News & Views Friday, April 26, 2024

recommended by Christopher B., Organ Music Specialist

The Last Verse for Thanksgiving and Patriotic Celebrations arr. Janet Linker
16 Free hymn accompaniments arranged by Janet Linker for Thanksgiving and Patriotic celebrations. Titles include: “America the Beautiful (MATERNA),” “Battle Hymn of the Republic (BATTLE HYMN OF THE REPUBLIC),” “Come, Ye Thankful People, Come (ST. GEORGE’S WINDSOR),” “For All the Saints (SINE NOMINE),” “God of Our Fathers (NATIONAL HYMN),” “Let All Things Now Living (THE ASH GROVE),” “Morning Has Broken (BUNESSAN),” “My Country, ‘Tis of Thee (NATIONAL ANTHEM),” “My Hope Is Built on Nothing Less (MELITA),” “Now Thank We All our God (NUN DANKET),” “Rejoice, Ye Pure In Heart (MARION),” “Sing to the Lord of Harvest (WIE LIEBLICH IST DER MAIEN),” “The Star Spangled Banner (THE STAR SPANGLED BANNER),” “This Is My Father’s World (TERRA BEATA),” “This Is My Song (FINDLANDIA),” and “We Gather Together (KREMSER).”

Come, Ye Thankful People, Come arr. Michael Helman
Give thanks at Thanksgiving or any time of the year with Michael Helman’s first Lorenz organ collection, which contains arrangements of great hymns of thanks. Michael also composed two original works for the collection, a classic style trumpet tune and a lyric aria, which are a joy to play and hear. Titles include: “Trumpet Tune on Ash Grove,” “Come, Ye Thankful People, Come!,” “Rondeau on Royal Oak,” “Aria,” “Prelude on Thaxted,” “Now Thank We All Our God,” “Trumpet Tune,” and “Trio on Ash Grove.”

Thankfulness and Praise arr. Lynn L. Petersen
This collection features varied settings of popular hymn tunes. With arrangements in differing styles, “Thankfulness and Praise” offers fresh perspectives for the congregation. Titles include: “Come, Ye Thankful People, Come,” “Three Variations on Father Most Holy,” “Seven Variations on For the Bread Which You Have Broken,” “Glory Be to Jesus,” “Four Variations on Lamb of God, Pure and Sinless,” “Let Us Go Now to the Banquet,” “Lord Jesus, You Shall Be My Song (I. Air and II. Chaconne),” “Now It Is Evening,” “O God Beyond All Praising,” and “Son of God, Eternal Savior.”

Thanksgiving Suite for Organ arr. Charles Callahan
Accessible, functional set for variety of uses. Three movements: I. Fanfare, ST. GEORGE’S, WINDSOR II. A Gaelic Improvisation, BUNESSAN III. Thanksgiving, KREMSER and NUN DANKET ALLE GOTT.

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About the Author:
Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

A Cappella 101 by Rob Dietz
A cappella teacher/performer/producer Rob Dietz expertly describes the nuts, bolts and artistry of creating contemporary a cappella music. Rob is the perfect person to write this text, produce the sample tracks available on line and draw from his vast community of a cappella experts for advice and experiences. Whether you are an a cappella newbie or seasoned expert, this resource is for you!

Includes digital access for audio. The tracks, expertly produced by the author, are examples of concepts presented in the book including warm-ups, bass vocal techniques, and arranging ideas.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

Snow Is Silent by Jenny Mahler, SATB a cappella with conga and body percussion
An energetic piece setting a text full of natural imagery. Mahler’s catchy melodies are combined with speech, body percussion, and congas to imitate the contrasting characteristics of rain. Dramatic and expressive – this is the perfect performance piece to get stuck into!

Es ist ein Ros’ entsprungen arr. John Rutter, SSAATTBB a cappella with oboe
John Rutter creates a peaceful and contemplative atmosphere in this new arrangement of the traditional German carol, “Es ist ein’ Ros’ entsprungen.” The piece opens with a lyrical melody from the solo oboe, over a wash of gentle, hummed vocal harmonies. Rutter continues the carol by underpinning the vocal melodies with ‘ah’s and hummed parts, and keeping the dynamics soft, to retain its tranquility.

Long Ago (In the Bleak Midwinter) arr. Jacob Narverud, SATB with piano and optional string quartet
This haunting setting of Holst’s timeless melody will be the highlight of your next Holiday concert. Rossetti’s famous poem soars off the page in Narverud’s nostalgic new arrangement for accompanied mixed choir, which features each section of the ensemble as well as the pianist.

Blow, blow, thou winter wind by Sarah Quartel, SATB with piano
This atmospheric setting of familiar words from Shakespeare’s “As You Like It” is sprightly and uplifting, with singers being asked by the composer to perform with “a bit of frost and a knowing smile.”

On this Silent Night by Sarah Quartel, SATB with piano
“On this silent night” perfectly conveys the magic and excitement of winter, conjuring images of warmth by the fireside while the weather outside closes in and giving a subtle nod to Franz Gruber’s “Silent night.” The vivid imagery of the secular text is enhanced through gleaming harmonies and glittering quaver movement in the piano accompaniment. Hemiolas give the piece a dance-like quality, while a contrasting middle section uses darker sonorities and textures to reflect the storm outside.

