Brian Balmages, Grade 3
This impressionistic work portrays a dark void with various colored circles spinning and gently colliding with each other. The vivid colors are incredibly unique for this level. Combine that with an extraordinary ending, and your audience is in for an amazing experience!

Eternal Flame by Brian Balmages, Grade 4.5
This thrilling and majestic overture pays homage to the eternal flame memorial dedicated to Medal of Honor recipients. Sweeping fanfares, stately themes, and nods to “America” remind the listener of the incredible sacrifices made by these brave individuals.

Rail Riffs by Brian Balmages, Grade 4
Close your program with this non-stop, energetic barnburner that combines elements of dance, jazz, and Latin grooves! The entire work feels like one massive party on rails, certain to bring down the house. This is one ride you will not want to end!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

For Good (from Wicked) arr. Michael Brown, Grade 3
This gorgeous arrangement of the tender ballad about the love shared between best friends from the hit musical “Wicked” will be the perfect showcase of your young band’s tone, phrasing and musicianship. Masterfully scored to be either a stand alone arrangement or as an accompaniment to the choral arrangement by Mac Huff. Perfect for any concert program.

Music from Wicked arr. Michael Sweeney, Grade 2 Flex-Band
This very playable yet effectively powerful setting of highlights from the hit Broadway musical about the life and times of the Wicked Witch of the West is now available in flexible format. Titles include: “No One Mourns the Wicked,” “Dancing Through Life,” “Defying Gravity,” and “For Good.”

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Aces of the Sky by Christina Huss, Grade 2
This new, accessible march from up and coming composer Christina Huss is the perfect introduction to march style. In a traditional style, this piece has everything you need to teach march style and put on a great show at the same time. A worthwhile chart for any concert band library.

The Attorney General by Karl L. King/arr. Andrew Glover, Grade 4
Here’s a Karl King march that is a guaranteed crowd-pleaser! “The Attorney General” has all the hallmarks of great King marches – tuneful melodies, exciting countermelodies, and that unique sound you’ll only find in a “Kingtune!” Exciting parts for all sections of the band make this a sure favorite for performers as well as audiences.

The Crosley March by Henry Fillmore/arr. Loras John Schissel, Grade 4
Written for Powell Crosley of the Crosley Radio Corporation, “The Crosley March” arranged by Loras John Schissel resounds with the zest of Fillmore at his best. It’s not easy, but it’s worth any time needed to work it up.

Trouping Days by Karl L. King/arr. Gene Milford, Grade 3
“Trouping Days” is a popular “band wagon” march, played fast and loud as the band rode through towns to attract customers. This arrangement by Gene Milford exhibits Karl King’s wonderful gift for melody and is scored for the current concert band from his original edition.

Heartland March by Randall D. Standridge, Grade 2
Take a trip down home in this dazzling work that mixes bluegrass music with the traditional march structure. Fiddle and folk harmonies inspire the catchy melodies, with engaging parts for all instrumentalists. With optional parts for authentic bluegrass instruments, this march will be sure to leave your audience’s toes tapping at your next concert or festival performance!

Blackthorn March by Randall D. Standridge, Grade 1.5
Return to the Darklands with this exciting Grade 1 march. Dark harmonies and precise articulations combine to paint a portrait of Lady Blackthorn, the mysterious figure who rules the outer edges of the kingdom. Mixing elements of traditional march structure with a cinematic flair, this work will be an excellent introduction to the genre for younger and developing musicians and will be a perfect choice for your next festival or concert performance!

March of the Hobgoblins by Randall D. Standridge, Grade 1.5
Dance rhythms and creepy melodies combine in this new 6/8 concert march for young band! Inspired by the mischievous spirits of the British Isles, it paints a portrait of imps dancing and cavorting in a dark forest. Scored carefully to serve as an approachable introduction to compound meter, your performers and audiences will enjoy the catchy melodies, dark harmonies, and colorful scoring as every player gets the chance to shine!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Jen Sper and Lisa Springer, School Choral Music Specialists

