News & Views Friday, April 26, 2024

recommended by Jennifer F., Sacred Choral Music Specialist

Glad Adoration arr. Molly Ijames, SATB with piano and optional brass, winds & percussion
This memorable arrangement of LOBE DEN HERREN (Praise to the Lord, the Almighty) pulls out all the stops! Opening in 6/8, it features effective vocal layering, lush harmonies, some metric shifts, and a brilliant piano accompaniment. A key change signals the entrance of a contrasting 3/4 verse; the opening 6/8 material returns for a big finish. Equally at home in the sanctuary or concert hall, it boasts optional accompaniment for brass, winds, and percussion.

To Sing Once More by Craig Courtney, SATB with piano
“Awake our souls to sing once more the songs that long have silent been…” Jonathan Cook’s text finds a poignant and rich musical setting from Craig Courtney in this anthem for SATB chorus and piano, suitable for general worship or comfort and healing after times of silence or loss.

Amazing Grace! How Sweet the Sound arr. Lloyd Larson, SATB with piano and optional orchestra
From the hymn collection “A Festival of Hymns,” this majestic arrangement of Amazing Grace resounds in a dynamic arrangement for choir, keyboard, and optional orchestra. The congregation can join the choir on verses one and five. Incorporating a shift into minor for the third verse, the message is given fresh life with a powerful key change that leads into a climactic ending.

Face to Face arr. Larry Shackley, SATB with piano
Opening with a vibrant 6/8 groove, this beloved southern gospel hymn will please choir and congregation alike. A contrasting 4/4 middle verse with straighter accompaniment provides a pleasant moment of repose until the 6/8 groove returns to close the anthem. The meaningful text is handled sensitively, and pianists will enjoy playing the authentic gospel accompaniment.

Glorious Name arr. Mary McDonald, SATB with piano and optional rhythm
Arranged in a soulful gospel groove, this hymn classic opens with stylized three-part vocals, then layers in the basses, building in intensity through two key changes and the rising refrain, “Glorious is thy name!” The optional rhythm accompaniment adds to the fun.

Holy God, We Praise Your Name arr. Larry Shackley, SATB with organ and optional trumpet
This beloved, majestic hymn is one of the great treasures of Christian hymnody. Larry Shackley’s masterful arrangement perfectly captures its spirit, with creative choral writing, brilliant organ accompaniment, and a festive (opt.) trumpet obbligato. A soprano descant adds dimension and energy on the final verse.

I’m a-Rolling (with This World Is Not My Home) arr. Larry Shackley, SATB with piano and optional rhythm
Enjoy this rollicking combination of the spiritual “I’m a-Rolling” and the gospel song “This World Is Not My Home.” Together they are a rousing reminder that, although a believer’s road may be rocky, there is a glorious reward at its end. The optional rhythm section parts will add an extra spark to the choir’s performance.

In the Shadow of His Wings by Lloyd Larson, SATB with piano
“As the path leads through sorrow, will the Lord still be my stay? Jesus answers with His presence and makes my spirit sing, in the shadow of His wing.” Lloyd Larson is at his best in this setting of Carol Hodge’s comforting text, providing an accessible anthem that speaks deeply of comfort and protection.

Just a Closer Walk with Thee arr. Joel Raney, SATB with piano and optional orchestra
This traditional spiritual is presented here in a sweeping, lush treatment with a mini-orchestration arranged by Ed Hogan. Briefly quoting, “Leaning on the Everlasting Arms,” the combination of tunes and beautiful, slow, gospel harmonies build to a thrilling conclusion.

My Lord, What a Morning arr. Victor C. Johnson, SATB with piano
Here’s a beloved American spiritual, sensitively prepared for school and church singers by Victor C. Johnson. The familiar strophic melody is fully arranged with progressively richer sonorities throughout. Expressive tempo markings stretch the final moment of every phrase and suggest more motion for the “hear the trumpet sound” verse. A lovely piano accompaniment does not double, but rather decorates the satisfying choral parts. A gentle gem that grows to an impressive height before a quiet conclusion.

Living Christ, Our Rock and Foundation arr. Lloyd Larson, SATB with organ and optional brass & percussion
After a sturdy choir introduction of original music, “The Church’s One Foundation” (AURELIA) opens this regal medley of three cherished hymn tunes. Nicely varied choral writing contrasts each of the verses. Moving more quickly, “Christ Is Made the Sure Foundation” enters with the hymn tune HOLY MANNA. “How Firm a Foundation” (FOUNDATION) completes the hymn trilogy before the opening music returns to close the anthem. Optional brass and percussion add to the majesty of this great offering for Reformation, Confirmation, or general occasions.