Hark! The Herald Angels Sing arr. Josh Sparkman, SATB with piano
This joyful new mixed-meter arrangement of “Hark! The Herald Angels Sing” is the perfect winter concert opener or closer. Scored for mixed choir with piano accompaniment, all parts are accessible, rhythmic, and exciting. Sparkman’s stunning, slower middle section brings contrast and warmth to Mendelssohn’s melody, and the exuberant ending will leave your audience in awe.

I will light candles this Christmas by Kim André Arnesen, SSAA with piano and optional orchestra
Featured at the 2018 St. Olaf College Christmas Festival, this is a beautiful and lush setting of the Howard Thurman text. It reminds us that Christmas is a time of light over darkness. The message in the carol inspires us to become carriers of a light that brings joy, hope, courage, peace, grace, and love.

This endris night by Sarah Quartel, TTBB a cappella with handbells
Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre, through each of the voice parts, with each verse ending in the lilting refrain “Lully, by by, lullay.”

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

PIANO TEACHER’S WORKSHOP WITH CATHERINE ROLLIN
Friday October 21, 2022
9:30 a.m.-12:30 p.m.
Stanton’s Sheet Music, 330 S. Fourth Street, Columbus OH 43215
Presented by Catherine Rollin
FREE

Join us on October 21 for a FREE Piano Teacher’s Workshop with Catherine Rollin!

Catherine Rollin will give fun and helpful teaching tips on her current pieces on the National Federation of Music Club Bulletin in solo, duet, concert, and one hand and patriotic categories. She will also share many creative aspects of imagery (dancing, storytelling, visual artworks. etc.) to inspire our students to greater artistic performances. Catherine believes that artistry and interpretation should be part of lessons from the very earliest elementary pieces through advanced masterwork repertoire and she will play a wide variety of examples from this broad range of level.

Catherine Rollin is a pianist, composer, clinician, author and teacher of prize-winning students. Her more than 400 published pedagogical compositions are recognized worldwide for their combination of musicality and “teachability.” Her efforts as a composer, clinician and author are an outgrowth of her work as a teacher. Finding the answers to help her students develop artistic, relaxed and confident technical skills led Catherine to insights featured in her ground breaking series, “Pathways to Artistry.” Catherine’s ASCAP award winning books, “Museum Masterpieces” feature her original piano works inspired by great art masterpieces from museums around the world. She is also the co-author of the 2011 edition of the highly regarded college text, “Creative Piano Teaching.” All of the many facets of Catherine’s work emanate from her central passion for teaching.

Register online at stantons.com/clinics, and contact us for more information!

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

Hear the Sleigh Bells Ring! by Greg Gilpin, 3-part mixed with piano and optional sleigh bells
This original up-tempo holiday selection in a minor key uses independent vocal lines imitating bells then moving into a rhythmic homophonic chorus. Optional descant and sleigh bells add to the joyful lyric of a holiday sleigh ride.

As Winter Comes Again arr. Douglas E. Wagner, 3-part mixed with piano
Pairing the gorgeous, traditional French tune, UNE JEUNE PUCELLE, with a breathtakingly beautiful original lyric, Doug Wagner presents an exquisite seasonal ballad for developing choirs. Featuring long legato lines, expressive phrasing, and warm choral writing, this ethereal piece will create an atmosphere of warmth and tranquility during the winter season.

A la Puerta del Cielo arr. Ruth Elaine Schram, 3-part mixed with piano
This tender Spanish lullaby, also known as “Duermete Niño,” has been given an expressive setting for choir. Appropriate for concerts at any time of year, this work exudes an elegant simplicity while a gently flowing accompaniment enhances the serene mood of the piece. A pronunciation guide and translation are included.

Peace on Earth, Goodwill to All by Andrew Parr, 2-part with piano
This seasonal concert selection provides a great opportunity for singers to sing independent melodies while simultaneously creating a unified ensemble sound. The refrain of the piece draws on the tune from “Angels We Have Heard on High.” With a message of universal peace and joy to all, your singers and audiences will find deep meaning in this holiday original.

Merry Christmas, Now We Sing! (A Christmas Medley) arr. Mary Donnelly & George L.O. Strid, 3-part mixed with piano and optional glockenspiel
This bright and joyous Christmas choral is a brilliant medley of familiar German, Polish, English, and French Carols. The vocal parts have been skillfully arranged to facilitate ease of teaching and ease of learning at that most busiest time of year. The piano accompaniment brims with festive flair while the optional glockenspiel adds sparkle and Christmas cheer.

The Shepherd’s Spiritual arr. Donald Moore, 3-part mixed with piano
Here’s a swingin’ gospel treatment of “Rise Up, Shepherd, and Follow” that your ensemble will enjoy singing year after year! It’s a great confidence-builder, an exciting audience-pleaser, and just plain fun for all involved, especially when you use the tambourine part!