Unleashing the Potential of the Musician’s Body (Timani: Anatomy and Exercises for Healthy Playing and Singing) by Tina Margareta Nilssen
“Unleashing the Potential of the Musician’s Body” offers clear and practical tools for music professionals, students, educators, movement specialists, and therapists working with musicians. You’ll learn about relevant anatomy – in particular, joints, muscles, and fascia – and get information on how the brain and movement are linked together. You’ll find dozens of illustrated performance-targeted exercises for all parts of the body, with specific instructions for different types of instruments as well as for singers. The exercises are designed to optimize movement and make playing or singing more effortless and expressive – and through this, access more musical potential. This book also touches on subjects such as warm-ups, pain, healthy living, and self-care tips.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lisa Springer joined the Stanton’s choral staff in July 2023. She taught middle and high school choirs for 27 years in addition to serving as Artistic Director of the Columbus Women’s Chorus. She holds degrees from Heidelberg University and Cleveland Institute of Music. She has enjoyed an extensive professional singing career and continues to perform in the greater Columbus area. During her free time, she enjoys spending time in southern Ohio playing with her grandchildren.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Capriccio by James Barnes, Grade 3
“Capriccio” is the third composition by James Barnes that resulted from a commission by the Zushi High School Alumni Band in Kanagawa Prefecture, Japan. It is a light-hearted, happy piece in rondo form, full of bell tones in the brass, accompanied by jazzy harmony, long melodic lines and lots of counterpoint in the woodwinds.

Elevation by Chandler L. Wilson, Grade 3
Inspiring from the onset, this work has all the trappings of a modern fanfare – while still being perfectly suited to any concert program. Chandler’s harmonic and rhythmic choices are infectious and will leave both musicians and audiences grinning from ear to ear! A great teaching piece with a lot to focus on, Elevation is a must for your concert repertoire this season!

Excursion! by Lisa Galvin, Grade 3.5
Lisa Galvin’s latest programmatic work, “Excursion!” takes us for a ride on the Erie Canal. Drawing on themes from the well-known “Erie Canal” folk song, this frolicking work transforms that theme into a celebration of the famous stretch of waterway and those who built it. A piccolo soloist gives a nod to the Irish heritage of the workers, and a challenging clarinet solo harkens a raucous German polka that has this work driving to a fun and exhilarating ending!

A New Day Breaking by Travis J. Weller, Grade 3
Written as a celebratory fanfare or concert opener, this work for band is an opportunity to explore the excitement of new day breaking and the possibilities it holds. The work is dedicated to a particular director, but also all who welcome the opportunities and challenges of the new day.

Skyward Spirits (A Micro-Symphony) by JaRod Hall, Grade 3.5
Journey through a tale of flight and fervor. Brass fanfares and woodwind flourishes ignite the sky before drifting into a soulful reflection with expansive melodies. The tempestuous scherzo of storm and spirit leads into a final jubilant dance.

A Tale So Tall by Anthony O’Toole, Grade 3.5
Bursting forth from the first downbeat, this tour-de-force maintains endless momentum and zeal until it reaches its triumphant and ultimately peaceful conclusion.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

A Ship in the Mist by Rossano Galante, Grade 4
Experience a dynamic ocean adventure with this engaging work composed in a sea shanty style. Solid and rhythmic elements complement gorgeous lyrical writing, soaring themes, and lush harmonies. A fast, rhythmic transition brings the main theme back for a thrilling conclusion.

Fortune and Glory by Jack Wilds, Grade 1
This evocative, exciting piece will transport your audience into a swashbuckling action movie. Filled with twists, turns, and jump cuts, the music feels much like a soundtrack that is sure to ignite your students’ imaginations. Highly energetic and highly approachable!

Sirens by Randall D. Standridge, Grade 2.5
The mysterious and haunting voices of the sea serve as the inspiration for this next chapter in the “A Pirate’s Adventure” series. Having escaped Shadow Cove, Captain Fangg and his crew are lured to a mysterious isle by a siren’s song, where they are hypnotized until attacked by fiends and demons! Featuring singing moments for instrumental musicians, this programmatic work provides contrasting tempi and style to help develop your young musicians while telling an exciting pirate’s tale. Sure to be a favorite of audiences and players alike at your next concert or festival performance.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

Argonautica by Vince Gassi, Grade 1.5
Drawing inspiration from the epic quest of Jason and the Argonauts, this work transports you to an ancient epoch with seafaring themes, energetic rhythms, and bold harmonies.

The Count of Monte Cristo by C.J. Kemp, Grade 3.5
This tone poem is based on the popular novel by Alexandre Dumas. “The Count of Monte Cristo” is a cool headed and charismatic billionaire out for revenge. Mysterious muted brass chords tinged with percussion serve as a prelude to the Count’s swaggering bongo-infused theme.