People Need the Lord arr. Mary McDonald, SAB with piano
This Quick Study Choral is easily prepared with a minimum of rehearsals. Limited SAB harmony and an alluring use of imitative choral entries in the refrain make this a captivating anthem expressing the timeless message that, “people need the Lord.”

Psalm 117 (From All That Dwell) by Dale Peterson, SATB with piano
An exciting call to worship or general anthem, this dynamic setting of Isaac Watt’s text on “Psalm 117 (From All that Dwell)” features memorable melodic gestures. A driving accompaniment supports the vocal syncopation and occasional mixed meter. Brief moments of a cappella singing provide nice contrast.

Shall We Gather at the River arr. David Lantz III, SATB with piano
Jazz harmonies and a vocal solo give new interest and life to the well-loved Robert Lowry folk hymn in this fresh setting by David Lantz. Smooth voice-leading means your church or community choir can focus on nuances of text and phrasing for meaningful communication that will resonate deeply with your audience.

A Thousand Tongues to Sing arr. Mary McDonald, SATB with organ and optional instrumental ensemble
This majestic hymn concertato, features, SATB voices, organ, a small instrumental ensemble, and optional congregation. Perfect for concert or celebration in worship. Join the thousand tongues, and sing!

We Gather to Praise arr. Mary McDonald, SATB or SAB with piano and optional rhythm
Masterfully weaving together two beloved Gaither songs, this alluring ballad gathers us in to “praise the Father, Holy Spirit, Son.” The optional rhythm embraces the warm, southern gospel groove.

Shop Stanton’s for all your sheet music needs!

About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

EXCELLENCE IN CHORAL LITERATURE
Saturday August 27, 2022
9:00 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Jim Gallagher
$25.00

Stanton’s is pleased to announce our 29th annual Excellence in Choral Literature reading session. This session is designed to help you select concert and festival literature from some of choral music’s most distinguished composers, featuring the best in new music for mixed, treble, and men’s ensembles as well as classic literature from the choral canon. Led by Jim Gallagher, Professor Emeritus at The Ohio State University, the Excellence Clinic is a valuable Stanton’s tradition for school, college, and community choir directors.

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.

recommended by Eric Stratton and Megan W., Orchestra Specialists

Battle of the Bows by Chris Thomas, Grade 2.5
Experience a contest of strength, bravery, and determination. With constant momentum and energy, the music explores a range of articulations and dynamics as each section competes for supremacy. Bravado, dynamic contrast, independence, and excitement – it is all here and ready to showcase your orchestra!

Percentage of Error by Jeremiah Clarke/arr. Bob Phillips, Grade 1.5
This arrangement of “The Prince of Denmark March,” or “Trumpet Voluntary,” provides the perfect setting for advocacy and striving for excellence since it is so recognizable. Three different versions of the final 8 bars, containing incorrect notes, are included. Each version contains an increasing percentage of correct pitches. Each represents a different letter grade. Play all four versions and then explain to parents and administration that the A+, 100% correct version is what we do every day in orchestra. All sections play the melody in this piece, still providing a solid musical setting in a novelty piece. Audience members are sure to recognize it which makes it perfect for finding “errors.” Along with the “real” music for the final 8 bars, three other versions are included. The first version has 80% of the correct notes and 20% incorrect. The next has 90% correct notes and 10% incorrect. The next has 95% correct notes and 5% incorrect. The final, “real” version has 100% correct notes. The 100% version should be played first for the audience explaining this version would get an A+ in an academic setting. Then play the 80% or B- version, then the 90% or A- Version, and then the 95% A version. Then explain to parents and administration that the only version that is acceptable is the 100% version and that is what we do every day in orchestra. This provides a perfect advocacy moment to discuss the benefits of music education with parents and a tangible explanation of striving for excellence to parents and students. Includes an educational packet with each part that features technical exercises, history, theory, composition, and more.

Arco Polo by Ingrid Koller, Grade 1.5-3
This engaging piece for string orchestra is appropriate for any time of the year but is especially fun for a summer orchestra concert. “Arco Polo” is a musical depiction of the well-known swimming-pool game Marco Polo. The piece begins tutti pizzicato, but then the instruments “call out” to each other using their bows. This is a multilevel piece which makes it a practical choice for an orchestra with students at varying skill levels. It can stand alone as a Level 1.5 piece, but with the addition of the advanced violin, viola, and cello parts it becomes even more challenging and fun. For yet another layer of fun, there is an optional improvisational section where students are randomly (perhaps secretly) selected to be the “caller” and the rest of the orchestra answers. As an extra surprise for the orchestra and audience, an audience member can be cued to literally call out to the orchestra.