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Eric Stratton and Megan W., Orchestra Specialists

Exhilaration by Cooper Ford, Grade 1
Many special experiences are joyful or thrilling, such as flying for the first time, a big sports moment, or the excitement of a first concert. Whatever it might be, Cooper Ford’s “Exhilaration” is a musical expression of the emotions that come from these memorable moments. Young musicians should find this both easily accessible and fun to play, as melodies are passed around to different sections while reinforcing foundational rhythms, notes within a D major scale, and playing with a big sound. Written with the young orchestra in mind, 2nd violin and viola parts are doubled, as well as cello and string bass.

Grand Pursuit by Michael Kamuf, Grade 2
Written to reinforce dotted quarter/eighth note patterns, “Grand Pursuit” by Michael Kamuf features contrasting melodies, bold harmonies, and a fun, groove-oriented development section that combine to create a piece both your students and audiences will enjoy.

Shadow Defenders by Katie O’Hara LaBrie, Grade 3
From the first note of this thrilling piece, a sense of suspense feeds an intense desire to protect and avenge, leaving listeners to wonder what is looming around the corner. Let students imagine a world of possibilities in this cinematic work, while developing their skills with independent rhythms, shifting, and interlaced syncopations that propel this journey through the shadows.

Mustang Triumph by Sarah Siegler, Grade 3
“Mustang Triumph” portrays a herd of wild mustangs galloping through the plains. Great for showing off the full tutti sound of your Orchestra!

Galaxy Jam by Caryn Wiegand Neidhold, Grade 1.5
Jam among the stars with “Galaxy Jam,” an inventive rock take on “Twinkle Twinkle Little Star” in E minor. The jam section encourages your students to be creative with instrument percussion improv and solos with suggested notes.

Artifacts by Kathryn Griesinger, Grade 1
This mysterious hunt for ancient artifacts reveals important pedagogical concepts, including staccato, accents, bow-lifts, pizzicato, dynamics, and 4th finger. Written in B minor with optional piano, violin 2 doubles viola and cello doubles bass for a full sound with only a little third position shifting in the bass. A skill-building concert selection!

Momentous by Brian Balmages, Grade 0.5-2
So many performance options and combinations! Equally suited as an opener or closer, this “Baroque-meets-contemporary” festival-style work has exceptional performance flexibility as a multi-level OR single-level work! Play it entirely as a grade 2 or play it as a grade 1. Additionally, both may be combined, and directors can add the grade ½ parts, which are based on open strings and limited first finger. Innovative and exciting!

Island Rhythms by Erica Donahoe/arr. J. Cameron Law, Grade 2
Imagine the easy feeling of a day at the beach, happily soaking in the sunshine! This delightful original piece uses rhythmic syncopations, percussion, and harmonies that evoke the feel of the different traditions found in the Caribbean islands. The happy and carefree opening theme takes a brief turn through the parallel minor partway through the piece – perhaps a tropical storm or shark-infested waters! The major key soon returns to take us back to our carefree day. Encourage students to emphasize the syncopations and rhythms that create this distinct sound, or they can try their hand at one of the percussion parts!

A Mission to Mars by Jeffery Frizzi, Grade 2
A great fast-paced and aggressive work for the string ensemble presented in three sections full of drama and intrigue. Driving rhythmic features will keep your musicians engaged and ready to play this one over and over.

Sunday Afternoon by R. Scott Whittington, Grade 2
A whimsical piece that appeals to all ages. Its bouncy rhythms and upbeat melodies evoke the feeling of wind rushing through our hair or the laughter of family members as games are played and memories are shared. The piece is targeted at advancing junior and intermediate string ensembles and works for young and mature players alike. One of the charms of this piece is the constant tug-of-war between triplets and the straight eighth notes. With its lilting, infectious themes, the work is spirited, fun to play, and will be a favorite with audiences and players alike.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Eric Stratton is the Jazz and Orchestra Specialist at Stanton’s Sheet Music. From Westerville, OH, Eric received a Bachelor of Music in Classical Bass Performance and a Bachelor of Arts in Jazz Studies from Otterbein University. On both electric and double bass, he plays in various groups around Columbus, including New Albany Symphony and Westerville Symphony orchestras. He enjoys listening to and playing many types of music, from jazz, pop, to rock and metal. Some of Eric’s favorite performance opportunities are in the pit orchestras of musical theatre productions. When Eric isn’t gigging or at Stanton’s, he enjoys playing video games, hanging out with his cats, performing repair and tech work on guitars, and going to local restaurants and breweries with friends.

Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.

recommended by Jennifer F., Handbell Music Specialist

Holy, Holy, Holy arr. Karen Lakey Buckwalter, Level 3+
Karen Buckwalter has given us an innovative take on the beloved hymntune NICAEA. The opening gives the tune a meditative feel, complete with unexpected harmonies before growing in intensity to a more traditional, chordal setting of the tune. This arrangement will be equally at home in concert settings or church services throughout the year.