Giant Slayer by Christina Huss, Grade 1
Christina Huss has very shortly proven that she knows how to get young musicians excited to play! “Giant Slayer” has everything you need for a successful first outing, and as a band director that is the peak of value! A fun tune with lots of excitement, wrapping in an accessible one-octave range makes “Giant Slayer” a must-have for your program this season!

Legend of the Honjo by Christina Huss, Grade 3
This moving new work from Christina Huss is a thought-provoking experience for the developing musician. A beautifully lyrical work with a heart-stopping climax makes this a sure-fire hit on any concert program.

Under the Ice by Tyler S. Grant, Grade 2
What lurking beneath the frozen surface!? Only one way to find out. This work is a thrilling programmatic adventure of monster & myth! Beginning with a mysterious introduction to the timid tundra, the music depicts shadows beneath the ice surface. The audience will feel the ice break beneath their feet, followed by an adrenaline-filled chase scene to outrun the monster’s attack. Programmatic writing at its finest!

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger and Austin Swack, Band Education Specialists

By the Rivers of Babylon by Ed Huckeby, Grade 3 Build-a-Band
One of Ed Huckeby’s most popular works has been adapted for limited instrumentation in this Build-A-Band edition of “By The Rivers Of Babylon.” This outstanding composition features strong lyrical writing, combined with exciting rhythms and mixed meters, making it an exceptional choice for contest or concert performances. Several short solo passages are featured throughout along with strong active parts to keep your percussionists involved and challenged. A Huckeby classic!

Castles and Dragons by Todd Stalter, Grade 1 Flex Debut
Your students are going to love this one! This best-selling composition is an ideal introduction to program music and is available in FLEX format for just about any combination of four instruments.

Dr. ROCKenstein arr. Steve Hodges, Grade 1.5 Flex Challenger
Take memorable scary musical motives, set them to an exciting rock beat, and have the perfect end-of-rehearsal piece! This clever FLEX arrangement is both challenging and engaging, providing ample opportunities for each section of the band to shine.

Moscow 1941 by Brian Balmages, Grade 3 ColorFlex Young Band
Now available in ColorFlex format! This powerful work uses the famous Russian song Meadowlands to tell the story of the Red Army successfully defending Moscow against the German invasion of WWII. Exploring various sounds, colors, and harmonies, this captivating work is sure to inspire your students and audience!

Scarborough Fair arr. Scott Stanton, Grade 3 Build-a-Band
One of the most familiar melodies of all time is the beautiful ballad, “Scarborough Fair,” and this flexible instrumentation arrangement for the “Build-A-Band” series places this timeless tune in reach of any ensemble! Everybody gets to play the famous melody along the way, and great opportunities abound to teach the concepts of blend/balance, dynamics, arching musical phrases, and overall musicianship. A guaranteed band and audience favorite, listeners will be singing this tune out the door!

Simple Gifts arr. Scott Stanton, Grade 3 Build-a-Band
This famous Shaker melody is one of the most beloved of all time, and this flexible instrumentation for the “Build-A-Band” series is perfect for mid-level ensembles. Everybody has the chance to play the melody at some point, and opportunities are provided for your musicians to work on the concepts of blend/balance, dynamics, arching musical phrases, and physical movement. A definite crowd pleaser and a welcome addition to any concert!

Themes from The Planets by Gustav Holst/arr. Douglas E. Wagner, Grade 2 Flex Young Band
Gustav Holst’s masterful work transcribes wonderfully for concert band. This arrangement includes themes from The Planets to create a through-played medley for young bands in FLEX format.

Ye Banks and Braes O’ Bonnie Doon arr. Michael Sweeney, Grade 1.5 Easy Flex-Band
This tender and mournful traditional folk song remains a favorite with ensembles of all levels. Even in the easy flex format scored for four parts, this arrangement provides ample variety in textures, and musicality with effective emotional pacing.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

recommended by Ken Tilger, Band Education Specialist

From the many new releases for band (just over 500 titles in 2024!), we typically select around 80 that stand out as the best-of-the-best. Within those are titles that stand out even more. These are my personal favorites for concert and symphonic band this year. They include vivid programmatic settings, jazz inspired styles, brilliant harmonies, and are just plan fun to play and listen to. I hope you and your students enjoy them as much as I do! Happy programming! – Ken

Across the Alaskan Snow by JaRod Hall, Grade 2.5-3
Unleash the spirit of adventure with music inspired by the legendary Iditarod Trail Sled Dog Race. This stirring musical journey will transport audiences across icy plains and beneath dazzling sunsets, leaving them with a deep appreciation for the relentless pursuit of dreams in the face of adversity.