5th Avenue Rock by Kathryn Griesinger, Grade 0.5
This rocking piece for beginning strings is based on the interval of a perfect fifth – thus the title! Students can practice easy string crossings on open strings, simple rhythms, and stepwise finger patterns. Violin 2 doubles viola and cello doubles bass to build confidence and create a full sound. The piano and drum set fill in during rests, allowing the young orchestra to shine in its very first concert.

Thundersnow by Katie O’Hara LaBrie, Grade 2.5
Imagine being in the midst of a blizzard. Snow swirling and blowing everywhere! Then suddenly, out of nowhere… BOOM! It’s “Thundersnow!” This new work for string orchestra is sure to excite and impress both students and audiences alike!

Molto Perpetuo by David Bobrowitz, Medium Easy
This work for strings has a lot to say and even more opportunities to teach. Delicate bowing considerations will help strengthen legato bowing on the offbeats as well as reinforce staccato and pizzicato. Each section has meaningful material. A useful teaching piece that will sound great in performance too!

Beathoven by Stephen Spottswood, Grade 4
This hip-hop orchestration incorporates technology and should be played with the audio track (mp3 download) and a speaker. “Beathoven” cleverly combines hip-hop and classical styles. The result is a head bopping, rhythm rocking ensemble piece that ebbs and flows between the 18th century and the 21st century. Teachers can focus on syncopated rhythms, the pentatonic scale, playing with a staccato bow stroke, and making a contrast in dynamics.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Eric Stratton is the Jazz and Orchestra Specialist at Stanton’s Sheet Music. From Westerville, OH, Eric received a Bachelor of Music in Classical Bass Performance and a Bachelor of Arts in Jazz Studies from Otterbein University. On both electric and double bass, he plays in various groups around Columbus, including New Albany Symphony and Westerville Symphony orchestras. He enjoys listening to and playing many types of music, from jazz, pop, to rock and metal. Some of Eric’s favorite performance opportunities are in the pit orchestras of musical theatre productions. When Eric isn’t gigging or at Stanton’s, he enjoys playing video games, hanging out with his cats, performing repair and tech work on guitars, and going to local restaurants and breweries with friends.

Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

FOR MIXED CHOIRS
Singing, Bring Me by Ryan Main, SATB a cappella with percussion
A joy-filled journey through the many gifts that singing brings us! Memorable lines and contemporary harmonies are backed by energetic percussion for shaker, tambourine, and cajon. Easy to learn and satisfying to perform, this a cappella original is a perfect vehicle to help your choir start moving and expressing on stage.

Benedicamus Domino by Victor C. Johnson, SATB with piano and optional trumpet
Majestic and exuberant, this quintessential concert/contest selection opens and closes with an accented Latin text theme. In the contrasting middle, a chant-like “Resonet in laudibus” softens and slows before returning to the rhythmic feel. As expected from experienced writer, Victor Johnson, each voicing is sensitive to appropriate ranges and tessitura for developing voices. An optional trumpet fanfare is included in the octavo.

Star Light by Trevor Tran, SATB with piano
It is a child’s poem to see the first star and make a wish that has been set to music. Most importantly, the music does not get in the way. The youthfulness and hope persists. Best of all is a place when singers can step forward and state their wish, bringing the piece into more than a song – an experience. Uniquely wonderful.

Watercolor Morning by Ruth Elaine Schram, SSAB with piano
The stark black and white of winter is infused with color as life blossoms anew with the lushness of springtime. Flowers bloom, the sun shines in a sky of blue; everything changes as the air warms and we bid winter goodbye on a gorgeous “watercolor morning.” Beautiful melodies and harmonies grace this expressive original, an especially good choice for spring or year-end performances. A Learning Resource page is included.

Where the Light Begins by Susan LaBarr, SATB with piano
This is an accessible and fresh work for SATB choirs on the themes of peace and hope. Approachable vocal lines and a supportive accompaniment make this appropriate for young choirs, while the rich and universal text will also work for high school, college, and community groups.

FOR TREBLE CHOIRS
Awakening by Christi Jones, SSA with piano
Jones’ powerful SSA composition for treble choirs, based on the poem by Harlem Renaissance writer James Weldon Johnson, is both haunting and evocative. In d minor with a driving rhythmic piano accompaniment, treble choirs will feel empowered singing this fabulous piece!