Canticle on When Morning Gilds the Skies arr. Jan Linker & Jane McFadden, Level 3-
This beautiful setting of the hymntunes LAUDES DOMINI and ROYAL OAK is a great choice for worship or concert use. Approachable by intermediate ensembles, the varied styles and textures provide interest for advanced ringers. There’s also the chance to add in the optional keyboard or harp for extra aural variation.

Come Ye Sinners, Poor and Needy arr. Karen Lakey Buckwalter, Level 3
A mysterious opening full of open fifths gives way to an introduction of the tune RESTORATION underscored by a driving eighth-note line. The tune receives numerous treatments, both stylistically and harmonically, before arriving at an explosive ending. An ideal choice for the intermediate ensemble looking for something fun and exciting!

I Want to Walk as a Child of the Light arr. Brenda E. Austin, Level 2+
This 20th century hymn is useful for so many occasions during the church year including Epiphany, Transfiguration, Discipleship, and even the Advent and second coming of Christ. It is rich with scriptural references and set for SATB voices, piano, and solo trumpet in a straightforward, solid presentation.

Jesus Is Calling arr. Mitchell Eithun, Level 2
A sensitive setting of “Softly and Tenderly” paired with the incomparable “Amazing Grace” makes this arrangement perfect for all seasons of the year.

Medley for Thanksgiving arr. Sondra K. Tucker, Level 3
Lots of fun techniques make this lively setting perfect for festive worship. It’s a great festival piece, too, with lots of teachable moments. Ringers will enjoy the extended malleting sections.

May Jesus Christ Be Praised arr. Mitchell Eithun and Sandra Eithun, Level 2/2+
Your smaller ensembles will find this folio of favorite hymns of the church useful and fulfilling for year-round worship and even communion. The optional keyboard accompaniments will enhance and provide texture to these three settings. Titles include: “When Morning Gilds the Skies,” “Break Thou the Bread of Life,” and “Lord, Dismiss Us with Thy Blessing.”

Worship Openers: Handbell Introits Volume 1 arr. Lloyd Larson, Level 2
This collection of seven Worship Openers can serve as both hymn introductions or “introits” for your handbell choir. Each opener leads beautifully into the hymn. There are selections for Palm Sunday, Lent, Easter, Christmas, and general occasions. Titles include: “Holy, Holy, Holy! Lord God Almighty,” “Come, Christians, Join to Sing,” “Hosanna, Loud Hosanna,” “Christ the Lord Is Risen Today,” “O Worship the King,” “Angels We Have Heard on High,” and “Praise to the Lord, the Almighty.”

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

A-Caroling We Go! (Medley) arr. Greg Gilpin, 2-part with piano
Greg Gilpin skillfully blends five favorite carols in this festive work you won’t want to miss! The choir begins and ends the piece with an original theme, followed by a masterful melding of “Deck the Hall,” “Jingle Bells,” “Angels We Have Heard on High,” “Good King Wenceslas,” and “Here We Come A-Caroling.” This is one choral collage that is destined to become a favorite of your choirs for many seasons to come!

Holiday Jazz! by Kirby Shaw, 2-part with piano and optional rhythm
One part John Jacobson creativity, and one part Kirby Shaw jazz. Kids will adore this chart that’s not only a festive holiday feature, but also a solid introduction to beginning scat singing. Designed with developing groups in mind, but enjoyable for any one. Perform with the swingin’ SoundTrax or a live rhythm section (guitar, bass, and drumset SoundPax). As a special bonus, John’s choreography is printed in the music.

Over the River and Through the Wood arr. Emily Crocker, 2-part with piano
The arrangement captures the fun and excitement of the winter holidays with a jazzy treatment. It’s easily learned with extremely accessible part-writing and lends itself to the fun of choreography.

Up on the Housetop arr. C.E. Walz, 2-part with piano
Santa is coming! This fun and light-hearted setting of “Up on the Housetop” features fun staccato sections, reminiscent of rooftop reindeer! Easy to sing and learn. Short in duration and limited in harmony, C.E. Walz incorporates a section of new music that enhances the charm of this well-loved song!

El Rorro (The Babe) arr. Glenda E. Franklin, 2-part with piano and optional percussion
Traditional Mexican lullaby designed especially for beginning choirs. Limited Spanish text with both IPA and phonetic pronunciation guides included with simple optional percussion.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Eric Stratton, Jazz Specialist

Summertime arr. Paul Murtha, Grade 1.5
This enduring Gershwin classic has long been a favorite with jazz artists. Paul’s marvelous setting for young players features a sultry Latin rock groove, tasty harmonies, easy rhythms, and no solos are required. Great feature number for the entire ensemble.

Good Times by Carl Strommen, Very Easy
Here’s an easy swing chart from respected composer and arranger Carl Strommen. In the Kendor Jazz Quest Series, this chart is based on the chord changes to the Gershwin hit “’S Wonderful.” Lots of tutti rhythmic figures and solid ensemble writing throughout will help this chart come together with a minimum of rehearsal time.

Night and Day arr. Victor López, Grade 1
Classic Cole Porter at a very accessible level. “Night and Day” arranged by Victor López doesn’t include any individual solos, but features easy ranges and a bossa-nova groove played around 120 BPM. Optional flutes, clarinets, vibes, and more. A great choice for your young musicians.