Beyond! by Amy Webb, Grade 3
“Beyond” was written to celebrate America’s exploration of space, culminating with the historic moon landing of Apollo 11 in July, 1969. The music moves through the exciting events: a sunrise awakening, the victorious emotion of the successful landing, the spreading news, trepidation at the challenges returning to earth, and the ultimate relief and joy at the safe splashdown of the NASA astronauts. Intended to ignite the imagination, this piece encourages players to tell a musical story and wonder what may lie ahead in the future, beyond.

Capriccio by James Barnes, Grade 3
“Capriccio” is the third composition by James Barnes that resulted from a commission by the Zushi High School Alumni Band in Kanagawa Prefecture, Japan. It is a light-hearted, happy piece in rondo form, full of bell tones in the brass, accompanied by jazzy harmony, long melodic lines and lots of counterpoint in the woodwinds.

Circles by Brian Balmages, Grade 3
This impressionistic work portrays a dark void with various colored circles spinning and gently colliding with each other. The vivid colors are incredibly unique for this level. Combine that with an extraordinary ending, and your audience is in for an amazing experience!

Elevation by Chandler L. Wilson, Grade 3
Inspiring from the onset, this work has all the trappings of a modern fanfare – while still being perfectly suited to any concert program. Chandler’s harmonic and rhythmic choices are infectious and will leave both musicians and audiences grinning from ear to ear! A great teaching piece with a lot to focus on, Elevation is a must for your concert repertoire this season!

Interstate 90 by Alan Shulman/arr. Adam Michlin, Grade 4
In the late 1960s, Alan Shulman composed four works for symphonic winds. “Interstate 90” dates from a 1962 sketch depicting a drive heading west on the Massachusetts Turnpike and New York State Thruway. It was completed in August 1968 and received its first performance in 1969 by the Gloria Concert Band conducted by Don Butterfield. This arrangement was written by Adam Michlin.

Jingle Bells arr. Morton Gould/ed. R. Mark Rogers, Grade 4
Morton Gould’s setting of “Jingle Bells” calls to mind the quiet sounds of a horse-drawn sleigh passing through newly fallen snow. Beginning softly, as if the sleigh is approaching the listener from a distance and ending softly as the sleigh disappears in the distance, Gould’s setting will challenge players and delight audiences.

Rail Riffs by Brian Balmages, Grade 4
Close your program with this non-stop, energetic barnburner that combines elements of dance, jazz, and Latin grooves! The entire work feels like one massive party on rails, certain to bring down the house. This is one ride you will not want to end!

Sonic Pathways by Nathan Hervey, Grade 3.5
Jazz and symphonic elements combine in “Sonic Pathways,” a riveting new work from Nathan Hervey! A rhythmic groove starts the work that gives way to fantastic melodic and motivic development. Colorful percussion writing and memorable orchestration add to this unique new work that fans of Pat Metheny are sure to love! A great tool to introduce students and audiences to the limitless possibilities when genres collide, and a perfect choice for any festival or concert performance.

Winterscape by Gavin Lendt, Grade 3.5
Holiday melodies and winter wonder combine in this dazzling new work by Gavin Lendt. Several Christmas melodies are used in whole and in part to create a work that will sound both familiar and new to your concert audience. Colorful orchestration, dance rhythms, and masterful harmony are used to great effect in a piece that is sure to become a favorite at your next winter or festival concert.

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About the Author:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

recommended by Ken Tilger and Austin Swack, Band Education Specialists

A.E.F. March (American Expeditionary Forces) by Albert Stoessel/arr. Loras John Schissel, Grade 3.5
Written for the American Expeditionary Forces in World War I and dedicated to General John J. Pershing, “A.E.F. March” has a special place in the history of the concert band. This arrangement by Loras John Schissel is a patriotic salute of timeless honor and gratitude.

Galop – Go! by Fred Jewell/arr. Andrew Glover, Grade 3
Here’s the perfect encore or “chaser” for your next concert! “Galop – Go!” by Fred Jewell is very aptly named, and this Andrew Glover arrangement for the “Heritage of the March” series gives your band the opportunity to have accelerated fun! Limited technical challenges allow you to experiment with faster tempos, and present both challenge and fun to your musicians.