Colorful by Philip E. Silvey, SSA with piano and optional cello
The quote from Laurel Thatcher Ulrich: “Well-behaved women seldom make history” is the inspiration for this moving and thought provoking new piece by Philip Silvey. There is a QR code included with the music that will take you and your students to additional SEL resources including videos from the composer to lead you and your students to find the intersection between the music and the words.

Sing Alleluia, Clap Your Hands by Sally K. Albrecht, SSAA a cappella with hand claps
Stacked vocal lines and counterpoint handclaps sound (and look) stunning! Each voice part introduces its own independent melody with claps, until everything combines in joyful polyphony. Some chordal singing and a call-and-response section provide contrast before an energized reprise leads to the brilliant final flourish. A remarkably effective concert/contest feature, newly available for SSAA groups.

FOR TENOR/BASS CHOIRS
Journey On by Derrick Fox, TTB with piano
This music, with lyrics by the composer, speaks to the impact of relationships that we build throughout our lives. It is an excellent outlet for communicating emotions and gives your tenor/bass choirs an opportunity to explore a text that moves beyond stereotypes.

Lift Your Eyes to Light by Kyle Pederson, TBB with piano
Given everything our communities, choir, and world have experienced recently, we could all use a bit of light. This music encourages us to tend to our hearts and to others, remembering that each of us has the power to bring light into our own lives-and into the lives of others.

Find all of our Five Star Features for Fall 2022 on our website, and shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

NOW AVAILABLE FROM STANTON’S SHEET MUSIC: ESSENTIAL ELEMENTS MUSIC CLASS

Essential Elements: Music Class Interactive (EEMC) is a powerful, cloud-based (streaming) system for teaching K-5 general music. The initial release features 300+ songs with recordings, listening maps, interactive games and activities, recorder and ukulele units, plus ongoing updates that continually add new songs and resources.

The user-friendly technology equips teachers with customizable lesson plans, rigorous pedagogies, engaging music in many styles and eras, along with instant communication and class management tools.

EE Music Class includes all of these great features:
• 400+ Songs with new releases and updates weekly
• Hal Leonard Exclusive Content
• Interactive Resources including Recorder, Ukulele, Learning Activities, Listening Maps, and more.
• Shareable Playlists and Class Collections
• A Growing Collection of Lessons and Song Activities
• Noteflight Premium Subscription
• Access to Premium Content and Features at no extra charge.
• Constantly Evolving Platform!

Subscribe now for only $195.00 for a one-year subscription! Contact us for more information, and shop Stanton’s for all your sheet music needs!

Rebuild & Renew: A 12-Step Program to Fire Up Your Choir by Patti Drennan
This new resource book is the perfect companion to the best-selling “Restore Our Song.” Created by award-winning composer/arranger/director Patti Drennan (with input from church musicians coast-to-coast) this book provides a wealth of tools, tips, ideas and downloadable components to truly rebuild your choir and music program while renewing those who participate in it.

Chapters include:
• The Choir as Community
• The Productive Rehearsal
• Recruit, Rebuild and “Youth-anize”
• Choir Devotionals
• And more!

Shop Stanton’s for all your sheet music needs!

recommended by Eric Stratton and Megan W., Orchestra Specialists

On the Open Seas by Susan H. Day, Grade 1.5
“On the Open Seas” is an exciting new sea chantey by Susan H. Day. Written because sea-faring voyagers are always looking for their next adventure on the open seas! This piece is written in E minor, 4/4 time, and features a spirited, memorable melody, detache bowing, easy rhythms, accents, pizzicato, and fun for all! Bass and cello double, and viola rhythms double 2nd violin rhythms throughout for ease of teaching. Optional piano adds harmonic color. Perfect for any concert occasion, students and teachers will want to keep performing this one!

Adventure by Liam Ramsey-White, Grade 1.5
Grab your sword, don your armor, and raise your shields. This is the beginning of a great adventure! Liam-Ramsey White has given younger musicians something truly fun to play!

Sea Squall by Eric B. Davis, Grade 3
“Sea Squall” is about the journey of a ship traveling across turbulent seas. As the piece progresses, variations of the primary theme change like the winds: sometimes calm and safe, sometimes stormy and powerful. Contrasting dynamics and articulations undulate like an unpredictable storm on the high seas.