Freddie Freeloader arr. Rick Stitzel, Easy
Recorded on the landmark album “Kind of Blue,” this Miles Davis blues standard is a perfect improvising tool for beginning players, and a great introduction to a legendary jazz figure.

Shop Stanton’s for all your sheet music needs!

About the Author:
Eric Stratton is the Jazz Specialist at Stanton’s Sheet Music. From Westerville, OH, Eric received a Bachelor of Music in Classical Bass Performance and a Bachelor of Arts in Jazz Studies from Otterbein University. On both electric and double bass, he plays in various groups around Columbus, including New Albany Symphony and Westerville Symphony orchestras. He enjoys listening to and playing many types of music, from jazz, pop, to rock and metal. Some of Eric’s favorite performance opportunities are in the pit orchestras of musical theatre productions. When Eric isn’t gigging or at Stanton’s, he enjoys playing video games, hanging out with his cats, performing repair and tech work on guitars, and going to local restaurants and breweries with friends.

recommended by Jen Sper and Lora Moore, School Choral Music Specialists

Chantons Noël arr. Mark Patterson, SATB with piano and optional djembe & finger cymbals
A thrilling piece for holiday concerts! Layered choral entrances in a fanfare-like introduction set up the entrance to the traditional French carol “Noël Nouvelet.” Conservative ranges for each part are supported well by the driving piano accompaniment along with the optional drum and finger cymbals. Perform in French, with a pronunciation guide and translation provided, or use the singable English text for accessibility. Impressive!

Carry the Light by Andy Beck, SATB with piano and optional violin
Imagine the opening solo in darkness. Light increases as the choir begins, growing to full brilliance when three luminous lines intertwine. A “lux aeterna” refrain is sung in resonant harmony, with touches of shimmering dissonance on cadences. One final tone cluster ignites shivers at the end. This inspiring text provides a personal credo to live as an example for others, with light. Download the optional violin obbligato for free.

The Stormy Winter by Bruce W. Tippette, SATB with piano
The poem by Louisa May Alcott describes the chilling scene of winter with a brisk and exciting piano accompaniment inspiring the rhythmic vocal lines. A terrific opportunity for dynamic singing, text study and enunciation work as a concert, contest or festival selection.

A-Caroling We Go! (Medley) arr. Greg Gilpin, SATB with piano
Greg Gilpin skillfully blends five favorite carols in this festive work you won’t want to miss! The choir begins and ends the piece with an original theme, followed by a masterful melding of “Deck the Hall,” “Jingle Bells,” “Angels We Have Heard on High,” “Good King Wenceslas,” and “Here We Come A-Caroling.” This is one choral collage that is destined to become a favorite of your choirs for many seasons to come!

Cold December (El desembre congelat) arr. Audrey Snyder, SATB a cappella with optional piano
The first verse of this traditional Spanish carol is sung in Spanish. The second verse is in English. Both verses are accompanied by piano. Verse three is rubato, a cappella and once again in Spanish. The last verse is energetic and ends up tempo leaving everyone understanding that, although the time of year may be cold, there is much to love during “Cold December.”

Children, Go Where I Send Thee arr. Kevin Phillip Johnson, SATB with piano and percussion, optional rapper & bass guitar
An exciting, accessible new arrangement of this wonderful African American spiritual, rich in texture and vibrancy, written by Kevin Phillip Johnson as part of his Soulful Singing Series. With or without the rap section, it is sure to invigorate any holiday concert!

Gatatumba arr. Ruth Morris Gray, SATB a cappella with percussion
A basic synopsis of the Spanish: let’s celebrate the holiday by playing tambourines and rattles. This lively a cappella arrangement of the traditional Andalusian villancico offers downloadable percussion parts, as inspired by the text. Ruth Morris Gray’s real-world teaching experience and seasoned writing skills are evident throughout, ensuring a smooth rehearsal process during the busiest time of year. A fun way to bring variety to holiday programs!

Sleep Well by Greg Gilpin, SATB with piano
A tranquil original work imagining the Holy Child asleep in the manger has exquisite use of dynamic contrast interpreting the simple lyric. Close harmonic work with lush use of dissonance for SATB voices is accompanied by an independent yet supportive piano accompaniment.

Winter Treasures arr. Douglas E. Wagner, SAB with piano
In a renaissance style and using the Early American tune “Star in the East,” this setting is an easy-to-sing selection in a unique style. Douglas Wagner’s original text makes this a delightful offering for concerts in the winter season.

Shop Stanton’s for all your sheet music needs!

About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Caryn G. and Christopher B., Sacred Piano Music Specialists

In Joyful Song arr. Cindy Berry
In this beautiful new collection, legendary arranger Cindy Berry brings her distinctive touch to ten hymns of praise and adoration. With styles ranging from the bold confidence of “Come, Thou Fount of Every Blessing” to the surprisingly reflective version of “He Keeps Me Singing,” this collection is sure to delight both listeners and performers alike. Titles include: “Come, Thou Fount of Every Blessing,” “All Hail the Power of Jesus’ Name,” “I Will Sing of My Redeemer,” “Sing Praise to God, Who Reigns Above,” “He Keeps Me Singing,” “O For a Thousand Tongues to Sing with O Worship the King,” “Praise My Soul, the King of Heaven,” “Come, Christians, Join to Sing,” “I Sing the Mighty Power of God,” and “Praise Him! Praise Him!”