The Crosley March by Henry Fillmore/arr. Loras John Schissel, Grade 4
Written for Powell Crosley of the Crosley Radio Corporation, “The Crosley March” arranged by Loras John Schissel resounds with the zest of Fillmore at his best. It’s not easy, but it’s worth any time needed to work it up.

The Ringmaster by Jon Bubbett, Grade 4
Step right into the early circus style with this spirited, fun-loving march. It’s perfect for that ‘fun-loving’ moment at your next concert and will remind you of the frenetic energy of the circus.

Trouping Days by Karl L. King/arr. Gene Milford, Grade 3
“Trouping Days” is a popular “band wagon” march, played fast and loud as the band rode through towns to attract customers. This arrangement by Gene Milford exhibits Karl King’s wonderful gift for melody and is scored for the current concert band from his original edition.

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About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!

Leading as a Conductor: With Integrity of Heart and Skillful Hands by Tobin Stewart
Conducting is more than gesture, technique, and score study. Who we are as conductors is also critically important because character, integrity, and personality directly influence the way we connect with others.

Drawing from a deep well of research and years of experience, conductor and teacher Tobin Stewart identifies fourteen essential qualities of great leaders – vision, humility, and passion, to name a few – and applies these to leadership on and off the podium.

He shares candidly about his own successes and failures, and offers practical strategies, stories, quotes, and reflection questions designed to build character and develop the intangible traits of effective, compassionate leaders.

Equally suited for personal or classroom use, “Leading as a Conductor: With Integrity of Heart and Skillful Hands” closes the gap between technique and the heart and soul of being a conductor. A must-read for instrumental and choral educators at any stage of their career.

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recommended by Ken Tilger and Austin Swack, Band Education Specialists

Beyond! by Amy Webb, Grade 3
“Beyond!” was written to celebrate America’s exploration of space, culminating with the historic moon landing of Apollo 11 in July, 1969. The music moves through the exciting events: a sunrise awakening, the victorious emotion of the successful landing, the spreading news, trepidation at the challenges returning to earth, and the ultimate relief and joy at the safe splashdown of the NASA astronauts. Intended to ignite the imagination, this piece encourages players to tell a musical story and wonder what may lie ahead in the future, beyond.

Exoplanet by Timothy Loest, Grade 0.5
Celestial themes, driving rhythms, and unforgettable percussion are sure to transport the wonders of the universe from outer space to your concert hall. A standalone concert work that is equally suited for cross-curricular study. Dazzling, educational, and epic!

Journey of a Comet by Adrian B. Sims, Grade 3.5
This relentless work depicts a comet racing through the sky. After traveling past obstacles ranging from planets to asteroids, the music breaks free from gravitational forces and truly soars. An energetic and inspirational composition!

Planet X by Lucas M. Johnson, Grade 4
The wonders of outer space have forever inspired and captivated the human race, and many unknowns exist in the darkness of our galaxy and beyond. Lucas Johnson’s “Planet X” brilliantly depicts what might exist in the far reaches of space – in a thrilling and dramatic programmatic work for advanced bands. An outstanding work from one of the rising stars of the band world, “Planet X” is not to be missed! Masterful writing and stunning music.

Rising Earth by Laura Estes, Grade 1.5
“Rising Earth” evokes images of our lonely planet, suspended like a pale blue dot amidst the cosmos. Composer Laura Estes has crafted a wonderfully evocative new work for the developing concert band. Musicians and audiences alike will delight in the rich harmonies and catchy rhythms. A for sure winner at your next concert.

Shop Stanton’s for all your sheet music needs!

About the Authors:
A former band director, Ken taught grades 5-12 band and music appreciation in both public and parochial schools in Central Ohio, and has been at Stanton’s since 2004. His iPod ranges from jazz and funk to classic and alternative rock, and symphonies. His interests include reading, history, traditional amusement parks, outdoor activities (especially hiking), and watching hockey.

Austin Swack joined the Stanton’s team after a decade of teaching band in Texas public schools, where his ensembles were consistently recognized for superior performance. He is equally at home with beginner and advanced students and has extensive experience programming for ensembles at all ability levels. Additionally, he is a versatile arranger as well as an experienced clinician and adjudicator. In his free time, Austin enjoys running, cycling, and cheering on the Blue Jackets!