Shipwreck Coast by Erica Donahoe, Grade 1.5
Students will love “Shipwreck Coast,” a dark and stormy piece by Erica Donahoe! Cello and string bass players will enjoy digging into the opening melody, and all members of the orchestra will be challenged with an exciting and rewarding musical journey.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Eric Stratton is the Jazz and Orchestra Specialist at Stanton’s Sheet Music. From Westerville, OH, Eric received a Bachelor of Music in Classical Bass Performance and a Bachelor of Arts in Jazz Studies from Otterbein University. On both electric and double bass, he plays in various groups around Columbus, including New Albany Symphony and Westerville Symphony orchestras. He enjoys listening to and playing many types of music, from jazz, pop, to rock and metal. Some of Eric’s favorite performance opportunities are in the pit orchestras of musical theatre productions. When Eric isn’t gigging or at Stanton’s, he enjoys playing video games, hanging out with his cats, performing repair and tech work on guitars, and going to local restaurants and breweries with friends.

Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.

SACRED CHORAL READING SESSION
Saturday August 13, 2022
9:00 a.m.-12:30 p.m.
Church of the Messiah UMC, 51 N. State Street, Westerville OH 43081
Presented by Larry Shackley
$25.00

Stanton’s is pleased to welcome back Larry Shackley as our clinician for the August Sacred Choral Music reading session. Larry Shackley is a full‑time composer and editor from Columbia, South Carolina. From 1995–2007, he taught and directed the music program at Columbia International University in Columbia, South Carolina. Prior to that, he worked for several years at Moody Broadcasting in Chicago, creating original music and producing radio programs. He has been active in church music since his teens, serving many churches at the keyboard, including ten years at Willow Creek Community Church in South Barrington, Illinois.

Mr. Shackley is also an active studio musician, arranger, and orchestrator. Over the past several years, he has devoted most of his composing to music for the church, writing over 700 keyboard arrangements and 350 choral pieces for a variety of publishers. He has won multiple ASCAP awards, and has received commissions from churches, schools, and community choirs across America.

Your registration for the clinic includes a packet of over 30 new choral anthems that are hand-picked from the hundreds published each year. Please note that there is no pre-registration for this session – all registration will take place on-site beginning at 8:30 a.m. We look forward to seeing you on August 13th for a wonderful morning of singing with one of the nation’s most sought after church music experts.

Contact the Choral Department for more information on the Sacred Choral reading session.

SACRED PIANO READING SESSION
Saturday August 13, 2022
2:00 p.m.-4:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Larry Shackley
$5.00

Contact the Keyboard Department for more information on the Sacred Piano reading session.

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

Vocalize! 2: 36 More Accompanied Exercises to Teach Technique by Andy Beck
Each exercise in this valuable resource is designed to reinforce fundamental vocal concepts for choral and solo singers of any age. Organized in 12 focused categories, the purpose of every warm-up is evident, and clearly stated directions optimize growth. Supportive piano accompaniments, including progressive modulations, are lightly orchestrated (available online) and are perfect for ensemble rehearsals, studio lessons, or at-home practice! As an added bonus, downloadable PDFs provide extracted vocal lines on reproducible singer pages. Topics include beginning warm-ups, posture, vowels, breath support, tone quality, resonance, diction, intonation, range, expression, harmony, and more. A welcome follow-up to Vocalize!, this is an instructional book you will use again and again!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

The Essential Collection of Contemporary Piano Settings 2 arr. Larry Shackley
Here are 55 of the most popular contemporary worship songs of today, in straightforward yet creative moderately easy to moderate settings. Includes “10,000 Reasons,” “Amazing Grace (My Chains Are Gone),” “Good, Good Father,” “Open the Eyes of My Heart” and many more.

Lloyd Larson: The Comprehensive Collection arr. Lloyd Larson
Lloyd Larson’s signature and beloved arrangements have graced us for decades. To celebrate his notable work, we invite you to explore his best compositions and artful arrangements in this comprehensive collection. With works suitable for every occasion in the church year, this is a valuable collection for any church musician!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

STANTON’S SUPER SESSION
Saturday August 6, 2022
9:00 a.m.-4:00 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Andy Beck, Jen Sper, and Lora Moore
$60.00 (includes lunch)

Join us for a fun and enriching day of music education at Stanton’s Super Session 2022! Presented by Andy Beck (Alfred Music) and Stanton’s School Choral Music Specialists and experienced educators Jen Sper and Lora Moore, this session will feature the best new music for middle school and high school choir from all major choral publishers. Nowhere else will you find such a variety of new choral selections and teaching resources to help you prepare for the new school year with energy and passion!

Registration is now open! Visit stantons.com/clinics to register, and contact us for more information.