Also Available from Cindy Berry
What Can I Play on Sunday? Complete Collection
“What Can I Play on Sunday? Complete Collection is a comprehensive resource of easily prepared hymn arrangements for each two-month period of the year. In addition to seasonally relevant selections for general worship, the book also contains arrangements that are appropriate for major holidays, including Epiphany, Lent, Easter, Pentecost, the Fourth of July, All Saints Day, Thanksgiving, Advent, and Christmas. Perfect for busy pianists with limited rehearsal time, this collection fulfills worship-planning needs for services throughout the year.

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About the Authors:
Caryn G. is a graduate of Trinity Lutheran College (Washington state). She has over 24 years of experience working at Stanton’s in both the Piano and Choral departments, specializing in sacred piano music. She is a church pianist/accompanist and has enjoyed being a piano teacher and singing in many choirs over the years. When not working at Stanton’s or at church, she loves spending time with family members and friends, traveling and exploring, watching movies, reading, bike riding and most recently trying to better her culinary knowledge and be a little more artsy by painting rocks and water coloring.

Christopher B. grew up in eastern Kentucky in a musically diverse family, and began playing organ at the age of 12. He majored in vocal performance with minors in keyboards and conducting at Marshall University and later received a Master of Theological Studies in congregational ministry from Trinity Lutheran Seminary. Christopher has served as a church music director and organist for more than 20 years, presently serving as Director of Music and Worship Arts/Organist at Church of the Master United Methodist in Westerville, OH.

recommended by Jen Sper and Lora Moore, School Choral & Classroom Music Specialists

Bucket Blast: Rock Hits by Tom Anderson
Get rockin’ as you jam along on Buckets and Percussion to songs that you love! Everything is provided from helpful warm-ups to authentic rhythms, grooves and playing suggestions. Iconic Rock songs like Joan Jett’s “I Love Rock ‘n Roll,” The Beatles “Drive My Car” and “Smoke on the Water” by Deep Purple are the musical foundation for play-along fun. Full scores are provided for the Teacher, along with digital access to play-along audio recordings and separate PDFs of Bucket Drum and Optional Percussion instrument parts. Authentic play-along tracks are included for rhythm-making fun. Suggested for grades 4-8. Grab your sticks, buckets and friends and Walk This Way to have a blast!

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About the Authors:
Jen Sper is a Choral Music Specialist here at Stanton’s Sheet Music. A native of Cincinnati, she holds a Bachelor of Music Education degree from Baldwin Wallace College (now University) Conservatory of Music, and taught 7-12 choir, music theory, class piano, and drama in Southern Ohio before joining the Stanton’s team in 2006. An active choral singer and accompanist throughout the Central Ohio area, Jen can also often be found exploring the exciting restaurant, brewery, and theater scenes in Columbus, wandering through the local metro parks, visiting family around the Great Lakes, or at home with her very friendly cat.

Lora Moore joined the Stanton’s choral staff in July 2018. A former middle school and high school director of 32 years and a former church choir director of 20 years, she holds a Bachelor of Arts in Choral Music from Capital University and a Master’s of Arts in Choral Music from The Ohio State University. During the off hours, Lora enjoys scouting out new day trips in Ohio to balance what her budget allows for her frequent trips to New York City to visit family and take in a Broadway show or two!

recommended by Eric Stratton and Megan W., Orchestra Specialists

Play That Swing by Katie O’Hara LaBrie, Grade 3.5
Imagine strolling down a busy downtown boulevard in the middle of the 20th century. Streetlights shining. Car horns honking. This is exactly the feel of Katie’s new work “Play that Swing.”

Down Easy Street by R. Scott Whittington, Grade 3
“Down Easy Street” is the perfect opportunity to introduce Jazz elements to your classroom in a welcoming and inclusive way! In a relaxed jazzy style, all parts have minimal position work so your ensemble can focus on rhythm, blend, and intonation. Optional drum set adds energy and vitality. A sparkling piece that’s great fun for all!

Chicken Cha Cha by Thom Sharp, Grade 3
“Chicken Cha Cha” for string orchestra delightfully expresses a day in the life of a chicken, including the creative musical description of running in the coop via dissonant eighth notes. All instruments have interesting parts to play, representing different birds dancing the Chicken Cha Cha. Through staccato notes, dynamics, grace notes, precision counting, scales, call-and-response, and a legato passage, Thom Sharp’s creative “Chicken Cha Cha” provides a fun level 3 piece to reinforce orchestral technique.

Jazz for the Open Strings by Jiyoung Um, Grade 0.5
“Jazz for the Open Strings” is written for the very beginners in string orchestra. This piece is performed by open strings only, which helps beginning level students to learn each of the strings of their instrument. Students will learn dynamic changes and develop counting skills.

Miniature Mambo by Doug Spata, Grade 1.5
This mambo, completely in pizzicato is a great teaching tool for developing string orchestras! Doug Spata has made pizz. fun!

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About the Authors:
Eric Stratton is the Jazz and Orchestra Specialist at Stanton’s Sheet Music. From Westerville, OH, Eric received a Bachelor of Music in Classical Bass Performance and a Bachelor of Arts in Jazz Studies from Otterbein University. On both electric and double bass, he plays in various groups around Columbus, including New Albany Symphony and Westerville Symphony orchestras. He enjoys listening to and playing many types of music, from jazz, pop, to rock and metal. Some of Eric’s favorite performance opportunities are in the pit orchestras of musical theatre productions. When Eric isn’t gigging or at Stanton’s, he enjoys playing video games, hanging out with his cats, performing repair and tech work on guitars, and going to local restaurants and breweries with friends.

Megan W., originally from Pittsburgh PA, is happy to call Columbus and Stanton’s Sheet Music “Home.” As a musician, Megan has played in marching and concert bands, youth orchestras, full orchestras, small ensembles, and a few choirs. Her interests include fiddling, reading, writing, martial arts and yoga.

recommended by Jennifer F., Sacred Choral Music Specialist

Come, Christians, Join to Sing arr. Mark Patterson, Unison/2-part with piano
Rhythmic energy fills this festive arrangement from start to finish! Melodic syncopation plus an optional vocal harmony for budding 2-part choirs brings new life to this cherished hymn of praise. Great for older elementary, youth, or adult choirs.

He’s Got the Whole World in His Hands arr. Stacey Nordmeyer, Unison/2-part with piano
This well-known spiritual dances with joy reminding us of God’s divine presence, power, and care. A snippet of text from “All Things Bright and Beautiful,” set to new music, forms the anthem’s bridge section. The new material joins the traditional text and tune to close the piece with a lively partner song.

Noel, Noel by Ruth Morris Gray, Unison/2-part with piano and optional drum
Celebrating the birth of Jesus, this artfully crafted piece features an enchanting melody and a short, simple descant written especially for older elementary choirs. Both of the anthem’s verses feature text from the cherished Christmas carol, “The First Noel.” An optional drum part also enhances the joyful essence of the piece.

O How Majestic (with Praise God, from Whom All Blessings Flow) by Ruth Elaine Schram, Unison/2-part with piano
Based on Psalms 8:1 and 47:7, this original song is paired with “Praise God from Whom All Blessings Flow.” The Doxology phrases serve as responses to the “O how majestic” phrases. Both tunes combine at the end to create joyous harmonies.

Then the Baby Cried by Ruth Elaine Schram, Unison/2-part with piano
This fun, energetic piece for Christmas will have you smiling as the calm, silent night quickly changes when the baby cries! The contemporary, syncopated melody gives way to a catchy chorus that includes options for two-part choirs. The piece concludes with “Glorias” that diminish in dynamic, as though fading away into the distance.

Waiting! by Toni Sullivan, Unison/2-part with piano
A captivating partner song for Advent! Young singers will enjoy the fun minor melody filled with anticipation for God’s Promised One. The piano accompaniment supports young singers and provides a playful, rhythmic tone to buoy spirits and voices. The optional partner arrangement guides developing choirs into part singing in a wonderful, accessible way. Also includes a Discovery Page designed to aid early note readers who are learning to read music.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.

Kelsey Brown joined the Stanton’s team shortly after finishing her Masters of Business Administration in 2022. After being raised in an arts- and education-focused household, she attended Otterbein University and obtained a Bachelor of Arts in Music and a Bachelor of Arts in Creative Writing. Fun fact: Kelsey is the only woodwind player in a family of brass players!

Outside of Stanton’s, you might be able to find Kelsey sitting in with local orchestras, playing bassoon or contrabassoon. She has played with the Westerville Symphony Orchestra, the New Albany Symphony Orchestra, and various other area ensembles. In her free time, Kelsey enjoys working on all kinds of fiber arts projects, like crocheting, knitting, and embroidery. She also spends a lot of time reading and writing.

Our Stanton’s team is known throughout the music industry as “The Sheet Music Specialists,” and for good reason – our staff is made up of educated, experienced, and dedicated musicians in all areas of the music realm. In this series, we invite you to learn about our staff members on an individual level. We hope you will get to know the “real” us, and learn how we might better be of service to you!

Learn more about our Sheet Music Specialists here, and shop Stanton’s for all your sheet music needs!

recommended by Jennifer F., Sacred Choral Music Specialist

Before the Marvel of This Night by Carl Schalk, SATB with organ
Published in 1982, this setting of Jaroslav Vajda’s wonderful text has become Augsburg’s best-selling seasonal anthem.

Come, Emmanuel arr. Mary McDonald, SATB with piano and optional cello
Creatively pairing the traditional words from the Latin hymn “O Come, O Come Emmanuel” with the tune O WALY WALY, this beautiful piece moves with rich simplicity. Optional solo cello, piano accompaniment, and long, flowing choral textures highlight the pairing of the well-known text and melodies.

Let All Mortal Flesh Keep Silence arr. Larry Shackley, SATB with organ and optional clarinet or viola
This new piece from Larry Shackley features a hauntingly beautiful accompaniment for organ with optional clarinet or viola obbligato. An abundance of unison and two-part choral textures, with full four-part harmony reserved for moments of special interest, make this easy to learn and accessible to all choirs. Ideal for Advent, Epiphany or general occasions.

Of the Father’s Love Begotten arr. Larry Shackley, SATB with organ and optional clarinet or viola
Larry Shackley has taken this beloved Christmas chant and put it into a magnificent strophic choral setting. The addition of the optional B-flat clarinet or viola provides an expressive counterpoint to the voices and keyboard. Simple unison lines for the men’s and women’s sections lead to a majestic four-part verse that calls all creation to worship the newborn King.

Lullaby by John Ness Beck, SAB with piano
John Ness Beck’s haunting Christmas anthem written for SAB choir. The simple piano melody provides an intimate introduction to one of Beck’s most effective Christmas pieces. A must-sing by your church choir.

I Saw Three Ships arr. Craig Curry, SAB with piano and optional handbells
Suitable for both church and school choirs, this setting of the traditional English carol is absolutely exquisite and extremely well crafted. Each verse has slight variations, and the use of optional handbells adds sparkle. Dramatic dynamic changes, stunning piano accompaniment, and accessible harmonies build to a climax exclaiming, “Let us all rejoice again on Christmas day!”

It Came Upon a Midnight Clear arr. Marianne Forman, SATB with piano and optional violin
The traditional carol is presented here in a new light from Marianne Forman’s gentle tempo, colorful piano accompaniment, optional violin, and contrasting original material. A compelling blend of comforting familiarity and fresh interest will make this a successful addition to your Christmas programming.

Glory to God in the Highest Heaven! by Lloyd Larson, SATB with piano and optional orchestra
You can almost see the angels singing in the skies in this energetic anthem of Christmas praise! Driving rhythms contrast with a brief legato section which gives way to a snippet of the beloved carol “Angels We Have Heard On High.” Shimmering with fresh music and lyrics, this anthem is a marvelous Christmas addition to any service or concert.

Away in a Manger arr. Paul Sjolund, SATB with organ or piano and optional flute
This setting for voices and optional flute was originally written for the Mormon Tabernacle Choir but is appropriate for choirs of any size. The well crafted harmonies portray the love and warmth of the first Christmas morn.

Caribbean Cradle Song arr. Jay Rouse, SATB with piano and optional orchestra
Jay Rouse brings his signature touch to a time-honored Calypso classic. The text has been given an infusion of some new words by Tom Fettke resulting in a captivating, toe-tapping new take on “The Virgin Mary Had a Baby Boy.” Easily learned and pure fun to sing!

Christmas Adoration arr. Tom Fettke, SATB with piano and optional orchestra
A treasured French Carol is paired with new words in this lilting anthem from Tom Fettke. With a neo-classical touch, the setting maintains its exciting praise to the Child in the manger throughout. “Unto us a Son is given by the love of God’s outpouring.” A singable and fitting celebration of the Incarnation!

Good Christian Friends, Rejoice arr. John Randall Dennis, SATB with piano
From the H.W. Gray catalog comes this dynamic arrangement of a cherished carol. Arranger Randall Dennis contrasts rich SATB writing with simple unison and two-part voicing…bringing a varied palette of choral textures to this anthem. The optional handbell and brass accompaniment will add a festive sparkle.

On This Day Earth Shall Ring arr. Lloyd Larson, SATB with piano and optional 2 octave handbells
This historic English Carol derived from Piae Cantiones, 1582, with the tune PERSONENT HODIE, is set here in a buoyantly joyful manner to celebrate the birth of Christ our King. The story of Christmas told in the verses builds to the Latin refrain, “in excelsis Deo!” The optional handbells chime in as the lyrics extol, “on this day earth shall ring.”

Rise Up, Shepherd, Go Tell It! arr. Lloyd Larson, SATB with piano
Joy abounds in this creative pairing of “Rise Up, Shepherd” and “Go! Tell It on the Mountain.” Starting in a slow 12/8, it quickly shifts gears, settling into a nice gospel groove. Key and meter changes signal the entrance of the second carol, and the tag briefly combines the two spirituals. Expertly crafted, it’s great fun to sing.

Will We Know Him? by Don Besig & Nancy Price, SATB with piano
A classic anthem from experienced writers Don Besig and Nancy Price.

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About the Author:
Jennifer F. is a graduate of Otterbein College with a degree in Vocal Performance. She has worked at Stanton’s for over 20 years specializing in Sacred Choral, Classical Vocal and Handbell music. Jennifer is Director of Handbells at Worthington Presbyterian Church, and sings in the First Church Choir and rings with the First Church Ringers at First Congregational Church in Columbus Ohio. When not singing or ringing, Jennifer can be found doing conformation and other competitive sports with her three standard long haired dachshunds, Fanny, Frenchie, and Lukas.